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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Fall 2017 Banquet
Tons of Newsletter Home to the Fall Session of the Raleigh Dart League for the Banquet, Saturday, December 9, 2017 Issue #JK704 The "This Is Probably About As Close To A 'Royal' Wedding As I Will Ever Care To Be" Edition TOURNAMENT WINNERS TABLE OF CONTENTS "A" Division - Appetite for Destruction (13-11) Item Page Number Appetite ends Element's 5-Mug run by pulling out a 501 sweep Tournament & Regular Season Winning Teams 1 (just as they did in their week 14 win), punctuated by a Michael Spring 2018 RDL Season Information 1 Johnson T80 and a pair of quick 20-darters in the final 3-game set. Final Divisional Standings 2 "B" Division - Dartistic Expression (13-11) Final Divisional Tournament Results 3 Dartistic finally escapes going to 1001 with Methodical (where Tournament & Regular Season Winning Team Rosters 4 Methodical had dumped them twice previously), thus completing Sp'18 season dates, Tiebreaker Summary, good lessons 4 an ultimate nailbiter Mug run, with 12-12, 13-11, and 13-11 wins. Tournament Trophy Dart Awards 5 "C" Division - Flightmare (13-3) Other Tournament Hot Darts 5 After winning the season race by 5 matches and 50 points (the Regular Season Trophy Dart Awards 5 second-biggest margin of victory), Flightmare rolls to one of the Divisional Singles Win %-age Winners 6 most dominant tournament runs this fall, only reaching 501 once. Divisional All-Star Point %-age Winners 6 "D" Division - Dysfunctional Outlaws (12+-12) Players Who Beat the Singles Winners 6 Dysfunctional becomes the only team outside of a "top two" from Season Penalty Summary 6 the regular season to take home a set of Mugs, outlasting the List of Host Establishments 7 Bandits (who they also thumped during the season) in a 1001! Holiday blind draws, other local leagues 7 "E" Division - Inglourious Darters (14-4) RDL Address and Phone No. -
LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
DC/Heroes Pop! List Popvinyls.Com
DC/Heroes Pop! LIst PopVinyls.com Updated April 14, 2018 DC HEROES SERIES 06: Joker Blue Batman Clamshell (SDCC 10) 06: Metallic Joker [CHASE] Blue Metallic Batman Clamshell (SDCC 10) 06: Bobblehead Joker (TARGET) Black Batgirl Clamshell (SDCC 10) 06: Bobblehead Metallic Joker (TARGET) GITD Green Lantern Clamshell (SDCC 10) [CHASE] 01: Batman 06: B&W The Joker (HT) 01: Metallic Batman [CHASE] 06: Black Suit Joker (Walgreens) 01: Blue Retro Batman (SDCC 10) 07: Superman 01: Metallic Blue Retro Batman (SDCC 10) 07: Metallic Superman [CHASE] 01: Error Yellow Symbol Batman 07: Kingdom Come Superman [BEDROCK 01: Error Metallic Yellow Symbol Batman CITY] [CHASE] 07: Bobblehead Superman (TARGET) 01: Flashpoint Batman (NYCC 2011) 07: Bobblehead Metallic Superman 01: Bobblehead Batman (TARGET) (TARGET) [CHASE] 07: B&W Superman (HT) 01: Metallic Bobblehead Batman (TARGET) [CHASE] 07: New 52 Superman (PX) 01: Yellow Rainbow Batman (Ent Earth) 07 Silver Superman LE 144 (HT) 01: Pink Rainbow Batman (Ent Earth) 07 GITD Silhouette Superman (EntEarth) 01: Green Rainbow Batman (Ent Earth) 08: Wonder Woman 01: Orange Rainbow Batman (Ent Earth) 08: Metallic Wonder Woman [CHASE] 01: Blue Rainbow Batman (Ent Earth) 08: B&W Wonder Woman (Toy Tokyo 01: Purple Rainbow Batman (Ent Earth) NYCC EXCLUSIVE) 08: New 52 Wonder Woman (PX) 01: New 52 Batman (PX) 01 Silver Batman LE 108 (HT Employees) 08 GITD Silhouette Wonder Woman (EE) 09: Green Lantern 01 Retro Batman (Ent Earth) 09: Metallic Green Lantern [CHASE] 01 “Michael Keaton” Batman (Gamestop) 09: GITD Green -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
The Harvard Classics Eboxed
0113 DSIS Qil3D THE HARVARD CLASSICS The Five-Foot Shelf of Books THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. English Poetry IN THREE VOLUMES VOLUME II From Collins to Fitzgerald ^ith Introductions and l>iotes Yolume 41 P. F. Collier & Son Corporation NEW YORK Copyright, igro By p. F. Collier & Son uanufactuked in v. s. a. CONTENTS William Collins page FiDELE 475 Ode Written in mdccxlvi 476 The Passions 476 To Evening 479 George Sewell The Dying Man in His Garden 481 Alison Rutherford Cockburn The Flowers of the Forest 482 Jane Elliot Lament for Flodden 483 Christopher Smart A Song to David 484 Anonymous Willy Drowned in Yarrow 498 John Logan The Braes of Yarrow 500 Henry Fielding A Hunting Song 501 Charles Dibdin Tom Bowling 502 Samuel Johnson On the Death of Dr. Robert Levet 503 A Satire 504 Oliver Goldsmith When Lovely Woman Stoops 505 Retaliation 505 The Deserted Village 509 The Traveller; or, A Prospect of Society 520 Robert Graham of Gartmore If Doughty Deeds 531 Adam Austin For Lack of Gold 532 465 466 CONTENTS William Cowper page Loss OF THE Royal George 533 To A Young Lady 534 The Poplar Field 534 The Solitude of Alexander Selkirk 535 To Mary Unwin 536 To the Same 537 Boadicea: An Ode 539 The Castaway 54" The Shrubbery 54^ On the Receipt of My Mother's Picture Out of Norfolk 543 The Diverting History of John Gilpin 546 Richard Brinsley Sheridan Drinking Song 554 Anna Laetitia Barbauld Life 555 IsoBEL Pagan (?) Ca' the Yowes to the Knowes 556 Lady Anne Lindsay AuLD Robin Gray 557 Thomas Chatterton Song from ^lla 558 -
Read Ebook // Grimjack Omnibus 1 (Paperback) ^ UFYEJW5EXN13
IPC7MT4ZIFR7 # Kindle < Grimjack Omnibus 1 (Paperback) Grimjack Omnibus 1 (Paperback) Filesize: 2.91 MB Reviews The publication is not difficult in study preferable to fully grasp. It really is rally intriguing throgh looking at period of time. I found out this pdf from my dad and i advised this ebook to find out. (Fabiola Hilpert) DISCLAIMER | DMCA PAYDGLCVSMJO \\ PDF < Grimjack Omnibus 1 (Paperback) GRIMJACK OMNIBUS 1 (PAPERBACK) To get Grimjack Omnibus 1 (Paperback) eBook, you should refer to the hyperlink beneath and save the ebook or get access to additional information that are in conjuction with GRIMJACK OMNIBUS 1 (PAPERBACK) ebook. Comicmix LLC, United States, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.This new edition collects the stories of the original grim and gritty hard-boiled barbarian from Starslayer issues #10-17 and GrimJack issues #1-13, as originally published by First Comics between 1983 and 1985 by John Ostrander (Suicide Squad, Star Wars) and Timothy Truman (Conan, King Thor). These are the tales that introduced John Gaunt, GrimJack, to the graphic story pantheon. A mercenary in Cynosure, Gaunt rents out his sword-for-hire to clients - some good, some bad, some only out for themselves. Blacjacmac, The Goddess, Major Lash, the Lawkillers, Spook, Mayfair, Jericho, Bob the Watchlizard and the inevitable Gordon Munden, the guy who runs the fabled Munden s Bar in the multidimensional world of Cynosure. They re all here, in the first Omnibus presenting all of their adventures just as Ostrander and Truman created them, thereby launching their meteoric careers and cementing the series as one of the first independent comics to achieve legendary status. -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
Super Satan: Milton’S Devil in Contemporary Comics
Super Satan: Milton’s Devil in Contemporary Comics By Shereen Siwpersad A Thesis Submitted to Leiden University, Leiden, the Netherlands in Partial Fulfillment of the Requirements for the Degree of MA English Literary Studies July, 2014, Leiden, the Netherlands First Reader: Dr. J.F.D. van Dijkhuizen Second Reader: Dr. E.J. van Leeuwen Date: 1 July 2014 Table of Contents Introduction …………………………………………………………………………... 1 - 5 1. Milton’s Satan as the modern superhero in comics ……………………………….. 6 1.1 The conventions of mission, powers and identity ………………………... 6 1.2 The history of the modern superhero ……………………………………... 7 1.3 Religion and the Miltonic Satan in comics ……………………………….. 8 1.4 Mission, powers and identity in Steve Orlando’s Paradise Lost …………. 8 - 12 1.5 Authority, defiance and the Miltonic Satan in comics …………………… 12 - 15 1.6 The human Satan in comics ……………………………………………… 15 - 17 2. Ambiguous representations of Milton’s Satan in Steve Orlando’s Paradise Lost ... 18 2.1 Visual representations of the heroic Satan ……………………………….. 18 - 20 2.2 Symbolic colors and black gutters ……………………………………….. 20 - 23 2.3 Orlando’s representation of the meteor simile …………………………… 23 2.4 Ambiguous linguistic representations of Satan …………………………... 24 - 25 2.5 Ambiguity and discrepancy between linguistic and visual codes ………... 25 - 26 3. Lucifer Morningstar: Obedience, authority and nihilism …………………………. 27 3.1 Lucifer’s rejection of authority ………………………..…………………. 27 - 32 3.2 The absence of a theodicy ………………………………………………... 32 - 35 3.3 Carey’s flawed and amoral God ………………………………………….. 35 - 36 3.4 The implications of existential and metaphysical nihilism ……………….. 36 - 41 Conclusion ……………………………………………………………………………. 42 - 46 Appendix ……………………………………………………………………………… 47 Figure 1.1 ……………………………………………………………………… 47 Figure 1.2 ……………………………………………………………………… 48 Figure 1.3 ……………………………………………………………………… 48 Figure 1.4 ………………………………………………………………………. -
Hawkman in the Bronze Age!
HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C.