The Harvard Classics Eboxed

Total Page:16

File Type:pdf, Size:1020Kb

The Harvard Classics Eboxed 0113 DSIS Qil3D THE HARVARD CLASSICS The Five-Foot Shelf of Books THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. English Poetry IN THREE VOLUMES VOLUME II From Collins to Fitzgerald ^ith Introductions and l>iotes Yolume 41 P. F. Collier & Son Corporation NEW YORK Copyright, igro By p. F. Collier & Son uanufactuked in v. s. a. CONTENTS William Collins page FiDELE 475 Ode Written in mdccxlvi 476 The Passions 476 To Evening 479 George Sewell The Dying Man in His Garden 481 Alison Rutherford Cockburn The Flowers of the Forest 482 Jane Elliot Lament for Flodden 483 Christopher Smart A Song to David 484 Anonymous Willy Drowned in Yarrow 498 John Logan The Braes of Yarrow 500 Henry Fielding A Hunting Song 501 Charles Dibdin Tom Bowling 502 Samuel Johnson On the Death of Dr. Robert Levet 503 A Satire 504 Oliver Goldsmith When Lovely Woman Stoops 505 Retaliation 505 The Deserted Village 509 The Traveller; or, A Prospect of Society 520 Robert Graham of Gartmore If Doughty Deeds 531 Adam Austin For Lack of Gold 532 465 466 CONTENTS William Cowper page Loss OF THE Royal George 533 To A Young Lady 534 The Poplar Field 534 The Solitude of Alexander Selkirk 535 To Mary Unwin 536 To the Same 537 Boadicea: An Ode 539 The Castaway 54" The Shrubbery 54^ On the Receipt of My Mother's Picture Out of Norfolk 543 The Diverting History of John Gilpin 546 Richard Brinsley Sheridan Drinking Song 554 Anna Laetitia Barbauld Life 555 IsoBEL Pagan (?) Ca' the Yowes to the Knowes 556 Lady Anne Lindsay AuLD Robin Gray 557 Thomas Chatterton Song from ^lla 558 Carolina Oliphant, Lady Nairne The Land o' the Leal 560 He's Ower the Hills that I Lo'e Weel 560 The Auld House 561 The Laird o' Cockpen 563 The Rowan Tree 564 Wha'll Be King But Charlie? 564 Charlie Is My Darling 566 Alexander Ross Wooed and Married and A' 567 John Skinner Tullochgorum 568 Michael Bruce To THE Cuckoo 570 George Halket Logie o' Buchan 571 William Hamilton of Bangour The Braes of Yarrow 572 CONTENTS 467 Hector MacNeil page I Lo'ed Ne'er a Laddie but Ane 576 Come Under My Plaidie 577 Sir William Jones An Ode 579 On Parent Knees a Naked New-born Child 580 Susanna Blamire And Ye Shall Walk in Silk. Attire 580 Anne Hunter My Mother Bids Me Bind My Hair 581 John Dunlop The Year, That's Awa' 581 Samuel Rogers A Wish 582 The Sleeping Beauty 582 William Blake The Tiger 583 Ah! Sun-Flower 584 To Spring 584 Reeds of Innocence 584 Night 585 Auguries of Innocence 586 Nurse's Song 590 Holy Thursday 590 The Divine Image 591 Song 591 John Collins To-Morrow 592 Robert Tannahill Jessie, the Flower o' Dunblane 593 Gloomy Winter's Now Awa' 594 William Wordsworth Ode on Intimations of Immortality from Recollections OF Early Childhood 595 My Heart Leaps Up 600 The Two April Mornings 600 The Fountain 602 Written in March 604 Nature and the Poet 605 Ruth: Or the Influences of Nature 607 A Lesson 614 468 CONTENTS William Wordsworth {Continued) pace Michael 615 Yarrow Unvisited 627 Yarrow Visited 629 Yarrow Revisited 631 Lines Composed a Few Miles Above Tintern Abbey . 635 The Daffodils 639 To THE Daisy . 640 To THE Cuckoo 641 The Green Linnet 642 Written in Early Spring 643 To the Skylark 644 The Affliction of Margaret 644 Simon Lee the Old Huntsman 647 Ode to Duty 649 She Was a Phantom of Delight 651 To THE Highland Girl of Inversneyde 652 The Solitary Reaper 654 The Reverie of Poor Susan 655 To ToussAiNT L'Ouverture 655 Character of the Happy Warrior 656 Resolution and Independence 658 Laodamia 662 We Are Seven 667 Lucy 669 The Inner Vision 672 By the Sea 673 Upon Westminster Bridge 673 To A Distant Friend 674 Desideria 674 We Must Be Free or Die 675 England and Switzerland 675 On the Extinction of the Venetian Republic .... 676 London, mdcccii 676 The Same 677 When I Have Borne 677 The World is Too Much With Us 678 Within King's College Chapel, Cambridge 678 Valedictory Sonnet to the River Duddon 679 Composed at Neidpath Castle, the Property of Lord Queensberry 679 Admonition to a Traveller 680 To Sleep 680 The Sonnet 681 CONTENTS 469 William Lisle Bowles page Dover Cliffs 682 Samuel Taylor Coleridge The Rime of the Ancient Mariner 682 KuBLA Khan joi Youth and Age 7°3 Love 704 Hymn Before Sunrise, in the Vale of Chamouni . 707 Christabel 709 Dejection: an Ode 7^^ Robert Southey After Blenheim 732 The Scholar 734 Charles Lamb The Old Familiar Faces 735 Hester 735 On an Infant Dying as Soon as Born 736 Sir Walter Scott The Outlaw 73^ To a Lock of Hair 740 Jock of Hazeldean 74^ Eleu Lord 742 A Serenade 743 The Rover 743 The Maid of Neidpath 744 Gathering Song of Donald the Black 745 Border Ballad 746 The Pride of Youth 746 Coronach 747 Lucy Ashton's Song 74^ Answer 74^ rosabelle 74^ Hunting Song 750 LocHiNVAR 751 Bonny Dundee 752 Datur Hora Quieti 754 Here's a Health to King Charles 754 ' Harp of the North, Farewell! . 755 James Hogg KiLMENY 756 When the Kye Comes Hame 765 The Skylark 767 Lock the Door, Lariston 767 470 CONTENTS Robert Surtees page Barthram's Dirge 7% Thomas Campbell The Soldier's Dream 77° To THE Evening Star 77^ Ode to Winter 77^ Lord Ullin's Daughter 773 The River of Life 775 To THE Evening Star 77^ The Maid of Neidpath 777 Ye Mariners of England T]^ Battle of the Baltic 779 Hohenlinden 7^1 J. Campbell Freedom and Love 7^^ Allan Cunningham Hame, Hame, Hame 782 A Wet Sheet and a Flowing Sea 783 George Gordon, Lord Byron Youth and Age 784 The Destruction of Sennacherib 785 Elegy on Thyrza 785 When We Tvs^o Parted 787 For Music 788 She Walks in Beauty 789 All For Love 789 Elegy 79° To Augusta 79° Epistle to Augusta 79^ Maid of Athens 795 Darkness 79^ Longing 798 Fare Thee Well 799 The Prisoner of Chillon 801 On the Castle of Chillon 811 Song of Saul Before His Last Battle 812 The Isles OF Greece 812 On This Day I Complete My Thirty-Sixth Y iAR . 815 Thomas Moore The Light of Other Days .... 816 Pro Patria Mori 817 1 CONTENTS 471 Thomas Moore {Continued) page The Meeting of the Waters ... 817 The Last Rose of Summer 818 The Harp that Once Through Tara's Halls 819 A Canadian Boat-Song 819 The Journey Onwards 820 The Young May Moon 821 Echo 821 At the Mid Hour of Night 822 Charles Wolfe The Burial of Sir John Moore at Corunna 822 Percy Bysshe Shelley Hymn of Pan 823 Hellas 824 Invocation 825 Stanzas Written in Dejection Near Naples .... 827 I Fear Thy Kisses 828 Lines to an Indian Air 828 To a Skylark 829 Love's Philosophy 832 To the Night 832 Ode to the West Wind 833 Written Among the Euganean Hills, North Italy . 835 Hymn TO THE Spirit OF Nature .841 A Lament 842 A Dream of the Unknown 842 The Invitation 843 The Recollection 845 To the Moon 847 A Widow Bird 848 To a Lady, with a Guitar 848 One Word is Too Often Profaned 850 OZYMANDIAS OF EgYPT 85 The Flight of Love 851 The Cloud 852 Stanzas—April, 1814 854 Music, When Soft Voices Die 855 The Poet's Dream 855 The World's Wanderers 856 Adonais 856 James Henry Leigh Hunt Jenny Kiss'd Me 870 Abou Ben Adhem 870 472 CONTENTS John Keats paob The Realm of Fancy 871 Ode on the Poets 873 The Mermaid Tavern 874 Happy Insensibility 875 Ode to a Nightingale 876 Ode on a Grecian Urn 878 Ode to Autumn . 879 Ode to Psyche 880 Ode on Melancholy 882 The Eve of St. Agnes 883 La Belle Dame Sans Merci 893 On the Grasshopper and Cricket 895 On First Looking into Chapman's Homer 895 To Sleep 896 The Human Seasons 896 Great Spirits Now on Earth Are Sojourning .... 897 The Terror of Death 897 Last Sonnet 898 Walter Savage Landor Rose Aylmer 898 Twenty Years Hence 898 Proud Word You Never Spoke 899 Absence 899 Dirce 899 CORINNA TO TaNAGRA, FROM AtHENS 899 Mother, I Cannot Mind My Wheel 901 Well I Remember 901 No, My Own Love 901 Robert Browning 902 The Death of Artemidora 902 Iphigeneia 903 'Do You Remember Me?' 904 For an Epitaph at Fiesole 904 On Lucretia Borgia's Hair 904 On His Seventy-Fifth Birthday 905 To My Ninth Decade 905 Death Stands Above Me 905 On Living Too Long 905 Thomas Hood Fair Ines 905 The Bridge of Sighs 9°? CONTENTS 473 Thomas Hood (Continued) page The Death Bed 910 Past and Present 910 Sir Aubrey De Verb Glengariff 911 Hartley Coleridge She is Not Fair 912 Joseph Blanco White To Night 913 George Darley The Loveliness of Love 913 Thomas Babington Macaulay, Lord Macaulay The Armada 915 A Jacobite's Epitaph 917 Sir William Edmondstoune Aytoun The Refusal of Charon 917 Hugh Miller The Babie 918 Helen Selina, Lady Dufferin Lament of the Irish Emigrant 919 Charles Tennyson Turner Letty's Globe 921 Sir Samuel Ferguson The Fair Hills of Ireland 921 Elizabeth Barrett Brow^ning A Musical Instrument 922 Sonnets from the Portuguese, 1-44 923-941 The Sleep 941 Edward Fitzgerald Rubaiyat of Omar Khayyam of Naishapur 943 WILLIAM COLLINS [1720-17^9} 294 FIDELE fair Fidele's grassy tomb TO Soft maids and village hinds shall bring Each opening sweet of earliest bloom, And rifle all the breathing Spring.
Recommended publications
  • Fall 2017 Banquet
    Tons of Newsletter Home to the Fall Session of the Raleigh Dart League for the Banquet, Saturday, December 9, 2017 Issue #JK704 The "This Is Probably About As Close To A 'Royal' Wedding As I Will Ever Care To Be" Edition TOURNAMENT WINNERS TABLE OF CONTENTS "A" Division - Appetite for Destruction (13-11) Item Page Number Appetite ends Element's 5-Mug run by pulling out a 501 sweep Tournament & Regular Season Winning Teams 1 (just as they did in their week 14 win), punctuated by a Michael Spring 2018 RDL Season Information 1 Johnson T80 and a pair of quick 20-darters in the final 3-game set. Final Divisional Standings 2 "B" Division - Dartistic Expression (13-11) Final Divisional Tournament Results 3 Dartistic finally escapes going to 1001 with Methodical (where Tournament & Regular Season Winning Team Rosters 4 Methodical had dumped them twice previously), thus completing Sp'18 season dates, Tiebreaker Summary, good lessons 4 an ultimate nailbiter Mug run, with 12-12, 13-11, and 13-11 wins. Tournament Trophy Dart Awards 5 "C" Division - Flightmare (13-3) Other Tournament Hot Darts 5 After winning the season race by 5 matches and 50 points (the Regular Season Trophy Dart Awards 5 second-biggest margin of victory), Flightmare rolls to one of the Divisional Singles Win %-age Winners 6 most dominant tournament runs this fall, only reaching 501 once. Divisional All-Star Point %-age Winners 6 "D" Division - Dysfunctional Outlaws (12+-12) Players Who Beat the Singles Winners 6 Dysfunctional becomes the only team outside of a "top two" from Season Penalty Summary 6 the regular season to take home a set of Mugs, outlasting the List of Host Establishments 7 Bandits (who they also thumped during the season) in a 1001! Holiday blind draws, other local leagues 7 "E" Division - Inglourious Darters (14-4) RDL Address and Phone No.
    [Show full text]
  • Mars, Mammon--And Other Options Carl Skrade
    Intersections Volume 2004 | Number 20 Article 4 2004 Mars, Mammon--and Other Options Carl Skrade Follow this and additional works at: http://digitalcommons.augustana.edu/intersections Augustana Digital Commons Citation Skrade, Carl (2004) "Mars, Mammon--and Other Options," Intersections: Vol. 2004: No. 20, Article 4. Available at: http://digitalcommons.augustana.edu/intersections/vol2004/iss20/4 This Article is brought to you for free and open access by Augustana Digital Commons. It has been accepted for inclusion in Intersections by an authorized administrator of Augustana Digital Commons. For more information, please contact [email protected]. Mars, Mammon---and Other Options Carl Skrade Woe to those who go down to Egypt forhelp And rely on horses, Who trust in chariots because they are many And in horsemen because they are very strong, But do not look to the holy one of Israel Or consult the Lord! -Isaiah 31: 1 Blessed are the peacemakers, forthey shall be called the sons of God. -Matthew 5: 9 Overgrown military establishments are under any formof government inauspicious to liberty, and are to be regarded as particularly hostile to Republican liberty. -George Washington, Farewell Address, September 17, 1796 The conjunctionof an immense military establishment and a large arms industry is new in the American experience .... In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex. The potential for disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing forgranted.
    [Show full text]
  • The Story of John G. Paton, Told for Young Folks
    https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 THE STORY OF JOHN G. PATON https://doi.org/10.24355/dbbs.084-202003201137-0 From a Photograph. by ElUott b Fry, 55 ßakcr Street, IV. A.D. x894. AET. 70. https://doi.org/10.24355/dbbs.084-202003201137-0 THE STORY OF JOHN G. PATON TOLD FOR YOUNG FOLKS OR REARRANGED AND EDITED BY THE REV. JAMES PATON, B.A. FIFTH EDITION COMPLETING THIRTY-FIFTH THOUSAND ~lltullltt HODDER AND STOUGHTON 27 PATERNOSTER ROW MDCCCXCVIII https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 PREFACE EVER since the story of my brother's life first appeared (January 1889), it has been constantly pressed upon me that a YOUNG FOLKS' EDITION would be highly prized. The Autobiography has therefore been re-cast and illustrated, in the hope and prayer that the Lord will use it to inspire the Boys and Girls of Christendom with a whole-hearted enthusiasm for the Conversion of the Heathen World to Jesus Christ. A few fresh incidents have been introduced ; the whole contents have been rearranged to suit a new class of readers ; and the service of a gifted Artist has been employed, to make the book every way attractive to the young. For full details as to the Missionary's work and life, the COMPLETE EDITION must still of course be referrcd to.
    [Show full text]
  • Publications of the Mississippi Philological Association
    POMPA: Publications of the Mississippi Philological Association Volume 30 2013 The remains of Windsor, near Port Gibson, Mississippi Editor, Lorie Watkins Assistant Editor, Seth Dawson 1 Table of Contents Editor’s note from Lorie Watkins 2013 Program Creative Submissions Poems: “Jane Bethune,” “Nightbirds,” “Alone,” and “A Limited Heaven” by Rob Bunce “Let’s Sell Alaska—Now!” by Peter R. Malik “Sonny’s Got his Bark Back” by Dorothy Shawhan Excerpt from Pineapple By Joe Taylor “Playing the Market: A Valentine to the Mississippi Philological Association” by James Tomek Critical Essays “Collecting Hubert Creekmore: A Bibliography” by John Soward Bayne “Hypocrisy in The Merchant of Venice” by Sharlene Cassius “Searching for Home in Hubert Creekmore’s The Fingers of Night” by Elizabeth Crews “The Invaluable Role of the Citizen Audience in Francis Beaumont’s The Knight of the Burning Pestle” by Will Dawkins “Tennessee Mountian Gothic: Supernatural in the Fiction of Mary N. Murfree” by Benjamin F. Fisher “The Relevancy of The Souls of Black Folk in the 21st Century,” by Cassandra Hawkins Wilson “Passion and Destiny in an Epic: Virgil’s The Aeneid and Shikibu’s The Tale of Genji as a Case Study” by Rim Marghli “’The matter with us,’ he said, ‘is you’”:Racism, Riots, and Radical Religion in Jeffrey Eugenides’ Middlesex” by Lindsey McDonald “Alice Walker’s Use of Symbolism in ‘Her Sweet Jerome’: The Ineffectiveness of the Civil Rights Movement” by Beatrice McKinsey “Atomic Vision: Blake’s Argument with Lucretius” by Marsha Newman “William Carey’s Romantic Notions” by Jennie Noonkester Pedagogical Approaches “Service Learning in the Classroom: Undergraduates Research Successfully Integrating Service Learningin to College English Classroom” by Preselfannie E.
    [Show full text]
  • Maske, Maskede Ifade Ve Sinemada Maske Kullanimi
    T.C. Đstanbul Üniversitesi Sosyal Bilimler Enstitüsü Radyo-Televizyon ve Sinema Anabilim Dalı Yüksek Lisans Tezi MASKE, MASKEDE ĐFADE VE S ĐNEMADA MASKE KULLANIMI Metin Yasan 2501081017 Tez Danı şmanı Doç. Dr. Ceyhan Kandemir Đstanbul, 2011 TEZ ONAY SAYFASI ii ÖZ Đnsanın ilksel yönelimlerinden biri do ğaüstü güçlere hâkim olup onlarla dü şmanlarını korkutma ve do ğa olaylarını kontrol etme iste ğidir. Đlksel insanın bu eğiliminin sonuçlarından biri olarak maske, insanın kendisini de ğiştirip dönü ştürebilmesi için üretti ği araçlardan biri olarak tarihsel süreç içinde hemen her kültürde ortaya çıkmı ştır. Đnsanlar ürettikleri maskeler aracılı ğıyla tanrılar ve ifadelerinde do ğaüstünü yansıtmayı amaçladı ğı varlıkları törenlerinin parçası haline getirmi şlerdir. Bu törenler gösteri sanatlarının temellerindendir ve sinemanın ortaya çıkmasıyla birlikte yeni boyutlar kazanarak geli şmi şlerdir. Sinema teknolojisinin bilgisayar teknolojisiyle bütünle şmeye ba şlamasıyla birlikte maskeler artık sadece makyaj ya da sabit ifadeler ta şıyan birer nesne olarak de ğil, perdede seyircinin gözleri önünde do ğal olan ya da olmayan yüzlerce ifadeye bürünebilme özelli ğine kavu şmu şlardır. Bu ba ğlamda maskenin tarihsel arka planında yer alan kullanılma amaçları; korunma ve saldırı, aktarma, dönü şüm ve ölü maskeleri olmak üzere sinemaya da yansıyan kullanımları ba ğlamında belli ba şlıklar altında toplanmı ştır. Çalı şmanın 2. bölümünde maske kullanımının yo ğun oldu ğu Korku, Bilimkurgu ve Fantastik film türlerinin sinema tarihindeki örneklerine de ğinilmi ş ve çalı şmanın 3. bölümünde çözümlemek için seçilen filmlerde maskenin kullanım amaçlarından birden fazlasının özelliklerini ta şıyan örnekler tercih edilmi ştir. Sinemanın mitlerin yeniden üretimi ba ğlamındaki özellikleri göz önünde bulundurularak seçilen örneklerin Hollywood merkezli anlatı sinemasının içinden tercih edilmesinin nedeni; Hollywood’un maskelerin tarihsel arka planında yatan i şlevleri sinemanın teknik özellikleriyle ileri derecede bütünle ştirmesi bakımından en yetkin örnekleri temsil etmesindendir.
    [Show full text]
  • ENDER's GAME by Orson Scott Card Chapter 1 -- Third
    ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table.
    [Show full text]
  • Truth, Justice, and the Canadian Way: the War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario
    Truth, Justice, and the Canadian Way: The War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario 148 What might be called the “First Age of Canadian Comics”1 began on a consum- mately Canadian political and historical foundation. Canada had entered the Second World War on September 10, 1939, nine days after Hitler invaded the Sudetenland and a week after England declared war on Germany. Just over a year after this, on December 6, 1940, William Lyon MacKenzie King led parliament in declaring the War Exchange Conservation Act (WECA) as a protectionist measure to bolster the Canadian dollar and the war economy in general. Among the paper products now labeled as restricted imports were pulp magazines and comic books.2 Those precious, four-colour, ten-cent treasure chests of American culture that had widened the eyes of youngsters from Prince Edward to Vancouver Islands immedi- ately disappeared from the corner newsstands. Within three months—indicia dates give March 1941, but these books were probably on the stands by mid-January— Anglo-American Publications in Toronto and Maple Leaf Publications in Vancouver opportunistically filled this vacuum by putting out the first issues of Robin Hood Comics and Better Comics, respectively. Of these two, the latter is widely considered by collectors to be the first true Canadian comic book becauseRobin Hood Comics Vol. 1 No. 1 seems to have been a tabloid-sized collection of reprints of daily strips from the Toronto Telegram written by Ted McCall and drawn by Charles Snelgrove. Still in Toronto, Adrian Dingle and the Kulbach twins combined forces to release the first issue of Triumph-Adventure Comics six months later (August 1941), and then publisher Cyril Bell and his artist employee Edmund T.
    [Show full text]
  • Unit 4 BRITISH LITERATURE LIFEPAC 4 the NINETEENTH CENTURY (1798–1900) CONTENTS I
    Unit 4 BRITISH LITERATURE LIFEPAC 4 THE NINETEENTH CENTURY (1798–1900) CONTENTS I. THE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • • • • • 1 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 1 William Blake • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5 William Wordsworth • • • • • • • • • • • • • • • • • • • • • • • 9 Samuel Taylor Coleridge • • • • • • • • • • • • • • • • • • • • 14 Sir Walter Scott • • • • • • • • • • • • • • • • • • • • • • • • • • 26 II. THE LATE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • 40 Jane Austen • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 40 Charles Lamb • • • • • • • • • • • • • • • • • • • • • • • • • • • • 47 George Gordon–Lord Byron • • • • • • • • • • • • • • • • • • 52 Percy Bysshe Shelley • • • • • • • • • • • • • • • • • • • • • • 58 John Keats • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 63 III. THE VICTORIAN ERA • • • • • • • • • • • • • • • • • • • • • • • 71 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 71 Thomas Carlyle • • • • • • • • • • • • • • • • • • • • • • • • • • • 75 John Henry Cardinal Newman • • • • • • • • • • • • • • • • 80 Alfred, Lord Tennyson • • • • • • • • • • • • • • • • • • • • • • 84 Charles John Huffman Dickens • • • • • • • • • • • • • • • • 90 Robert Browning • • • • • • • • • • • • • • • • • • • • • • • • • 100 George Eliot (Mary Ann Evans) • • • • • • • • • • • • • • • 103 Oscar Wilde • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 109 Lewis Carroll (Charles Lutwidge Dodgson)
    [Show full text]
  • Spawn Origins: Volume 20 Free
    FREE SPAWN ORIGINS: VOLUME 20 PDF Danny Miki,Angel Medina,Brian Holguin,Todd McFarlane | 160 pages | 04 Mar 2014 | Image Comics | 9781607068624 | English | Fullerton, United States Spawn (comics) - Wikipedia This Spawn series collects the original comics from the beginning in new trade paperback volumes. Launched inthis line of newly redesigned and reformatted trade paperbacks replaces the Spawn Collection line. These new trades feature new cover art by Greg Capullo, recreating classic Spawn covers. In addition to the 6-issue trade paperbacks, thi… More. Book 1. Featuring the stories and artwork by Todd McFarla… More. Want to Read. Shelving menu. Shelve Spawn Origins, Volume 1. Want to Read Currently Reading Read. Rate it:. Book 2. Featuring the stories and artwork by Spawn creator… More. Shelve Spawn Origins, Volume 2. Book 3. Spawn Origins: Volume 20 Spawn Origins, Volume 3. Book 4. Todd McFarlane's Spawn smashed all existing record… More. Shelve Spawn Origins, Volume Spawn Origins: Volume 20. Book 5. Featuring the stories and artwork by Todd Mcfarla… More. Shelve Spawn Origins, Volume 5. Book 6. Shelve Spawn Origins, Volume 6. Book 7. Spawn survives torture at the hands of his enemies… More. Shelve Spawn Origins, Volume 7. Book 8. Shelve Spawn Origins, Volume 8. Book 9. Journey with Spawn as he visits the Fifth Level of… More. Shelve Spawn Origins, Volume 9. Book Cy-Gor's arduous hunt for Spawn reaches its pinnac… More. Shelve Spawn Spawn Origins: Volume 20, Volume Spawn partners with Terry Fitzgerald as his plans … More. The Freak returns with an agenda of his own and Sa… More.
    [Show full text]
  • Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2013 "History Written with Lightning": Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr David Michael Kidd College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons, Ethnic Studies Commons, and the United States History Commons Recommended Citation Kidd, David Michael, ""History Written with Lightning": Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr" (2013). Dissertations, Theses, and Masters Projects. Paper 1539623616. https://dx.doi.org/doi:10.21220/s2-5k6d-9535 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “History Written With Lightning”: Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr. David Michael Kidd Norfolk, Virginia Master of Arts, University of Florida, 1992 Bachelor of Arts, Auburn University, 1990 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies The College of William and Mary May, 2013 © 2013 David M. Kidd All Rights Reserved APPROVAL PAGE This Dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy David Michael Kidd Approved by the Committee, April, 2013 Committee Chair Professor of American Studies and English, Susan V.
    [Show full text]
  • Kahlil Gibran a Tear and a Smile (1950)
    “perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated.
    [Show full text]
  • Comics and Videogames
    14 Creating Lara Croft The meaning of the comic books for the Tomb Raider franchise Josefa Much Since the creation of Lara Croft in 1996, it seems impossible to imagine the game industry without her. Her pop-cultural impact certainly affected the gaming industry, but the expansion of her character into a whole franchise has also immortalized her through action figures, cosplay, music videos, and appearances in many other media. If you take a closer look at the franchise, you will find a number of different videogames for different gaming platforms as well as three action films, six novels, and many comic books. Shortly after the release of the very firstTomb Raider game in 1996, the comic book pub- lisher Top Cow released a crossover with their own heroine Sara Pezzini aka Witchblade and Lara Croft: Tomb Raider/ Witchblade (Turner 1997, 1998). The Witchblade comic books were one of Top Cow’s most prominent series. As a result, something very interesting happened: Lara Croft was introduced into a new universe beyond her own games, and thus into a new storyworld. She became part of the Top Cow universe as both franchises collided. Two years later, the Tomb Raider received her own stand- alone comic book series. It not only focused on her adventures, but also on her personal thoughts and approach, introducing different characters and friends of hers. Later on, this would be used to create new crossovers with different Top Cow characters (e.g., Dark Crossing [Holland and Turner 2000a, 2000b]; Endgame [Rieber and Green 2003a, 2003b, 2003c; Silvestri and Tan 2003; Turner 2002c]; the Magdalena crossover [Bonny and Basaldua 2004a, 2004b, 2004c]; the Fathom/ Witchblade/ Tomb Raider crossover [Turner 2000, 2002a, 2002b]).
    [Show full text]