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Fall 2017 Banquet
Tons of Newsletter Home to the Fall Session of the Raleigh Dart League for the Banquet, Saturday, December 9, 2017 Issue #JK704 The "This Is Probably About As Close To A 'Royal' Wedding As I Will Ever Care To Be" Edition TOURNAMENT WINNERS TABLE OF CONTENTS "A" Division - Appetite for Destruction (13-11) Item Page Number Appetite ends Element's 5-Mug run by pulling out a 501 sweep Tournament & Regular Season Winning Teams 1 (just as they did in their week 14 win), punctuated by a Michael Spring 2018 RDL Season Information 1 Johnson T80 and a pair of quick 20-darters in the final 3-game set. Final Divisional Standings 2 "B" Division - Dartistic Expression (13-11) Final Divisional Tournament Results 3 Dartistic finally escapes going to 1001 with Methodical (where Tournament & Regular Season Winning Team Rosters 4 Methodical had dumped them twice previously), thus completing Sp'18 season dates, Tiebreaker Summary, good lessons 4 an ultimate nailbiter Mug run, with 12-12, 13-11, and 13-11 wins. Tournament Trophy Dart Awards 5 "C" Division - Flightmare (13-3) Other Tournament Hot Darts 5 After winning the season race by 5 matches and 50 points (the Regular Season Trophy Dart Awards 5 second-biggest margin of victory), Flightmare rolls to one of the Divisional Singles Win %-age Winners 6 most dominant tournament runs this fall, only reaching 501 once. Divisional All-Star Point %-age Winners 6 "D" Division - Dysfunctional Outlaws (12+-12) Players Who Beat the Singles Winners 6 Dysfunctional becomes the only team outside of a "top two" from Season Penalty Summary 6 the regular season to take home a set of Mugs, outlasting the List of Host Establishments 7 Bandits (who they also thumped during the season) in a 1001! Holiday blind draws, other local leagues 7 "E" Division - Inglourious Darters (14-4) RDL Address and Phone No. -
Mars, Mammon--And Other Options Carl Skrade
Intersections Volume 2004 | Number 20 Article 4 2004 Mars, Mammon--and Other Options Carl Skrade Follow this and additional works at: http://digitalcommons.augustana.edu/intersections Augustana Digital Commons Citation Skrade, Carl (2004) "Mars, Mammon--and Other Options," Intersections: Vol. 2004: No. 20, Article 4. Available at: http://digitalcommons.augustana.edu/intersections/vol2004/iss20/4 This Article is brought to you for free and open access by Augustana Digital Commons. It has been accepted for inclusion in Intersections by an authorized administrator of Augustana Digital Commons. For more information, please contact [email protected]. Mars, Mammon---and Other Options Carl Skrade Woe to those who go down to Egypt forhelp And rely on horses, Who trust in chariots because they are many And in horsemen because they are very strong, But do not look to the holy one of Israel Or consult the Lord! -Isaiah 31: 1 Blessed are the peacemakers, forthey shall be called the sons of God. -Matthew 5: 9 Overgrown military establishments are under any formof government inauspicious to liberty, and are to be regarded as particularly hostile to Republican liberty. -George Washington, Farewell Address, September 17, 1796 The conjunctionof an immense military establishment and a large arms industry is new in the American experience .... In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex. The potential for disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing forgranted. -
The Story of John G. Paton, Told for Young Folks
https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 THE STORY OF JOHN G. PATON https://doi.org/10.24355/dbbs.084-202003201137-0 From a Photograph. by ElUott b Fry, 55 ßakcr Street, IV. A.D. x894. AET. 70. https://doi.org/10.24355/dbbs.084-202003201137-0 THE STORY OF JOHN G. PATON TOLD FOR YOUNG FOLKS OR REARRANGED AND EDITED BY THE REV. JAMES PATON, B.A. FIFTH EDITION COMPLETING THIRTY-FIFTH THOUSAND ~lltullltt HODDER AND STOUGHTON 27 PATERNOSTER ROW MDCCCXCVIII https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 PREFACE EVER since the story of my brother's life first appeared (January 1889), it has been constantly pressed upon me that a YOUNG FOLKS' EDITION would be highly prized. The Autobiography has therefore been re-cast and illustrated, in the hope and prayer that the Lord will use it to inspire the Boys and Girls of Christendom with a whole-hearted enthusiasm for the Conversion of the Heathen World to Jesus Christ. A few fresh incidents have been introduced ; the whole contents have been rearranged to suit a new class of readers ; and the service of a gifted Artist has been employed, to make the book every way attractive to the young. For full details as to the Missionary's work and life, the COMPLETE EDITION must still of course be referrcd to. -
Publications of the Mississippi Philological Association
POMPA: Publications of the Mississippi Philological Association Volume 30 2013 The remains of Windsor, near Port Gibson, Mississippi Editor, Lorie Watkins Assistant Editor, Seth Dawson 1 Table of Contents Editor’s note from Lorie Watkins 2013 Program Creative Submissions Poems: “Jane Bethune,” “Nightbirds,” “Alone,” and “A Limited Heaven” by Rob Bunce “Let’s Sell Alaska—Now!” by Peter R. Malik “Sonny’s Got his Bark Back” by Dorothy Shawhan Excerpt from Pineapple By Joe Taylor “Playing the Market: A Valentine to the Mississippi Philological Association” by James Tomek Critical Essays “Collecting Hubert Creekmore: A Bibliography” by John Soward Bayne “Hypocrisy in The Merchant of Venice” by Sharlene Cassius “Searching for Home in Hubert Creekmore’s The Fingers of Night” by Elizabeth Crews “The Invaluable Role of the Citizen Audience in Francis Beaumont’s The Knight of the Burning Pestle” by Will Dawkins “Tennessee Mountian Gothic: Supernatural in the Fiction of Mary N. Murfree” by Benjamin F. Fisher “The Relevancy of The Souls of Black Folk in the 21st Century,” by Cassandra Hawkins Wilson “Passion and Destiny in an Epic: Virgil’s The Aeneid and Shikibu’s The Tale of Genji as a Case Study” by Rim Marghli “’The matter with us,’ he said, ‘is you’”:Racism, Riots, and Radical Religion in Jeffrey Eugenides’ Middlesex” by Lindsey McDonald “Alice Walker’s Use of Symbolism in ‘Her Sweet Jerome’: The Ineffectiveness of the Civil Rights Movement” by Beatrice McKinsey “Atomic Vision: Blake’s Argument with Lucretius” by Marsha Newman “William Carey’s Romantic Notions” by Jennie Noonkester Pedagogical Approaches “Service Learning in the Classroom: Undergraduates Research Successfully Integrating Service Learningin to College English Classroom” by Preselfannie E. -
Maske, Maskede Ifade Ve Sinemada Maske Kullanimi
T.C. Đstanbul Üniversitesi Sosyal Bilimler Enstitüsü Radyo-Televizyon ve Sinema Anabilim Dalı Yüksek Lisans Tezi MASKE, MASKEDE ĐFADE VE S ĐNEMADA MASKE KULLANIMI Metin Yasan 2501081017 Tez Danı şmanı Doç. Dr. Ceyhan Kandemir Đstanbul, 2011 TEZ ONAY SAYFASI ii ÖZ Đnsanın ilksel yönelimlerinden biri do ğaüstü güçlere hâkim olup onlarla dü şmanlarını korkutma ve do ğa olaylarını kontrol etme iste ğidir. Đlksel insanın bu eğiliminin sonuçlarından biri olarak maske, insanın kendisini de ğiştirip dönü ştürebilmesi için üretti ği araçlardan biri olarak tarihsel süreç içinde hemen her kültürde ortaya çıkmı ştır. Đnsanlar ürettikleri maskeler aracılı ğıyla tanrılar ve ifadelerinde do ğaüstünü yansıtmayı amaçladı ğı varlıkları törenlerinin parçası haline getirmi şlerdir. Bu törenler gösteri sanatlarının temellerindendir ve sinemanın ortaya çıkmasıyla birlikte yeni boyutlar kazanarak geli şmi şlerdir. Sinema teknolojisinin bilgisayar teknolojisiyle bütünle şmeye ba şlamasıyla birlikte maskeler artık sadece makyaj ya da sabit ifadeler ta şıyan birer nesne olarak de ğil, perdede seyircinin gözleri önünde do ğal olan ya da olmayan yüzlerce ifadeye bürünebilme özelli ğine kavu şmu şlardır. Bu ba ğlamda maskenin tarihsel arka planında yer alan kullanılma amaçları; korunma ve saldırı, aktarma, dönü şüm ve ölü maskeleri olmak üzere sinemaya da yansıyan kullanımları ba ğlamında belli ba şlıklar altında toplanmı ştır. Çalı şmanın 2. bölümünde maske kullanımının yo ğun oldu ğu Korku, Bilimkurgu ve Fantastik film türlerinin sinema tarihindeki örneklerine de ğinilmi ş ve çalı şmanın 3. bölümünde çözümlemek için seçilen filmlerde maskenin kullanım amaçlarından birden fazlasının özelliklerini ta şıyan örnekler tercih edilmi ştir. Sinemanın mitlerin yeniden üretimi ba ğlamındaki özellikleri göz önünde bulundurularak seçilen örneklerin Hollywood merkezli anlatı sinemasının içinden tercih edilmesinin nedeni; Hollywood’un maskelerin tarihsel arka planında yatan i şlevleri sinemanın teknik özellikleriyle ileri derecede bütünle ştirmesi bakımından en yetkin örnekleri temsil etmesindendir. -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
Truth, Justice, and the Canadian Way: the War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario
Truth, Justice, and the Canadian Way: The War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario 148 What might be called the “First Age of Canadian Comics”1 began on a consum- mately Canadian political and historical foundation. Canada had entered the Second World War on September 10, 1939, nine days after Hitler invaded the Sudetenland and a week after England declared war on Germany. Just over a year after this, on December 6, 1940, William Lyon MacKenzie King led parliament in declaring the War Exchange Conservation Act (WECA) as a protectionist measure to bolster the Canadian dollar and the war economy in general. Among the paper products now labeled as restricted imports were pulp magazines and comic books.2 Those precious, four-colour, ten-cent treasure chests of American culture that had widened the eyes of youngsters from Prince Edward to Vancouver Islands immedi- ately disappeared from the corner newsstands. Within three months—indicia dates give March 1941, but these books were probably on the stands by mid-January— Anglo-American Publications in Toronto and Maple Leaf Publications in Vancouver opportunistically filled this vacuum by putting out the first issues of Robin Hood Comics and Better Comics, respectively. Of these two, the latter is widely considered by collectors to be the first true Canadian comic book becauseRobin Hood Comics Vol. 1 No. 1 seems to have been a tabloid-sized collection of reprints of daily strips from the Toronto Telegram written by Ted McCall and drawn by Charles Snelgrove. Still in Toronto, Adrian Dingle and the Kulbach twins combined forces to release the first issue of Triumph-Adventure Comics six months later (August 1941), and then publisher Cyril Bell and his artist employee Edmund T. -
Unit 4 BRITISH LITERATURE LIFEPAC 4 the NINETEENTH CENTURY (1798–1900) CONTENTS I
Unit 4 BRITISH LITERATURE LIFEPAC 4 THE NINETEENTH CENTURY (1798–1900) CONTENTS I. THE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • • • • • 1 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 1 William Blake • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5 William Wordsworth • • • • • • • • • • • • • • • • • • • • • • • 9 Samuel Taylor Coleridge • • • • • • • • • • • • • • • • • • • • 14 Sir Walter Scott • • • • • • • • • • • • • • • • • • • • • • • • • • 26 II. THE LATE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • 40 Jane Austen • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 40 Charles Lamb • • • • • • • • • • • • • • • • • • • • • • • • • • • • 47 George Gordon–Lord Byron • • • • • • • • • • • • • • • • • • 52 Percy Bysshe Shelley • • • • • • • • • • • • • • • • • • • • • • 58 John Keats • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 63 III. THE VICTORIAN ERA • • • • • • • • • • • • • • • • • • • • • • • 71 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 71 Thomas Carlyle • • • • • • • • • • • • • • • • • • • • • • • • • • • 75 John Henry Cardinal Newman • • • • • • • • • • • • • • • • 80 Alfred, Lord Tennyson • • • • • • • • • • • • • • • • • • • • • • 84 Charles John Huffman Dickens • • • • • • • • • • • • • • • • 90 Robert Browning • • • • • • • • • • • • • • • • • • • • • • • • • 100 George Eliot (Mary Ann Evans) • • • • • • • • • • • • • • • 103 Oscar Wilde • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 109 Lewis Carroll (Charles Lutwidge Dodgson) -
Spawn Origins: Volume 20 Free
FREE SPAWN ORIGINS: VOLUME 20 PDF Danny Miki,Angel Medina,Brian Holguin,Todd McFarlane | 160 pages | 04 Mar 2014 | Image Comics | 9781607068624 | English | Fullerton, United States Spawn (comics) - Wikipedia This Spawn series collects the original comics from the beginning in new trade paperback volumes. Launched inthis line of newly redesigned and reformatted trade paperbacks replaces the Spawn Collection line. These new trades feature new cover art by Greg Capullo, recreating classic Spawn covers. In addition to the 6-issue trade paperbacks, thi… More. Book 1. Featuring the stories and artwork by Todd McFarla… More. Want to Read. Shelving menu. Shelve Spawn Origins, Volume 1. Want to Read Currently Reading Read. Rate it:. Book 2. Featuring the stories and artwork by Spawn creator… More. Shelve Spawn Origins, Volume 2. Book 3. Spawn Origins: Volume 20 Spawn Origins, Volume 3. Book 4. Todd McFarlane's Spawn smashed all existing record… More. Shelve Spawn Origins, Volume Spawn Origins: Volume 20. Book 5. Featuring the stories and artwork by Todd Mcfarla… More. Shelve Spawn Origins, Volume 5. Book 6. Shelve Spawn Origins, Volume 6. Book 7. Spawn survives torture at the hands of his enemies… More. Shelve Spawn Origins, Volume 7. Book 8. Shelve Spawn Origins, Volume 8. Book 9. Journey with Spawn as he visits the Fifth Level of… More. Shelve Spawn Origins, Volume 9. Book Cy-Gor's arduous hunt for Spawn reaches its pinnac… More. Shelve Spawn Spawn Origins: Volume 20, Volume Spawn partners with Terry Fitzgerald as his plans … More. The Freak returns with an agenda of his own and Sa… More. -
Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2013 "History Written with Lightning": Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr David Michael Kidd College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons, Ethnic Studies Commons, and the United States History Commons Recommended Citation Kidd, David Michael, ""History Written with Lightning": Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr" (2013). Dissertations, Theses, and Masters Projects. Paper 1539623616. https://dx.doi.org/doi:10.21220/s2-5k6d-9535 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “History Written With Lightning”: Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr. David Michael Kidd Norfolk, Virginia Master of Arts, University of Florida, 1992 Bachelor of Arts, Auburn University, 1990 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies The College of William and Mary May, 2013 © 2013 David M. Kidd All Rights Reserved APPROVAL PAGE This Dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy David Michael Kidd Approved by the Committee, April, 2013 Committee Chair Professor of American Studies and English, Susan V. -
Kahlil Gibran a Tear and a Smile (1950)
“perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated. -
Comics and Videogames
14 Creating Lara Croft The meaning of the comic books for the Tomb Raider franchise Josefa Much Since the creation of Lara Croft in 1996, it seems impossible to imagine the game industry without her. Her pop-cultural impact certainly affected the gaming industry, but the expansion of her character into a whole franchise has also immortalized her through action figures, cosplay, music videos, and appearances in many other media. If you take a closer look at the franchise, you will find a number of different videogames for different gaming platforms as well as three action films, six novels, and many comic books. Shortly after the release of the very firstTomb Raider game in 1996, the comic book pub- lisher Top Cow released a crossover with their own heroine Sara Pezzini aka Witchblade and Lara Croft: Tomb Raider/ Witchblade (Turner 1997, 1998). The Witchblade comic books were one of Top Cow’s most prominent series. As a result, something very interesting happened: Lara Croft was introduced into a new universe beyond her own games, and thus into a new storyworld. She became part of the Top Cow universe as both franchises collided. Two years later, the Tomb Raider received her own stand- alone comic book series. It not only focused on her adventures, but also on her personal thoughts and approach, introducing different characters and friends of hers. Later on, this would be used to create new crossovers with different Top Cow characters (e.g., Dark Crossing [Holland and Turner 2000a, 2000b]; Endgame [Rieber and Green 2003a, 2003b, 2003c; Silvestri and Tan 2003; Turner 2002c]; the Magdalena crossover [Bonny and Basaldua 2004a, 2004b, 2004c]; the Fathom/ Witchblade/ Tomb Raider crossover [Turner 2000, 2002a, 2002b]).