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Programmheft Organspace.Indd FINLAND 100 YEARS • SEPTEMBER 7 ! 10, 2017 • REFORMATION 500 YEARS En ny musikfestival ser dagens ljus och låter sig höra: OrganSpace Stockholm! Orgel är en av världens äldsta instrument med en ovanlig historia och stilistisk mångfald, såväl genom olika epoker som genom olika kulturlandskap. Knap- past något annat instrument smälter ihop och kommunicerar på så fascineran- de sätt med de rum den klingar i: I kyrkor eller profana rum som Stockholms Stadshus, i biosalonger eller helt oväntade salar som reaktorhallen på KTH. År 2017 ras Reformationens 500-årsjubileum och Finlands självständighets 100-årsjubileum – inspiration för de elva konserterna och många av de olika workshops som ingår i första upplagan av OrganSpace Stockholm. Vi önskar er många magiska konsertupplevelser! A new music festival is here to be enjoyed: OrganSpace Stockholm! Organs are one of the oldest instruments in the world with an unusual history and multitude of styles, through both di erent eras and di erent cultures. There is hardly another instrument that blends together and communicates so fascinating- ly with the spaces it is played in: in churches or public venues such as Stockholm’s City Hall, cinemas or surprising places such as the reactor chamber at the Royal Technical College. 2017 marks the 500th Anniversary of the Reformation and the 100th Anniver- sary of Finland’s Independence - inspiration for the eleven concerts and many of the various workshops which will be part of the rst ever Organ Space Stockholm. We hope you enjoy many magical concert moments together with us! 2 ORGANSPACE |2017 Våra konserter kan klinga vidare ... Musik kan förändra liv. Under de sista tjugo åren har tiotusentals pojkar och ickor i demokratiska republiken Kongo tvingats vara barnsoldater. Ett utbild- ningscentrum hos Baptistkyrkan i Bukavu/Kongo ger ungdomar möjlighet till en nystart, t ex som instrumentbyggare. De esta av de drygt 800 ungdomar ck som barn aldrig chans till utbildning, de blev o er och vittne till tortyr, våldtäkter och mord. Instrumentbyggandet ger dessa unga människor nya perspektiv, och gitarrer ur verkstaden i Bukavu har redan blivit berömda och spelas av många kända professionella musiker i Afrika och Europa. Inträde till alla konserter inom festivalen OrganSpace Stockholm är gratis, men vi ber Er om en generös gåva för projektet Gitarrer istället för gevär som drivs av tyska organisationen ”Brot für die Welt”. Our concerts keep sounding out… Music can change lives. For the last twenty years, tens of thousands of boys and girls in the Democratic Republic of Congo have been exploited as child soldiers. An education centre run by the Baptist Church in Bukavu, Congo o ers youngsters the chance to start over again. The majority of these over 800 youngsters never had ac- cess to schooling and were instead the victims of and witnesses to torture, rape and murder. Making musical instruments a ords these young people new perspectives and opportunities. Guitars from the workshop in Bukavu are already famous and are used by many professional musicians in Africa and Europe. We o er free entry to all concerts in the festival Organ Space Stockholm. But we do ask you to make a generous donation to the project Guitars, Not Guns run by the Püschner Christoph Foto: organisation ”Brot für die Welt”. The project is audited – 94.2 % of your contribution goes directly to the project, 2.4 % goes to advertising and information and 3.4 % to administration. Swish-Nummer: 123 694 2908, Plusgiro: 49 59-3, “guitars” ORGANSPACE 2017 3 Kalevi Kiviniemi Teema ja variaatioita Stockholms Stadshus * 1958 (Tema och variationer – Stockholm’s Town Hall fri improvisation) Franz Liszt Konzertetüde Un Sospiro 1811–1886 Torsdag 7 september kl 19 th Jean Sibelius Ristilukki (Sången om korsspindeln) Thursday September 7 , 7 p.m. 1865–1957 Sydämeni laulu (Mitt hjärtas sång) Intrada (manus) FINLANDIA and Musical Fireworks Léon Boëllmann Toccata ur Suite Gothique 1862–1897 Kalevi Kiviniemi, orgel Michel Corrette Tambourin 1707–1795 Gabriel Pierné Prélude op. 29 no. 1 1863–1937 Charles-Marie Widor Toccata ur Symphony No. 5 1844–1937 Manuel de Falla Danza ritual del fuego (Rituell elddans) 1876–1946 Kalevi Kiviniemi Introduction et Toccata Jean Sibelius Finlandia op. 26 4 ORGANSPACE |2017 Kalevi Kiviniemi Kalevi Kiviniemi (born 1958 in Finland) is ical organs in the USA, Japan, the Philip- SoileSiltanen Foto: a world-renowned concert organist. Ki- pines, Australia, Italy, France, Switzerland viniemi’s international career began and Germany. Many of his recordings with recitals in Japan and London in have won awards, and he has two gold the early 1990s, and soon after he was records, and one platinum. touring in Europe, the USA, Russia, Asia, In 2001, Kiviniemi received the Janne Australia and the Philippines. In addition Prize for the best Finnish solo disc, and in to solo recitals and chamber music con- 2009, the State Prize for Music in Finland, certs, Kiviniemi has appeared with major the most coveted music award in the orchestras such as the Moscow Chamber country. In 2012, he was named Cheva- Orchestra, and the Moscow Symphony lier OCM, and in 2014 he received the Pro Orchestra. He has served on the juries Cultura Tavastica et Fennica Award in Hel- of international organ competitions sinki. Kalevi Kiviniemi has made several (Nürnberg 1996, Capri 1998, Speyer 2001, television performances, including one at Korschenbroich 2005, St. Albans 2013, Notre Dame in Paris in 2000. International Strasbourg 2016), and has given master critiques count Kalevi Kiviniemi among classes at places such as Ruhr University the most in uential musicians of our time. in Bochum and Sibelius Academy in Fin- land. Kiviniemi was the artistic director of the Lahti Organ Festival for eleven years, from 1991 to 2001. Kiviniemi specializes in French music and has given recitals at Notre Dame Cathedral, St. Sulpice, and Basilique Sainte-Clotilde in Paris. He has also made recordings on the historical Cavaillé-Coll organs in Orléans, and Rouen. Kiviniemi’s discography includes more than 160 ti- tles, including recordings made on histor- ORGANSPACE 2017 5 Alfred Newman 20th Century Fox Fanfare Reaktorhallen • Reactorhall 1900–1970 (1933) Richard Whiting Hooray for Hollywood Fredag 8 september kl 11, 13 och 15 1891–1938 (from Hollywood Hotel, 1937) Friday Sept. 8th, 11 am, 1 pm, and 3 pm Irving Berlin There’s No Business Like 1888–1989 Show Business (from Annie Get Your Gun, 1950) Jerome Kern The Way You Look Tonight Music from the Golden Age of Hollywood 1885–1945 (from Swing Time, 1936) Simon Gledhill, Wurlitzerorgel Harry Warren Harry Warren in Hollywood 1893–1981 David Raksin Laura (from Laura, 1944) 1912–2004 Arthur Schwartz Selections from 1900–1984 The Band Wagon (1953) Max Steiner Theatre March 1888–1971 from King Kong (1933) Konserten spelas in av Sveriges Radio P2 Foto: Hans-Martin Riben Foto: Radio Broadcast 6 ORGANSPACE |2017 Simon Gledhill Simon was born in Halifax, UK and showed touring in Europe, the USA, Canada, Aus- a keen interest in music from an early tralia and New Zealand. He has performed age. He started learning to play the piano several times for the American Theatre accordion at age six and continued with Organ Society, was named ATOS Organist that instrument for eleven years, winning of the Year in 1997, and was inducted into several competitions. When he was ten the ATOS Hall of Fame in 2015. years old, his parents purchased a small Simon’s music has won high praise electronic organ. After initially teaching from his peers. Lyn Larsen, one of the himself to play it, he began formal studies USA’s leading theatre organists, described with a local teacher, Michael Woodhead, him as: ‘That rare combination of awless who also gave him tuition in classical or- technique, impeccable phrasing and an gan and piano. unerring sense of musical good taste’, Simon’s rst experience of the theatre while Nigel Ogden said: ‘Here is someone pipe organ was seeing and hearing Ernest who was born to be a theatre organist. Broadbent play Britain’s most famous His ability has rightfully earned him the ‘Mighty Wurlitzer’ at the Tower Ballroom in genuine admiration of both audiences and Blackpool. Shortly afterwards he discov- colleagues alike.’ ered a privately-owned instrument close to Simon combines his concert and re- his home and started making weekly visits cording activities with work for the Cinema for practice sessions. Organ Society, the UK’s leading theatre In 1982 he entered and won the UK organ preservation group, and a full-time Northern Young Theatre Organist of the career in nance, based in London. Year competition. Nigel Ogden, presenter of the BBC radio programme The Organist Entertains, was in the audience and invited him to record for the programme. The resulting broadcasts generated concert o ers, and Simon has since per- formed extensively in the UK as well as ORGANSPACE 2017 7 Orgelläger för ungdomar på Kungliga Musikhögskolan Fredag 8 september kl 19 till Söndag 10 september Tillfälle att närmare lära känna Stockholms orgelvärld, få lektioner och visning av Kungliga Musikhögskolan, lyssna på konserter, trä a andra unga organister och studenter. Lärare är Johannes Landgren och Stefan Therstam. Internatio- nell gästlärare är Isabelle Demers, Kanada. För ungdomar 15–25 år, goda förkunskaper krävs. Arrangörer är Kungliga Musikhögskolan, Stockholms stift, Sensus och Oktava – Orgelpedagogik i utveck- ling. Kostnad: 500 kr. Information och anmälan på www.organspace.se. Kontaktperson: Karin Sundin, Sensus studieförbund Telefon 0702-373770, [email protected] 8 ORGANSPACE |2017 Stefan Therstam studerade för Gotthard Arnér och Rune Engsö Johannes Landgren studerade vid Musikhögskolan i Göteborg. i solistiskt orgelspel samt för Anders Bondeman i improvisation. I maj 1997 disputerade han på en avhandling om den tjeckiske 1988 vann han den legendariska Internationella orgelimprovi- kompositören Petr Ebens orgelmusik.
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