American Guild of Organists ORGANIST
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Orgelbuch Mozart ·Haydn
02118_Titel.qxp 16.07.2010 14:12 Seite 1 Orgelbuch Mozart · Haydn Organ book Mozart · Haydn Musik für Tasteninstrumente Music for keyboard instruments Leopold Mozart Wolfgang Amadeus Mozart Joseph Haydn Johann Michael Haydn herausgegeben von /edited by Armin Kircher Orgelbuch MozartOrgelbuch · Haydn Carus 2.118 02118 inh_vwt.qxp 13.07.2010 15:37 Seite II Inhalt Wolfgang Amadeus Mozart KV Nr. Klavierstück in B. KV 9b (5b). Horn (c) . 1 Andante . KV 10,2. 2 Sonate in B . KV 15 . 3 Praeludium und Fuge. nach KV 15g . Faulstich (b) . 4 Kirchensonate in Es . KV 67 . 5 Fuge in Es . KV 153 (375f) . Sechter (c) . 6 Fuge in g . KV 154 (385k) . Sechter (c) . 7 Zwei kleine Fugen (Versetten) . KV 154a (Anh. A 61/62) . 8 Andantino in Es . KV 236 (588b) . 9 Adagio in C für Glasharmonika . KV 356 (617a) . 10 Solfeggio in F. KV 393,2 (385b) . 11 Ouverture und Allegro . KV 399,1 (385i) . Kraus (a) . 12 Fuge in g . KV 401 (375e) . Stadler (c) . 13 Adagio in F . KV 410 (484d) . 14 Andante . KV 421 (417b). Holmes (a) . 15 Fuge (Triosonate) in G . KV 443 (404b). Stadler (c) . 16 Kleiner Trauermarsch (Marche funèbre) . KV 453a . 17 Neun kleine Praeludien . KV 453b . Kraus (a) . 18 Allegro. nach KV 484e . Firlinger (b) . 19 Motive aus der Oper „Don Juan“ . nach KV 527 . Lickl (b) . 20 Fuga über ein Motiv aus „Don Juan“ . nach KV 527 . Sechter (b) . 21 Ein Stück für ein Orgelwerk in einer Uhr. KV 594 . Kraus (a) . 22 Ein Andante für eine Walze in eine kl. -
JANUARY, 2010 Cathedral Church of St. Peter Regensburg, Germany
THE DIAPASON JANUARY, 2010 photo credit: Michael Vogl, Regensburg Cathedral Church of St. Peter Regensburg, Germany Cover feature on pages 28–29 Jan 2010 Cover.indd 1 12/14/09 7:25:20 AM Jan 2010 pp. 2-18.indd 2 12/14/09 7:27:04 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred First Year: No. 1, Whole No. 1202 JANUARY, 2010 Gavin Black: On Teaching the fi fties to hear Myra Hess, Burt Lan- Established in 1909 ISSN 0012-2378 I’ve been enjoying Gavin Black’s col- caster walked right past my wife and me, An International Monthly Devoted to the Organ, umn “On Teaching” in The Diapason. big deal! the Harpsichord, Carillon, and Church Music Although I don’t have organ students, And Bovard Auditorium (I am a USC I’m learning a lot from the articles. Be- alumnus, grad school, as well as UCLA sides being an organist, I’m also a piano grad)—what memories! I remember the technician. The article about tuning original console well, and Mr. Lewis has CONTENTS Editor & Publisher JEROME BUTERA [email protected] systems (September) is, by far, the best it all correct. This was a major loss, which 847/391-1045 description of tuning and tuning systems should not have happened, and I am not FEATURES that I’ve ever read! I’m going to save this alone in my opinion. It was a powerful Poulenc and Durufl é ‘premieres’ in Woolsey Hall Associate Editor JOYCE ROBINSON issue in case I have to give a talk about and impressive instrument. -
CÉSAR FRANCK PÉTUR SAKARI Playing the Cavaillé-Coll Organ of the Cathédrale Sainte-Croix, Orléans
CÉSAR FRANCK PÉTUR SAKARI playing the Cavaillé-Coll Organ of the Cathédrale Sainte-Croix, Orléans Trois Pièces · Trois Chorals BIS-2349 FRANCK, César (1822—90) Trois Pièces pour grand orgue, FWV 35—37 (1878) 33'02 1 Fantaisie. Andantino 16'16 2 Cantabile. Non troppo lento 6'50 3 Pièce héroïque. Allegro maestoso 9'39 Trois Chorals pour grand orgue, FWV 38—40 (1890) 46'45 4 Chorale No. 1 in E major. Moderato 15'37 5 Chorale No. 2 in B minor. Maestoso 15'32 6 Chorale No. 3 in A minor. Quasi allegro 15'20 TT: 80'37 Pétur Sakari playing the 1880 Cavaillé-Coll Organ of the Cathédrale Sainte-Croix, Orléans 2 espite his modest disposition, César Franck played a critical role in nine- teenth-century French music. In a country where literature had always been Dking, musical genres that celebrated words – such as songs or opera – was naturally on top of the pile. ‘Pure’ (or absolute) music was rarely heard. Composing music that was freed from the shackles of a text and which allowed passion free rein, even though it eschewed showy virtuosity, Franck rehabilitated chamber music and the symphony, genres that had been regarded as German specialities. His work as a teacher (he was professor of organ at the Paris Con servatoire from 1872 until his death in 1890) should also be borne in mind when evaluating his importance; this activity is inseparable from his contribution to the emer gence of a serious, highly struc tured type of French music that had no reason to envy its German counter part. -
SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12Th Century, Paris, Bibl
SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12th century, Paris, Bibl. Nat., ms . lat. 17,328) SACRED MUSIC Volume 99, Number 1 , Spring 1972 BERNSTEIN'S MASS 3 Herman Berlinski TU FELIX AUSTRIA 9 Reverend Robert Skeris MUSICAL SUPPLEMENT 13 REVIEWS 20 FROM THE EDITOR 25 NEWS 26 SACRED MUSIC Continuation of Caeci/ia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 548 Lafond Avenue, Saint Paul, Minne sota 55103. Editorial office: Route 2, Box I, Irving, Texas 75062. Editorial Board Rev. Ralph S. March, S.O.Cist., Editor Mother C. A. Carroll, R.S.C.J. Rev. Lawrence Heiman, C.PP.S. J. Vincent Higginson Rev. Peter D. Nugent Rev. Elmer F. Pfeil Rev. Msgr. Richard J. Schuler Frank D. Szynskie Editorial correspondence: Rev. Ralph S. March, S.O.Cist., Route 2, Box I, Irving, Texas 75062 News: Rev. Msgr. Richard J. Schuler, 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York 10577 Rev. Elmer F. Pfeil 3257 South Lake Drive Milwaukee, Wisconsin 53207 Membership and Circulation: Frank D. Szynskie, Boys Town, Nebraska 68010 AdvertisinR: Rev. Ralph S. March, S.O.Cist. CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Dr. Roger Wagner Vice-president Noel Goemanne General Secretary Rev. Robert A. Skeris Treasurer Frank D. Szynskie Directors Robert I. -
The Seventh Sunday of Easter (C) 2Nd June
THE SEVENTH SUNDAY OF EASTER (C) 2ND JUNE 2019 ‘Father, may they be one in us as you are in me and I am in you, so that the world may believe it was you who sent me’ (John 17, 21). S THE POLITICAL CRISIS DEEPENS in this country, our focus must be upon Our Saviour, Christ A the Lord. Our prayers are powerful, and we must respond to the anxiety and confusion by entrusting ourselves and our society to God’s merciful love. At the same time, we must uphold and respect the rule of law. Even if governments totter and fall, even if the media jubilantly fill our hearts with despondency, we have the Holy Spirit to impart to the fearful and confused. The divisions are clear enough, but the issues are so incomprehensible that the experts, especially the politicians, know not what they are. Furthermore, the crisis in other countries also gives ground for alarm. The search for security leads inevitably to extremes of right and left. We are now faced with an opportunity and a moment of grace. We are not powerless or hopeless or gloomy for the spirit of God fills all the earth, ‘and we have the mind of Christ.’ Dom Michael Clothier The results of the recent MEP elections show a country that is deeply divided within itself. Even the break-up of the United Kingdom seems once again to be a possibility. The divisions within the two traditional major parties resemble the cracquelure in an Old Master painting in need of urgent restoration. -
March & April 2006
march/april 2006 vol xiv · no 6 music · worship · arts Prismyale institute of sacred music common ground for scholarship and practice Christ’s Passion in Context Theological, Historical, and Artistic Considerations of the Passion Honoring the memory of J. Irwin Miller Courtesy Jaime Lara Courtesy Fray Diego Valadés, Rhetorica christiana : ad concionandi et orandi vsvm accommodata, vtrivsq facvltatis exemplis svo loco insertis; qvae qvidem ex Indorvm maximedeprompta svnt historiis. Perugia, 1579. Beinecke Rare Book and Manuscript Library. In April the Institute is producing 2-week, multi-part event dedicated to the memory of one of the ISM’s founding benefactors, J. Irwin Miller. Entitled Christ’s Passion in Context: Theological, Historical, and Artistic Considerations of the Passion, it will consist of three performances and a symposium. The Yale Schola Cantorum and Yale Camerata will perform Bach’s St. John and St. Matthew Passions; Martin Jean will perform Marcel Dupré’s Le chemin de la croix; Professors Markus Rathey of Yale and Daniel Melamed of Indiana University School of Music will give preconcert talks before the two Bach performances; and professors Adela Yarbro Collins and Jaime Lara of Yale, and Guy Erwin of California Lutheran University will address the topic in different lights in a symposium. Members of the Miller family will be in attendance, and honored at a lunch before the April 9 performance of the St. Matthew Passion. continued on page 4 Courtesy OMSC Courtesy Courtesy OMSC Courtesy Peace Be Still Mary Magdalene He Qi Exhibition at ISM March 6- April 26 Look Toward the Heavens: The Art of He Qi is on OMSC Courtesy display through April 26 in New Haven at the Yale Institute of Sacred Music, 409 Prospect St. -
PETER PLANYAVSKY Biography
PETER PLANYAVSKY Biography Peter Planyavsky was born in Vienna in 1947 and became a student of Anton Heiller at the University for Music and Drama when he was 12. He graduated with the Master’s Diploma in Organ (1966) and the Diploma in Church Music (1967). He then worked for one year in the workshop of a major Austrian organ builder, and for another year he served as Abbey Organist at Schlägl, Austria. In 1969, Mr. Planyavsky was appointed Cathedral Organist at St. Stephan’s Cathedral, Vienna. From 1983 until 1990 he was the Cathedral’s Music Director with responsibility for choral and organ programs, which in Austria are traditionally held as two separate positions. In 2004, he decided to terminate his affiliation with the Cathedral. Since 1980, Mr. Planyavsky has been Professor for Organ and Improvisation at the University for Music and Drama in Vienna, also functioning as Head of the Church Music Department from 1996 to 2003. Peter Planyavsky also undertakes a full schedule as a recitalist, a coach in workshops and master classes, and a member of juries. He has toured North America, Japan, Australia, South Africa and most of Europe, and has recorded many CDs and records. Mr. Planyavsky has won several prizes and awards, most recently the Federal Austrian Prize for Music, awarded to him for his collected compositions. He has composed extensively for choir, organ and orchestra, with primary emphasis on liturgical works. As a conductor, Peter Planyavsky has performed the Bach Mass in B Minor, the Duruflè Requiem, the great Haydn masses, and other major sacred works. -
May 19 Nat.Pdf
PIPEDREAMS Programs, May 2019 Spring Quarter: The following listings detail complete contents for the May 2019 Spring Quarter of broadcasts of PIPEDREAMS. The first section includes complete program contents, with repertoire, artist, and recording information. Following that is program information in "short form". For more information, contact your American Public Media station relations representative at 651-290-1225/877- 276-8400 or the PIPEDREAMS Office (651-290-1539), Michael Barone <[email protected]>). For last-minute program changes, watch DACS feeds from APM and check listing details on our PIPEDREAMS website: http://www.pipedreams.org AN IMPORTANT NOTE: It would be prudent to keep a copy of this material on hand, so that you, at the local station level, can field listener queries concerning details of individual program contents. That also keeps YOU in contact with your listeners, and minimizes the traffic at my end. However, whenever in doubt, forward calls to me (Barone). * * * * * * * PIPEDREAMS Program No. 1918 (distribution on 5/6/2019) On Stage . concert and competition performances feature ‘live’ music made vivid in the moment. [Hour 1] PAUL MANZ: Praise to the Lord, the Almighty. MARIUS MONNIKENDAM: Toccata. GUILLAUME DUFAY: Alma redemptoris mater. PIETER CORNET: Fantasy on the 8th Tone. J.-B. LOEILLET: Aria. FRANZ SCHMIDT: 2 Chorale-preludes (O Ewigkeit, du Donnerwort; Nun danket alle Gott) –John Schwandt (1966 Schlidker/Mount Olive Lutheran Church, Minneapolis, MN) PD Archive (r. 10/2/16). This repertoire was played by Paul Manz during the inaugural concert on this instrument fifty years ago. McNEIL ROBINSON: Soave e delicato, fr Sonata (1990). -
Manuel De Falla Del Fuego
KALEVI KIVINIEMI · CÉSAR FRANck MARCEL DUPRÉ · ENTRÉE, CANZONA ET SORTIE OP. 62 · IMPROVISATION AM 21.04.2009 · MANUEL DE FALLA PIERRE COCHEREAU · FRANZ LISZT CZÁRDÁS OBSTINÉ · DANZA RITUAL DEL FUEGO · DANZA DEL MOLINERO ScHERZO SYMPHONIQUE · FINLANDIA OP. 26 · SO KLINGT NUR DORTMUND. 2,50 E KONZERTHAUS DORTMUND · DIENSTAG, 21.04.2009 · 20.00 Dauer: ca. 2 Stunden 10 Minuten inklusive Pause KALEVI KIVINIEMI ORGEL Abo: Orgel im Konzerthaus In unserem Haus hören Sie auf allen Plätzen gleich gut – leider auch Husten, Niesen und Handy- klingeln. Ebenfalls aus Rücksicht auf die Künstler bitten wir Sie, von Bild- und Tonaufnahmen während der Vorstellung abzusehen. Wir danken für Ihr Verständnis! 4 I 5 CÉSAR FRANck (1822 – 1890) MANUEL DE FALLA (1876 – 1946) Aus »Rédemption« Aus »El sombrero de tres picos« (Fassung für Orgel) ›Interlude symphonique‹ ›Danza del Molinero‹ (Fassung für Orgel von Kalevi Kiviniemi) Aus »El amor brujo« (Fassung für Orgel) ImpROVISATION ›El círculo mágico‹ ›Danza ritual del fuego‹ MARCEL DupRÉ (1886 – 1971) »Entrée, Canzona et Sortie« op. 62 FRANZ LIszt (1811 – 1886) Konzert-Etüde Nr. 3 Des-Dur PIERRE CochEREAU (1924 – 1984) (Fassung für Orgel von Kalevi Kiviniemi) Scherzo symphonique »Consolation« Nr. 3 Des-Dur – Pause – (Fassung für Orgel von Kalevi Kiviniemi) ImpROVISATION »Czárdás obstiné« (Fassung für Orgel von Kalevi Kiviniemi) JEAN SIBELIus (1865 – 1957) »Finlandia« op. 26 (Fassung für Orgel) 6 I 7 PROGRAmm 8 I 9 DER MAGIschE KREIS SINfoNIschE ORGELmusIK VON SPANIEN BIS FINNLAND SINFONISCHES ZWISCHENSPIEL CÉSAR FRANCK ›INTERLUDE SYMPHONIQUe‹ Aus »RÉDEmptION« UND ImpROVISATION Der heutige Abend ist ganz zwei Themen gewidmet: dem Arrangement von Orchester- und Klavierwerken für die Orgel sowie der Improvisation. -
Spread the Word • Promote the Show • Support Public
Program No. 1745 11/6/2017 BWV 734; Komm, Gott, Schöpfer, BWV 667) NICHOLAS WHITE: Shenandoah. PAMELA The Modern Organist . a bicentennial –Peter Dubois (1799 Tanenberg/Old Salem DECKER: Conditor alme siderum –Elizabeth reflection upon the art of one of the most Museum, Winston-Salem, NC) Pipedreams & Raymond Chenault (1942 Aeolian-Skinner/ Archive (4. 9/26/14) St. Andrew’s Episcopal Church, Amarillo, TX) popular and powerful Parisian organists VIVALDI-BACH: Concerto in d, BWV 596 – Gothic 49292 of the 19th century, Louis James Alfred Alcee Chriss II (2003 Blackinton/Benson Great ANONYMOUS: Music from Caspar Schaffner’s Lefébure-Wely (1817-1869). Hall, Bethel University, Arden Hills, MN) Book (Lancaster, PA, c. 1790) –Philip Cooper Pipedreams Archive (4. 9/16/16) (1865 Krauss/Union Church, Huff Church, PA) LEFÉBURE-WELY: Offertoire in G (No. 8), BACH: Allein Gott in der Höh, BWV 662 –Mary AFKA 564 fr L’organiste moderne –Richard Lea (1967 Preston (1997 Fisk/Minata Mirai Concert Hall, GARY DAVISON: Trumpet Rondo on Laudes Walker/Metropolitan Cathedral, Liverpool, Yokohama, Japan) Pipedreams Archive (r. Domini; Anthem, Zion, at thy shining gates England) Priory 726 7/1977) –Wells Cathedral Choir/Matthew Owens, LEFÉBURE-WELY: Adoro te (alternatum) BACH: Prelude & Fugue in c, BWV 546 –Michel director; Jonathan Vaughn (1974 Harrison/ –L’Accent Grave; Vincent Genvrin (1862 Bouvard (1987 Kney/University of St. Thomas Wells Cathedral, England) Regent 452 Cavaillé-Coll/St. Sulpice, Paris) Hortus 005 Chapel, Saint Paul, MN) Pipedreams Archive DANIEL GAWTHROP: O Jerusalem (Suite) LEFÉBURE-WELY: 2 Sacred Songs (O salutaris (r. 3/17/13) –David Pickering (1996 Wolff/Bates Recital hostia; Benissons a jamais) –Emmanuel Martin BACH: Fugue in G, BWV 577 (Jig) –Rachel Hall, University of Kansas, Lawrence, KS) & Cécile Bodereau, soprano; Béatrice Duchéne, Laurin (1993 Petty-Madden/Jones Concert Grace Notes Media 0701 violin; Guilaine Petit, harp; Le Concert des Hall, Baylor University, Waco, TX) Pipedreams Dames/Fréderic Bourdin, director; Olivier Archive (4. -
October/Lokakuu 2015 Talking About Finnish Maria Hokkanen We Are Happy to Welcome Maria Hokkanen for Our Program This Month
Uutiset NEWSLETTER OF THE FINNISH AMERICAN CULTURAL ACTIVITIES, INC. October/Lokakuu 2015 Talking About Finnish Maria Hokkanen We are happy to welcome Maria Hokkanen for our program this month. She will talk about languages in Finland and Finnish among the languages of the world. Maria is a Finnish Fulbright Teaching Assistant who's just arrived from Finland to help teach in the Finnish program at the University of Minnesota with Dan Karvonen during the upcoming year. While in the United States, Maria will share her language and culture with U.S. communities to inspire Americans to travel and study overseas, and to help make U.S. citizens better prepared to engage with businesses, governments, and organizations abroad. Maria grew up in Naantali and moved to Turku when she was seventeen years old. Her mother is originally from Lapua (near Seinäjoki) and her father from Rääkkylä, Pohjois-Karjala, so her roots come from other areas in Finland. She has a master's degree (Spring 2015) in Finnish language with an emphasis on teaching Finnish as a second or foreign language from the University of Turku. She has worked there as a research assistant, teaching advanced Finnish to second language learners since Fall 2012. She also taught Finnish in France in 2012. Maria Hokkanen is one of over 400 young educators from 50 Program In Brief countries who will travel to the United States in the 2015- 2016 academic year through the Fulbright FLTA Program Talking About Finnish to help internationalize U.S. colleges and universities, a key Maria Hokkanen goal of many institutions as they prepare students for the 21st century workforce and globalized world. -
Spread the Word. Promote the Show. Support Public Radio
A radio program for the king of instruments SPREAD THE WORD. PROMOTE THE SHOW. SUPPORT PUBLIC RADIO PROGRAM NO. 0736 9/03/2007 NAJI HAKIM: Mariales (1993). LARRY KING: J. S. BACH: Contrapunctus No. 14 (incomplete), Imaginary Beings…reading notes from a Fanfare to the Tongues of Fire (1978) -James from The Art of Fugue, S. 1080 -Regis Allard page is one thing, but improvising something Hildreth (recorded 2/18/07) (2004 Aubertin/ Saint-Louis en l’Isle, Paris, France) Editions Hortus CD-039 new, ‘out of thin air’, is a remarkable skill. CALVIN HAMPTON: Fanfares, from Suite No. 1 (1977) -Timothy Edward Smith (1972 BERNARD ZWEERS: Prelude and Double Fugue SIETZE de VRIES: 3 Versets on Psalm 101 Beckerathy/ 1st Congregational Church, -Herman van Vliet (1845 Naber/ Joriskerk, -Consortium Locale/ Fokko Oldenhuis, Columbus, OH). SETH BINGHAM: Amersfoort, Netherlands) Festivo CD-139 director; Sietze de Vries (1727 Müller/ St. Overture, from Baroques Suite. H. LEROY Jacobi Church, Leeuwarden, Netherlands) JSB BAUMGARTNER: Idyl, Op. 5, no. 2-Timothy PROGRAM NO. 0739 9/24/07 Records JSBR010113 Edward Smith (1931 Kimball/ 1st Congregational In An Autumn Mood…we gauge the shift TOM TRENNY: Variations on “Immortal, Church, Columbus, OH) Raven CD-900 of seasons with a curious collection of Invisible” ( St. Denio) -Tom Treny (2005 Murphy/ GASTON LITAIZE: Cortege for Organ and Brass compositions in changing harmonic colors. St. Mark’s Lutheran Church, Baltimore, MD) -Cathedral Brass; Paul Thornock, (r. 1/28/07) Raven OAR870 Performances at St. Joseph Cathedral were record- LEO SOWERBY: Pageant of Autumn -Robert PETER PLANYAVSKY: Missa Improvisata ed during concerts from the new organ’s inaugural Glasgow (1955 Aeolian-Skinner/ Hill (Introit; Kyrie; Gloria) -Peter Planyavsky (1980 series.