JANUARY, 2010 Cathedral Church of St. Peter Regensburg, Germany

Total Page:16

File Type:pdf, Size:1020Kb

JANUARY, 2010 Cathedral Church of St. Peter Regensburg, Germany THE DIAPASON JANUARY, 2010 photo credit: Michael Vogl, Regensburg Cathedral Church of St. Peter Regensburg, Germany Cover feature on pages 28–29 Jan 2010 Cover.indd 1 12/14/09 7:25:20 AM Jan 2010 pp. 2-18.indd 2 12/14/09 7:27:04 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred First Year: No. 1, Whole No. 1202 JANUARY, 2010 Gavin Black: On Teaching the fi fties to hear Myra Hess, Burt Lan- Established in 1909 ISSN 0012-2378 I’ve been enjoying Gavin Black’s col- caster walked right past my wife and me, An International Monthly Devoted to the Organ, umn “On Teaching” in The Diapason. big deal! the Harpsichord, Carillon, and Church Music Although I don’t have organ students, And Bovard Auditorium (I am a USC I’m learning a lot from the articles. Be- alumnus, grad school, as well as UCLA sides being an organist, I’m also a piano grad)—what memories! I remember the technician. The article about tuning original console well, and Mr. Lewis has CONTENTS Editor & Publisher JEROME BUTERA jbutera@sgcmail.com systems (September) is, by far, the best it all correct. This was a major loss, which 847/391-1045 description of tuning and tuning systems should not have happened, and I am not FEATURES that I’ve ever read! I’m going to save this alone in my opinion. It was a powerful Poulenc and Durufl é ‘premieres’ in Woolsey Hall Associate Editor JOYCE ROBINSON issue in case I have to give a talk about and impressive instrument. at Yale University and the Polignac organ jrobinson@sgcmail.com tuning history to the piano studio class at And Poly-Technic High School: My by Ronald Ebrecht 19 847/391-1044 the university where I work (I’ll give you dad was on the science faculty, and I full credit). was in the organ class for three years. Three wonderful organs Contributing Editors LARRY PALMER in Le Marche, Italy I was fascinated by the experiment On graduation night in February 1938, Harpsichord mentioned, where one tone at A-440 is I played a solo: Cyril Jenkins’s “Dawn.” by Bill Halsey 22 JAMES MCCRAY played through the left channel of head- I was able to use that wonderful solo la- Organbuilders and research: Choral Music phones, and one tone at A-442 is played bial reed, very convincing at least above Two points of view through the right channel. I would think middle C, extremely powerful. The grille by Francesco Ruffatti and Judit Angster 24 BRIAN SWAGER that one would hear beats, but I’ll have shown in the article picture hides the Carillon to try this sometime! The description of choir and swell, all the rest was on the NEWS & DEPARTMENTS the physics behind this makes sense. other side. I have rambled all through JOHN BISHOP I’ve always been interested in key that organ so often, and once stayed up Editor’s Notebook 3 In the wind . characteristics associated with well tem- in the Solo while someone played on the Letters to the Editor 3 peraments, and I have to say that I’m Tuba. In the 1960s, one Holy Week my Here & There 3, 4, 5, 6, 8, 10 GAVIN BLACK On Teaching actually distracted by the beating and family and I were in the auditorium and Appointments 8 varying sizes of the intervals (especially I played the organ for the last time. Poly- Nunc Dimittis 8 Reviewers John L. Speller half-steps) in well temperaments when Technic High School is now Los Angeles Looking Back 12 Charles Huddleston Heaton played on organ or piano. This may be Trade Tech College. The automatic play- In the wind . by John Bishop 12 John Collins from my constant exposure to equal tem- er was on the right side stage steps. Yes, On Teaching by Gavin Black 13 Steven Young perament as a piano tuner. I do agree Mr. Lewis is right again: that luminous Sarah Mahler Kraaz that harpsichords sound great in well console was a real pain. Half the time REVIEWS temperaments. many of the lights were burned out and Music for Voices and Organ 15 THE DIAPASON (ISSN 0012-2378) is published monthly One thing that puzzles me, and I fi nd you had to memorize which ones. by Scranton Gillette Communications, Inc., 3030 W. Salt fascinating, is that I still experience “key And Barker Brothers: Often after Book Reviews 16 Creek Lane, Suite 201, Arlington Heights, IL 60005-5025. New Recordings 17 Phone 847/391-1045. Fax 847/390-0408. Telex: 206041 color” when playing an organ or piano school I would go there to hear the or- New Organ Music 17 MSG RLY. E-mail: <jbutera@sgcmail.com>. tuned in equal temperament. This might gan. One time someone put a large vase Subscriptions: 1 yr. $35; 2 yr. $55; 3 yr. $70 (Unit- have something to do with the fact that of fl owers on the console. The wire of the ed States and U.S. Possessions). Foreign subscrip- NEW ORGANS 30 tions: 1 yr. $45; 2 yr. $65; 3 yr. $85. Single copies $6 I have absolute pitch. Other musicians frame of an overhanging painting broke CALENDAR 31 (U.S.A.); $8 (foreign). with absolute pitch have told me of simi- and the vase was broken, allowing water Back issues over one year old are available only lar experiences. to invade the console. That was a mess. I ORGAN RECITALS 34 from The Organ Historical Society, Inc., P.O. Box 26811, As you can see, tuning is one of my fa- confess that I do not remember any gold Richmond, VA 23261, which can supply information on CLASSIFIED ADVERTISING 36 availabilities and prices. vorite topics and I could go on at length! display pipes, just grilles. The pipework 2009 IN REVIEW—An Index 38 Periodical postage paid at Rochelle, IL and additional Thanks again for your excellent series in went to the San Fernando Mission, and mailing offi ces. POSTMASTER: Send address changes The Diapason. the console to the home in Toluca Lake to THE DIAPASON, 3030 W. Salt Creek Lane, Suite 201, Matt Dickerson of Dick Simonton of Muzak. Cover: Rieger-Orgelbau, Schwarzach, Austria; Arlington Heights, IL 60005-5025. Cathedral Church of St. Peter, Routine items for publication must be received six Organist, St. Michael’s Catholic The long-time Barker Brothers organ- Regensburg, Germany 28 weeks in advance of the month of issue. For advertising Church, Indianapolis, Indiana ist was Mr. Harry Q. Mills. There was copy, the closing date is the 1st. Prospective contribu- Piano Technician, Butler University always a sign by the console telling when tors of articles should request a style sheet. Unsolicited Indianapolis, Indiana Mr. Mills’s next performance would be. www.TheDiapason.com reviews cannot be accepted. This journal is indexed in the The Music Index, an- Just across from the organ grilles was a notated in Music Article Guide, and abstracted in RILM Secular organs in Los Angeles balcony where at Christmas a boy’s choir Abstracts. Send subscriptions, inquiries, and ad- Copyright ©2010. Printed in the U.S.A. First, many thanks for Wilbur Held’s would sing carols. The Christmas tree dress changes to THE DIAPASON, birthday item in the October issue. It was two stories high and had immense 3030 W. Salt Creek Lane, Suite 201, THE DIAPASON accepts no responsibility or liability was perfect, and his siblings were happy glass decorations. It really was quite a Arlington Heights, IL 60005. for the validity of information supplied by contributors, to be included, too. Your write-up in- place, and when I drive by the building vendors, advertisers or advertising agencies. spired me to get out my own copy of his now and see the tall entrance doors I feel Nativity Suite and have him autograph very sad and nostalgic. No portion of the contents of this issue may be reproduced in any form without the specifi c written permission it, which I did right away! Simonton had a basement auditorium of the Editor, except that libraries are authorized to make photocopies of the material contained herein for the purpose of course reserve reading at the rate of one copy for every fi fteen students. Such copies may be reused for And in the November issue, I enjoyed too with a Wurlitzer, I think the last one other courses or for the same course offered subsequently. the article by James Lewis on secular or- Jesse Crawford played or recorded on. I gans in Los Angeles. First, Temple Bap- will be very glad to see Mr. Lewis’s OHS tist Church: one of my high school girl book when it comes out. friends was a member there and knew Thanks to The Diapason and anoth- the organist, Ray Hastings, well. As a er fi ne important article. Editor’s Notebook child, I attended L.A. Philharmonic con- Malcolm Benson certs there. The last time I was there in San Bernardino, California The next hundred years umn, click on “Subscribe to our newslet- Now that we have celebrated The ter.” Each month, the newsletter offers Diapason’s 100th anniversary in the short news stories, some too late to ap- December 2009 issue, we begin our pear in print. Classifi ed ads now receive Here & There second century. One wonders what lies their own newsletter, sent one week later ahead for the pipe organ and church than the main newsletter. music. The Diapason will continue to All Saints Church, Worcester, Mas- February 7, Bach, Widerstehe doch der report on the organ culture in our coun- Artist Spotlights sachusetts, continues its music series: Sünde, BWV 54; March 14, Wolfgang try and abroad, fulfi lling its mission as Featured artists appear on our web- January 3, Lessons & Carols; 1/31, Cho- Zerer; March 28, 30, and April 2, Bach, established in December 1909: “ .
Recommended publications
  • Hallenturnier 2020
    Hallenturnier 2020 SG Gensingen/Grolsheim E1 (JG 2009) Am Samstag , den 11.01.2020 in der Goldberghalle Gensingen Beginn: 08:30 Uhr Spielzeit: 1 x 11:00 min Pause: 01:00 min I. Teilnehmende Mannschaften Gruppe A Gruppe B 1. SG Gensingen/Grolsheim 1. SV Fidelia Ockenheim 2. TSV Degenia Bad Kreuznach 2. TSG Planig 2 3. FSV Bretzenheim 1 3. FSV Bretzenheim 2 4. FC Meisenheim 4. SC Idar-Oberstein 5. TSG Planig 1 II. Spielplan Vorrunde Nr. Grp. Beginn Spielpaarung Ergebnis Punkte 1 A 08:30 SG Gensingen/Grolsheim - TSV Degenia Bad Kreuznach 2 : 2 2 A 08:42 FSV Bretzenheim 1 - FC Meisenheim 1 : 1 3 B 08:54 SV Fidelia Ockenheim - TSG Planig 2 2 : 0 4 A 09:06 TSG Planig 1 - SG Gensingen/Grolsheim 1 : 1 5 A 09:18 TSV Degenia Bad Kreuznach - FSV Bretzenheim 1 6 : 1 6 B 09:30 FSV Bretzenheim 2 - SC Idar-Oberstein 0 : 7 7 A 09:42 FC Meisenheim - TSG Planig 1 0 : 5 8 A 09:54 SG Gensingen/Grolsheim - FSV Bretzenheim 1 5 : 0 9 B 10:06 TSG Planig 2 - FSV Bretzenheim 2 3 : 2 10 B 10:18 SC Idar-Oberstein - SV Fidelia Ockenheim 5 : 1 11 A 10:30 TSG Planig 1 - TSV Degenia Bad Kreuznach 0 : 2 12 A 10:42 FC Meisenheim - SG Gensingen/Grolsheim 0 : 3 13 B 10:54 SV Fidelia Ockenheim - FSV Bretzenheim 2 2 : 0 14 A 11:06 FSV Bretzenheim 1 - TSG Planig 1 3 : 4 15 A 11:18 TSV Degenia Bad Kreuznach - FC Meisenheim 4 : 0 16 B 11:30 TSG Planig 2 - SC Idar-Oberstein 0 : 5 III.
    [Show full text]
  • Adressen Aller Schulen Im Landkreis.Xlsx
    Schulart Schulname Straße PLZ Ort Telefon eMail1 Grundschule Grundschule Hofgartenschule Hofgartenstr. 14 55545 Bad Kreuznach (0671) 26119 gs‐hofgarten@bad‐kreuznach.de Grundschule Grundschule Kleiststraße Kleiststraße 55543 Bad Kreuznach (0671) 61362 gs‐kleist@bad‐kreuznach.de Grundschule Dr. Martin‐Luther‐King‐Grundschule Richard‐Wagner‐Str. 39 55543 Bad Kreuznach (0671) 67780 gs‐maluki@bad‐kreuznach.de Grundschule Grundschule Planig Am Winzerkeller 2 55545 Bad Kreuznach (0671) 66278 gs‐planig@schulen.stadt‐kh.de Grundschule Grundschule Winzenheim Lindelstr. 10 55545 Bad Kreuznach (0671) 41818 gs‐winzenheim@bad‐kreuznach.de Grundschule Freie Waldorfschule Bad Kreuznach Rheingrafenstr. 157a 55543 Bad Kreuznach info@lernen‐fuer‐das‐leben.de Grundschule Grundschule Dominik Kirn Dhauner Str. 41 55606 Kirn (06752) 135‐7100 dominikschule@kirn.de Grundschule Hellbergschule Kirn Königsberger Str. 80 55606 Kirn (06752) 135‐7000 hellbergschule@kirn.de Grundschule Grundschule Bad Münster am St.‐Ebg. Ringstr. 23 55583 Bad Kreuznach (06708) 2102 gs‐bme@bad‐kreuznach.de Grundschule Grundschule Feilbingert Fröbelstr. 1 67824 Feilbingert (06708) 1730 gs‐feilbingert@web.de Grundschule Grundschule St. Martin Norheim Schulstr. 10 55585 Norheim (0671) 30827 gsnorheim@gmx.de Grundschule Grundschule Frei‐Laubersheim Schulstr. 1 55546 Frei‐Laubersheim (06709) 555 grundschulefl@googlemail.com Grundschule Grundschule Fürfeld Schulstr. 1 55546 Fürfeld (06709) 318 grundschule@fuerfeld.de Grundschule Grundschule Hackenheim Hauptstr. 30 55546 Hackenheim (0671) 69709 gshackenheim@web.de Grundschule Grundschule Pfaffen‐Schwabenheim Badenheimer Straße 55546 Pfaffen‐Schwabenheim (06701) 404 gs.pfaffen‐schwabenheim@t‐online.de Grundschule Grundschule Bretzenheim Stephanskappellenweg 6 55559 Bretzenheim (0671) 31917 gs‐bretzenheim@web.de Grundschule Grundschule Guldental Dammweg 13 55452 Guldental (06707) 608 info@grundschule‐guldental.de Grundschule Grundschule Langenlonsheim Schützenstr.
    [Show full text]
  • View PDF Editionarrow Forward
    THE DIAPASON FEBRUARY 2021 Quimby Pipe Organs, Inc. 50th Anniversary Cover feature on pages 18–20 PHILLIP TRUCKENBROD CONCERT ARTISTS ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD MARTIN JEAN BÁLINT KAROSI JEAN-WILLY KUNZ HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK JACK MITCHENER BRUCE NESWICK ORGANIZED RHYTHM RAÚL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN JOSHUA STAFFORD CAROLE TERRY JOHANN VEXO W͘K͘ŽdžϰϯϮ ĞĂƌďŽƌŶ,ĞŝŐŚƚƐ͕D/ϰဒϭϮϳ ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ĞŵĂŝůΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ဒϲϬͲϱϲϬͲϳဒϬϬ ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚ WŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ BRADLEY HUNTER WELCH SEBASTIAN HEINDL INSPIRATIONS ENSEMBLE ϮϬϭဓ>ÊĦóÊÊ'ÙÄÝ /ÄãÙÄã®ÊĽKÙ¦Ä ÊÃÖã®ã®ÊÄt®ÄÄÙ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Twelfth Year: No. 2, 20 Under 30 Whole No. 1335 We thank the many people who submitted nominations for FEBRUARY 2021 our 20 Under 30 Class of 2021. Nominations closed on Feb- Established in 1909 ruary 1. We will reveal our awardees in the May issue, with Stephen Schnurr ISSN 0012-2378 biographical information and photographs! 847/954-7989; sschnurr@sgcmail.com www.TheDiapason.com An International Monthly Devoted to the Organ, A gift subscription is always appropriate. the Harpsichord, Carillon, and Church Music Remember, a gift subscription of The Diapason for a In this issue friend, colleague, or student is a gift that is remembered each Gunther Göttsche surveys organs and organbuilding in the CONTENTS month. (And our student subscription rate cannot be beat at Holy Land. There are approximately sixty pipe organs in this FEATURES $20/year!) Subscriptions can be ordered by calling our sub- region of the world.
    [Show full text]
  • Orgelbuch Mozart ·Haydn
    02118_Titel.qxp 16.07.2010 14:12 Seite 1 Orgelbuch Mozart · Haydn Organ book Mozart · Haydn Musik für Tasteninstrumente Music for keyboard instruments Leopold Mozart Wolfgang Amadeus Mozart Joseph Haydn Johann Michael Haydn herausgegeben von /edited by Armin Kircher Orgelbuch MozartOrgelbuch · Haydn Carus 2.118 02118 inh_vwt.qxp 13.07.2010 15:37 Seite II Inhalt Wolfgang Amadeus Mozart KV Nr. Klavierstück in B. KV 9b (5b). Horn (c) . 1 Andante . KV 10,2. 2 Sonate in B . KV 15 . 3 Praeludium und Fuge. nach KV 15g . Faulstich (b) . 4 Kirchensonate in Es . KV 67 . 5 Fuge in Es . KV 153 (375f) . Sechter (c) . 6 Fuge in g . KV 154 (385k) . Sechter (c) . 7 Zwei kleine Fugen (Versetten) . KV 154a (Anh. A 61/62) . 8 Andantino in Es . KV 236 (588b) . 9 Adagio in C für Glasharmonika . KV 356 (617a) . 10 Solfeggio in F. KV 393,2 (385b) . 11 Ouverture und Allegro . KV 399,1 (385i) . Kraus (a) . 12 Fuge in g . KV 401 (375e) . Stadler (c) . 13 Adagio in F . KV 410 (484d) . 14 Andante . KV 421 (417b). Holmes (a) . 15 Fuge (Triosonate) in G . KV 443 (404b). Stadler (c) . 16 Kleiner Trauermarsch (Marche funèbre) . KV 453a . 17 Neun kleine Praeludien . KV 453b . Kraus (a) . 18 Allegro. nach KV 484e . Firlinger (b) . 19 Motive aus der Oper „Don Juan“ . nach KV 527 . Lickl (b) . 20 Fuga über ein Motiv aus „Don Juan“ . nach KV 527 . Sechter (b) . 21 Ein Stück für ein Orgelwerk in einer Uhr. KV 594 . Kraus (a) . 22 Ein Andante für eine Walze in eine kl.
    [Show full text]
  • CÉSAR FRANCK PÉTUR SAKARI Playing the Cavaillé-Coll Organ of the Cathédrale Sainte-Croix, Orléans
    CÉSAR FRANCK PÉTUR SAKARI playing the Cavaillé-Coll Organ of the Cathédrale Sainte-Croix, Orléans Trois Pièces · Trois Chorals BIS-2349 FRANCK, César (1822—90) Trois Pièces pour grand orgue, FWV 35—37 (1878) 33'02 1 Fantaisie. Andantino 16'16 2 Cantabile. Non troppo lento 6'50 3 Pièce héroïque. Allegro maestoso 9'39 Trois Chorals pour grand orgue, FWV 38—40 (1890) 46'45 4 Chorale No. 1 in E major. Moderato 15'37 5 Chorale No. 2 in B minor. Maestoso 15'32 6 Chorale No. 3 in A minor. Quasi allegro 15'20 TT: 80'37 Pétur Sakari playing the 1880 Cavaillé-Coll Organ of the Cathédrale Sainte-Croix, Orléans 2 espite his modest disposition, César Franck played a critical role in nine- teenth-century French music. In a country where literature had always been Dking, musical genres that celebrated words – such as songs or opera – was naturally on top of the pile. ‘Pure’ (or absolute) music was rarely heard. Composing music that was freed from the shackles of a text and which allowed passion free rein, even though it eschewed showy virtuosity, Franck rehabilitated chamber music and the symphony, genres that had been regarded as German specialities. His work as a teacher (he was professor of organ at the Paris Con servatoire from 1872 until his death in 1890) should also be borne in mind when evaluating his importance; this activity is inseparable from his contribution to the emer gence of a serious, highly struc tured type of French music that had no reason to envy its German counter part.
    [Show full text]
  • SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12Th Century, Paris, Bibl
    SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12th century, Paris, Bibl. Nat., ms . lat. 17,328) SACRED MUSIC Volume 99, Number 1 , Spring 1972 BERNSTEIN'S MASS 3 Herman Berlinski TU FELIX AUSTRIA 9 Reverend Robert Skeris MUSICAL SUPPLEMENT 13 REVIEWS 20 FROM THE EDITOR 25 NEWS 26 SACRED MUSIC Continuation of Caeci/ia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 548 Lafond Avenue, Saint Paul, Minne­ sota 55103. Editorial office: Route 2, Box I, Irving, Texas 75062. Editorial Board Rev. Ralph S. March, S.O.Cist., Editor Mother C. A. Carroll, R.S.C.J. Rev. Lawrence Heiman, C.PP.S. J. Vincent Higginson Rev. Peter D. Nugent Rev. Elmer F. Pfeil Rev. Msgr. Richard J. Schuler Frank D. Szynskie Editorial correspondence: Rev. Ralph S. March, S.O.Cist., Route 2, Box I, Irving, Texas 75062 News: Rev. Msgr. Richard J. Schuler, 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York 10577 Rev. Elmer F. Pfeil 3257 South Lake Drive Milwaukee, Wisconsin 53207 Membership and Circulation: Frank D. Szynskie, Boys Town, Nebraska 68010 AdvertisinR: Rev. Ralph S. March, S.O.Cist. CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Dr. Roger Wagner Vice-president Noel Goemanne General Secretary Rev. Robert A. Skeris Treasurer Frank D. Szynskie Directors Robert I.
    [Show full text]
  • March & April 2006
    march/april 2006 vol xiv · no 6 music · worship · arts Prismyale institute of sacred music common ground for scholarship and practice Christ’s Passion in Context Theological, Historical, and Artistic Considerations of the Passion Honoring the memory of J. Irwin Miller Courtesy Jaime Lara Courtesy Fray Diego Valadés, Rhetorica christiana : ad concionandi et orandi vsvm accommodata, vtrivsq facvltatis exemplis svo loco insertis; qvae qvidem ex Indorvm maximedeprompta svnt historiis. Perugia, 1579. Beinecke Rare Book and Manuscript Library. In April the Institute is producing 2-week, multi-part event dedicated to the memory of one of the ISM’s founding benefactors, J. Irwin Miller. Entitled Christ’s Passion in Context: Theological, Historical, and Artistic Considerations of the Passion, it will consist of three performances and a symposium. The Yale Schola Cantorum and Yale Camerata will perform Bach’s St. John and St. Matthew Passions; Martin Jean will perform Marcel Dupré’s Le chemin de la croix; Professors Markus Rathey of Yale and Daniel Melamed of Indiana University School of Music will give preconcert talks before the two Bach performances; and professors Adela Yarbro Collins and Jaime Lara of Yale, and Guy Erwin of California Lutheran University will address the topic in different lights in a symposium. Members of the Miller family will be in attendance, and honored at a lunch before the April 9 performance of the St. Matthew Passion. continued on page 4 Courtesy OMSC Courtesy Courtesy OMSC Courtesy Peace Be Still Mary Magdalene He Qi Exhibition at ISM March 6- April 26 Look Toward the Heavens: The Art of He Qi is on OMSC Courtesy display through April 26 in New Haven at the Yale Institute of Sacred Music, 409 Prospect St.
    [Show full text]
  • View PDF Editionarrow Forward
    T H E DIAPASON APRIL 2019 American Organ Institute University of Oklahoma Norman, Oklahoma Cover feature on pages 22–23 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE LOUPRETTE & GOFF DUO ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN ROBIN & LELEU DUO BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 4, 20 Under 30 Whole No. 1313 We thank all those who submitted nominations for our Class APRIL 2019 of 2019. We are impressed by the number of f ne nominations Established in 1909 for the brightest and most promising our young leaders in the Stephen Schnurr ISSN 0012-2378 f eld of the organ, church music, harpsichord, and carillon. 847/954-7989; sschnurr@sgcmail.com To see the 20 Under 30 Class of 2019, visit The Diapason www.TheDiapason.com An International Monthly Devoted to the Organ, website (www.thediapason.com, click on “20 Under 30”). Next the Harpsichord, Carillon, and Church Music month’s issue will include in-depth entries and photographs of In “Harpsichord Notes,” Larry Palmer reprises various front- each member of the class.
    [Show full text]
  • PETER PLANYAVSKY Biography
    PETER PLANYAVSKY Biography Peter Planyavsky was born in Vienna in 1947 and became a student of Anton Heiller at the University for Music and Drama when he was 12. He graduated with the Master’s Diploma in Organ (1966) and the Diploma in Church Music (1967). He then worked for one year in the workshop of a major Austrian organ builder, and for another year he served as Abbey Organist at Schlägl, Austria. In 1969, Mr. Planyavsky was appointed Cathedral Organist at St. Stephan’s Cathedral, Vienna. From 1983 until 1990 he was the Cathedral’s Music Director with responsibility for choral and organ programs, which in Austria are traditionally held as two separate positions. In 2004, he decided to terminate his affiliation with the Cathedral. Since 1980, Mr. Planyavsky has been Professor for Organ and Improvisation at the University for Music and Drama in Vienna, also functioning as Head of the Church Music Department from 1996 to 2003. Peter Planyavsky also undertakes a full schedule as a recitalist, a coach in workshops and master classes, and a member of juries. He has toured North America, Japan, Australia, South Africa and most of Europe, and has recorded many CDs and records. Mr. Planyavsky has won several prizes and awards, most recently the Federal Austrian Prize for Music, awarded to him for his collected compositions. He has composed extensively for choir, organ and orchestra, with primary emphasis on liturgical works. As a conductor, Peter Planyavsky has performed the Bach Mass in B Minor, the Duruflè Requiem, the great Haydn masses, and other major sacred works.
    [Show full text]
  • Themenflyer 1
    des Paradieses Stand September 2011 Thema 1 Blumen Breitblättriges Knabenkraut Pyramidenorchis und Bienenragwurz wechselfeuchte Orchideenwiese weiße Varietät eines breitblättrigen Knabenkrautes Weitere Informationen zum Naturpark Soonwald-Nahe und zu den Blumen des Paradieses Orchideenwiesen erhalten Sie hier: Einheimische Orchideen im Naturpark Soonwald-Nahe Trägerverein Naturpark Naturpark Naturpark Soonwald-Nahe e.V. SOONWALD-NAHE Wegen ihrer auffällig schönen Blüten, in Gestalt und Färbung Ludwigstraße 3-5 SOONWALD-NAHE Wilde Orchideen kommen im Naturpark an zwei unterschiedlichen werden Orchideen auch Blumen des Paradieses oder erstarrte 55469 Simmern Standorten vor. Im Naheland meist in den Halbtrockenrasen der info@soonwald-nahe.de Schmetterlinge genannt. Mit ihrem zauberhaften Farbspiel und www.soonwald-nahe.de Weinbergsbrachen und im Hunsrück meist auf wechselfeuchten dem oft betörenden Geruch gaukeln sie Insekten reichen Nektar ungedüngten Wiesen. Angepasst an den Standort sind dort ty- Hunsrück-Touristik GmbH Naheland-Touristik GmbH vor, werden dann aber zur Enttäuschung für die emsigen Brummer, Gebäude 663 Bahnhofstraße 37 pische Orchideenarten vergesellschaftet. Botaniker bezeichnen 55483 Hahn-Flughafen 55606 Kirn/Nahe da sie gar keinen Nektar besitzen. Ein durch diese Erfahrung ent- Orchideen als besonders intelligente Pflanzen, wegen ihrer großen info@hunsruecktouristik.de info@naheland.net täuschtes Insekt wird sich bei seiner weiteren Nektarsuche in der www.hunsruecktouristik.de www.naheland.net Orchideenwiesen Fähigkeit
    [Show full text]
  • Manuel De Falla Del Fuego
    KALEVI KIVINIEMI · CÉSAR FRANck MARCEL DUPRÉ · ENTRÉE, CANZONA ET SORTIE OP. 62 · IMPROVISATION AM 21.04.2009 · MANUEL DE FALLA PIERRE COCHEREAU · FRANZ LISZT CZÁRDÁS OBSTINÉ · DANZA RITUAL DEL FUEGO · DANZA DEL MOLINERO ScHERZO SYMPHONIQUE · FINLANDIA OP. 26 · SO KLINGT NUR DORTMUND. 2,50 E KONZERTHAUS DORTMUND · DIENSTAG, 21.04.2009 · 20.00 Dauer: ca. 2 Stunden 10 Minuten inklusive Pause KALEVI KIVINIEMI ORGEL Abo: Orgel im Konzerthaus In unserem Haus hören Sie auf allen Plätzen gleich gut – leider auch Husten, Niesen und Handy- klingeln. Ebenfalls aus Rücksicht auf die Künstler bitten wir Sie, von Bild- und Tonaufnahmen während der Vorstellung abzusehen. Wir danken für Ihr Verständnis! 4 I 5 CÉSAR FRANck (1822 – 1890) MANUEL DE FALLA (1876 – 1946) Aus »Rédemption« Aus »El sombrero de tres picos« (Fassung für Orgel) ›Interlude symphonique‹ ›Danza del Molinero‹ (Fassung für Orgel von Kalevi Kiviniemi) Aus »El amor brujo« (Fassung für Orgel) ImpROVISATION ›El círculo mágico‹ ›Danza ritual del fuego‹ MARCEL DupRÉ (1886 – 1971) »Entrée, Canzona et Sortie« op. 62 FRANZ LIszt (1811 – 1886) Konzert-Etüde Nr. 3 Des-Dur PIERRE CochEREAU (1924 – 1984) (Fassung für Orgel von Kalevi Kiviniemi) Scherzo symphonique »Consolation« Nr. 3 Des-Dur – Pause – (Fassung für Orgel von Kalevi Kiviniemi) ImpROVISATION »Czárdás obstiné« (Fassung für Orgel von Kalevi Kiviniemi) JEAN SIBELIus (1865 – 1957) »Finlandia« op. 26 (Fassung für Orgel) 6 I 7 PROGRAmm 8 I 9 DER MAGIschE KREIS SINfoNIschE ORGELmusIK VON SPANIEN BIS FINNLAND SINFONISCHES ZWISCHENSPIEL CÉSAR FRANCK ›INTERLUDE SYMPHONIQUe‹ Aus »RÉDEmptION« UND ImpROVISATION Der heutige Abend ist ganz zwei Themen gewidmet: dem Arrangement von Orchester- und Klavierwerken für die Orgel sowie der Improvisation.
    [Show full text]
  • Sept 2011 Pp. 30-32.Indd 30 8/10/11 9:52:40 AM Stop Tabs
    Cover feature A Symphonic Organ in the Cradle mixtures that add brilliance and clarity to of the Symphony the contrapuntal lines of the music with- The new Rieger Organ in the out ever becoming overbearing or harsh. Golden Hall of the Music Society The organ’s copious reed stops made it in Vienna possible for Lohmann to select ones that, in the Germanic tradition, added color Introduction while retaining the music’s transparency For centuries, Vienna, the capital of and lightness of texture. The direct ac- Austria, has been regarded by many as tion and responsiveness of the mechani- Europe’s music capital. It is here that cal console allowed the organist to artic- the symphony was developed as a musi- ulate his playing in a way that suited the cal form by composers such as Haydn, Baroque style admirably. Mozart, and Beethoven. So pervasive Martin Haselböck, internationally was the symphony in the development of known as conductor of performances Western art music that it not only domi- on original instruments with the Wiener nated creative music-making until well Akademie, recitalist and organ professor, into the 20th century, but also worldwide led the audience into the Romantic era became the most common adjective de- with Franz Liszt’s Prelude and Fugue on scribing orchestras and concert halls. It B.A.C.H. This piece enabled him to dem- is also used to denote a style of organ- onstrate the organ’s symphonic versatility building that developed towards the end and ability to swell in sound from the soft- of the 19th century, when organs were est whisper to the point where it convinc- often used as substitutes for orchestras, ingly fi lls the hall.
    [Show full text]