DOCSLIB.ORG

Scripts and Papers SOURCE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Scripts and Papers SOURCE j - A COLLETlONo OF CORRESPONDENCE AMD : Mi SCRIPT JUTS OF COLLECTION: The Defenders — Scripts and Papers SOURCE: Gift of Reginald Rose ~- 1965 SUBJECT: DATES COVERED: 1960-1965 NUMBER OF ITEMS: 34vols. STATUS: (check appropriate deocription) Cataloged: Listed: X Arranged: Not organized: CONDITION: (give number of vols#, boxes, or shelves) Bound: 34 vols. Boxed: Stored: LOCATION: (Library) Special Collections CALL-KHTFPKR Spec Ms Coll Defenders RESTRICTIONS Or." ' DESCRIPTION: A collection of 132 scripts written by Reginald Rose and other playwrights for the popular television series "The Defenders." The scripts are contained in 34 volumes, and accompanying them are cast lists, shooting schedules, and allied notes and papers, Most of the scripts are mimeographed and the rest are in typescript. For a list of the contents see attached sheets. CONTENTS OF BOUND "DEFENDER" VOLUMES #l-#34 VOLUME #1 Presentation and Synopses VOLUME #2 Script #1 DEATH ACROSS THE COUNTER, by Reginald Rose Script #2 THE ACCIDENT, by Reginald Rose Script #3 THE CRUSADER, by Jerome Ross Script #4 THE RIOT, by Max Ehrlich VOLUME #3 Script #5 THE MAN WITH THE CONCRETE THUMB, by Ernest Kinoy Script #6 THE TRIAL OF JENNY SCOTT, by Reginald Rose Script #7 THE BOY BETWEEN, by Robert Thorn Script #8 THE HUNDRED LIVES OF HARRY SIMMS, by Alvin Boretz VOLUME #4 Script #9 - KILLER INSTINCT, by John Vlahos Script #10- PERJURY, by Adrian Spies Script #11- THE BEDSIDE MURDER, by Max Ehrlich Script #12- THE BEST DEFENSE, by Ernest Kinoy VOLUME #5 Script #13- THE YOUNG LOVERS, by John Vlahos Script #14- THE QUALITY OF MERCY, by Reginald Rose^ Script #15- THE TREADMILL, by Peter Stone Script #16- THE EMPTY CHUTE, by Max Ehrlich VOLUME #6 Script #17- STORM AT BIRCH GLEN, by Jerome Ross Script #18- THE PROWLER, by David Shaw Script #19- THE BENEFACTOR, by Peter Stone Script #20- THE SEARCH, by Reginald Rose VOLUME #7 Script #21- THE IRON MAN, by Albert Sanders (David Davidson) Script #22- THE POINT SHAVER, by Mann Rubin Script #23- THE ATTACK, by John Bloch Script #24- THE LOCKED ROOM, by Ernest Kinoy VOLUME #8 Script #25 GIDEON'S FOLLIES, by Robert Crean Script #26 THE HICKORY INDIAN, by David Karp Script #27 THE TARNISHED CROSS, byReginald Rose Script #28 THE LAST SIX MONTHS, by Max Ehrlich VOLUME #9 Script #29 THE NAKED HEIRESS, by Alvin Boretz Script #30 REUNION WITH DEATH, by David Shaw Script #31 ALONG CAME A SPIDER, by Peter Stone Script #32 THE BROKEN BARRELHEAD, by David Karp VOLUME #10 '1 Script #33 BLOOD COUNTY, by Ernest Kinoy Script #34 SEVEN GHOSTS OF SIMON GRAY, by Stanley Greenberg Script #35 THE VOICES OF DEATH, by Reginald Rose Script #36 INDELIBLE SILENCE, by Charles Garment VOLUME #11 Script #37 THE AVENGER, by James Lee Script #38 GRANDMA TNT, by David Karp Script #39 THE UNWANTED, by Robert Thorn Script #40 THE HIDDEN JUNGLE, by Stanley Greenberg VOLUME #12 Script #41 THE MADMAN (Part I), by Robert Pendlebury (Robert Thorn) Script #42 DEATH TAKES THE STAND, by David Davidson Script #43 THE BIGAMIST, by David Karp Script #44 THE INVISIBLE BADGE, by William Woolfolk VOLUME #13 Script #45 THE APOSTLE, by Stanley Greenberg Script #46 THE MADMAN (Part II), by Ed Tashley (Reginald Rose) Script #47 KILL OR BE KILLED, by Larry Cohen Script #48 MAN AGAINST HIMSELF, by Raphael Hayes VOLUME #14 Script #49 THE SAVAGE INFANT, by David Karp Script #50 POISONED FRUIT DOCTRINE, by A. J. Russell Script #51 THE POLTERGEIST, by Reginald Rose Script #52 ORDEAL, by David Shaw VOLUME #15 Script #53 THE TRAITOR, by Larry Cohen Script #54 EYE OF FEAR, by Stanley Greenberg Script #55 METAMORPHOSIS, by Stanley Greenberg Script #56 HOUR BEFORE DOOMSDAY, by William Woolfolk VOLUME #16 Script #57 THE LAST ILLUSION, by William Woolfolk Script #58 THE HEATHEN, by Ernest Kinoy Script #59 TASTE OF VENGEANCE, by A. J. Russell Script #60 A BOOK FOR BURNING, by William Woolfolk VOLUME #17 Script #61 THE COLOSSUS, by Larry Cohen Script #62 JUDGMENT EVE, by Reginald Rose Script #63 THE BROTHER KILLERS, by David Karp Script #64 THE NOOSE, by Larry Cohen VOLUME #18 Script #65 EVERYBODY ELSE IS DEAD, by James Lee Script #66 TRIAL OF 22, by Stanley Greenberg Script #67 LOOPHOLE, by A. E. Hotchner Script #68 CONSPIRACY OF SILENCE, by Roger Lewis VOLUME #19 Script #69 THE CRUEL HOOK, by Andrea Russo (A.J. Russell) Script #70 THE CROWD PLEASER, by Charles Garment Script #71 THE EMPTY HEART, by Stanley Greenberg Script #72 CLAIRE CHEVAL DIED IN BOSTON, by Ernest Kihoy VOLUME #20 Script #73 THE WEEPING BABOON, by Reginald Rose Script #74 THE CAPTIVE, by Larry Cohen Script #75 THE BAGMAN, by Roger Lewis Script #76 THE STAR SPANGLED GHETTO, by Reginald Rose VOLUME #21 Script #77 FUGUE FOR TRUMPET AND SMALL BOY, by David Rintels Script #78 SEAL OF CONFESSION, by Ian McLellan Hunter Script #79 WHO'LL DIG HIS GRAVE, by William Woolfolk Script #80 THE GENTLE ASSASSIN, by David Karp VOLUME #22 Script #81 THE MAN WHO SAVED HIS COUNTRY, by Albert Ruben Script #82 OLD LADY IRONSIDES, by Robert Van Scoyk Script #83 DEATH WATCH, by Allan Chase Script #84 BLACKLIST, by Ernest Kinoy VOLUME #23 Script #85 ALL THE SILENT VOICES, by William Woolfolk Script #86 THE SECRET, by Larry Cohen Script #87 A TASTE OF ASHES, by David Rintels Script #88 THE PILL MAN, by Albert Ruben and Charles Eckhart (Garment VOLUME #24 Script #89 DIE LAUGHING, by Roger Lewis Script #90 DRINK LIKE A LADY, by Ellen Violett Script #91 SURVIVAL, by William Woolfolk Script #92 MOMENT OF TRUTH, by David Karp VOLUME #25 Script #93 THE HIDDEN FURY, by George Baxt Script #94 MAY DAY.1 MAY DAY.1, by Larry Cohen Script #95 THE THIEF, by Robert Crean Script #96 YANKEE COME HOME, by Albert Ruben VOLUME #26 Script #97 - MIND OVER MURDER, by Roger Lewis Script #98 - THE SIXTH ALARM, by William Woolfolk Script #99 - THE FINE LINE, by Harold Gast Script #100- THE NON-VIOLENT, by Ernest Kinoy VOLUME #27 Script #101- STOWAWAY, by Edward DeBlasio Script #102- HOLLOW TRIUMPH, by Howard Fast Script #103- THE UNCIVIL WAR, by Roger Lewis Script #104- THE 700-YEAR-OLD GANG, by David Karp - Part I VOLUME #28 Script #105- THE 700 YEAR-OLD GANG, by David Karp - Part II Script #106 - HERO OF THE PEOPLE, by William Woolfolk & Rod Sylvester Script #107- COMEBACK, by Edward DeBlasio Script #108- CONFLICT OF INTEREST, by Ellen Violett VOLUME #29 Script #109 TURNING POINT, by James Lee Script #110 KING OF THE HILL, by Robert Crean Script #111 GO-BETWEEN, by Larry Cohen Script #112 THE SEIGE, by Ian Hunter and Robert Goldman VOLUME #30 Script #113 THE MAN WHO, by Ernest Kinoy Script #114 WHITEWASH, by Roger Lewis Script #115 A VOICE LOUD AND CLEAR, by Robert Crean Script #116 EYEWITNESS, by David Karp VOLUME #31 Script #117 WHIPPING BOY, by Edward DeB'lasio Script #118 SILENT KILLER, by William Woolfolk & Martin Donaldson Script #119 DEATH ON WHEELS, by George Bellak (Don Mankiewicz) Script #120 THE UNWRITTEN LAW, by Larry Cohen VOLUME #32 Script #121 THE OBJECTOR, by Harold Gast Script #122 FIRES OF THE MIND, by Joel Carpenter Script #123 NO-KNOCK, by Peter Achilles (Paul Jarrtco) Script #124 THE MERRY-GO-ROUND MENDER, by Robert Crean VOLUME #33 Script #125 NOBODY ASKS WHAT SIDE YOU'RE ON, by Ellen Violett Scfript #126 IMPEACHMENT, by Stanley Greenberg Script #127 THE SWORN TWELVE, by Edward D«Blasio Script #128 A MATTER OF LAW AND DISORDER, by Roger Lewis VOLUME #34 Script #129 YOUTHS AND MAIDENS ON AN EVENING WALK, by Robert Crean Script #130 THE PROSECUTOR, by David Shaw Script #131 THE BUMS1 RUSH, by Alvin Boretz Script #132 ONLY A CHILD, by Ellen VI Wtt Accompanying each script is a cast list, shooting schedule and allied notes and papers. r.
Load more

Recommended publications
  • Radio City Playhouse
    RADIO CITY PLAYHOUSE http://web.archive.org/web/20071215125232/http://www.otr.com/radio_city_playhouse.htm RADIO CITY PLAYHOUSE Official Log Based Upon Records from the Library of Congress Researched and Created by Jim Widner September 11, 2001 RADIO CITY PLAYHOUSE premiered over NBC on July 3rd, 1949 as a half-hour dramatic program representing a different drama on each broadcast. The dramas chosen, according to NBC, were because they were considered “good drama” regardless of the name of the author, the fame of the play, etc. In many instances, original radio plays were used on the series. Director of production and author of some of the original radio plays was Harry W. Junkin. The cast varied according to the script needs but New York radio actors and actresses were used, some of them experienced and others chosen from the best in radio acting newcomers. The overall production for the series was under the supervision of Richard McDonagh, NBC Script Manager. Musical bridges were by Roy Shields and his Orchestra. The announcer was Robert Warren. Series One: July 3, 1948 to September 25, 1948. Broadcast Saturdays from 10:00 – 10:30 pm EST July 3, 1948 Premiere “Long Distance” Writer: Harry W. Junkin. A drama of suspense in which a young wife has thirty minutes to get through a long distance telephone call that will save her husband from the electric chair. Note: Script was originally written for the NBC series The Chase. Cast: Jan Miner July 10, 1948 “Ground Floor Window” Writer: Ernest Kinoy. A boy with cerebral palsy spends twenty-three years of his life just sitting at a window watching the world go by before other boys realize what it meant to be just an “onlooker.” Cast: Bill Redfield (Danny) Broadcast moves to Saturdays from 10:30 – 11:00 pm EST July 17, 1948 “Of Unsound Mind” Writer: Harry W.
    [Show full text]
  • THE WESTFIELD LEADER 30-33 Degrees
    o o o X co ^a cr: < ia O - j E-i Today's weather: rain developing by evening. high 45-48 degrees, low THE WESTFIELD LEADER 30-33 degrees. ITte Leading and Most Widely Circulated Weekly Newspaper In Union County Second Clasa Postage Paid Published EIGHTY-FOURTH YEAR—-No. 32 at Weatfleld. N. J. WESTFIELD, NEW JERSEY, THURSDAY. MARCH 21, 1974 very Thurat 26 Pases—15 Cents Resident Named County Dems Registration Set County Group Back Levin For New.Fool INames School Board Appoints Director of State Division For Congress LD. Cards Mrs. Allen •TKENTON - Thomas A. mercial and residential The evening times for Mrs. Sally S. Allen, New Superintendent Kelly, of Westfield a North development projects in the The Union County validating cards for the recently re-elected to the Jersey banking executive, North Jersey area serviced Democratic Committee has Westfield Memorial Pool's Hoard of Educat ion here has Dr. Laurence F. Greene, who has been involved in by the Jersey City-based chosen Adam K, Levin of new season and for issuing Dr. William R. Manning, bank. Westfield to run . for been elected president of the an educator who began as a economic and industrial new photos will be Tuesdays I'nion County (educational appointed to the superin- development programs in Prior to joining First Congress in the 12th. classroom teacher 28 years tendancy at the Board's from 7 to 9 p.m. on March 20, Services Commission ago and has served as a New Jersey for the past 14 Jersey National he served congressional district, April «, 23, May 14, 2IS.
    [Show full text]
  • Scripts and Set Plans for the Television Series the Defenders, 1962-1965 PASC.0129
    http://oac.cdlib.org/findaid/ark:/13030/kt1b69q2wz No online items Scripts and Set Plans for the Television Series The Defenders, 1962-1965 PASC.0129 Finding aid prepared by UCLA staff, 2004 UCLA Library Special Collections Online finding aid last updated 2020 November 2 Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Scripts and Set Plans for the PASC.0129 1 Television Series The Defenders, 1962-1965 PASC.0129 Contributing Institution: UCLA Library Special Collections Title: The Defenders scripts and set plans Identifier/Call Number: PASC.0129 Physical Description: 3 Linear Feet(7 boxes) Date (inclusive): 1962-1965 Abstract: The Defenders was televised 1961 to 1965. The series featured E.G. Marshall and Robert Reed as a father-son team of defense attorneys. The program established a model for social-issue type television series that were created in the early sixties. The collection consists of annotated scripts from January 1962 to March 1965. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • Television Honors Its Best at 29Th Annual Emmy Awards
    Roots takes five Television honors its best at 29th annual Emmy Awards LOS ANGELES (AP)--The television Honored for writing of comedy- special drama or comedy program. "The Mary Tyler Moore Show," industry held its 29th annual Emmy variety or music series were the He received the award for "Eleanor which last season ended seven suc- Awards presentations in suburban writers of the "NBC's Saturday and Franklin: The White House Years. cessful years on CBS, once again Los Angeles last night. Night" show with Sissy Spacek as The award for outstanding classi- claimed the Emmy as outstanding The first winners, for continuing guest host. cal program in the performing arts comedy series. supporting roles in a comedy series, Tim Conway of "The Carol Burnett was presented to the American Two comedy veterans walked off were Gary Burghoff, the company- Show" won the award for continuing Ballet Theater's "Swan Lake." with Emmys as stars of their series clerk of "M*A*S*H," and Mary Kay or single performance by an actor The award for lead actor in a Carroll O'Connor of "All in the Place, the erstwhile country and in variety or music. comedy or drama special went to Ed Family" and Beatrice Arthur of western singer of "Mary Hartman, Top honors for continuing or Flanders, in "Harry S. Truman: Plain "Maude." Mary Hartman." single performance by an actress in Speaking." The award for writing in a comedy The awards for continuing per- variety or music went to Rita Sally Field won the honors for variety-music special went to Alan formances by supporting players in Moreno for "The Muppet Show." lead actress in a comedy or drama Buz Cohan and Ted Strauss for a drama series went to Gary Frank An emotional John Travolta came special for her portrayal in "America Salutes Richard Rogers." and Kristy McNichol, both of on stage to accept the Emmy for out- "Sybil." Another person associated Honors for directing in a comedy- "Family." standing performance in a comdedy with that program, Steward Stern, variety-music special were given Emmy Awards for lead performances or drama special.
    [Show full text]
  • Rank Series T Title N Network Wr Riter(S)*
    Rank Series Title Network Writer(s)* 1 The Sopranos HBO Created by David Chase 2 Seinfeld NBC Created by Larry David & Jerry Seinfeld The Twilighht Zone Season One writers: Charles Beaumont, Richard 3 CBS (1959)9 Matheson, Robert Presnell, Jr., Rod Serling Developed for Television by Norman Lear, Based on Till 4 All in the Family CBS Death Do Us Part, Created by Johnny Speight 5 M*A*S*H CBS Developed for Television by Larry Gelbart The Mary Tyler 6 CBS Created by James L. Brooks and Allan Burns Moore Show 7 Mad Men AMC Created by Matthew Weiner Created by Glen Charles & Les Charles and James 8 Cheers NBC Burrows 9 The Wire HBO Created by David Simon 10 The West Wing NBC Created by Aaron Sorkin Created by Matt Groening, Developed by James L. 11 The Simpsons FOX Brooks and Matt Groening and Sam Simon “Pilot,” Written by Jess Oppenheimer & Madelyn Pugh & 12 I Love Lucy CBS Bob Carroll, Jrr. 13 Breaking Bad AMC Created by Vinnce Gilligan The Dick Van Dyke 14 CBS Created by Carl Reiner Show 15 Hill Street Blues NBC Created by Miichael Kozoll and Steven Bochco Arrested 16 FOX Created by Miitchell Hurwitz Development Created by Madeleine Smithberg, Lizz Winstead; Season One – Head Writer: Chris Kreski; Writers: Jim Earl, Daniel The Daily Show with COMEDY 17 J. Goor, Charlles Grandy, J.R. Havlan, Tom Johnson, Jon Stewart CENTRAL Kent Jones, Paul Mercurio, Guy Nicolucci, Steve Rosenfield, Jon Stewart 18 Six Feet Under HBO Created by Alan Ball Created by James L. Brooks and Stan Daniels and David 19 Taxi ABC Davis and Ed Weinberger The Larry Sanders 20 HBO Created by Garry Shandling & Dennis Klein Show 21 30 Rock NBC Created by Tina Fey Developed for Television by Peter Berg, Inspired by the 22 Friday Night Lights NBC Book by H.G.
    [Show full text]
  • Theater Review: 'X Minus One' Takes Us Back to the Future Sunday Posted at 9:36 AM Updated at 9:36 AM
    Theater review: 'X Minus One' takes us back to the future Sunday Posted at 9:36 AM Updated at 9:36 AM Counter-Productions Theater Company stages sci-fi stories from 1950s radio drama By Keith Powers, Special to the Journal According to the past, the future has shiny clothes. Wrist radios. Lots of guns. It’s kinda sexist. At least that’s the science fiction future, when observed by the science fiction past. Bringing both alive, Counter-Productions Theater Company is staging four stories from “X Minus One,” a 1950s radio drama, through Nov. 20 in AS220’s Blackbox. The four episodes represent the best from Counter-Productions’ decade-long stagings of radio dramas, which originally ran during an era when space travel was mostly rocket ships, and Mars was very far away. Directed by Rufus Qristofer Teixeira, the four stories vary in seriousness, but not in their old-time campy appeal. The original scripts (unidentified in the program) came from NBC staff writers Ernest Kinoy, George Lefferts and Thomas Godwin. Teixeira adapted them for the stage. Brashly played in throw-back mode by a dozen members of the Counter-Productions troupe, the tales had vastly different plots. But each captured the kind of gentle threat that the unknown thing called space travel conveyed — before it actually started happening. In the opening tale, Commander Colin Orde (anxiously paced out by Derek Smith), stranded in space for more than five years, suffers “solitosis.” He imagines one fictional companion after another (female, of course, and either subservient or sexually charged), until they finally gang up in a climactic hallucination.
    [Show full text]
  • From Marcus Welby, M.D. to the Resident: the Changing Portrayal of Physicians in Tv Medical Dramas
    RMC Original JMM ISSN electrónico: 1885-5210 DOI: http://dx.doi.org/10.14201/rmc202016287102 FROM MARCUS WELBY, M.D. TO THE RESIDENT: THE CHANGING PORTRAYAL OF PHYSICIANS IN TV MEDICAL DRAMAS Desde Marcus Welby, M.D. hasta The resident: los cambios en las representaciones de los médicos en las series de televisión Irene CAMBRA-BADII1; Elena GUARDIOLA2; Josep-E. BAÑOS2 1Cátedra de Bioética. Universitat de Vic – Universitat Central de Catalunya.2 Facultad de Medicina. Universitat de Vic – Universitat Central de Catalunya (Spain). e-mail: [email protected] Fecha de recepción: 9 July 2019 Fecha de aceptación: 5 September 2019 Fecha del Avance On-Line: Fecha de publicación: 1 June 2020 Summary Over the years, the way medical dramas represent health professionals has changed. When the first medical dramas were broadcasted, the main characters were good, peaceful, intelligent, competent, empathic, and successful physicians. One of the most famous, even outside the US, was Marcus Welby M.D. (1969-1976) of David Victor –which this year marks 50 years since its first emission. This depiction began to change in the mid-1990s. While maintaining the over positive image of medical doctors, TV series started to put more emphasis on their negative characteristics and difficulties in their interpersonal relationships, such asER (TV) by Michael Crichton (United States) and House MD (TV) by David Shore (United States). In these series, physicians were portrayed as arrogant, greedy, and adulterous, and their diagnostic and therapeutic errors were exposed. The last two series are The Good Doctor (TV) by David Shore (United States), with a resident of surgery with autism and Savant syndrome, and The Resident (TV) by Amy Holden Jones, Hayley Schore and Roshan Sethi (United States), where serious institutional problems appear.
    [Show full text]
  • Accepted Manuscript Version
    Research Archive Citation for published version: Tony Shaw, and Giora Goodman, ‘Hollywood’s Raid on Entebbe: Behind the Scenes of the United States-Israel Alliance’, Diplomatic History, dhx090, December 2017. DOI: https://doi.org/10.1093/dh/dhx090 Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: © 2017 The Author(s). Published by Oxford University Press on behalf of the Society for Historians of American Foreign Relations. All rights reserved. For permissions, please e-mail: [email protected] Content in the UH Research Archive is made available for personal research, educational, and non-commercial purposes only. Unless otherwise stated, all content is protected by copyright, and in the absence of an open license, permissions for further re-use should be sought from the publisher, the author, or other copyright holder. Enquiries If you believe this document infringes copyright, please contact the Research & Scholarly Communications Team at [email protected] Hollywood’s Raid on Entebbe: Behind the Scenes of the United States-Israel Alliance One by one, the camera settles on their frightened faces. At first, the hostages in the cramped, humid airport terminal thought it was just another announcement, something to relieve their boredom almost. But as the hijackers’ body language changes and the movie’s mournful soundtrack builds, it quickly dawns both on the hostages (and the audience) just what’s happening: Thirty years after the Second World War, and in the middle of Africa, the Jews are being selected, just like during the Holocaust.
    [Show full text]
  • Ezra Laderman University
    Acknowledgments the Plaut Kimball Recording Studio, Sprague Memorial Hall, Yale University. Decade was recorded August, 2019 at Recorded and edited by Gene Kimball. the Plaut Kimball Recording Studio, Partita for Solo Cello No. 2 was recorded Sprague Memorial Hall, Yale University. at the Plaut Kimball Recording Studio, Recorded and edited by Matthew Sprague Memorial Hall, Yale University. LeFevre. Recorded by Gene Kimball. Edited by Elegy for Bassoon and Partita for Solo Gene Kimball and Matthew LeFevre. Bassoon were recorded Summer, 2016 Partita for Violin was recorded March at the Plaut Kimball Recording Studio, 2, 2016 at the Plaut Kimball Recording Sprague Memorial Hall, Yale University. Studio, Sprague Memorial Hall, Yale Recorded by Gene Kimball and Matthew Ezra Laderman University. Recorded by Gene Kimball. LeFevre. Edited by Matthew LeFevre. Edited by Gene Kimball and Matthew Interior Landscapes I and Interior LeFevre. CHAMBER WORKS 2002-2013 Landscapes II were recorded Summer Mastering by Matthew LeFevre. 2008 at the Plaut Kimball Recording Studio, Sprague Memorial Hall, Yale Photo Credits University. Recorded by Gene Kimball. Ezra Laderman: Jacob Laderman Edited by Greg Anderson. Robert Blocker: Bob Handelman Piano Sonata No. 5 was recorded David Kaplan: Dario Acosta May 17, 2012 and January 14, 2014 at Greg Anderson: Lisa-marie Mazzucco Ole Akahoshi: Harold Shapiro Amy Yang: Balázs Böröcz WWW.ALBANYRECORDS.COM TROY1830-31 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2020 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL.
    [Show full text]
  • On Television the Television Index
    ON TELEVISION INCLUDING SEPT 27-OCT 3, 1954 THE TELEVISION INDEX VOLUME 6 NUMBER 39 EDITOR: Jerry Leichter PRODUCTION PROGRAMMING TALENT ASSOC ED: Alvin Sullum BUS MGR: Marjorie Oxley 551 Fifth Avenue New York 17 MUrray Hill 2-5910 PUBLISHED BY TELEVISION INDEX, INC. WEEKLY REPORT nu.S WEEK-- IETWORK DEBUTS & HIGHLIGHTS Monday(27) ABC- 7:30,8pm EST; RETURN; Jamie; from WABC-TV(NY), 12 stations live, 9 trine. Sponsor (sustaining, alternate weeks)- Duffy -Mott Co., Inc (Apple products, Sunsweet prune juice, Clapp's Baby Foods) thru Young & Rubicam, Inc(NY); Acct Exec- Frank Henderson; Agcy Superv- John Moorman; Coma Superv- Various. Pkgr- Talent Associates, Ltd(NY); Prod & Dir- Perry Lafferty; Assoc Prod- Freder- ick de Wilde; Writers- Various,Brandon de Wilde stars in the title role as an orphan boy of pre -teen age growing up with relatives; with ErnestTruex and Polly Bowles. Program returns after summer hiatus; last show June 7. Summer replace- ment has been documentary and travel films, sustaining. DuM- 7:15-7:30pm EST, Mon thru Fri; DEBUT; Moran Beatty and the News;from WTTG (Wash), stations indef. Sponsor- Miles Laboratories,Inc (Atka Seltzer, One -A -Day Vitamins) thru Geoffrey Wade Advertising(Chi). gr- DuMont; Prod & Dir- Scudder Boyd. Commentator & reporter Morgan Beatty presents a nightlycom- mentary on national and international affairs. Program replaces Marge and Jeff in this time spot, last show Sept 24. NBC- 8-9pm EST, three weeks of every four; Caesar's Hour; from WNBT(NY),no. of stations indefinite. Sponsors- 1) American Chicle Co (Clorets, Dentyne) thru Lancer -Fitzgerald -Sample, Inc(NY); Acct Execs- RaymondCabrera, Robert Etienne; Acct Superv- Richard A.
    [Show full text]
  • 7000 West Third Street, Los Angeles, Ca 90048 Website
    NEWS RELEASE WGAW Contact: WGAE Contact: Gregg Mitchell Jay Strell 323.782.4574 212.691.2800 [email protected] [email protected] FOR IMMEDIATE RELEASE June 2, 2013 WRITERS CHOOSE THE 101 BEST WRITTEN TV SERIES OF ALL TIME The Sopranos tops the list followed by Seinfeld, The Twilight Zone, All in the Family, and M*A*S*H* Los Angeles and New York – Recognizing the essential role that writers have played in creating and elevating the medium of television since its inception, the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) tonight announced the list of the 101 Best Written TV Series, honoring seven decades of outstanding television programming and the writers who brought it all to life. The list was determined through online voting by WGAW and WGAE members. A follow-up to the WGA’s 101 Greatest Screenplays (2006), the “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. “At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes,” said WGAW President Chris Keyser and WGAE President Michael Winship in a joint statement. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.” -more- WGAW-WGAE Release: 101 Best Written TV Series Announced – Page 2 of 8 Rank Series Title Network Writer(s)* 1 The Sopranos HBO Created by David Chase 2 Seinfeld NBC Created by Larry David & Jerry Seinfeld The Twilight Zone Season One writers: Charles Beaumont, Richard 3 CBS (1959) Matheson, Robert Presnell, Jr., Rod Serling Developed for Television by Norman Lear, Based on Till 4 All in the Family CBS Death Do Us Part, Created by Johnny Speight 5 M*A*S*H CBS Developed for Television by Larry Gelbart The Mary Tyler 6 CBS Created by James L.
    [Show full text]
  • Dear Editor: Can You Tell Me What Happened to My Favorite NBC Program, Dimension X?”
    Marquette University e-Publications@Marquette College of Communication Faculty Research and Publications Communication, College of 5-2019 “Dear Editor: Can You Tell Me What Happened to My Favorite NBC Program, Dimension X?” Amanda R. Keeler Marquette University, [email protected] Follow this and additional works at: https://epublications.marquette.edu/comm_fac Part of the Communication Commons Recommended Citation Keeler, Amanda R., "“Dear Editor: Can You Tell Me What Happened to My Favorite NBC Program, Dimension X?”" (2019). College of Communication Faculty Research and Publications. 525. https://epublications.marquette.edu/comm_fac/525 Marquette University e-Publications@Marquette Communication Faculty Research and Publications/College of Communications This paper is NOT THE PUBLISHED VERSION; but the author’s final, peer-reviewed manuscript. The published version may be accessed by following the link in the citation below. Journal of Radio & Audio Media, Vol. 26, No. 1 (2019): 50-62. DOI. This article is © [Taylor & Francis(Routledge)] and permission has been granted for this version to appear in e- Publications@Marquette. [Taylor & Francis(Routledge] does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from [Taylor & Francis(Routledge]. “Dear Editor: Can You Tell Me What Happened to My Favorite NBC Program, Dimension X?” Amanda Keeler College of Communication, Marquette University, Milwaukee, Wisconsin Over the course of its seventeen-month run in 1950 and 1951, the science fiction anthology radio program Dimension X served as a showcase for many new and established science fiction writers. Dimension X was among several adult science fiction and fantasy shows that debuted on radio in the late 1940s and early 1950s, alongside CBS's Escape and Mutual's 2000 Plus.
    [Show full text]