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FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. -
DUFFY's TAVERN Irish Eyes
CD 6A: “Mrs. Nussbaum Asks John J. Anthony for Marital Advice” - 01/22/1947 Minerva Pious guest stars as Mrs. Nussbaum. She DUFFY’S TAVERN is hoping to get some marriage advice from another guest, John J. Anthony. Irish Eyes Artie Shaw CD 6B: “Archie Has Three Days to Live” - 02/09/1949 Program Guide by Elizabeth McLeod Our favorite bartender thinks he's on death’s door. Will he tell the gang at the Tavern? If you listen to a lot of radio comedy, you’ll soon develop an awareness of and (an appreciation for) dialect. Skill in the use of variant forms of English was an CD 7A: “Schoolmate Willie Gundig Visits” - 02/16/1949 essential tool in the radio performer’s kit -- and if you pick up any radio casting Archie goes all out to impress his old schoolmate Willie Gundig. directory of the 1930s or 1940s, you’ll find classified listings sorting out actors according to those dialects in which they were proficient. You’ll notice a great CD 7B: “Archie Throws a Block Party” - 03/30/1951 many of these performers listing “New York,” “Brooklyn,” or “Bronx” accents Can Archie afford to book Artie Shaw for his big block party? What are his among their accomplishments…but if you listen to a lot of radio, you’ll also soon alternatives if he can’t? notice that a lot of those accents weren’t very good. CD 8A: “Archie Writes an Opera for TV” - 11/16/1951 No, it took a real New Yorker to really sound like one on the air. -
Blade Runner
Blade Runner TEMA: Progresso e Intelligenza artificiale Titolo originale: Blade Runner Nazione: Usa Anno: 1982 Genere: Fantascienza/Azione Durata: 124' Regia: Ridley Scott Cast: Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James Produzione: Micahel Deeley, Micahel Deeley, Hampton Fancher, Brian Kelly, Jerry Perenchio, Ivor Powell, Ridley Scott, Bud Yorkin Distribuzione: The Space Extra, Warner Bros. Pictures Italia Uscita prevista: 1982 (cinema) Venezia 2007 (versione restaurata) 30 Novembre 2007 (versione restaurata) (cinema) 06 Maggio 2015 (The Final Cut) (cinema) Trama: In un futuro tecnologico, caratterizzato dalla decadenza urbana e sociale, Deckard è all’inseguimento di pericolosi replicanti in fuga, ed è attratto da una donna misteriosa che potrebbe far vacillare le sue certezze. American History X TEMA: Questione Razziale Film di genere drammatico del 1998, diretto da Tony Kaye, con Edward Furlong e Elliott Gould. Durata 120 minuti. Distribuito da MEDUSA FILM (1999). GENERE: Drammatico ANNO: 1998 REGIA: Tony Kaye ATTORI: Edward Furlong, Elliott Gould, Edward Norton, Jennifer Lien, Avery Brooks, Fairuza Balk, Beverly D'Angelo, Stacy Keach PAESE: USA DURATA: 120 Min DISTRIBUZIONE: MEDUSA FILM (1999) TRAMA AMERICAN HISTORY X: In un tema in classe il giovane Danny tratta argomenti ispirati al 'Mein Kampf' e il preside Sweeney, per punirlo, lo obbliga a preparare una relazione sul fratello maggiore Derek. Quest'ultimo proprio quel giorno é uscito dal carcere dopo aver scontato alcuni anni per l'uccisione di due ragazzi neri che gli stavano rubando l'automobile. Quando si svolgevano quei fatti, Derek aveva il ruolo di leader di un gruppo giovanile paranazista che si riconosceva in Cameron, ideologo della violenza razzista contro ogni forma di diversità. -
NIGHT BEAT Nightside Is Different
nightbeat_2009.qxd:8 pg. Booklet 11/18/09 10:20 AM Page 1 05/22/1952 “Target for a Week” by David Ellis A campaign by a reporter on a rival paper lands Randy NIGHT BEAT in the most desperate situation of his life: facing a murder charge. Nightside is Different 05/29/1952 “The Jockey Brothers” by Larry Roman Two feuding brothers carry Randy on a wild ride through the world of horse racing. Program Guide by Elizabeth McLeod 06/05/1952 “The Marvelous Machine” by Arthur Ross The pen is mightier than the sword, but is it mightier than the .45? That’s the dilemma Randy probes the case of a computer scientist whose faced by hard-nosed crime reporter Randy Stone each week in one of radio’s most invention has brought him into unfortunate contact with memorable newspaper dramas: Night Beat . One in a wave of realistic crime shows Frank Lovejoy the underworld. to sweep the networks at the dawn of the 1950s, it failed to make much of an impression during its original run. However, in the decades since, it’s been 07/17/1952 “A Taste of Peaches” by Irwin Ashkenazi rediscovered by a new generation of radio enthusiasts as a prime example of what Randy becomes enmeshed in the case of an ex-convict desperate to recover his lost might be called “newspaper noir.” loot before rival thugs find it. Night Beat was the heir to a 09/11/1952 “Larry the Understudy” by Gwen Bagni long tradition of newspaper Randy is caught up in the backstage drama as a crime lord determines to make his dramas when it came to girlfriend a star…no matter what. -
Bridging the Gap Between Structure and Properties in Nano-Particle Filled Polymers
Bridging the Gap between Structure and Properties in Nano-Particle Filled Polymers Erik Hobbie Jack Douglas Francis Starr Charles Han U.S. DEPARTMENT OF COMMERCE Technology Administration National Institute ot Standards and Technology Gaithersburg, MD 20899-8910 Qd NIST /oo Notional Institute off Standards and Technology ,UJ5^ Technology Administration U.S. Department of Commerce Bridging the Gap between Structure and Properties in Nano-Particle Filled Polymers Erik Hobbie Jack Douglas Francis Starr Charles Han U.S. DEPARTMENT OF COMMERCE Technology Administration National Institute of Standards and Technology Gaithersburg, MD 20899-8910 July 2002 U.S. DEPARTMENT OF COMMERCE Donald L. Evans, Secretary TECHNOLOGY ADMINISTRATION Phillip J. Bond, Under Secretary for Technology NATIONAL INSTITUTE OF STANDARDS AND TECHNOLOGY Arden L. Bement, Jr., Director Bridging the Gap Between Structure and Properties in Nanoparticle-Filled Polymers May 29-30, 2002 National Institute of Standards and Technology Gaithersburg, MD Organizers: Erik Hobbie Jack Douglas Francis Starr Charles Han I. Nanotechnology Workshop On May 29-30 of 2002, a workshop on polymer nanocomposites was held at NIST in Gaithersburg, Maryland. The workshop was entitled Bridging the Gap Between Structure and Properties in Nanoparticle- Filled Polymers and focused primarily on the interrelation between particle dispersion and the properties of polymers filled with clay and nanotube fillers. The purpose of the workshop was to identify research topics for NIST research and to initiate research collaboration with industrial and academic researchers in this important technological area. The workshop participants included a diverse mix of industrial, government and academic researchers. This document reproduces the slides presented by the speakers of this workshop along with a few introductory remarks about each contribution. -
Radio City Playhouse
RADIO CITY PLAYHOUSE http://web.archive.org/web/20071215125232/http://www.otr.com/radio_city_playhouse.htm RADIO CITY PLAYHOUSE Official Log Based Upon Records from the Library of Congress Researched and Created by Jim Widner September 11, 2001 RADIO CITY PLAYHOUSE premiered over NBC on July 3rd, 1949 as a half-hour dramatic program representing a different drama on each broadcast. The dramas chosen, according to NBC, were because they were considered “good drama” regardless of the name of the author, the fame of the play, etc. In many instances, original radio plays were used on the series. Director of production and author of some of the original radio plays was Harry W. Junkin. The cast varied according to the script needs but New York radio actors and actresses were used, some of them experienced and others chosen from the best in radio acting newcomers. The overall production for the series was under the supervision of Richard McDonagh, NBC Script Manager. Musical bridges were by Roy Shields and his Orchestra. The announcer was Robert Warren. Series One: July 3, 1948 to September 25, 1948. Broadcast Saturdays from 10:00 – 10:30 pm EST July 3, 1948 Premiere “Long Distance” Writer: Harry W. Junkin. A drama of suspense in which a young wife has thirty minutes to get through a long distance telephone call that will save her husband from the electric chair. Note: Script was originally written for the NBC series The Chase. Cast: Jan Miner July 10, 1948 “Ground Floor Window” Writer: Ernest Kinoy. A boy with cerebral palsy spends twenty-three years of his life just sitting at a window watching the world go by before other boys realize what it meant to be just an “onlooker.” Cast: Bill Redfield (Danny) Broadcast moves to Saturdays from 10:30 – 11:00 pm EST July 17, 1948 “Of Unsound Mind” Writer: Harry W. -
THE WESTFIELD LEADER 30-33 Degrees
o o o X co ^a cr: < ia O - j E-i Today's weather: rain developing by evening. high 45-48 degrees, low THE WESTFIELD LEADER 30-33 degrees. ITte Leading and Most Widely Circulated Weekly Newspaper In Union County Second Clasa Postage Paid Published EIGHTY-FOURTH YEAR—-No. 32 at Weatfleld. N. J. WESTFIELD, NEW JERSEY, THURSDAY. MARCH 21, 1974 very Thurat 26 Pases—15 Cents Resident Named County Dems Registration Set County Group Back Levin For New.Fool INames School Board Appoints Director of State Division For Congress LD. Cards Mrs. Allen •TKENTON - Thomas A. mercial and residential The evening times for Mrs. Sally S. Allen, New Superintendent Kelly, of Westfield a North development projects in the The Union County validating cards for the recently re-elected to the Jersey banking executive, North Jersey area serviced Democratic Committee has Westfield Memorial Pool's Hoard of Educat ion here has Dr. Laurence F. Greene, who has been involved in by the Jersey City-based chosen Adam K, Levin of new season and for issuing Dr. William R. Manning, bank. Westfield to run . for been elected president of the an educator who began as a economic and industrial new photos will be Tuesdays I'nion County (educational appointed to the superin- development programs in Prior to joining First Congress in the 12th. classroom teacher 28 years tendancy at the Board's from 7 to 9 p.m. on March 20, Services Commission ago and has served as a New Jersey for the past 14 Jersey National he served congressional district, April «, 23, May 14, 2IS. -
Hal Kanter Collection
http://oac.cdlib.org/findaid/ark:/13030/c8p273sm No online items Hal Kanter Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/wgf-library-archive/about-the-film-and-tv-archive/ 2018 Hal Kanter Collection WGF-MS-038 1 Descriptive Summary Title: Hal Kanter Collection Dates: 1943-2008 Collection Number: WGF-MS-038 Creator/Collector: Kanter, Hal, 1918-2011 Extent: 3 linear feet, 3 boxes Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: The Hal Kanter Collection, 1943-2009, primarily consists of radio scripts produced during Kanter’s work for the Armed Forces Radio Service during WWII. Also in this collection are other radio and television scripts, professional and personal correspondence and Writers Guild of America newsletters. Language of Material: English Access Available by appointment only. Publication Rights The responsibility to secure copyright and publication permission rests with the researcher. Preferred Citation Hal Kanter Collection. Writers Guild Foundation Archive Acquisition Information Donated by Hal Kanter on October 5, 2007 and June 10, 2008. Biography/Administrative History Hal Kanter was a prolific comedy writer whose career spanned six decades of radio, films television comedies and awards shows. Born in Savannah, Georgia on December 18, 1918, his family moved to Long Island when he was a child. His father, Albert, created Classics Illustrated, comic-book versions of classic books. From a young age, Kanter was interested in theater and creating cartoons and writing jokes. He sold his first cartoon in 1933 and for the following five years was a free-lance cartoonist for newspapers and magazines. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
THE ALLIED EXPEDITIONARY FORCES PROGRAMME Gen
THE ALLIED EXPEDITIONARY FORCES PROGRAMME Gen. Dwight D. Eisenhower Prepared by: Dennis M. Spragg Updated March 2017 1 Cover: Maj. Glenn Miller and Dinah Shore, Abbey Road Studios, September 1944 “The real enjoyment comes from the moments inside our work. Once we heard the happy sound of a music hungry bunch of servicemen, yelling for more whatever we had to offer, we knew that we could never enjoy a more satisfying pay off in our lives”. - -- Major Glenn Miller, September 14, 1944 Establishing the American Forces Network (AFN) in Britain Until June 7, 1944, radio programming for the allied armed forces based in the United Kingdom was provided by distinct British and American services. The American radio operation was the American Forces Network (AFN). American personnel stationed in the United Kingdom did not enjoy or appreciate the programming of the BBC, which they found dull and stiff. The answer was to create a radio network specifically for the Americans; many thousands of whom, the BBC realized, would soon arrive in their nation. Before the Americans began to arrive during 1942, the BBC had created a separate radio service for its own forces, the General Forces Programme (GFP); realizing that service personnel serving at home and abroad would require different radio programs than the civilian population. British and Commonwealth forces also wanted to hear American popular music and variety programming. As Americans arrived, the BBC felt obliged to help establish an American radio presence. The BBC GFP had organized features aimed specifically at Commonwealth personnel, including recordings of American popular music and variety content. -
Nashville Community Theatre: from the Little Theatre Guild
NASHVILLE COMMUNITY THEATRE: FROM THE LITTLE THEATRE GUILD TO THE NASHVILLE COMMUNITY PLAYHOUSE A THESIS IN Theatre History Presented to the Faculty of the University of Missouri – Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by ANDREA ANDERSON B.A., Trevecca Nazarene University, 2003 Kansas City, Missouri 2012 © 2012 ANDREA JANE ANDERSON ALL RIGHTS RESERVED THE LITTLE THEATRE MOVEMENT IN NASHVILLE, TENNESSEE: THE LITTLE THEATRE GUILD AND THE NASHVILLE COMMUNITY PLAYHOUSE Andrea Jane Anderson, Candidate for the Master of Arts Degree University of Missouri - Kansas City, 2012 ABSTRACT In the early 20th century the Little Theatre Movement swept through the United States. Theatre enthusiasts in cities and towns across the country sought to raise the standards of theatrical productions by creating quality volunteer-driven theatre companies that not only entertained, but also became an integral part of the local community. This paper focuses on two such groups in the city of Nashville, Tennessee: the Little Theatre Guild of Nashville (later the Nashville Little Theatre) and the Nashville Community Playhouse. Both groups shared ties to the national movement and showed a dedication for producing the most current and relevant plays of the day. In this paper the formation, activities, and closure of both groups are discussed as well as their impact on the current generation of theatre artists. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the College of Arts and Sciences, have examined a thesis titled “Nashville Community Theatre: From the Little Theatre Guild to the Nashville Community Playhouse,” presented by Andrea Jane Anderson, candidate for the Master of Arts degree, and certify that in their opinion it is worthy of acceptance. -
Honor Roll 2006
i annual report Jennifer Rodriquez, age 3 gifts Childrens hospiTal los angeles honor roll of donors for the time period of January 1, 2006, through December 31, 2006 in gratitude and recognition The patients, families, staff and Board of Trustees of Childrens Hospital Los Angeles are grateful to the many people who help us build for the future and provide clinical care, research and medical education through their financial support. We recognize esteemed individuals, organizations, corporations and foundations for their generosity during the 2006 calendar year. This Honor Roll lists donors who contributed at least $1,000 in cash gifts, pledges or pledge payments. To view the Red Wagon Society Honor Roll of Donors, which lists gifts of $150 to $999, please visit the electronic version of the Honor Roll at www.ChildrensHospitalLA.org/honorroll2006.pdf. Foregoing individual recognition, we also extend thanks to those who made generous contribu- tions directly to one of our Associate and Affiliate, or allied groups. Children’s Miracle Network (CMN) gifts to CMN National will be recognized in the next issue of Imagine. In spite of our best efforts, errors and omissions may occur. Please inform us of any inaccuracies by contacting Marie Logan, director of Donor Relations, at (323) 671-1733, or [email protected]. • | imagine spring 07 $10,000,000 and above The Sharon D. Lund Foundation Confidence Foundation Randy and Erika Jackson Anonymous Friend The Harold McAlister Charitable Corday Foundation Foundation i Foundation Kenneth and Sherry Corday Johnson & Johnson $4,000,000 to $9,999,999 Mrs. J. Thomas McCarthy Mr.