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FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. -
Ctod;I~ ~--• and • ~ The~~ for ANIMALS
ctod;i~ ~--• and • ~ the~~ FOR ANIMALS OFFICERS & DIRECTORS JoAnne Worley, President loretta Swit, 1st. Vice President Paul Jolly, 2nd. Vice President/Treasurer Cory Carter, Secretary Maria Dales March 17, 2014 Jackie Joseph Sherry Miller Susan Taylor Personnel and Animal Welfare Committee Claro Tortomasi Attn: Councilman Paul Koretz, Chair Betty White Councilman Felipe Fuentes, Member Mary Willard Councilman Mitch O'FarreU, Member EXECUTIVE DIRECTOR Susan Taylor los Angeles City Council PRESIDENT EMERITUS 200 N. Spring Street Earl Holliman Los Angeles, CA 90012 DIRECTORS EMERITUS Jodie Mann Maurice Tubin Re: CFll...Q473- March 18, 2014 Agenda Item No.6 HONORARY BOARD Support Motion Made on March 23, 2011 in Support of Cardenas/Rosendahl Motion to Add OF GOVERNORS Dog Licensing Funds to Animal Sterilization Fund and in Opposition to Animal Welfare Trust Denise Alexander Fund lucie Arnaz Clint Black lisa Hartman Black Actors and Others for Animals was founded in 1971 and is one of the oldest and Joe Bologna Christie Brinkley most respected animal welfare organizations in Los Angeles. Our main mission is to James Brolin curb the pet overpopulation problem through subsidizing spay and neuter Carol Burnett surgeries. We are strong advocates of dog licensing and differentials that allow dog Dick Carlson, Past President Angie Dickinson "owners" who sterilize their pet to receive a reduced license fee and equally Rosemary Forsyth support the City providing financial aid to pet .. owners" to spay/neuter their pets. Zsa Zsa Gabor Arlene Golonka Eydie Gorme We urge you to support the original March 23, 2011 motion by Councilman Veronica Hamel Harry Hamlin Cardenas to cap the licensing revenue and place any excess revenue collected into Mariette Hartley the Animal Spay and Neuter Trust Fund. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Hal Kanter Collection
http://oac.cdlib.org/findaid/ark:/13030/c8p273sm No online items Hal Kanter Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/wgf-library-archive/about-the-film-and-tv-archive/ 2018 Hal Kanter Collection WGF-MS-038 1 Descriptive Summary Title: Hal Kanter Collection Dates: 1943-2008 Collection Number: WGF-MS-038 Creator/Collector: Kanter, Hal, 1918-2011 Extent: 3 linear feet, 3 boxes Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: The Hal Kanter Collection, 1943-2009, primarily consists of radio scripts produced during Kanter’s work for the Armed Forces Radio Service during WWII. Also in this collection are other radio and television scripts, professional and personal correspondence and Writers Guild of America newsletters. Language of Material: English Access Available by appointment only. Publication Rights The responsibility to secure copyright and publication permission rests with the researcher. Preferred Citation Hal Kanter Collection. Writers Guild Foundation Archive Acquisition Information Donated by Hal Kanter on October 5, 2007 and June 10, 2008. Biography/Administrative History Hal Kanter was a prolific comedy writer whose career spanned six decades of radio, films television comedies and awards shows. Born in Savannah, Georgia on December 18, 1918, his family moved to Long Island when he was a child. His father, Albert, created Classics Illustrated, comic-book versions of classic books. From a young age, Kanter was interested in theater and creating cartoons and writing jokes. He sold his first cartoon in 1933 and for the following five years was a free-lance cartoonist for newspapers and magazines. -
"The Writer Speaks" Oral History Collection
http://oac.cdlib.org/findaid/ark:/13030/c8gt5vgn Online items available "The Writer Speaks" Oral History Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2021 "The Writer Speaks" Oral History WGF—IA—001 1 Collection Descriptive Summary Title: "The Writer Speaks" Oral History Collection Dates: 1994-2013 Collection Number: WGF—IA—001 Creator/Collector: Extent: 63 interviews; approximately 90 hours of video footage Online items available https://www.youtube.com/playlist?list=PL1cpvBEDotV7pSBwLB55MhqSmZ5O831Bc Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: “The Writer Speaks” interview series, conducted by the nonprofit Writers Guild Foundation from 1994 to 2013, consists of 63 videotaped oral history interviews with prominent film and television writers. Interviewees include Billy Wilder, Robert Towne, Julius Epstein, Garry Marshall, James L. Brooks, Norman Lear, Carl Reiner, William Goldman and Sidney Sheldon. Among the major topics discussed are early childhood, inspiration and influence, big breaks, career milestones, process and craft, the Hollywood blacklist, and advice to aspiring writers. The collection is available on DVD as well as on the Writers Guild Foundation’s YouTube channel. Language of Material: English Access Access to this collection is unrestricted. Publication Rights The rights belong to the Writers Guild Foundation. Please contact the Archive for requests to reproduce or publish materials. Preferred Citation "The Writer Speaks" Oral History Collection. Writers Guild Foundation Archive Acquisition Information The series was produced by the Writers Guild Foundation between the years 1994 and 2013 and is part of the institutional archive. -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
Hollywoodghg "Ihكmmne
World of Suzi Wong.” Mr. THE EVENING STAR I feels Town's Movie Mason sentimental about THIS SUNr—3:OO P.M. 808 MAYINH.TOMMY 2 9.M. WasAingtpn, D. C. B-13 oriental girls who get emotion- IN CONSTITUTION HALL Friday, March It, 1960 SNEAK "A Maier Statement . Fascinating!" ally entangled with handsome Carmody. Star westerners. VIENNA Tearful Tale "Our Finest Dramatist . Sterling PREVUE . HOLLYWOODgHg This time the girl is played playing." ON PARADE Coe, Post By SHEILAH GRAHAM by Yoke Tanl, her suitor by "You should . depth and Exclusive Os Love of 60 from Austria go HSKj Awry Dirk Bogarde. They “farr in Company TONIGHT fascination." AAarchot, Waltzes, Folk Songs by th« DonnoUy, New, Washington Premiere rove” when they meet in a Deutschmeister Band, Chorus end So- "THB WIND CANNOT RIAD." * loists, Ensembles and —JKMHIi 20th Century. Fox releu* of * Rank wartime intelligence school String Leading AT 8:30 P.M. 2nd RECORD Organisation production, produced by where she .teaches Japanese Dancers of the Vienna State Opera Ralph Thoma, and Bettr X. Box. Ballot • directed by Thomas, music by Anaelo and he is a student attracted GOOD SEATS AVAILABLE PIUS BREAKING WK. Another for Muni Lavasnlno. screenplay by Richard Ma- son from his novel. In color at the by the sadness in. not the al- Town Theater. HAYES CONCERT BUREAU HOLLYWOOD (NANA) Os- I Montevecchl, "seven hours a mond shape of, her eyes. (in Compb.ll'.) 110 S G St. N.W. A “NEW 1 V QulnJ** NAtional 1-7111 SMnwsy Fiune Jy-'- Paul Muni will be of discipline and Michael Bogarde The romance is beset by the car-nominee day ballet, "Sabby" IBuluklBam Yoko Tanl Lewis the Fenwick . -
ED 150 1.13 DESCRIPTORS An-OE-77-12012
-DOCUMENT RESUME ED 150 1.13 - 95 SP 011897-- 9 TITLE Teacher Centers: Commissioner's Report on the Education Professions 1975-76. .=.4' O INSTITUTION . Oesice of Education (DREW),-Washington, D.C. REPORT-NO An-OE-77-12012 . PU Q DATE 77 s. NOTE '' 252p. ;AVAILABLE FROM SuperintendentofDocuments,O* Ooveinment Printing Office,,Mashington, D.C. (Sto4 No. 017-080-01809-8) N 4?' BDRS PRICE MF-$0.83:HC-$14.05 PluS P6stn,,e. DESCRIPTORS Decisiob Making; FederaAidf'Foreign Countries; .anservice Programs; *IseTlyle Teacher Edgcation; Interinstitutional C ation; *Professional- Continuing Education ogram Descriptions; *Resource Centers; Tea 4T-'Centers; Teacher improvement; Teachr lo ABSTRACT:' This r t on/the educationprofessions_covers-the current federally funded ,tacher'.cente-i-,i, the antecedent Federal role in the. development of teash' er'benters, and, teacher center development in.several,other countrieS,: It"-is divided into four major categories. Part-Cis-contains two articles- -one on the history cf the Federal Tole in ,the development of teachercenters., the other on the scope °. ,and rationale,0f,tinservice education and. teacher centers. In the second part ,current efforts in. teacher center-development are disc,ussedsiiihes6riptions of several active centers. The third --sectiofi examines possible new directions for teacher centers. The kina]..,part c9nsists-of.two appendixes: a comprehensiveindexed -lib4pgr,aphyd(and. a, directory of centers. (JD) . ' C e' . ( , ******.***************************************************************.** * Reproductions supplied by EDRS'are'the best that can be made- * * from the original document. ._ * ************************************************f********************** 14 COMMiSSIOIC/ER'SREPORT -ON THE EDUCATION PROFESSIONS 1975-7Q. e cner nters 4i *TSDEPARTMENT OF,HEALTN EDUCATION LWELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENTHAS BEEN REPRO. -
NATIONAL REGISTER of HISTORIC PLACES INVENTORY -- NOMINATION FORM •It
•vo-1 zorm No. 10-300 DATA UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM •it SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS ____________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ NAME HISTORIC Pasadena Playhouse AND/OR COMMON Pasadena Playhouse LOCATION STREET & NUMBER 39 South El Molino Avenue _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Pasadena __ VICINITY OF 22nd STATE CODE COUNTY CODE California 91101 06 Los Angeles 037 CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE —DISTRICT —PUBLIC —OCCUPIED _ AGRICULTURE —MUSEUM X_BUILDING(S) —PRIVATE —UNOCCUPIED —COMMERCIAL —PARK V —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE y —SITE PUBLIC ACQUISITION ACCESSIBLE tLENTERTAINMENT —RELIGIOUS V —OBJECT X_IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION MOTHER:V cneauref-Vi p o f TP —NO —MILITARY flTi-S (OWNER OF PROPERTY NAME City of Pasadena (in escrow) STREET & NUMBER 100 North Garfield Avenue CITY. TOWN STATE Pasadena VICINITY OF California 91101 LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS,ETC. Bank of , pasadena City Center STREET & NUMBER 111 South Marengo CITY. TOWN STATE Pasadena California 91101 REPRESENTATION IN EXISTING SURVEYS TITLE State Historical Landmark - Reg. #887 DATE July 11, 1975 —FEDERAL X—STATE _COUNTY _LOCAL DEPOSITORY FOR SURVEY RECORDS state Historic Resources Commission, Dept. of Parks and RecHation CITY. TOWN Sacramento DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED —UNALTERED -ORIGINAL SITE —GOOD —RUINS ^-ALTERED —MOVED DATE ________ X_FAIR —UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Built in 1925 and designed by architect Elmer Grey, the Pasadena Playhouse is of Spanish Colonial Revival architecture. -
GUNSMOKE TV CAST and DETAILS Premiered
GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall -
Waterways Film List
Water/Ways Film List This film resource list was assembled to help you research and develop programming around the themes of the WATER/WAYS exhibition. Work with your local library, a movie theater, campus/community film clubs to host films and film discussions in conjunction with the exhibition. This list is not meant to be exhaustive or even all-encompassing – it will simply get you started. A quick search of the library card catalogue or internet will reveal numerous titles and lists compiled by experts, special interest groups and film buffs. Host series specific to your region or introduce new themes to your community. All titles are available on DVD unless otherwise specified. See children’s book list for some of the favorite animated short films. Many popular films have blogs, on-line talks, discussion ideas and classroom curriculum associated with the titles. Host sites should check with their state humanities council for recent Council- funded or produced documentaries on regional issues. 20,000 Leagues under the Sea. 1954. Adventure, Drama, Family. Not Rated. 127 minutes. Based on the 1870 classic science fiction novel by Jules Verne, this is the story of the fictional Captain Nemo (James Mason) and his submarine, Nautilus, and an epic undersea exploration. The oceans during the late 1860’s are no longer safe; many ships have been lost. Sailors have returned to port with stories of a vicious narwhal (a giant whale with a long horn) which sinks their ships. A naturalist, Professor Pierre Aronnax (Paul Lukas), his assistant, Conseil (Peter Lorre), and a professional whaler, Ned Land (Kirk Douglas), join an US expedition which attempts to unravel the mystery. -
From Conformity to Protest: the Evolution of Latinos in American Popular Culture, 1930S-1980S
From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s A dissertation submitted to the Graduate School of the University of Cincinnati in the partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History of the College of Arts and Sciences 2017 by Vanessa de los Reyes M.A., Miami University, 2008 B.A., Northern Kentucky University, 2006 Committee Chair: Stephen R. Porter, Ph.D. Abstract “From Conformity to Protest” examines the visual representations of Latinos in American popular culture—specifically in film, television, and advertising—from the 1930s through the early 1980s. It follows the changing portrayals of Latinos in popular culture and how they reflected the larger societal phenomena of conformity, the battle for civil rights and inclusion, and the debate over identity politics and cultural authenticity. It also explores how these images affected Latinos’ sense of identity, particularly racial and ethnic identities, and their sense of belonging in American society. This dissertation traces the evolution of Latinos in popular culture through the various cultural anxieties in the United States in the middle half of the twentieth century, including immigration, citizenship, and civil rights. Those tensions profoundly transformed the politics and social dynamics of American society and affected how Americans thought of and reacted to Latinos and how Latinos thought of themselves. This work begins in the 1930s when Latin Americans largely accepted portrayals of themselves as cultural stereotypes, but longed for inclusion as “white” Americans. The narrative of conformity continues through the 1950s as the middle chapters thematically and chronologically examine how mainstream cultural producers portrayed different Latino groups—including Chicanos (or Mexican Americans), Puerto Ricans, and Cubans.