Dear Editor: Can You Tell Me What Happened to My Favorite NBC Program, Dimension X?”
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Radio City Playhouse
RADIO CITY PLAYHOUSE http://web.archive.org/web/20071215125232/http://www.otr.com/radio_city_playhouse.htm RADIO CITY PLAYHOUSE Official Log Based Upon Records from the Library of Congress Researched and Created by Jim Widner September 11, 2001 RADIO CITY PLAYHOUSE premiered over NBC on July 3rd, 1949 as a half-hour dramatic program representing a different drama on each broadcast. The dramas chosen, according to NBC, were because they were considered “good drama” regardless of the name of the author, the fame of the play, etc. In many instances, original radio plays were used on the series. Director of production and author of some of the original radio plays was Harry W. Junkin. The cast varied according to the script needs but New York radio actors and actresses were used, some of them experienced and others chosen from the best in radio acting newcomers. The overall production for the series was under the supervision of Richard McDonagh, NBC Script Manager. Musical bridges were by Roy Shields and his Orchestra. The announcer was Robert Warren. Series One: July 3, 1948 to September 25, 1948. Broadcast Saturdays from 10:00 – 10:30 pm EST July 3, 1948 Premiere “Long Distance” Writer: Harry W. Junkin. A drama of suspense in which a young wife has thirty minutes to get through a long distance telephone call that will save her husband from the electric chair. Note: Script was originally written for the NBC series The Chase. Cast: Jan Miner July 10, 1948 “Ground Floor Window” Writer: Ernest Kinoy. A boy with cerebral palsy spends twenty-three years of his life just sitting at a window watching the world go by before other boys realize what it meant to be just an “onlooker.” Cast: Bill Redfield (Danny) Broadcast moves to Saturdays from 10:30 – 11:00 pm EST July 17, 1948 “Of Unsound Mind” Writer: Harry W. -
Zen in the Art of Writing – Ray Bradbury
A NOTE ABOUT THE AUTHOR Ray Bradbury has published some twenty-seven books—novels, stories, plays, essays, and poems—since his first story appeared when he was twenty years old. He began writing for the movies in 1952—with the script for his own Beast from 20,000 Fathoms. The next year he wrote the screenplays for It Came from Outer Space and Moby Dick. And in 1961 he wrote Orson Welles's narration for King of Kings. Films have been made of his "The Picasso Summer," The Illustrated Man, Fahrenheit 451, The Mar- tian Chronicles, and Something Wicked This Way Comes, and the short animated film Icarus Montgolfier Wright, based on his story of the history of flight, was nominated for an Academy Award. Since 1985 he has adapted his stories for "The Ray Bradbury Theater" on USA Cable television. ZEN IN THE ART OF WRITING RAY BRADBURY JOSHUA ODELL EDITIONS SANTA BARBARA 1996 Copyright © 1994 Ray Bradbury Enterprises. All rights reserved under International and Pan-American Copyright Conventions. Owing to limitations of space, acknowledgments to reprint may be found on page 165. Published by Joshua Odell Editions Post Office Box 2158, Santa Barbara, CA 93120 Library of Congress Cataloging-in-Publication Data Bradbury, Ray, 1920— Zen in the art of writing. 1. Bradbury, Ray, 1920- —Authorship. 2. Creative ability.3. Authorship. 4. Zen Buddhism. I. Title. PS3503. 167478 1989 808'.os 89-25381 ISBN 1-877741-09-4 Printed in the United States of America. Designed by The Sarabande Press TO MY FINEST TEACHER, JENNET JOHNSON, WITH LOVE CONTENTS PREFACE xi THE JOY OF WRITING 3 RUN FAST, STAND STILL, OR, THE THING AT THE TOP OF THE STAIRS, OR, NEW GHOSTS FROM OLD MINDS 13 HOW TO KEEP AND FEED A MUSE 31 DRUNK, AND IN CHARGE OF A BICYCLE 49 INVESTING DIMES: FAHRENHEIT 451 69 JUST THIS SIDE OF BYZANTIUM: DANDELION WINE 79 THE LONG ROAD TO MARS 91 ON THE SHOULDERS OF GIANTS 99 THE SECRET MIND 111 SHOOTING HAIKU IN A BARREL 125 ZEN IN THE ART OF WRITING 139 . -
THE WESTFIELD LEADER 30-33 Degrees
o o o X co ^a cr: < ia O - j E-i Today's weather: rain developing by evening. high 45-48 degrees, low THE WESTFIELD LEADER 30-33 degrees. ITte Leading and Most Widely Circulated Weekly Newspaper In Union County Second Clasa Postage Paid Published EIGHTY-FOURTH YEAR—-No. 32 at Weatfleld. N. J. WESTFIELD, NEW JERSEY, THURSDAY. MARCH 21, 1974 very Thurat 26 Pases—15 Cents Resident Named County Dems Registration Set County Group Back Levin For New.Fool INames School Board Appoints Director of State Division For Congress LD. Cards Mrs. Allen •TKENTON - Thomas A. mercial and residential The evening times for Mrs. Sally S. Allen, New Superintendent Kelly, of Westfield a North development projects in the The Union County validating cards for the recently re-elected to the Jersey banking executive, North Jersey area serviced Democratic Committee has Westfield Memorial Pool's Hoard of Educat ion here has Dr. Laurence F. Greene, who has been involved in by the Jersey City-based chosen Adam K, Levin of new season and for issuing Dr. William R. Manning, bank. Westfield to run . for been elected president of the an educator who began as a economic and industrial new photos will be Tuesdays I'nion County (educational appointed to the superin- development programs in Prior to joining First Congress in the 12th. classroom teacher 28 years tendancy at the Board's from 7 to 9 p.m. on March 20, Services Commission ago and has served as a New Jersey for the past 14 Jersey National he served congressional district, April «, 23, May 14, 2IS. -
Ray Bradbury Theater
The Ray Bradbury Theater Episode Guide Compiled by Loren Heisey ([email protected]) June 14, 1993 page 1 THE RAY BRADBURY THEATER EPISODE GUIDE Guide revision history Version 1.0: Original release (06/07/92) Version 1.1: Minor update (07/05/92) Added support for printing with the ms macros and with cawf. Version 2.0: Update (06/14/93) Added fifth production episodes. Changed order of HBO episodes. Miscellaneous other changes. This guide is for personal use only and may be distributed freely. No charge may be made for this document beyond the costs of printing and distribution. page 2 June 14, 1993 THE RAY BRADBURY THEATER EPISODE GUIDE Table of Contents I. HBO Produced Episodes 4 II. USA First Production 7 III. USA Second Production 11 IV. USA Third Production 17 V. USA Fourth Production 20 VI. USA Fifth Production 22 VII. Episode Title List 27 VIII. Alphabetical Episode Title List 29 IX. Principle Credits 31 X. Notes 36 June 14, 1993 page 3 THE RAY BRADBURY THEATER EPISODE GUIDE I. HBO produced episodes Introduction by Ray Bradbury "People ask where do you get your ideas. Well right here. All this is my Martian landscape. Somewhere in this room is an African veldt. Just beyond perhaps is a small Illinois town where I grew up. And I’m surrounded on every side by my magicians toyshop. I’ll never starve here. I just look around, find what I need, and begin. I’m Ray Bradbury, and this is" The Ray Bradbury Theater. "Well then, right now what shall it be. -
Scripts and Set Plans for the Television Series the Defenders, 1962-1965 PASC.0129
http://oac.cdlib.org/findaid/ark:/13030/kt1b69q2wz No online items Scripts and Set Plans for the Television Series The Defenders, 1962-1965 PASC.0129 Finding aid prepared by UCLA staff, 2004 UCLA Library Special Collections Online finding aid last updated 2020 November 2 Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Scripts and Set Plans for the PASC.0129 1 Television Series The Defenders, 1962-1965 PASC.0129 Contributing Institution: UCLA Library Special Collections Title: The Defenders scripts and set plans Identifier/Call Number: PASC.0129 Physical Description: 3 Linear Feet(7 boxes) Date (inclusive): 1962-1965 Abstract: The Defenders was televised 1961 to 1965. The series featured E.G. Marshall and Robert Reed as a father-son team of defense attorneys. The program established a model for social-issue type television series that were created in the early sixties. The collection consists of annotated scripts from January 1962 to March 1965. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Fragmentary Futures: Bradbury's Illustrated Man Outlines--And Beyond
2015 Fragmentary Futures: Bradbury's Illustrated Man Outlines--and Beyond Jonathan R. Eller Indiana University-Purdue University Indianapolis Indianapolis, Indiana, USA IUPUI ScholarWorks This is the author’s manuscript: This article was puBlished as Eller, Jonathan R. “Fragmentary Futures: Bradbury's Illustrated Man Outlines--and Beyond” The New Ray Bradbury Review 4 (2015): 70- 85. Print. No part of this article may Be reproduced, stored in a retrieval system, transmitted, or distriButed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Kent State University Press. For educational re-use, please contact the Copyright Clearance Center (508-744- 3350). For all other permissions, please contact Carol Heller at [email protected]. https://scholarworks.iupui.edu Fragmentary Futures: Bradbury’s Illustrated Man Outlines—and Beyond “I believe first drafts, like life and living, must be immediate, quick, passionate. By writing a draft in a day I have a story with a skin around it.” Ray Bradbury’s creative coda originated long before he fashioned this concise version of it for his December 1964 Show magazine interview. His daily writing habit had become a quotidian fever by the early 1940s, and he soon learned to avoid interruptions from any other voices—including his own rational judgments. Each day became a race between subconscious inspiration and the stifling effects of his own self-conscious thoughts—the more logical thought patterns that he desperately tried to hold at bay during the few hours it would take him to complete an initial draft. Bradbury was convinced that the magic would dissolve away if he failed to carry through on a story idea or an opening page at first sitting, and it’s not surprising that his Show interview coda came with a cautionary corollary: “If one waits overnight to finish a story, quite often the texture one gets the next day is different. -
The World of Childhood in Ray Bradbury's the Illustrated
Beyond Philology No. 14/3, 2017 ISSN 1732-1220, eISSN 2451-1498 The world of childhood in Ray Bradbury’s The Illustrated Man KAROL CHOJNOWSKI Received 3.04.2017, accepted 21.09.2017. Abstract This article is devoted to an analysis of the motif of childhood in The Illustrated Man, a collection of short stories by Ray Bradbury. The particular focus is on the initial story, “The Veldt,” and the last two stories, “Zero Hour” and “The Rocket.” The article interprets imagina- tion as a distinguishing feature of children’s world, as opposed to the world of adults, characterised by logic and lack of imagination. This difference, the article claims, results in a clash of the two worlds. The article also analyses Bradbury’s negative view of technology ex- pressed in the stories, with its addictive and destructive potential, as well as technology’s relationship to imagination. Another object of analysis is the ways Bradbury suggests to reconcile the worlds of children and adults and to avoid technology’s pernicious effects. The article also aims to analyse the way in which the intertextual frame- work contributes to these themes and to interpret the meaning of the arrangement of the stories within the volume. Key words Bradbury, children, The Illustrated Man, imagination, technology 132 Beyond Philology 14/3 Świat dziecka w Człowieku Ilustrowanym Raya Bradbury’ego Abstrakt Artykuł poświęcony jest analizie motywu dzieciństwa w zbiorze opo- wiadań Człowiek Ilustrowany Raya Bradbury’ego. Analiza w szcze- gólności skupia się na opowiadaniu początkowym, Sawanna, oraz dwóch ostatnich – Godzina zero i Rakieta. Wyobraźnia zostaje zinter- pretowana jako wyróżnik dziecięcego świata, w przeciwieństwie do świata dorosłych, naznaczonego logiką i brakiem wyobraźni. -
The Illustrated Man Ray Bradbury
The Illustrated Man Ray Bradbury Contents Prologue: The Illustrated Man The Veldt Kaleidoscope The Other Foot The Highway The Man The Long Rain The Rocket Man The Fire Balloons The Last Night of the World The Exiles No Particular Night or Morning The Fox and the Forest The Visitor The Concrete Mixer Marionettes, Inc. The City Zero Hour The Rocket Epilogue [About this etext] PROLOGUE:The Illustrated Man IT was a warm afternoon in early September when I first met the Illustrated Man. Walking along an asphalt road, I was or the final leg of a two weeks’ walking tour of Wisconsin. Late in the afternoon I stopped, ate some pork, beans, and a doughnut, and was preparing to stretch out and read when the Illustrated Man walked over the hill and stood for a moment against the sky. I didn’t know he was Illustrated then. I only knew that he was tall, once well muscled, but now, for some reason, going to fat. I recall that his arms were long, and the hands thick, but that his face was like a child’s, set upon a massive body. He seemed only to sense my presence, for he didn’t look directly at me when he spoke his first words: “Do you know where I can find a job?” “I’m afraid not,” I said. “I haven’t had a job that’s lasted in forty years,” he said. Though it was a hot late afternoon, he wore his wool shirt buttoned tight about his neck. His sleeves were rolled and buttoned down over his thick wrists. -
The Illustrated Man Ray Bradbury
The Illustrated Man Ray Bradbury Prologue It was a warm afternoon in early September when I first met the Illustrated Man. Walking along an asphalt road, I was on the final long of a two weeks' walking tour of Wisconsin. Late in the afternoon I stopped, ate some pork, beans, and a doughnut, and was preparing to stretch out and read when the Illustrated Man walked over the hill and stood for a moment against the sky. I didn't know he was Illustrated then. I only know that he was tall, once well muscled, but now, for some reason, going to fat. I recall that his arms were long, and the hands thick, but that his face was like a child's, set upon a massive body. He seemed only to sense my presence, for he didn't look directly at me when he spoke his first words. "Do you know where I earn find a job?" "I'm afraid not," I said. "I hadn't bad a job that's lasted in forty years," he said. Though it was a hot late afternoon, he wore his wool shirt buttoned tight about his neck. His sleeves were rolled and buttoned down over his thick wrists. Perspiration was streaming from his face, yet he made no move to open his shirt. "Well," he said at last, "this is as good a place as any to spend the night. Do you mind company." "I have some extra food you'd be welcome to," I said. He sat down heavily, grunting. 'You'll be sorry you asked me to stay," he said. -
TOPOPHONES in RAY BRADBURY's SCIENCE FICTION Nataliya Panasenko University of SS Cyril and Methodius in Trnava, Trnava, Slovakia
© 2018 N. Panasenko Research article LEGE ARTIS Language yesterday, today, tomorrow Vol. III. No 1 2018 WHERE, WHY, AND HOW? TOPOPHONES IN RAY BRADBURY'S SCIENCE FICTION Nataliya Panasenko University of SS Cyril and Methodius in Trnava, Trnava, Slovakia Panasenko, N. (2018). Where, why, and how? Topophones in Ray Bradbury's science fiction. In Lege artis. Language yesterday, today, tomorrow. The journal of University of SS Cyril and Methodius in Trnava. Warsaw: De Gruyter Open, 2018, III (1), June 2018, p. 223-273. DOI: 10.2478/lart-2018-0007 ISSN 2453-8035 Abstract: The article highlights the category of literary space, connecting different topophones with the author's worldview. Topophones in the works by Ray Bradbury are used not only for identifying the place where the events unfold but they equally serve as the background to the expression of the author's evaluative characteristics of the modern world, his attitude to science, the latest technologies, and the human beings who are responsible for all the events, which take place not only on the Earth, but also far away from it. Key words: chronotope, chronotype, topophone, author's worldview, microtoponym, Biblical allusions. Almost no one can imagine a time or place without the fiction of Ray Bradbury ("Washington Post") 1. Introduction The literary critic Butyakov (2000) once called Ray Bradbury one of the most prominent writers of the 20th century, "A Martian from Los Angeles". This metaphor containing two topophones shows how important literary space was for the author who represented the genre of science fiction. Bradbury violates the laws of nature and sends his readers to the distant future to conquer other planets or readily makes them travel to the past. -
Television Honors Its Best at 29Th Annual Emmy Awards
Roots takes five Television honors its best at 29th annual Emmy Awards LOS ANGELES (AP)--The television Honored for writing of comedy- special drama or comedy program. "The Mary Tyler Moore Show," industry held its 29th annual Emmy variety or music series were the He received the award for "Eleanor which last season ended seven suc- Awards presentations in suburban writers of the "NBC's Saturday and Franklin: The White House Years. cessful years on CBS, once again Los Angeles last night. Night" show with Sissy Spacek as The award for outstanding classi- claimed the Emmy as outstanding The first winners, for continuing guest host. cal program in the performing arts comedy series. supporting roles in a comedy series, Tim Conway of "The Carol Burnett was presented to the American Two comedy veterans walked off were Gary Burghoff, the company- Show" won the award for continuing Ballet Theater's "Swan Lake." with Emmys as stars of their series clerk of "M*A*S*H," and Mary Kay or single performance by an actor The award for lead actor in a Carroll O'Connor of "All in the Place, the erstwhile country and in variety or music. comedy or drama special went to Ed Family" and Beatrice Arthur of western singer of "Mary Hartman, Top honors for continuing or Flanders, in "Harry S. Truman: Plain "Maude." Mary Hartman." single performance by an actress in Speaking." The award for writing in a comedy The awards for continuing per- variety or music went to Rita Sally Field won the honors for variety-music special went to Alan formances by supporting players in Moreno for "The Muppet Show." lead actress in a comedy or drama Buz Cohan and Ted Strauss for a drama series went to Gary Frank An emotional John Travolta came special for her portrayal in "America Salutes Richard Rogers." and Kristy McNichol, both of on stage to accept the Emmy for out- "Sybil." Another person associated Honors for directing in a comedy- "Family." standing performance in a comdedy with that program, Steward Stern, variety-music special were given Emmy Awards for lead performances or drama special. -
Illustrated Man by Ray Bradbury Prologue: 1
Name: __________________ block: ____ English II Short Story Unit: Illustrated Man by Ray Bradbury Prologue: 1. How do the Illustrated Man’s illustrations compare to tattoos? 2. Why does the Illustrated Man hate his illustrations? “The Veldt” 1. The children’s names are an allusion (reference) to a famous story/movie. What is the story, and why is the allusion appropriate? 2. Why do the parents spend so much money on the nursery for their children? 3. Why do the children disobey their parents? 4. Why do the parents give in to their children’s demand to let them play in the nursery one more time? 5. What inference can you make about what happens at the end of the story? What clues does the story give you? 6. What message is Bradbury trying to convey about the following theme kernels: (do not need to be written as theme statements) a. Parenting - b. Entitlement - c. Technology - d. Love / Family - 7. Using one of the above theme kernels, write a theme statement for the story and provide TWO pieces of text evidence and explanation to support this theme. • Theme statement: __________________________________________________________________________________ Text Evidence #1 (Bradbury______) Explanation Text Evidence #2 (Bradbury ______) Explanation 1 “Marionettes, Inc.” Pre-reading: 1. If you had a Puppet/Robot twin, what would you have him/her do for you? 2. What would be the advantages of this? 3. How could it possibly go wrong? “Marionettes, Inc.” During & After Reading 1. Smith’s conflict: Braling’s conflict: Type: Type: Specific: Specific: How are they similar: How are they different: 2.