22. Wool Carpet Manufacture
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Trafalgar Square Books 2018-2019 Craft Titles
Trafalgar Square Books 2018-2019 Craft Titles trafalgarbooks.com New Titles Knitting for the Fun of It Over 40 Projects for the Color-Loving Crafter Frida Pontén Knitting’s never been so colorful—or so much fun! Enter the strikingly vivid world of designer Frida Pontén, with over 40 patterns coming together in a brilliant, exciting celebration of all things handcrafted. Whether you’re seeking an airy summer jacket, a cozy poncho for cool days, a warm striped scarf, enchanting wrist warmers, or fun and funky blankets, look forward to a breathtaking collection full of endless possibilities (and a little crochet, too): play with texture, color, and pattern, and make each design your own! 136 pp • 8 x 10 • 108 color photos, 109 illustrations and diagrams 978 1 57076 882 8 • hc • $23.95 • July 2018 Favorite Scandinavian Projects to Weave 45 Stylish Designs for the Modern Home Tina Ignell What could be more wonderful than surrounding yourself with gorgeous handwoven textiles? Weaving them yourself! These 45 unique projects, developed and tested by professional weavers, were specially chosen for this collection from the popular Scandinavian weaving magazine Vävmagasinet. You’ll enjoy: step-by-step instructions, charts, illustrations, and color photos; featured fibers, including linen, half-linen, cottolin, wool, paper, and piassava; versatile ideas for pillows, throws, rugs, curtains, table linens, and more, all easily adjusted to suit your own individual style; and a special section on textile care and handling. 128 pp • 8 x 10 • 90 color photos, 80 charts 978 1 57076 898 9 • Now in paperback • $22.95 • August 2018 Easy Cable & Aran Knits 26 Projects with a Modern Twist Martin Storey If you’re ready to take the plunge into cable knitting, then this book is for you! This stunning collection features 26 beautifully traditional cable and Aran knitting patterns, with a modern twist: luxurious designs with all the delight of classic textured cable patterns and Martin Storey’s trademark contemporary appeal. -
Product Catalogue
Product Catalogue - 1 - I would like to take this opportunity to welcome you to our Retailer Reference Guide. This guide has been compiled to offer you an insight into Ulster, our core values, and our long-term commitment to our retailers and to the industry. We have made significant investments in new ranges and refreshed some of our existing ranges and this guide showcases the entire Ulster offering accompanied by stunning room set and close up photography. I know that at Ulster we are extremely fortunate to have such good relationships with our retailers and, indeed we can count many of you as our friends. I thank you for your continued support over the years, and assure you that we are clearly focused on strenghtening those valued relationships going forward. Nick Coburn Group Managing Director Natural Choice Axminster - Garland Natural (11/20042) Find this carpet on Page 22 Contents This Retailer Reference Guide provides you with all of the information you will need on current Ulster Carpets products. We have divided the guide into easily identifiable colour-coded sections which will help you to quickly locate the ideal Ulster product. The colour-coded bars below outline the colours and page numbers of each section. Section/Content Page(s) Section/Content Page(s) Behind the Brand 4 - 5 Open Ground 46 - 54 Ulster History & Sheriden 46 - 48 Key Selling Points 4 - 5 Athenia 49 - 51 Tazmin 52 - 54 Contemporary Traditionals 6 - 21 Country House Kazan 6 - 7 Classic Traditionals 55 - 60 Country House Beaumont 8 - 9 Anatolia 10 - 12 Glenavy -
Advances in Carpet Manufacture
SOFTbank E-Book Center Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Woodhead Publishing in Textiles: Number 87 Advances in carpet manufacture Edited by K. K. Goswami © SOFTbank2009 Woodhead E-Book Publishing Center Limited Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Published by Woodhead Publishing Limited in association with The Textile Institute Woodhead Publishing Limited, Abington Hall, Granta Park, Geat Abington Cambridge CB21 6AH, UK www.woodheadpublishing.com Woodhead Publishing India Private Limited, G-2, Vardaan House, 7/28 Ansari Road, Daryaganj, New Delhi ± 110002, India Published in North America by CRC Press LLC, 6000 Broken Sound Parkway, NW, Suite 300, Boca Raton, FL 33487, USA First published 2009, Woodhead Publishing Limited and CRC Press LLC ß Woodhead Publishing Limited, 2009 The authors have asserted their moral rights. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. Reasonable efforts have been made to publish reliable data and information, but the authors and the publishers cannot assume responsibility for the validity of all materials. Neither the authors nor the publishers, nor anyone else associated with this publication, shall be liable for any loss, damage or liability directly or indirectly caused or alleged to be caused by this book. Neither this book nor any part may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, microfilming and recording, or by any information storage or retrieval system, without permission in writing from Woodhead Publishing Limited. The consent of Woodhead Publishing Limited does not extend to copying for general distribution, for promotion, for creating new works, or for resale. -
The Story of Axminster Carpets
Magic Carpets – the Axminster story Magic Carpets-the Axminster story Introduction Up until the 18th century Age of Elegance, few people in this country would have set foot on a carpet. The fl oors of the homes of this Isle would have been made of beaten earth covered in rushes or straw threshings, fl agstones or wood. As late as 1751, a carpet was described as “a sort of covering to be spread on a table, trunk, an estrade (dais), or even a passage or fl oor”. In Scotland, in the latter part of the 18th century, a fl at reversible double-woollen fl oor cloth was becoming popular as a means of rendering the houses comfortable and as “a security against stone buildings, stone staircases and a cold climate”. “Kidderminster stuffs”, initially used as table cloths, were adapted in 1735 as a coarse double-weave cloth for fl ooring, but it was not until the middle of the 18th century that the glorious hand-knotted seamless carpets were born in the market town of Axminster and spread on the fl oors of palaces and country homes of Great Britain and beyond. The inventor of Axminster Carpets was a local man – Thomas Whitty – and it is his story and that of the second great weaver of Axminster, Harry Dutfi eld, which this booklet seeks to record. Index 03 Introduction Thomas Whitty and the birth of Axminster carpets 04 04 08 Whitty’s designs in the Age of Elegance 10 The Weavers’ Tales celebrations 08 11 Harry Dutfi eld and the renaissance of Axminster Carpets 13 Where are they now? 10 14 Looking to the future 15 Chronology 11 Introduction & Index | p3 Thomas Whitty and the birth of Axminster carpets The man who made the town of making an eight-inch square of ‘Turkey’ Axminster synonymous with carpets – carpet. -
Classes & Events Weaving Classes Knitting Classes
CLASSES & EVENTS Monday – Saturday 10:00 – 5:30 January/February 2020 Thursdays 10:00-- 7:00 First Sunday of each month, 12:00—4:00 WEAVING CLASSES BEGINNING WEAVING ON A RIGID HEDDLE LOOM—This we’ll deduct the $20 from the purchase price of your loom. Looms class is a great introduction if you’ve ever been curious about need to be returned a week after your last class session. weaving. In this class you’ll learn the basics of warping the loom Prerequisites: None and weaving. You’ll complete two projects using plain weaving – Teacher: Julie Anne Bovenmyer a striped table runner and a houndstooth scarf. Don’t worry if you Saturday, Jan. 11 & 18, 9am-12noon, $40 don’t have a loom already, you can rent all the equipment from us Saturday, Feb. 22 & 29, 9am-12noon, $40 for $20. If you decide you love it and want a loom of your own, KNITTING CLASSES **IT’S BACK** FELTED CLOGS—Many of you requested it. Here itself nicely to a long color repeat in the yarn, but works with any it is! If you have been wanting to try a felting project, this is for you! color scheme. Learn the basics with this quick hat. The skill you’ll This fast and fun-to-knit pattern will show you short rows, seaming, need are simple decreases and you’ll get good at picking up and, of course, felting. There are multiple sizes so you can make stitches. them for gifts, too. Come see the sample in the store and you’ll **NOTE: There is pre-class homework for this class. -
Knitting V/S Weaving Defined
Initials with comparisons Knitting technology Knitting V/S Weaving Defined Knitting may be defined as Weaving may be defined as: “Inter-looping / Inter-meshing / hook-up / Interlacement of two sets of yarn at right Inter-lock of single or set of yarn moving angle (90o). only in one direction either lengthwise (warp knitting) or cross-wise (weft knitting). Principle The inter-lopping is carried out by needles Weaving is carried out by inter-lacing a (may be Latch or beard or compound series of vertical, parallel threads (the needle etc), the needles are equipped on a warp) with a series of horizontal, parallel cylinder and Needle butt moves between threads (the filling). The warp yarns from the grooves of cams to accomplish a beam pass through the heddles and reed, knitting cycle and producing the fabric. and the filling is shot through the “shed” The shape of the needle cam grooves of warp threads by means of a shuttle or depends on the required knitting pattern. other device and is settled in place by the For more detail see Circular / Flat reed and lay. The woven fabric is then knitting machine or Working principle of wound on a cloth beam. The primary Circular knitting machine (video) distinction between different types of looms is the manner of filling insertion (see WEFT INSERTION Dictionary on home page). The principal elements of any type of loom are the shedding, picking, and beating-up devices. In shedding, a path is formed for the filling by raising some warp threads while others are left down. -
Designed by Betty Balcomb W489
W489 Dot and Dash Top-Down Baby Sweater Designed By Betty Balcomb Dot and Dash Top-Down Baby Sweater Designed by Betty Balcomb This baby sweater is a basic top-down sweater pattern decorated with two easy de- sign elements: (1) change colors among the colorful choices of Bentley many of which work beautifully together because of the common colors in the multi-colored strands, (2) work in a pattern by weaving strands of the second color across the fabric of the first color to create a design, a simple one here of dots and dashes, but once the tech- nique is learned open to many, many variations. The sweater knits up quickly and re- quires almost no finishing. I hope the weaving without knitting trick will be one that in- spires creativity and becomes part of your regular repertoire. Materials: 1 skein of Color A, and 1(1,2) skeins of Color B of Cascade Bentley yarn in sharply contrasting colors. Pictured sweater is colors 07 and 10, but there are many combinations of the colorways which will work well. Black has become a popu- lar color for baby clothes and the black can be paired with several choices. Size 5 and 7 needles, 16 inch circular for both sizes, 24 inch circular for larger size and DPNs for both. (Or just 32 inch for both sizes if you do magic loop). A couple extra circular needles in size 7 or smaller any length to serve as sleeve holders (or hold sleeve sts on scrap yarn) OR SIZE REQUIRED TO OBTAIN GAUGE. -
Product Catalogue
Product Catalogue - 1 - I would like to take this opportunity to welcome you to our Retailer Reference Guide. This guide has been compiled to offer you an insight into Ulster, our core values, and our long-term commitment to our retailers and to the industry. We have made significant investments in new ranges and refreshed some of our existing ranges and this guide showcases the entire Ulster offering accompanied by stunning room set and close up photography. I know that at Ulster we are extremely fortunate to have such good relationships with our retailers and, indeed we can count many of you as our friends. I thank you for your continued support over the years, and assure you that we are clearly focused on strengthening those valued relationships going forward. Nick Coburn Group Managing Director Natural Choice Axminster - Garland Slate (91/20050) Find this carpet on Page 19. Contents This Retailer Reference Guide provides you with all of the information you will need on current Ulster Carpets products. We have divided the guide into easily identifiable colour-coded sections which will help you to quickly locate the ideal Ulster product. The colour-coded bars below outline the colours and page numbers of each section. Section/Content Page(s) Section/Content Page(s) Behind the Brand 4-5 Open Ground 42 - 52 Ulster History & Sheriden 42 - 44 Key Selling Points 4-5 Athenia 45 - 47 Quadra 48 Orissa 49 Contemporary Traditionals 6 - 17 Tazmin 50 - 52 Country House Kazan 6 - 7 Country House Beaumont 8 - 9 Classic Traditionals 53 - 57 Country -
Yarns for Weaving: a Guide for Shops
Yarns for Weaving: A Guide for Shops Beautiful fabrics can be woven from most of the yarns in your shop. We offer a few guidelines when thinking about yarn for weaving. Knitting vs. Weaving Yarns Yarns designed for knitting have more stretch than yarns created specifically for weaving. Because of this, finished fabrics may have more “bounce” on the loom and not full in the same way that a weaving yarn might. The Wonders of Wool We love wool yarns for weaving because they full or blossom during the washing process. Be aware that superwash wools have been engineered to not full or felt during washing. They don’t produce the hand that we like to see in a woven fabric. We suggest that you keep in stock an affordable wool yarn, such as Brown Sheep’s Nature Spun in sizes that fit our range of reeds (a general rule of thumb: 5=bulky; 8=worsted; 10=sport; 12=fingering). Acrylic Knitting Yarns Because they stretch a lot under tension, we don’t recommend acrylic knitting yarns for warp. If you must, the weft is okay, but an acrylic yarn will not bloom during the finishing process and may leave you with either an overly limp or overly stiff fabric. Novelties Novelty yarns combined with a simple plied yarn can produce smashing results. If possible, sley the novelty yarn in the slots where it has more room to move. Running a length of yarn up and down in a slot (or a hole) is one way to gauge if it will move freely in that reed. -
Axminster CARPET
Axminster CARPET Custom Marine Design 1 The ultimate flooring With more than 80 years of experience as a carpet manufacturer, we can offer expertise and flexibility in production and supply, as well as long-standing business relationships in our role as a experience reliable partner. As a company, we offer custom made design carpets, as well as carpet and vinyl flooring collections. Providing a complete package for all marine floor covering needs in any area of a vessel. Custom Axminster design 2 3 A specialist supplier As a company we are a leading supplier of DESSO® branded With DESSO Axminster carpet we deliver the following high quality wool and nylon products as well as Tarkett key benefits: branded vinyl flooring. With our portfolio of products for cruise ships, ferry and • More than 80 years of experience in carpet river cruises, offshore structures, and other types of vessels manufacturing we aim to provide flooring solutions for all segments of the • A completely vertically integrated production process Marine industry as well as wholesale marine partners. • Higher quality wool and therefore carpet • Standard 3 ply yarn system Our manufacturing process is vertically integrated, which • Reduction in life cycle costs due to high quality level means that all stages of production are carried out in our own • Highest level of quality specifications facilities, thus achieving optimal flexibility and quality control. • Full commitment to the Cradle to Cradle® Continuous investment in our production facilities ensures design philosophy the quality of our products. To offer our customer a true custom-made experience, we take care of the entire process including: Design ID:J17145-701 1 2 3 4 5 6 7 8 9 10 11 N872A873 N878B878 C880B877 E550 D550K549 L549 N213 1 Project design 7 2 On Site Installation Support/ plans Training Custom-made 6 experience 3 After sales Production (maintenance recommendations) 5 4 On Site Just in Time Support Delivery 4 5 Innovation Strategy Today, most people spend 90% of their time indoors. -
RESIDENTIAL RESIDENTIAL WOVEN WINNER Axminster Carpets Royal
RESIDENTIAL AWARD FOR INNOVATION RESIDENTIAL WOVEN IN YARN DEVELOPMENT WINNER Axminster Carpets 5 WINNER MID Carpets bv 47 Royal Borough Wilton Collection Saga Structure Space Dyed FINALIST FINALIST 2nd Ulster Carpets 14 2nd Axminster Carpets 52 Natural Choice Simply Natural 3rd Brintons Carpets Ltd 6 3rd Jacaranda Carpets Ltd 53 Kensington Rajgarh RESIDENTIAL FLATWEAVE COMMERCIAL WOVEN CARPET DESIGN WINNER Alternative Flooring 17 INSTALLATION OF THE YEAR Wool Crafty Hound FINALIST WINNER Brintons Carpets Ltd 56 2nd Jennifer Manners Design 22 Custom Design for Quaglinos Fez Restaurant London 3rd Roger Oates Design 23 FINALIST Dart Persimmon Venetian Flatweave 2nd Ptolemy Mann 57 Bauhaus Blue RESIDENTIAL TUFTED 3rd The Rug Company 59 Squiggle in The West London WINNER Edel Telenzo Carpets Ltd 36 Liberty Hollywood Hotel FINALIST TUFTED CARPET DESIGN 2nd Bronte Carpets Ltd 31 INSTALLATION OF THE YEAR Withens/Ivory 3rd Cavalier Carpets 32 WINNER Cavalier Carpets 62 Envy Premier Inn FINALIST Adam Carpets 61 CREATIVE MARKETING INITIATIVE AWARD Avant WINNER Kingsmead Carpets RUG DESIGN OF THE YEAR Shades of Grey FINALIST WINNER Ptolemy Man 77 2nd Adam Carpets Green Spectrum Hugo and Ella Collection - FINALIST Worcester Fine Twist 2nd Deirdre Dyson LLP 67 3rd Kingsmead Carpets Beyond Book of Stripes 3rd The Rug Company 87 Paint Stripe by Paul Smith INNOVATION AWARD FOR WOOL INNOVATION IN CARPET HAND KNOTTED RUG AWARD WINNER Crucial Trading 44 WINNER John Lewis 69 Fabulous Bantam Rug FINALIST 2nd Wilton Weaver 50 DESIGNER COLLABORATION OF THE YEAR -
Axminster Brochure V2020b.Pdf
DEVONIA 4 in three NEW colour palettes. MOORLAND 8 the perfect contemporary look SIMPLY NATURAL luxury soft wool loop 12 T H E WOVEN TO ORDER beautifully hand crafted in Devon T R U E A U T H E N T I C 16 S I N C E 1 7 5 5 HAZY DAYS contemporary delicate patterns The history of carpet-making in Axminster goes 18 back to 1755 when Thomas Whitty made carpets using the now infamous Axminster weave. MYTH AND MOOR striking tartans and checks The roots of Axminster Carpets are deep in craft and design heritage. Everything we create uses a happy combination of 22 traditional techniques and modern-day making. Founded in 1755, we continue to design and weave PERFECT PAIRINGS our luxury carpets in Axminster, Devon. harmonious patterns and plains Each design is steeped in history, with a quality 26 that ensures a future legacy. Each carpet is individually made in Britain using traditional BENEFITS OF WOOL methods and is individually inspected by hand. 30 where beautiful carpets are born TRUE AUTHENTIC UNDERLAY perfect support for your new carpet l l 31 T: 01297 33533 E: [email protected] W: www.axminstercarpets.uk 3 DEVONIA: COLOURS FADED ROSE SUNKISSED DEVONIA THREE NEW PALETTES The very best two ply yarn to create an extra durable carpet. ROSE COTTAGE AUTUMN FALL In new contemporary colourways; Colours, Pastels and Neutrals, this vibrant and diverse range of carpets is sure to have something to appeal to everyone. DISCOVERY DRAGONFLY OCEAN DEEP BLUE GRASS Devonia Dragonfly l l l l 4 T: 01297 33533 E: [email protected] W: www.axminstercarpets.uk