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2. the Communications Sector in Italy
2. The communications sector in Italy 2. The communications sector in Italy 2.1. Telecommunications In a picture of progressive deterioration of the macroeconomic situation, the trend of contraction of the telecommunications market, on both fixed and mobile network, already observed for some years, was confirmed in 2011. In this context, the elements which best qualify the Italian telecommunications market, show no substantial change in 2011 compared to the last two years. These elements can be summed up as follows: i) the expenditure of families and companies in telecommunications services continues to fall, with a slight acceleration compared to 2010; ii) the reduction in the prices of telecommunications services to both private and business customers, on both fixed and mobile networks, is constant; iii) the contraction in voice calls on dial-up network continues, with a reduction of 11.7% in the number of minutes consumed, while voice traffic from the mobile network has increased by another 10% in the last year; iv) the spread of broadband services on fixed and mobile network has produced further growth in income deriving from data services; v) there is still growth, but with indications of the saturation of the relative market, in the virtual mobile telephony compartment; vi) with regard to the competitive situation, the erosion of Telecom Italia's total market share continues; vii) in last autumn, an auction was held for the assigning of the usage rights of the frequencies in the 800, 1,800, 2,000 and 2,600 MHz bands, which led to a total commitment of the mobile operators for € 3.9 billion; viii) on the other hand, the reduction in investments in infrastructures is confirmed;9 ix) The gross profit of the sector is substantially stable, also thanks to the continuous restructuring and cost containment actions carried out by the telecommunications companies. -
L'accademia Di Belle Arti a Tag.Ghiamoci
PESCARA CHIETI L'AQUILA TERAMO Home Cronaca Sport Italia e Mondo Tempo libero Foto Video Abruzzo Ristoranti Aste e Appalti Annunci Casa Lavoro Negozi Sei in: Archivio > il Centro > 2015 > 09 > 20 > L’Accademia di Belle arti... TOPIC CORRELATI L’Accademia di Belle arti a PERSONE Tag.ghiamoci L'AQUILA L' Accademia di Belle arti dell' Aquila partecipa a Tag.ghiamoci, ENTI E SOCIETÀ vale a dire colleghiamoci nel Web 2.0. Basterà un Tag ed espositori, visitatori e performer diventeranno community, virtuale e reale dentro un percorso che LUOGHI snoderà all'interno del Polo museale Atac di Roma Ostiense, sui vecchi aquila (1) ari (1) vagoni dei tram trasformati in laboratori dove artisti e personalità della cultura atri (1) incontrano ragazzi e pubblico adulto. La manifestazione è iniziata ieri e l'aquila (1) proseguirà fino al 27 settembre. L'Accademia di Belle arti dell'Aquila scerni (1) presenterà alcuni dei suoi studenti e dimostrerà alcune tecniche tradizionali come l'incisione, e proiettate nel futuro con l'uso della stampa 3D di oggetti e opere realizzate ex novo. I docenti. Pittura: Sergio Sarra, Stefano Ianni, Enzo De Leonibus. Decorazione: Franco Fiorillo. Scultura: Italo Zuffi, Matteo Ludovico. Scenografia: Alessandro Zicoschi, Daniela Di Scerni, Umberto Di Nino, Attilio Carota. Grafica: Valter Battiloro, Fabio Di Lizio, Carlo Nannicola. Anatomia artistica: Silvano Servillo. Gli studenti: Krizia Barlafante, Davide D'Andrea, Francesca Maria D'Antonio, Anna De Cunto , Davide Delicato, Davide De Lorenzo, Lucia De Novellis, Lavinia Di Profio, Jessica Di Martino, Eleonora Di Simone, Erika Franceschini, Edoardo Gaudieri, Vittoria Giampaolini, Davide Laghese, Nicole Mastrodicasa, Camilla Palazzese, Lucia Paolucci, Valentina Pastorino, Fabrizio Pompei Gianluca Ragni, Valeria Romito, Annalisa Sciullo, Stefano Taccone, Monica Toscani, Francesca Tunno , Daniela Verducci, Patrizia Vespaziani. -
Separate and Consolidated Interim Financial Statements As at 30 June 2020
Separate and Consolidated Interim Financial Statements as at 30 June 2020 Separate and Consolidated Interim Financial Statements as at 30 June 2020 Contents 7 Introduction 17 Report on Operations 171 Interim Separate Financial Statements as at 30 June 2020 239 Interim Consolidated Financial Statements as at 30 June 2020 303 Corporate Directory 4 Contents Introduction 7 Corporate Officers 8 Organisational Structure 9 Introduction from the Chairman of the Board of Directors 11 Financial Highlights 12 Report on Operations 17 Mission 18 Market scenario 18 The Rai Group 24 Television 41 Radio 97 RaiPlay and Digital 107 Public broadcasting service function 116 TV production 119 Technological activities 120 Transmission and distribution activities 129 Sales activities 130 Other activities 135 Changes in the regulatory framework 143 Corporate governance 148 Corporate Governance Report - the Rai Control Governance Model and the Internal Control and Risk Management System (SCIGR) 150 Other information 155 Human Resources and Organisation 155 Safety & Security 159 Intercompany Relations 161 Significant events occurring after 30 June 2020 168 Outlook of operations 168 5 Interim Separate Financial Statements as at 30 June 2020 171 Analysis of the results and performance of operating results, financial position and cash flows for the first half of 2020 172 Financial Statements of Rai SpA 186 Notes to the Interim Separate Financial Statements as at 30 June 2020 191 Certification pursuant to article 154-bis of Italian Legislative Decree 58/98 235 Independent -
L'istituto Di Fisica Inglese Rende Omaggio Al Triestino Ghirard
HOME CRONACA SPORT ITALIA E MONDO TEMPO LIBERO FOTO VIDEO RISTORANTI ASTE E APPALTI ANNUNCI CASA LAVORO NEGOZI Sei in: Archivio > Il Piccolo > 2007 > 04 > 27 > L'Istituto di fisica ingl... TOPIC CORRELATI L'Istituto di fisica inglese rende PERSONE omaggio al triestino Ghirardi TRIESTE Pomeriggio all'insegna dell'Universo quantistico, oggi al Centro di ENTI E SOCIETÀ bell (1) fisica teorica. Con inizio alle ore 15, nell'aula Kastler dell'Adriatico williams (1) Guesthouse di Grignano, verrà presentato il volume «The Quantum Universe»che il prestigioso Institute of Physics (Iop) inglese ha voluto LUOGHI pubblicare in onore di GianCarlo Ghirardi, del Dipartimento di fisica teorica rimini (1) dell'Università di Trieste, presidente del Consorzio per la fisica, autore di trieste (1) contributi di grandissimo rilievo nel campo della meccanica quantistica. Dopo gli indirizzi di saluto di prammatica, Sarah Williams, editor del «Journal of Physics A» dell'Iop, illustrerà i contenuti del volume, che raccoglie articoli tecnici e riflessioni di molti dei maggiori esponenti della fisica teorica e quantistica dei nostri giorni. Seguirà poi la parte più specialistica della giornata, con le relazioni di due dei curatori del volume: Detlef Duerr dell'Università di Monaco e Angelo Bassi dell'ateneo triestino. Per GianCarlo Ghirardi, milanese di nascita e di studi ma che ha messo radici a Trieste dall'ormai lontano 1963, si tratta di un nuovo riconoscimento che sottolinea l'importanza di quella teoria GRW (Ghirardi-Rimini-Weber) ormai entrata non soltanto nei testi che si occupano dei fondamenti della meccanica quantistica, ma anche nei libri divulgativi di fisica. Come si legge nella prefazione a «The Quantum Universe», il modello GRW nasce «dalla Immagini di alta qualità a convinzione che la stessa fisica deve governare sia i sistemi microscopici sia quelli macroscopici». -
Implementation Considerations for the Introduction and Transition to Digital Terrestrial Sound and Multimedia Broadcasting
Report ITU-R BS.2384-0 (07/2015) Implementation considerations for the introduction and transition to digital terrestrial sound and multimedia broadcasting BS Series Broadcasting service (sound) ii Rep. ITU-R BS.2384-0 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Annex 1 of Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Reports (Also available online at http://www.itu.int/publ/R-REP/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management Note: This ITU-R Report was approved in English by the Study Group under the procedure detailed in Resolution ITU-R 1. -
March 17 -23 , 20 16
MARCH 17-23 , 2016 | VOLUME 19 | NUMBER 21 BROWARDPALMBEACH.COM I FREE NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE. 301A HOLLYWOOD, FL 33020 [email protected] 954-342-7700 VOL. 19 | NO. 21 | MARCH 17-23, 2016 EDITORIAL EDITOR Chuck Strouse MANAGING EDITOR Deirdra Funcheon EDITORIAL OPERATIONS MANAGER Keith Hollar browardpalmbeach.com ASSOCIATE WEB EDITOR Jose D. Duran browardpalmbeach.com STAFF WRITERS Laine Doss, Jess Swanson FELLOW Jerry Iannelli MUSIC EDITOR Falyn Freyman ARTS & CULTURE/FOOD EDITOR Rebecca McBane CLUBS EDITOR Melissa Guzman PROOFREADER Mary Louise English CONTRIBUTORS Emily Bloch, Nicole Danna, Michelle DeCarion, Doug Fairall, Abel Folgar, Cristina Jerome, Natalya Jones, Jonathan Kendall, Angel Melendez, Dave Minsky, Andrea Richard, Jesse Richman, David Rolland, Gillian Speiser, Terra Sullivan, John Thomason, Sara Ventiera, David Von Bader, Lee Zimmerman | CONTENTS | | CONTENTS ART ART DIRECTOR Miche Ratto ASSISTANT ART DIRECTOR Kristin Bjornsen PRODUCTION PRODUCTION MANAGER Mike Lugo PRODUCTION ASSISTANT MANAGER Jorge Sesin ADVERTISING ART DIRECTOR Andrea Cruz EWS | PULP EWS N ADVERTISING ADVERTISING DIRECTOR Alexis Guillen ONLINE SUPPORT MANAGER Ryan Garcia Y | MARKETING DIRECTOR Jennifer G. Nealon Evans Karli by Photo DA EVENT DIRECTOR CarlaChristina Thompson MARKETING COORDINATOR Kristin Ramos ▼ SENIOR ACCOUNT EXECUTIVES Sarah Abrahams, Featured Stories Peter Heumann, Kristi Kinard-Dunstan, Andrea Stern ACCOUNT EXECUTIVES Paige Bresky, Melanie Cruz, Alyson Puccetti Open and Shut Bruce Matheson’s one-man CLASSIFIED GE | NIGHT+ SENIOR ACCOUNT EXECUTIVES legal war has likely doomed the A T Patrick Butters, Ladyane Lopez, Joel Valez-Stokes Miami Open in Key Biscayne. S CIRCULATION BY JERRY IANELLI | PAGE 6 CIRCULATION DIRECTOR Richard Lynch CIRCULATION ASSISTANT MANAGER Rene Garcia BUSINESS Steamy Stories GENERAL MANAGER Russell A. -
“Price Sensitive” Press Release in Compliance with the Finance Act and the Consob Regulations
“PRICE SENSITIVE” PRESS RELEASE IN COMPLIANCE WITH THE FINANCE ACT AND THE CONSOB REGULATIONS The Espresso Group: the Board of Directors approves the consolidated financial statement of the first quarter 2005: net profit increasing from €21.7 millions to €27.9 millions SUMMARY The consolidated financial statement in the first quarter 2005 The Board of Directors of the Gruppo Editoriale L'Espresso S.p.A. met today in Rome under the Chairmanship of Carlo Caracciolo and approved the consolidated financial statement of the first quarter 2005, drafted according to the Italian accounting principles. In synthesis, the main data, compared with the previous year, are as follows: (€millions) consolidated data 1st Quarter 1st Quarter % 2004 2005 Revenues 282.6 275.8 -2.4% Of which: • Circulation 150.7 142.2 -5.6% • Advertising 121.9 126.5 +3.8% Gross Operating Profit 59,2 59,9 +1,1% Operating Profit 45,9 46,1 +0,6% Financial Income/(Expense) (3.0) 3.0 Net Profit 21.7 27.9 12/31/2004 03/31/2005 Net Financial Position (131.1) (46.8) Employees 3,271 3,281 Acquisition of RETE A S.r.l. The Company has finalized the acquisition of the television broadcasting network Rete A – All Music on April 14, 2005, having received all the authorizations required by the Competent Authorities, and paid the price amounting to €115 million making use of part of the proceeds made available by the bond of €300 millions issued in October 2004. The new organizational structure, the new programmes, which will, however, be kept as mainly music programmes addressed to young people, will be defined during next months, together with the investment to complete the coverage of the television signal, both analogue and digital. -
S New Albums Reviewed
A Different Kind Of Racket: June/July’s New Albums Reviewed Music | Bittles’ Magazine: The music column from the end of the world I was watching Wimbledon the other day when I came to the startling realisation that tennis is boring. Hoping that all it might need was a good soundtrack, I reduced the volume on the telly, replacing it with the morose musings of Darklands by The Jesus And Mary Chain. Much Better! Experiencing yet another epiphany I turned the TV off altogether, allowing the Reid brothers the attention they fully deserve. By JOHN BITTLES The following albums may not reach the hallowed heights of The JAMC, but they will entertain you a lot more than a couple of posh boys hitting a ball really hard ever could. So, get yourself some Pimms, a bowl of strawberries and cream, and let us begin. To prove my point we’ll start with the rich, woozy pop experiments of Helsinki-based singer/producer Jaakko Eino Kalevi and his rather wonderful self-titled debut LP. Taking the fuggy haze of modern psychedelia and injecting it with a generous helping of pop hooks and a sensuous sense of groove helps create one of the outstanding albums of the summer. Laid-back, dreamy and always charming, the record’s ten tracks touch on funk, electronica, chill-wave, indie, rock and more. Deeper Shadows contains a loose bassline to die for, Jek is a slow, languid jam, while Don’t Ask Me Why should be in the dictionary under the definition of cool. With Jaakko’s treated falsetto quite low in the mix, the record hits the listener like an aural wave, seducing them quietly but surely until all resistance is swept away. -
L'officina Della Pelle Brevetta La Cintura Col Nome One More
28/11/2016 L’Officina della Pelle brevetta la cintura col nome One More Il Tirreno LIVORNO CECINAROSIGNANO EMPOLI GROSSETO LUCCA MASSACARRARA MONTECATINI PIOMBINOELBA PISA PISTOIA PONTEDERA PRATO VERSILIA Home Cronaca Sport Italia e Mondo Foto Video Toscana Ristoranti Aste e Appalti Annunci Casa Lavoro Negozi Sei in: Archivio > Il Tirreno > 2016 > 05 > 17 > L’Officina della Pelle br... TOPIC CORRELATI L’Officina della Pelle brevetta la cintura PERSONE col nome One More Cinquant'anni di storia familiare, da Vico San Domenico Maggiore, a Napoli, ENTI E SOCIETÀ dove Antonio Capuozzo impara dodicenne l'arte del cuoio, a Lucca, con Salvatore, Mario e Annamaria che insieme al padre danno vita all'Officina LUOGHI della Pelle. Oggi L'Officina compie un passo avanti con il lancio di "One lucca (1) More", la cintura con nove buchi al posto dei soliti cinque per consentire di allargarla e restringerla con comodità. La nuova, inedita, cintura per uomo e per donna, adatta a ogni taglia, si chiama One More, marchio registrato e depositato. L'idea è venuta, come detto, alla famiglia Capuozzo, che a Lucca lavora da, 2004 e dove ha aperto tre negozi ideando, confezionando, riparando e vendendo, anche con un catalogo online, oggetti di cuoio: borse per uomo e per donna, cartelle, borsoni da viaggio, pochette, portafogli, portachiavi, portaocchiali, agende, diari, album e quant'altro. 17 maggio 2016 sez. I COMUNI DELL'EDIZIONE DI LIVORNO EDIZIONI LOCALI QUOTIDIANI LOCALI NETWORK Collesalvetti Capraia Isola Livorno Cecina Alto Adige Repubblica.it Empoli -
Clubbing in Los Angeles Jonny Coleman Tackles the Multi-Farious Scene in One of America's Biggest Cities
Clubbing in Los Angeles Jonny Coleman tackles the multi-farious scene in one of America's biggest cities. Los Angeles has always been a capital of pop culture. Outside of rave, however, it's never had much of a reputation for its dance music culture. Until recently, that is. The efforts of local promoters have given rise to enormous EDM festivals, the Low End Theory-driven beat scene and thriving techno and house crews—and have led to the city finally becoming internationally recognized. Now, it seems, a place that houses four million people inside the city limits and 18 million in the greater Southland area, is finally representing itself on the world stage. True to its geography—a set of suburbs fronting as a megalopolis—Los Angeles doesn't have a dominant sound or theme. Instead, there are many scenes tugging for attention and battling over the few legitimate dance venues the city has to offer. It's enormously difficult to acquire a liquor license in LA, thanks in no small part to club-owning cowboys like Eddie Nash (of Wonderland murder fame), and those that do can't serve all that late anyway. Most nights last from 10 until 2 or 3 AM (a reality that often results in seeing your headlining DJ for two hours). It doesn't help that many of the historical clubs/bars in places like Hollywood and West Hollywood are a tough sell to fans of underground music, as the price points, degree of parking difficulty and douchebaggery quotient are all high. That means that many parties of note take place downtown or in other east side neighborhoods (if not a private estate). -
GEDI Gruppo Editoriale Società Per Azioni
GEDI Gruppo Editoriale Società per azioni Consolidated Non-Financial Statement pursuant to Italian Legislative Decree no. 254/2016 Sustainability Report 2019 Consolidated Non-Financial Statement 2019 Consolidated Non-Financial Statement pursuant to Italian Legislative Decree no. 254/2016 Sustainability Report 2019 1 Consolidated Non-Financial Statement 2019 2 Consolidated Non-Financial Statement 2019 Contents LETTER TO STAKEHOLDERS ..................................................................................................................... 4 1. THE GEDI GROUP ............................................................................................................................ 6 1.1 - GEDI Group profile ................................................................................................................................ 6 1.2 - The business model and economic performance ............................................................................... 15 1.3 - Structure and governance ................................................................................................................... 18 2. THE GEDI GROUP AND MATERIAL TOPICS ......................................................................................... 24 2.1 - Stakeholders and stakeholder engagement ........................................................................................ 24 2.2 - Materiality analysis ............................................................................................................................. -
GEDI Brings Its Stake in Huffington Post Italia to 100% and Consolidates Its Presence in the National Digital News Market
PRESS RELEASE GEDI brings its stake in Huffington Post Italia to 100% and consolidates its presence in the national digital news market Turin, 3 June 2021. GEDI Gruppo Editoriale has reached a preliminary agreement with The Huffington Post LLC to take up the entire share capital of Huffington Post Italia. Founded as a joint venture in 2012 with the Huffington global editorial group, Huffington Post Italia has grown to become one of the most well-known and appreciated national online information brands. It produces and distributes original articles, commentary and analyses on a daily basis, on national and international news, with a special focus on politics, economics and social issues. In addition to the huffingtonpost.it domain, the brand manages a host of social accounts followed by over 2 million followers. Based on the agreements, GEDI will take up 51% of the share capital in the joint venture that has been held by The Huffington Post LLC (BuzzFeed Group) up to now, to bring its stake in the company to 100%. GEDI will guarantee editorial continuity through an exclusive licence for Italy of the The Huffington Post brand and its appointee concessionaire A. Manzoni & C. will manage its advertising revenue. GEDI Chief Executive Officer, Maurizio Scanavino commented: “this operation completes the successful undertaking that began 9 years ago, and which has built up a name of primary importance in the Italian information context. Under the leadership of Mattia Feltri and using the technology platform that GEDI is developing for all its