The Pennsylvania State University Library

Total Page:16

File Type:pdf, Size:1020Kb

The Pennsylvania State University Library THE PENNSYLVANIA STATE UNIVERSITY LIBRARY PENNSTATE UNIVERSITY LIBRARIES It II PIULPIT OY THE (WA) WH ITE CHt-RI( H BACK HOME IN PENNSYLVANIA By KATHARINE HENRY 1 S'Z COTRIGHT 1987 DO1ROCE S COMPANY. na. EANWHAO'TMLD IN TEN UNITED STATRS 0 AMDRIOS I I I I i 'I I Ii To THIE BoY ORGANIST of THE OLD WHITE CHURCH I Certain of these stories have appeared in The Co Gentleman, The Philadelphia Public Ledger, an( Farmer's Wife. The Author and Publishers wi thank the Editors for the privilege of reprinting. CONTENTS PAGE A PENNSYLVANIA GIRLHOOD ....... ......... 7 THE FRAGRANCE OF MOTHER'S GARDEN ........ 14 HERE COME THE PEDDLERS .................. 25 WE ACHIEVE A LOCKUP ......... ........... 33 THE FAIR ....... ............... 37 SCHOOL DAYS ........... ........... 48 GETTING READY FOR SANTA CLAUS ..... ...... 59 THE UNION SUNDAY SCHOOL ..... ........... 68 THE EXHIBITION ......... ................. 76 THE CELEBRATION ......... ................ 85 OUR FEARSOME NEIGHBORS-THE MOLLY MA- GUIRES ............................... 94 MY PIONEER GRANDMOTHER ...... ........... 102 MY ACADEMY IN THE COVE ...... ............ 109 HAPPY DAYS ON UNCLE JOE'S FARM .... ...... 123 GRANDMA HENRY ......... .......... 139 GRANDFATHER'S CROSS-ROADS STORE .......... 151 TOLD IN THE COUNTRY CLUB . 166 OUR BELOVED PHYSICIAN .. 179 THE OLD WHITE CHURCH .. 194 UNCLE JOHNNY . 210 "FOR THERE WE LOVED, AND WHERE WE LOVED IS HOME; HOME THAT OUR FEET MAY LEAVE, BUT NOT OUR HEARTS." A PENNSYLVANIA GIRLHOOD The Home under the Pines Molly was going away! That much my little brain grasped. Why she was going, or where, did not con- cern me. I only knew that Mother's friend Molly, who had been a part of our home, was going away. I took my stand close to the door through which she would pass. As she stopped to tell a neighbor goodbye I noticed, and still recall distinctly, the dress she wore -a fawn-colored print, with a slender chain of black. Yielding to the atmosphere around me, I slid to the floor and gave audible expression to my feelings. Im- mediately Molly was on the floor beside me with com- forting words, as she brought forth from somewhere more chestnuts than the pocket of my pinafore could hold. Then she picked up her box and was gone! That is, I think, the earliest picture on the walls of my memory. Close beside it hangs another. It was a sultry afternoon in August. Suddenly great clouds, black and threatening, rolled and tumbled over each other in the west; thunder began to growl. Mother sent my sister Stella to close all windows, my brother John to bring in the frames of fruit set out to dry in the sun, while she hurried to shut in the hens with their baby chicks. I kept very close beside her. As the first big drops began to fall we reached the shelter of the porch. Once inside the house, she closed the door se- curely, drew the shades, and gathered her own chicks around her. The lightning flashed, the thunder cracked and rolled above our little home in a terrifying way; but Mother 7 I _ m 8 BACK HOME IN PENNSYLVANIA was with us. We huddled close to her in the stifling room. Several times we thought the worst was over- only to hear it crack harder than ever, until I felt that if there was one more flash, one more deep roll that made the earth tremble, I must scream. Then, almost as suddenly as it came, the storm passed. But I still clung to Mother's hand as she raised the shade. "Now we can open the door; the storm has gone down the valley" were welcome words. The moist, cool air refreshed us as we stood in the doorway; the beautiful scene before us rested our fev- ered eyes. Stretching away from our door, for miles down the sparkling valley were happy gardens, hillsides shimmering with corn, soft green fields, trees whose every leaf glistened in the clear atmosphere. The parched earth had been revived and purified. Over all arched a rainbow. "Oh, this rain can't be paid for," Mother said ferv- ently. And my little brain was perplexed. Paid for? How could a woman and three children pay for such a big, cooling rain? Why even Uncle Joe, with all his fields, and barns, and horses, wasn't rich enough to pay men with watering pots to give the whole valley such a big-drink. And I wasn't sure we could pay for the rain even if we were rich enough. From Mother came part of the answer: "Now we must pick up the apples under the early tree. We'll take some to Mrs. Faust, and see if we can do something for her. I hope the storm didn't make her worse." Probably it was that same summer that Mother hur- riedly called us from play and said "Old Mr. Brown's coming along the street and he might wander in here. He's been drinking all week; and he has the poker." We scurried to cover like chickens when - hawk is near. We children helped lock doors and draw the shades to the very bottom of the windows. Then we A PENNSYLVANIA GIRLHOOD .9 sat down together, quiet as mice. Listen! That was the gate ! Uncertain steps on the walk! Hesitating feet on the porch, with a cane trailing along! A hand fumb- ling at the door! My heart thumped uncomfortably, and I suspect mine was not the only one. I imagined Mr. Brown standing outside the door, poker in hand. Every moment I ex- pected to hear a crash, and to see glass flying into the room, as, annoyed because no one opened the door, he used his poker on the window. No such crash came. Only the pathetic groping at the latch. Loud ticking of the clock. An attempt to turn the doorknob. Labored steps, with a cane trailing. The click of the gate. Mother drew aside the shade a tiny crack, and we all peeped out. When the old man, still showing traces of the gentleman he once had been, turned the corner and was well on his way home, we raised the shades, un- locked the door, and once more talked in normal tones. Not until years afterward did I learn that 'poker' did not mean the tool we use around the fire, but delirium tremens. The houses along the village streets were not num- bered, and were designated to strangers by some special feature-"The house next to the shoemaker's"; "The one with a new hitching post"; "The house with the iron fence." - Ours was "The house with the two pine trees." To us children those friendly trees were as much a part of the home as the cottage itself. We lived with them so intimately they developed a distinct personality. On guard between us and the street, they screened us from too much publicity; they tempered the North Wind as it came down with a great wo-o-o, threatening to carry off the little cottage or us little cottagers as we came round a corner; they sheltered us from the blazing 10 BACK HOME IN PENNSYLVANIA sun in summer; and not only us, but occasionally a weary traveler, and many "little brothers of the air." Under their sheltering branches we played and work- ed and visited. We wove the long needles into hats for our dollies, and tiny baskets for our playhouses. We gathered the cones for our winter fires, and fastened the ropes of our swing to a convenient branch. In summer each of these trees wore "a nest of robins in her hair," often more than one nest. After every storm we looked out to see if any of the little birds had come to grief. I remember particularly one hail storm. As soon as the worst was over we went to the windows, and there on the icy lawn we saw part of a nest, and a huddle of tiny birdlings, while the helpless parents flew round and round, with pitiful cries. John put on storm clothes and gathered the wreckage into a basket. The old birds seemed to understand, and did not harry him. We packed the babies in cotton and set their box near the stove, having first shut Tabby in the woodhouse. When the storm was well over John mended the nest as best he could, lined it with soft wool, and took the little family back home. Then we girls dug earth worms to help the busy parents. That is, I dug worms, while my sister stood by, shivering every time one wriggled out of the soft earth, groaning every time I scooped him up in the tin can. The nest held together, the little brood thrived, and probably by the next year they, too, wove a nest for some tree's hair. Those same pine trees sometimes served as a conven- ient ladder to and from my brother's room, when there was interesting mischief going on at night, after he was supposed to be safe in bed. One of the dearest friends who came through the gate and passed under those trees was our beloved Great Grandfather. No wonder our little Jean said, when we A PENNSYLVANIA GIRLHOOD 11 were in danger of missing a train: "But I tan't hurry; I must tiss Gampa fest." Staff in hand, he always brought with him an atmosphere of serenity and good will. His memories went back to the time when all the cabins in the Upper Valley could be counted on the fingers of one hand. It was deliciously creepy to sit up late and listen to his tales of timber wolves, of Indian raids, close-ups with bear, or the story of Negro Hollow.
Recommended publications
  • Fulton Daily Leader, April 5, 1947 Fulton Daily Leader
    Murray State's Digital Commons Fulton Daily Leader Newspapers 4-5-1947 Fulton Daily Leader, April 5, 1947 Fulton Daily Leader Follow this and additional works at: https://digitalcommons.murraystate.edu/fdl Recommended Citation Fulton Daily Leader, "Fulton Daily Leader, April 5, 1947" (1947). Fulton Daily Leader. 628. https://digitalcommons.murraystate.edu/fdl/628 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in Fulton Daily Leader by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. •, y • V. • $ te-r 1 The Weather ril 4,1947 Kentucky -Considerable clou- MEMBER iness and windy with thunder- this means showers tonight, becoming cold- natty friends er in west portion; Sunda K TUCKY PRES clearing, windy and heir kindness colder. LAII1t011 ASSOCIATION tees and wh- ritaitr r TAibAn SIO• ir father. We Volume thank Rev NLVIlt Associated Presa Leased Wire Fulton, Iradley, Dr. Kentucky, °Stunt-du) t.renitut. Iprii .3. /9/7 re Cents Per Copy id their staff =Mb Ann Horn- Lewis Asks U. S. Burlington Roy Wright. Rural Co-Op, Zephyr Smacks Into Station -• Jo Leave (?nly 2 Chinese Reds h p', Marines les Green. easeminim-i; K.U. Told To 1..'oal Mines Open. ,to Vi'ashington, April 5-4,Th Pi 110111111g 11:0"(d Aear Tangku; Accept -John I.. Lewis today asked Union the government today asked NLRB Says but two bituminous coal • Roth miiies in the United States. iRiolrest Toll Since End of War I In a letter to colt mines Ilful Refused To administrator N.
    [Show full text]
  • The Hidden Child VOL
    The Hidden Child VOL. XXIII 2015 PUBLISHED BY HIDDEN CHILD FOUNDATION®/ADL AS IF IT WERE Two young children, one wearing a yellow star, play on a street in the Lodz ghetto, 1943. The little YESTERDAY girl is Ilona Winograd, born in January 1940. United States Holocaust Memorial Museum, courtesy of Ilona Winograd-Barkal. AS IF IT WERE YESTERDAY A JEWISH CHILD IN CHRISTIAN DISGUISE WHEN WE WERE YOUNG AND 9 EXTRAORDINARILY GUTSY: THE MAKING OF THE FILM COMME SI C’ÉTAIT HIER (AS IF IT WERE YESTERDAY) (1980) THE SEARCH FOR PRISONER 1002: RICHARD BRAHMER By Nancy Lefenfeld 14 One summer day in 1976, while on a heavily on Myriam’s mother, Léa; she asked visit to Brussels, Myriam Abramowicz found her daughter to visit Mrs. Ruyts and extend herself sitting in a kitchen chair, staring at the family’s condolences. AVRUMELE’S WARTIME MEMOIR the back of the woman who had hidden her Myriam had been born in Brussels short- 18 parents during the German Occupation. It ly after the end of the war and had spent was four in the afternoon—time for goûter— her early childhood there. When she was and Nana Ruyts was preparing a tray of six years old and a student at the Lycée TRAUMA IN THE YOUNGEST sweets to serve to her guest. Describing Carter, there was, in Myriam’s words, “an HOLOCAUST SURVIVORS the moment nearly forty years later, Myri- incident.” “In the courtyard during recess, 26 am ran an index finger over the curve that a little girl by the name of Monique—her lay at the base of her skull and spoke of father was our butcher—called me a sale the vulnerability of this part of the human Juif, a dirty Jew, and I hit her, and then my LA CASA DI SCIESOPOLI: ‘THE HOUSE’ anatomy.
    [Show full text]
  • An Introduction to Zen Words and Phrases Translated by Michael D
    久須本文雄 Kusumoto Bun’yū (1907-1995) 禅語入門 Zengo nyūmon Tokyo: 大法輪閣 Daihōrin-kaku Co. Ltd., 1982 An Introduction to Zen Words and Phrases Translated by Michael D. Ruymar (Michael Sōru Ruymar) 1 What follows is a translation of Kusumoto Bunyū’s (久須本⽂雄) 1982 book Zengo Nyūmon (禅 語⼊⾨, An Introduction to Zen Words and Phrases, Tokyo: Daihōrin-kaku Co. Ltd.), absent its glossary of monastic terms. The main text consists of 100 words and phrases selected by Dr. Kusumoto for exegesis from a variety of sources, but particularly from classic kōan (Zen case) collections like the Blue Cliff Record, the Gateless Barrier, and the Book of Serenity, as well as from the collected writings or sayings of renowned Zen Masters from both China and Japan, like Zen Masters Linji and Dōgen, or, again, from the poetry of such as Han Shan (Cold Mountain) and others. As a genre, there are numerous books of this kind available in Japan, and I have become familiar with two excellent Zengo texts now available to English readers: (i) Moon by The Window: The calligraphy and Zen insights of Shodo Harada (Wisdom Publications, 2011), !and (ii) Zen Words Zen Calligraphy (Tankosha, 1991). It is evident from the breadth and depth of his commentaries that Dr. Kusumoto brought a lifetime of study to bear on the matter contained herein. Though sketchy, he was born in 1908 and graduated in 1933 from what is now Hanazono University, one of several prestigious institutions at which he was destined to lecture in his areas of specialization: Chinese philosophy and Zen studies.
    [Show full text]
  • Volume 19 2018
    Volume 19 2018 A magazine of creative expression by students, faculty, and staff at Southeast Community College Beatrice/Lincoln/Milford, NE Falls City/Hebron/Nebraska City/Plattsmouth/Wahoo/York, NE Volume 19 2018 “After nourishment, shelter, and companionship, stories are the thing we need most in the world.” Philip Pullman I LLUM I NAT I ONS V OLUME 19 Editor: Kimberly Vonnahme Graphic Designer: Nathan Comstock Editorial Team: Rebecca Welsh, Nancy Hagler-Vujovic, Rebecca Carr, Teresa Burt, Jacob Sumpter, Rose Snocker, Melissa Nuss, Miranda Carlson, Paige Shore, Sarah Trainin Project Assistants: David Hallowell, Misty Griggs, Donna Osterhoudt, Janalee Petsch, Lyndsi Rasmussen, Jo Shimmin, Jessica Vetter, the English instructors of the Arts and Sciences Division Conceptual Creator: Shane Zephier Illuminations publishes creative prose, poetry, and visual art, as well as academic and literary writing. We encourage submissions from across the disciplines. Our mission is to feature outstanding artistic works with a diversity of voices, styles, and subjects meaningful to the SCC community. Illuminations is further evidence that original thought and creative expression are celebrated by Southeast Community College. Illuminations is published in March of each year. Submissions are accepted year-round from SCC students, faculty, and staff. Email submissions to Editor Kimberly Vonnahme, [email protected], with the following information: 1) The title and a brief description of each submission; 2) Your name, ID#, and program/position at SCC; 3) Your physical address, phone number, and email address; 4) Your motivation for creating each submission; 5) A brief, informal bio of yourself; mention unique traits, habits, or guilty pleasures— whatever makes you you; 6) The following statement with your typed “signature”: This submission is my own original, unpublished work.
    [Show full text]
  • Novita 26042019
    NOVITA’ 26 APRILE 2019 NOVITA’ MUSICALI Artista Titolo Supporto Mostro The Illest Vol.2 Cd Mameli Inno (Ep) (Amici 2019) Cd Pink Hurts 2B Human (Physical Explicit) Cd Ron Lucio!! Ron Live Cd Mostro The Illest Vol.1 Cd Alvis Alvis (Amici 2019) Cd Cale J.J. Stay Around Cd Cranberries The In The End (Rust Red Vinyl Limited Edt.) Lp Cranberries The In The End (Deluxe Edt.) Cd La Rua Nessuno Segna Da Solo Cd Rolling Stones The Honk Best Of Cd Parsons Alan The Secret (Cd+Dvd Digipack) Cd Rolling Stones The Honk Best Of Lp Cranberries The In The End Cd Parsons Alan The Secret Cd Side Baby Arturo Cd Compilation Faber Nostrum (Tributo A Fabrizio De Andre') Cd P. F. M. Premiata Forneria Marconi A.D. 2010 La Buona Novella (Tributo A Fabrizio De Andre) Cd Cranberries The In The End Lp Cale J.J. Stay Around (2 Lp + Cd) Lp Gragnaniello Enzo Lo Chiamavano Vient' 'E Terra Cd Lamb The Secret Of Letting Go Cd Adams Ryan Big Colors Cd Rodrigo Y Gabriela Mettavolution Cd Parsons Alan The Secret Lp King Crimson Live In Newcastle 08,12,1972 Cd Walking To New Orleans Remembering Chuck Berry And Benson George Fats Domino Cd Compilation Eurovision Tel Aviv 2019 Cd Gaye Marvin You'Re The Man Cd Cale J.J. Roll On Cd Harding Aldous Designer Cd Don Felder American Rock 'N' Roll Cd Rave In2 The Joy Fantastic (First Time On Lp Limited Prince Edition Purple Vinyl) Lp Prince Rave Un2 The Joy Fantastic (Limited Edition Purple Vinyl) Lp King Gizzard And The Lizard Wizard Fishing For Fishies Cd Danko Jones A Rock Supreme (Digipack) Cd Uomini Di Mare Sindrome Di Fine Millennio Lp Anderson .Paak Ventura Cd N'Dour Youssou History (Digipack) Cd Finn Craig I Need A New War Cd Marlene Kuntz H.U.P.
    [Show full text]
  • Richard Wright, Jack Kerouac, Sonia Sanchez, James
    Abstract Heejung Kim, Ph.D., May 2018 ENGLISH THE OTHER AMERICAN POETRY AND MODERNIST POETICS: RICHARD WRIGHT, JACK KEROUAC, SONIA SANCHEZ, JAMES EMANUEL, AND LENARD MOORE (212 PP.) Dissertation Advisor: Professor Yoshinobu Hakutani The purpose of this dissertation is to study Richard Wright, Jack Kerouac, Sonia Sanchez, James Emanuel, and Lenard Moore as haiku poets in their efforts to create their own genres. Only a few published critical essays exist on how American writers composed haiku and applied the philosophical and aesthetical principles of haiku. The genuine identity of the American haiku, however, has not been determined to date. The American haiku seems innovative since it is a hybrid genre whose inspirations are derived from Eastern culture and American culture. This dissertation explores each poet’s haiku and investigates whether it is just an escape from the traditional style of American poetry or if the American haiku is truly a different poetic genre with its own distinct identity. This study examines each poet’s characteristics, as well as his or her limitations as a haiku poet. THE OTHER AMERICAN POETRY AND MODERNIST POETICS: RICHARD WRIGHT, JACK KEROUAC, SONIA SANCHEZ, JAMES EMANUEL, AND LENARD MOORE A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Heejung Kim May 2018 © Copyright All rights reserved Except for previously published materials Dissertation written by Heejung Kim B.A., Sookmyung Women’s University, 2008 M.A, Kent State University, 2011 Ph.D., Kent State University, 2018 Approved by Yoshinobu Hakutani , Chair, Doctoral Dissertation Committee Babacar M’Baye , Members, Doctoral Dissertation Committee Sara Newman Yuko Kurahashi John Dunlosky Accepted by Robert Trogdon , Chair, Department of English James L.
    [Show full text]
  • April-May 2021
    2013 KBA -BLUES SOCIETY OF THE YEAR IN THIS ISSUE: A special edition on Chicago Blues! -Chicago Blues - allaboutbluesmusic.com -Chicago Blues 1970s-to early Volume 28 No 3 April/May2021 1980s- bobcorritore.com Editor- Chick Cavallero -The Chicago Blues ‘Sound’ -Gone But Not Forgotten-Otis Rush- by Todd Beebe CHICAGO BLUES -Head Over Heels In Love With The Blues- by Rich Karpiel This article was reprinted from All About Blues -David Booker’s Manchester Music, an excellent site for the best in Blues writing, whether history, artists, the industry, or Memories Continued – Part 5 the records themselves. Check it out at -Down To the Last Two- by Jack https://www.allaboutbluesmusic.com Grace -CD Reviews The Blues was born in the Delta and grew up on –CBS Members Pages its journey from the country to the city, but the place it came of age was Chicago. -CBS Presidents Column -CBS Board of Directors Ballot When Muddy Waters got off the train from Mississippi in 1942, he soon noticed two things. CONTRIBUTERS TO THIS ISSUE: Chick First, he was going to need an electric guitar turned up loud to be heard over the noisy bar Cavallero, David Booker, Todd crowds. Secondly he needed a band, not with Beebe, Dan Willging, Jack Grace, horns like the ones he heard around him, but a https://www.allaboutbluesmusic. much louder version of the string band he had com, https://bobcorritore.com, back home in the Delta. His Uncle Joe (Brant) gave him an electric guitar and he set about Rich Karpiel, Kyle Borthick, forming the band.
    [Show full text]
  • Diseased Seether
    www.acordesweb.com Diseased Seether Diseased by Seether. Originally from the album Karma and Effect. This tab was created using the live acoustic version from the One Cold Night live album. Strumming pattern: Listen to the song during chorus 1 and the outro for the important strumming patterns. [Chords] Dsus2 000230 Dsus2/C x30230 Ebmaj7 xx1033 D5 000xxx Eb5 111xxx F5 333xxx G5 555xxx Ab5 666xxx Bb5 888xxx [Verse] Dsus2 Dsus2/C Dsus2 Ebmaj7 Leave your mark under my skin Dsus2 Dsus2/C Dsus2 Ebmaj7 Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com Oh my, how strong you are Dsus2 Dsus2/C Dsus2 Ebmaj7 Then feast your eyes on my disdain Dsus2 Dsus2/C Dsus2 Ebmaj7 And hope this one won't scar D5 G5 F5 D5 I will never belong to you... again D5 G5 I will never belong to you [Chorus 1] D5 Eb5 Push if you still need my pain D5 Eb5 Cause I will never tell D5 Eb5 And scream if you still hate my name D5 Eb5 Cause I'll be where I fell [Bridge] G5 Come sit close to me F5 Ab5 Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com (Let me feel your breath) G5 Come sit close to me F5 Ab5 (Hands around my neck) G5 Come sit close to me F5 Ab5 (Let me feel your breath) G5 Come sit close to me Ab5 Bb5 Close to me [Verse] D5 G5 F5 D5 I will never belong to you... again D5 G5 I will never belong to you [Chorus 2] D5 G5 If I decide that I am alive F5 G5 Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com Then I'm diseased and ungrateful D5 G5 If I confide that I am a liar F5 G5 Then I'm diseased
    [Show full text]
  • Seether Album Download Seether
    seether album download Seether. Seether is a post-grunge/alternative metal band which formed in Pretoria, South Africa in 1999. The band currently consists of Shaun Morgan (vocals, guitar), Dale Stewart (bass, vocals) and John Humphrey (drums). The band has released six albums and is currently signed to Wind-Up Records in the United States. Early days, Fragile, Disclaimer The band was originally called Saron Gas, but changed their name to Seether. Early days, Fragile, Disclaimer. The band was originally called Saron Gas, but changed their name to Seether. Saron Gas had their origins in Johannesburg, a city of South Africa, and the earliest days of the group saw their public appearances at parties, nightclubs, small-scale concerts and University venues, such as the University of Cape Town and the University of Stellenbosch, where they played for the lunch-time crowds in the Neelsie centre on the latter campus as late as the summer of 2001. As Saron Gas, the band released its first album, Fragile on Musketeer Records, in 2000 in South Africa. Upon achieving success on the South African music charts, Wind-up Records took an interest in Saron Gas' melodic-yet-heavy sound and signed them to the label. The band was asked to change their name due to Saron Gas being a homophone of sarin gas, a deadly nerve agent discovered (but never used in war) by Nazi Germany during World War II.[citation needed] The band changed its name to Seether in honor of Veruca Salt's song titled, "Seether". Success and Disclaimer II. After Disclaimer was released, the band went on a non-stop touring route in hopes of boosting sales and name recognition.
    [Show full text]
  • Download Seether Album Gasoline Torrent Disclaimer
    download seether album gasoline torrent Disclaimer. The hard rock trio known as Seether has concocted an album that is ripe with vulnerable angst, as Disclaimer is a debut that follows the path that bands such as Staind and Cold have capitalized on in the 21st century. In fact, Seether's moody rock edge borders on the formerly prominent grunge style once championed by another trio, Nirvana. This comparison may be a bit overboard, yet the first half of Seether's debut does expose a visible Cobain influence on these three men from South Africa. Songs like "Gasoline" and "69 Tea" are overbearing and weigh heavy on the listener's mood as Seether churns through these aggressive yet depressive bursts of attitude. The album evens out as it progresses, as tracks such as "Driven Under" and "Pride" are reluctantly catchy yet assuredly satisfying in riling one up or allowing you to calm yourself down. Seether reveals its weak side on the mellower songs, as "Sympathetic" and "Fade Away" stumble along like the group is unsure of itself. They are much more comfortable in the raging aggro stomp of "Pig" and "F**k It," which could become a volatile theme for the Y generation. The album closes with the one successful laid-back song: "Broken" is mellow yet confident, as vocalist Shaun Morgan finds the courage to open himself up without releasing a scream every few seconds. Disclaimer is an album that breaks no new ground, yet manages to find its footing as it unfolds and eventually wins the listener over with moody determination.
    [Show full text]
  • IRON ! “Keeps a Man” Hurrah for 5
    ;)i» T H f f i B 1 . M V o l . V I I I . E ^ S T H A .I I T F O I I D , OOJNTISr., S ^ T X J R D ^ Y , O C T . 7, 1 8 7 1 . N O . 9. and hobbled up the cold street, feeling the being a quiet one to silence the startled pro­ A l . J j approach of the old rheumatic pains and priety of those who are shocked at the pub­ PERSONS IN WANT OF GOOD wondering what would become of his poor licity of it. WATCHES, CLOCKS, SPOONS, PLATED THICK OR THIK! little Camilla. Well, there they parted. He to go over WARE AND GOLD His excitement «anied him to the last the sea, she to rcmain.at home and improve The only good ranilj Kachiiie flight of stairs and hearing Camilla’s voice, the opportunities he b ^ placed before her. o o o u s he paused to rest and to listen. She was * * . * * * IS THE singmg in that sweet and expressive manner At Low Prices, aud of the best which madeber voice seem to bim the swe^- The great heart of the music-loving public Q U A L IT Y , est aM piirw ttU it -he liad ew r heard. 'At was agitated with mingled emotions of jo}% HAVING THEM the end of the stanza she took breath, and pride, astonishment, and awe. A new song­ FLOBEICE. another voice swd “ Obild you astonish me. stress had been criticised, picked over piece­ meal, ground down to the finest point, dis­ It Rung the Stillest^ Either I am a poor judge of music, or else WAREAOTED Will Laiit Ibe liOngest, Under this b e ait^ ili be fotod- IK erj vreek the your voice is the fibest ever, beard.
    [Show full text]
  • Radio Mirror
    R/UJIO J\]Vn TELEVISION FEBRUARY • 25^ THE HAPPY HARRISES Closeup Of A Perfect Marriage WHEN A GIRL lAARRllS- Exciting New Contest For Readers illilil. S E c3^^o<;«!c^, YOU SHOULD ALSO USE '^t ^W tea'*^^*S i ate <»o4e'ifi;;-a.?=^^ .att. \ecte^ o^ tveg sVvate iVie ^•vWVo^" ttva' ma' e^-^^^f^ CO' g\ve to \ts so ^ .utV tva^ ^" l^J*-^^ eat _ o'xsS „tH.tVv . ^.r OUT .pP' dtt'sso Xas'c >tv' : ^ •• >V * ttvc 'SassisSiSi---'\sP' ebto^ .cW^°^^ ,Ve- up %,ateBO^^.,oUt ycva daV tvtt^e ,1^^' w*' '^' ^^ ^H \ H at«a'' att •'*'\ ^, stc^' "'^^ ^cot^? >/sH Sotveve-fo^VvV^^^rdV-^" ot '^^% t^eeYe^^,,,..^ete. 4 ^^rov i / J«-:. MAYBELLINE CAKE MASCARA in beautiful, gold-tone metal vanity, SI. Refills. 50c. Velvet Black, Brown. Midnight Blue. (Also in 25c and 10c sizes.) MAYBELLINE CREAM MASCARA (applied without water) comes in handy leatherette case. SI. (Also in 25c and 10c sizes.) Velvet Black, Brown, Midnight Blue. M.WBELLINE EYEBROW PENCILsoft.smootil quality, fine point — so easy to use! Purse size. 10c. Professional size. 25c. Black, Dark Brown and Light Brown. MAYBELLINE EYE SHADOW smooth, creamy, in subtle shades: Blue, Brown, Blue-Gray. Green, Violet and Gray. WORLDS FAVORITE EYE MAKE- UP . Junior Model Joan Murray shows hew it can woric for you, tee Sitting pretty is dateable Joan Murray, radiant 17-year-old model "The Ipana way is easy — and fun," Joan tells friend of Harrison, N. Y. This popular lass has a smile that wins her top Peggy. Dentists say it works . and it's simple as 1, 2: honors—modeling or dating! 1.
    [Show full text]