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December 1984
MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D. -
The Lakehouse Inn Winery
2 September 17 - October 8, 2008 We would like to thank all of our sponsors and encourage our readers to patronize the fine businesses appearing in the North Coast VOICE. Rock and Roll Night School is the 26 100% of dollars raised will stay unique atmosphere to patrons bringing Publisher/Editor 4 th Wednesday of every month. right here at Rainbow and helps to together many local authors, This monthly series of educational, provide care and supplies to children musicians, and personalities in one Carol Stouder discussion-based night classes offered, without insurance. Three months prior rare event. Included are the following free of charge, from 7 p.m.- 8:30 p.m. in to Radiothon, Brian & Joe kickoff an authors: Carlo Wolff (“Cleveland Rock Managing Editors the Museum’s 4 th floor theater. Jason event called Change Gang . Working and Roll Memories”), John Gorman Hanley, musicologist and Director of with schools, businesses, community Sage Satori • Jim Ales (“The Buzzard”), Mike Olszewski Education at the Rock Hall, leads the organizations and families, Change (“Radio Daze”), and D.X. Ferris classes, which are geared towards Gangs collect change from friends and (“Slayer: Reign in Blood”) composer, Advertising & adults interested in gaining more co-workers, hold garage sales, and folk-rock recording artist Denny Marketing Director knowledge about rock and roll history. businesses use fun ways to collect Carleton (formerly of the Lost Souls, Then next class is September 24, change within the workplace. Local Choir, the Pagans, and the Window) Jim Ales featuring “The Sounds of Silence:” school children grades K through and long time musician Jerry Busch of Simon and Garfunkel. -
Music, Dance and (Trans)Nationalisms Candombe, Indian Bharata Natyam, Etc.)
ARGUMENT Over the past twenty years, monographs in the field of music and dance studies have analysed the construction of musical worlds, genres and markets in non-Western and postcolonial countries. Music is not only presented as a melting pot of social transformation linked to production of "modernity" (Erlmann, 1999) and urbanisation (Waxer, 2010), but also as an outstanding space that produces both nationalisms and representations of the nation. While paying attention to transnational dialogues underlying these musical practices and to the cosmopolitanisms they create (Turino, 2000; Glick-Schiller, Meinhof, 2011), different works brought important insights upon the logics of nation production in postcolonial countries (for instance, through the creation of national artistic ensembles: ballet, orchestras, etc.). Others have analysed, particularly in Africa, the combination between state nationalist projects and identifications to a transnational black nation (Apter, 2006; Dorsch, 2010; Aterianus-Owanga and Guedj, 2014). Current appropriations of various globalised music genres for the purpose of national identity building — rap (Aterianus-Owanga, 2014), rock (Dorin, 2012), jazz (Martin and Roueff, 2002; Kelley, 2012), salsa (Waxer, 2010), reggae (Cooper, 2012) — further demonstrate how state-driven nationalism (Trebinjac, 2000, 2008) oriented by cultural policies, as well as “alternative nationalism” (Kiwan, 2014) or "transnational nationalism" brought by diasporas (Pacini, 2014) are expressed in the crucible of music and dance practices. Furthermore, because of the expansion of heritage policies and national cultural recognition to get a place within cultural markets, several music and dance genres have become national heritage (Senegalese sabar, Ghanaian highlife, Cuban salsa, Colombian champeta, Argentinian tango, Uruguayan Music, Dance and (Trans)nationalisms candombe, Indian bharata natyam, etc.). -
Guitarist Magazine
WIN! A JACKSON QUILT-TOP SOLOIST ELECTR IC INSIDE Issue 404 MARCH 2016 COLLE C TOR’S E DITION The Stories Behind The Riffs FEATURING FIRST PLAY CARLOS ALOMAR MICK RONSON A ‘Real’ Gretsch NILE RODGERS for under £400? EARL SLICK p98 & MORE... Recording His Final Album Future Publishing Limited, Quay House, The Ambury, Bath, BA1 1UA Telephone 01225 442244 Email [email protected] Online www.guitarist.co.uk Changes Like many others, I think everyone at Guitarist had more or less considered David Bowie to be immortal. Likewise, Lemmy seemed too much a part of rock’s scenery to leave us so soon. As we went to press with this issue, we also learned the sad news that Eagles co-founder Glenn Frey had passed (look out for a full tribute next month), making this winter the worst in memory for losing legends. The only very slight consolation for all this is that it prompted us to listen again to the music that made them household names. In the case of Bowie, it was a reminder of the astonishing breadth and ambition of his music-making (see cover feature, p76). Rightly regarded as classic now, Bowie’s music must have been sensational when he was starting out – and I’m sure not everyone ‘got it’ at the time. Passing years have a habit of making the new and strange in music feel comfortably familiar, and finally classic. That thought has been a reminder of the importance of seeking out uncommon sounds, and not just sticking to your comfort zone of old favourites. -
May 06, 1983 Eastern Illinois University
Eastern Illinois University The Keep May 1983 5-6-1983 Daily Eastern News: May 06, 1983 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1983_may Recommended Citation Eastern Illinois University, "Daily Eastern News: May 06, 1983" (1983). May. 5. http://thekeep.eiu.edu/den_1983_may/5 This is brought to you for free and open access by the 1983 at The Keep. It has been accepted for inclusion in May by an authorized administrator of The Keep. For more information, please contact [email protected]. Friday, May 6, 1983 will . be mostly sunny, windy and warmer with highs in the low 80s. Friday night will be partly cloudy, windy and warmer with a 40 per cent chance of showers and aste thunderstorms. Lows will be in the University rn News Eastern Illinois I Charleston, Ill. 61920 I Vol. 68, No. 153 /Two Sections, 20 Pages upper 50s to low 60s. Proposalmay drive students out of s·chool by Marc Pacatte Daily EasternNews Correspondent SPRINGFIELD-As many as 20 to 25,000 students may. be driven out of Illinois colleges and universities as a result of budget cuts, one· higher education offical said Thursday. Donald Walters, Board of Governors executive .director, said "serious consquences" are in store for higher education if the five BOG schools are forced to implement budget contingency plans. The board directed each ·BOG school to draw up provisional budget cuts at graduated levels of 2, 4, 6, and 8 percent in the event that Gov. Jim Thompson and the General Assembly slash the higher education budget by a proposed $100million . -
[KONSERT] Joe Bonamassa, Lisebergshallen 22 Oktober
2010-08-26 11:08 CEST [KONSERT] Joe Bonamassa, Lisebergshallen 22 oktober [KONSERT] Joe Bonamassa, 22 oktober 2010, Lisebergshallen, Göteborg Han har fått en Gibsongitarr och en Marshallförstärkare uppkallad efter sig och en av hans sånger finns med i dataspelet Guitar Hero V. Han har spelat med legender som Eric Clapton och BB King. Det 33-årige gitarrgeniet Joe Bonamassa, som har turnerat sedan han var bara 12 år, är känd som bluesrockvärldens absolute mästare. Nu gästar han åter Sverige. Det är sprakande, progressiv, elektrifierade bluesrock på programmet när album aktuella Bonamassa intar scenen för en konsert i Lisebergshallen i Göteborg den 22 oktober 2010. Sångaren och gitarristens besök i Sverige är en förlängning av en världsomspännande turné, som inkluderar Japan, Ryssland, Australien och USA. Bonamassas 10:e album "Black Rock” släpptes i mars i år och gick direkt upp som nummer ett på Billboards bluesrocklista. Det ska börjas i tid. Fyra år gammal spelade Joe Bonamassa elgitarr för första gången. Förebilderna är några av branschens tungviktare, som Jimi Hendrix och Eric Clapton. Redan som 12-åring var Bonamassa beredd att åka på turné - med ingen annan än BB King, som nu 20 år senare gästar Bonamassa på "Black Rock". "Black Rock" spelades in i Grekland på ön Santorini. Detta har satt sina spår, några av Greklands bästa folkmusiker medverkar på inspelningen. Om ” Black Rock” har bara skrivits strålande recensioner. Bland andra Gaffa skrev: "Bonamassas 10:e i eget namn är bland de bästa den 32-årige Guitar Heron har att bjuda på ". I Ekstra Bladet kallas Bonamassa en "ekvilibrist med ett säkert grepp om både akustisk blues och boogie". -
ITALIAN BOWIE Tutto Di David Bowie in Italia E Visto Dall'italia INTRODUZIONE
Davide Riccio ITALIAN BOWIE Tutto di David Bowie in Italia e visto dall'Italia INTRODUZIONE Bowie ascoltava la musica italiana? Ogni nazione avrebbe voluto avere i propri Elvis, i propri Beatles, i propri Rolling Stones, il proprio Bob Dylan o il proprio "dio del rock" David Bowie, giusto per fare qualche nome: fare cioè propri i più grandi tra i grandi della storia del rock. O incoronarne in patria un degno corrispettivo. I paesi che non siano britannici o statunitensi perciò di loro lingua franca mondiale sono tuttavia fuori dal gioco: il rock è innanzi tutto un fatto di lingua inglese. Non basta evidentemente cantare in inglese senza essere inglesi, irlandesi o statunitensi et similia per uguagliare in popolarità internazionale gli originari o gli oriundi ed entrare di diritto nella storia internazionale del rock. A volte poi, pur appartenendo alla stessa lingua inglese, il cercarne o crearne un corrispettivo è operazione comunque inutile ai fini del fare o non fare la storia del rock, oltre che un fatto assai discutibile, così come avvenne a esempio negli States in piena Beatlemania con i Monkees, giusto per citare un gruppo nel quale cantava un certo David o Davy Jones, lo stesso che - per evitare omonimia e confusione - portò David Robert Jones, ispirandosi al soldato Jim Bowie e al suo particolare coltello, il cosiddetto Bowie knife, ad attribuirsi un nome d'arte: David Bowie. I Monkees nacquero nel 1965 su idea del produttore discografico Don Kirshner per essere la risposta rivale (anzitutto commerciale) americana ai Beatles, quindi i Beatles americani o gli anti-Beatles. -
Scotland ^ 37Th Annual Smithsonian
SMITHSONIAN FOLKLIFE FESTIVAL SCOTLAND ^ 37TH ANNUAL SMITHSONIAN FOLKLIFE FESTIVAL Appalachia Heritage and Haniioiiy Mali From Timbuktu to Washingto ii Scotland at the Smithsonian June 2 5 -July 6, 2003 Wa s h i n g t o n , D . C . The annual Smithsonian Folklife Festival brings together exemplary keepers of diverse traditions, both old and new. from communities across the United States and around the world. The goal of the Festival is to strengthen and preserve these traditions by presenting them on the National MaO, so that the tradition-hearers and the public can connect with and learn from one another, and understand cultural difierences in a respectful way. Smithsonian Institution Center for Folklife and Cultural Heritage 750 9th Street NW Suite 4100 Washington, DC 20560-0953 www. folklife. SI . edu © 2003 by the Smithsonian Institution ISSN 1056-6805 Editor: Carla Borden Associate Editors: Frank Proschan, Peter Seitel Art Director: Denise Arnot Production Manager: Joan Erdesky Design Assistant: Krystyn MacGregor Confair Printing: Finlay Printing, Bloomfield, CT Festival Sponsors The Festival is co-sponsored by the National Park Service. The Festival is supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; volunteers; and food, recording, and craft sales. Major in-kind support for the Festival has been provided by media partners WAMU 88.5 FM—American University Radio, Tfie IVashiiigtoii Post, washingtonpost.com, and Afropop, and by Motorola, Nextel, Whole Foods Market, and Go-Ped. APPALACHIA: HERITAGE AND HARMONY This program is produced in collaboration with the Birthplace of Country Music Alliance and the Center for Appalachian Studies at East Tennessee State University. -
Dossier De Presse
Dossier de presse Collective Mobile Mapping Montpellier Le Patin Libre Nacera Belaza Jacopo Godani Christian Passion(s) Rizzo Emanuel Gat & Awir Leon Sorour Darabi Mitra Farahani Danya Hammoud Vincent Warin Olivier Lemaire & Florence Platarets Lia Rodrigues Cullbergbaletten Deborah Hay Hooman Sharifi Robyn Orlin Oumaima Radhouane Manai El Meddeb Salia Sanou Dimitris Ali Moini Papaioannou Nabil Hemaizia Pierre Rigal Sharon Eyal Taoufiq & Gai Behar Izeddiou Kader Attou & Andrés Marín 0 800 600 740 WWW.MONTPELLIERDANSE.COM N° SIRET : 322 375 882 00055 - APE 9001Z / N° Licences 2-1041886 et 3-1041887 / Photo : Emanuel Gat / Design graphique : Les Produits de l'épicerie (Lille) montpellierdanse.com nouveau site internet et dossier de presse ! Le dossier de presse que vous êtes en train de feuilleter a été réalisé pour une lecture numérique. Il comporte des vidéos et des entretiens sonores avec les artistes. Sur certaines pages, vous trouverez directement les vidéos, sur d'autres, vous trouverez un pictogramme vous invitant à lire la suite en ligne sur le nouveau site internet de Montpellier Danse. Plus qu'un simple « lifting », nous avons souhaité faire évoluer le site pour vous donner accès à un maximum de contenus pour aller plus loin dans la connaissance des artistes et du contexte de création de leurs spectacles. Au fil des pages, vous pourrez découvrir des pictogrammes qui vous indiqueront le type de contenu que vous pourrez trouver directement en dessous (en cliquant sur l'image ou sur le haut-parleur) ou sur montpellierdanse.com : Film Audio Articles P. 20 P. 40 Passion(s) Cinéma d'Iran P. 22 P. -
Beth Hart Och Joe Bonamassa I Själfullt Samarbete - Album 28 September
2011-08-12 09:01 CEST Beth Hart och Joe Bonamassa i själfullt samarbete - album 28 september Beth Hart sjunger från själen på ”Don’t Explain”, en samling soulcovers som hon spelat in tillsammans med gitarristen Joe Bonamassa och producenten Kevin Shirley. Plattan innehåller låtar som gjorts odödliga av artister som Billie Holiday, Aretha Franklin, Etta James, Bill Withers, Ray Charles, Tom Waits, Delaney & Bonnie med flera. Den Los Angeles-baserade singer/songwritern Beth Hart, känd för sin råa och fräna bluesrock, lindar sin uttrycksfulla stämma runt klassiska soulcovers på ”Don’t Explain”, ett album som växte fram genom vänskapen med gitarristen Joe Bonamassa. Plattan innehåller Beth Harts brännheta tolkningar av soul- och bluesklassiker med god hjälp av Bonamassa och hans lyhörda band och med varsam hand producerat av Kevin Shirley (Joe Bonamassa, Led Zeppelin, Black Crowes m fl). Beth Harts och Joe Bonamassas vägar har korsats ett antal gånger och de har uppträtt på samma festivaler i Europa genom åren. 2010 besökte han en av hennes spelningar i London- ”Jag blev helt knäckt”, säger Bonamassa och föreslog att de någon gång skulle göra något tillsammans. Samma sommar började ”Don’t Explain” ta form då Bonamassa spelade in sin senaste platta, ”Dust Bowl”, på ön Santorini i Grekland. Till inspelningarna tog Joe Bonamassa med sig bandet från sitt topplistealbum ”The Ballad Of John Henry” från 2009: Anton Fig (trummor), Blondie Chaplin (gitarr) och Carmine Rojas (bas). Plattan utvecklades till en sjudande blandning av soul, jazz, rock och blues där Beth Harts fantastiska sång omsorgsfullt mejslats in i varje spår. ”Beth är en dold pärla”, säger Bonamassa. -
Fureur Sonique En Singine Sonic Youth, Sunno))), Mogwai, Lightning Bolt… Pas Le Sommaire Du Prochain Rock'n'rolla Mais Quelques Têtes D'affiche De La Kilbi
UNE PUBLICATION No 30 DU COLLECTIF MAI 2009 MENSUEL Daily Rock GRATUIT TOUTE L’ACTUALITÉ BRÛLANTE DU ROCK EN ROMANDIE Pour quelques Début des Vingt ans épingles à festivités ! p. 2 pour Ten ! p. 6 nourrice de plus p. 12 La Kilbi : fureur sonique en Singine Sonic Youth, SunnO))), Mogwai, Lightning Bolt… Pas le sommaire du prochain Rock'n'Rolla mais quelques têtes d'affiche de la Kilbi. Si les festivals sont d'habitude au masculin, la Kilbi, elle, est bel et bien une dame. Expérimentée, malicieuse et pleine d'humour, elle sait aussi être capricieuse. Mais sa richesse et son sens de l'accueil en font la partenaire idéale pour un week-end riche en émotions fortes, voire très fortes… Edito Voici dix-neuf ans qu'elle séduit, gagne en maturité et se montre plus Rockeuses, Rockeurs, surprenante à chaque fois. En mai, fais ce qu’il te plaît. L’adage Mais trêve de métaphore. S'il y a bien printanier devrait s’appliquer à tous les un festival sur terre helvète qui a su se mois de l’année, histoire de s’accorder démarquer, jouer d'audace avec une un souffle de liberté qui enverrait intelligence et une culture musicale paître toutes les ondes négatives qu’on rares, il s'agit bien de la Kilbi. Une nous rumine jour après jour, à la TV, à manifestation de taille humaine où la radio ou dans les journaux… la programmation musicale est ciblée pour les mélomanes. Par le passé, Et voilà que, justement, la liberté est mise à l’épreuve. -
Performers in Kuopio Dance Festival 1970-2020
Performers in Kuopio Dance Festival 1970-2020 6.-14.6.1970 Carry Rick (USA) Cullberg Ballet (Sweden) Estonia Theatre Ballet (Estonia) Koco Racin, folk dances (Yugoslavia) Praesens (Finland) Dancers from Kuopio Theatre (Finland) 4.-11.6.1971 Ballet Rambert (UK) Cramér Ballet (Sweden) Daile, folk dances (Latvia) 3.-10.6.1972 Compagnie Anne Béranger (France) Doina, folk dances (Romania) Etoile du Nord (Sweden) Lietuva, Lithuanian folk dances International Ballet Gala Dancers from the Helsinki City Theatre (Finland) 4.-10.6.1973 Andriesh, folk dances (Moldova) Ballets Contemporains Karin Wahner (France) The Norwegian National Ballet (Norway) Ruth Matso (Finland) 3.-9.6.1974 Dance Theatre Raatikko (Finland) Finnish National Opera Ballet (Finland) Les Diaboua de Brazzaville, folk dances (Congo) Kirghiz folk dances Pilobolus (USA) 5.-11.6.1975 Cullberg Ballet (Sweden) Finnish National Opera Ballet (Finland) The Indian Ballet of Folk Tradition (India) Lar Lubovotch (USA) Riga Ballet (Latvia) 7.-13.6.1976 Estonia Theatre Ballet (Estonia) Dimitrovec, folk dances (Czechoslovakia) Scapino Ballet (The Netherlands) 6.-12.6.1977 The Contemporary Dance System (USA): Rooms / Day on Earth / Steps of Silence / And First They Slaughtered the Angels / Waldstein Sonata/ Dead Heat Cramér Ballet (Sweden) Dance Theatre Polar (Finland) The S. Aini Academic Opera and Ballet Theatre (Tadzhigistan): Giselle / Leili / Medznun Vasas, folk dances (Hungary) 5.-11.6.1978 Arabesque (Bulgaria) Dance Theatre Raatikko (Finland) Finnish National Opera Ballet (Finland): Ganajeh