May 06, 1983 Eastern Illinois University
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December 1984
MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D. -
The Lakehouse Inn Winery
2 September 17 - October 8, 2008 We would like to thank all of our sponsors and encourage our readers to patronize the fine businesses appearing in the North Coast VOICE. Rock and Roll Night School is the 26 100% of dollars raised will stay unique atmosphere to patrons bringing Publisher/Editor 4 th Wednesday of every month. right here at Rainbow and helps to together many local authors, This monthly series of educational, provide care and supplies to children musicians, and personalities in one Carol Stouder discussion-based night classes offered, without insurance. Three months prior rare event. Included are the following free of charge, from 7 p.m.- 8:30 p.m. in to Radiothon, Brian & Joe kickoff an authors: Carlo Wolff (“Cleveland Rock Managing Editors the Museum’s 4 th floor theater. Jason event called Change Gang . Working and Roll Memories”), John Gorman Hanley, musicologist and Director of with schools, businesses, community Sage Satori • Jim Ales (“The Buzzard”), Mike Olszewski Education at the Rock Hall, leads the organizations and families, Change (“Radio Daze”), and D.X. Ferris classes, which are geared towards Gangs collect change from friends and (“Slayer: Reign in Blood”) composer, Advertising & adults interested in gaining more co-workers, hold garage sales, and folk-rock recording artist Denny Marketing Director knowledge about rock and roll history. businesses use fun ways to collect Carleton (formerly of the Lost Souls, Then next class is September 24, change within the workplace. Local Choir, the Pagans, and the Window) Jim Ales featuring “The Sounds of Silence:” school children grades K through and long time musician Jerry Busch of Simon and Garfunkel. -
Guitarist Magazine
WIN! A JACKSON QUILT-TOP SOLOIST ELECTR IC INSIDE Issue 404 MARCH 2016 COLLE C TOR’S E DITION The Stories Behind The Riffs FEATURING FIRST PLAY CARLOS ALOMAR MICK RONSON A ‘Real’ Gretsch NILE RODGERS for under £400? EARL SLICK p98 & MORE... Recording His Final Album Future Publishing Limited, Quay House, The Ambury, Bath, BA1 1UA Telephone 01225 442244 Email [email protected] Online www.guitarist.co.uk Changes Like many others, I think everyone at Guitarist had more or less considered David Bowie to be immortal. Likewise, Lemmy seemed too much a part of rock’s scenery to leave us so soon. As we went to press with this issue, we also learned the sad news that Eagles co-founder Glenn Frey had passed (look out for a full tribute next month), making this winter the worst in memory for losing legends. The only very slight consolation for all this is that it prompted us to listen again to the music that made them household names. In the case of Bowie, it was a reminder of the astonishing breadth and ambition of his music-making (see cover feature, p76). Rightly regarded as classic now, Bowie’s music must have been sensational when he was starting out – and I’m sure not everyone ‘got it’ at the time. Passing years have a habit of making the new and strange in music feel comfortably familiar, and finally classic. That thought has been a reminder of the importance of seeking out uncommon sounds, and not just sticking to your comfort zone of old favourites. -
[KONSERT] Joe Bonamassa, Lisebergshallen 22 Oktober
2010-08-26 11:08 CEST [KONSERT] Joe Bonamassa, Lisebergshallen 22 oktober [KONSERT] Joe Bonamassa, 22 oktober 2010, Lisebergshallen, Göteborg Han har fått en Gibsongitarr och en Marshallförstärkare uppkallad efter sig och en av hans sånger finns med i dataspelet Guitar Hero V. Han har spelat med legender som Eric Clapton och BB King. Det 33-årige gitarrgeniet Joe Bonamassa, som har turnerat sedan han var bara 12 år, är känd som bluesrockvärldens absolute mästare. Nu gästar han åter Sverige. Det är sprakande, progressiv, elektrifierade bluesrock på programmet när album aktuella Bonamassa intar scenen för en konsert i Lisebergshallen i Göteborg den 22 oktober 2010. Sångaren och gitarristens besök i Sverige är en förlängning av en världsomspännande turné, som inkluderar Japan, Ryssland, Australien och USA. Bonamassas 10:e album "Black Rock” släpptes i mars i år och gick direkt upp som nummer ett på Billboards bluesrocklista. Det ska börjas i tid. Fyra år gammal spelade Joe Bonamassa elgitarr för första gången. Förebilderna är några av branschens tungviktare, som Jimi Hendrix och Eric Clapton. Redan som 12-åring var Bonamassa beredd att åka på turné - med ingen annan än BB King, som nu 20 år senare gästar Bonamassa på "Black Rock". "Black Rock" spelades in i Grekland på ön Santorini. Detta har satt sina spår, några av Greklands bästa folkmusiker medverkar på inspelningen. Om ” Black Rock” har bara skrivits strålande recensioner. Bland andra Gaffa skrev: "Bonamassas 10:e i eget namn är bland de bästa den 32-årige Guitar Heron har att bjuda på ". I Ekstra Bladet kallas Bonamassa en "ekvilibrist med ett säkert grepp om både akustisk blues och boogie". -
ITALIAN BOWIE Tutto Di David Bowie in Italia E Visto Dall'italia INTRODUZIONE
Davide Riccio ITALIAN BOWIE Tutto di David Bowie in Italia e visto dall'Italia INTRODUZIONE Bowie ascoltava la musica italiana? Ogni nazione avrebbe voluto avere i propri Elvis, i propri Beatles, i propri Rolling Stones, il proprio Bob Dylan o il proprio "dio del rock" David Bowie, giusto per fare qualche nome: fare cioè propri i più grandi tra i grandi della storia del rock. O incoronarne in patria un degno corrispettivo. I paesi che non siano britannici o statunitensi perciò di loro lingua franca mondiale sono tuttavia fuori dal gioco: il rock è innanzi tutto un fatto di lingua inglese. Non basta evidentemente cantare in inglese senza essere inglesi, irlandesi o statunitensi et similia per uguagliare in popolarità internazionale gli originari o gli oriundi ed entrare di diritto nella storia internazionale del rock. A volte poi, pur appartenendo alla stessa lingua inglese, il cercarne o crearne un corrispettivo è operazione comunque inutile ai fini del fare o non fare la storia del rock, oltre che un fatto assai discutibile, così come avvenne a esempio negli States in piena Beatlemania con i Monkees, giusto per citare un gruppo nel quale cantava un certo David o Davy Jones, lo stesso che - per evitare omonimia e confusione - portò David Robert Jones, ispirandosi al soldato Jim Bowie e al suo particolare coltello, il cosiddetto Bowie knife, ad attribuirsi un nome d'arte: David Bowie. I Monkees nacquero nel 1965 su idea del produttore discografico Don Kirshner per essere la risposta rivale (anzitutto commerciale) americana ai Beatles, quindi i Beatles americani o gli anti-Beatles. -
Beth Hart Och Joe Bonamassa I Själfullt Samarbete - Album 28 September
2011-08-12 09:01 CEST Beth Hart och Joe Bonamassa i själfullt samarbete - album 28 september Beth Hart sjunger från själen på ”Don’t Explain”, en samling soulcovers som hon spelat in tillsammans med gitarristen Joe Bonamassa och producenten Kevin Shirley. Plattan innehåller låtar som gjorts odödliga av artister som Billie Holiday, Aretha Franklin, Etta James, Bill Withers, Ray Charles, Tom Waits, Delaney & Bonnie med flera. Den Los Angeles-baserade singer/songwritern Beth Hart, känd för sin råa och fräna bluesrock, lindar sin uttrycksfulla stämma runt klassiska soulcovers på ”Don’t Explain”, ett album som växte fram genom vänskapen med gitarristen Joe Bonamassa. Plattan innehåller Beth Harts brännheta tolkningar av soul- och bluesklassiker med god hjälp av Bonamassa och hans lyhörda band och med varsam hand producerat av Kevin Shirley (Joe Bonamassa, Led Zeppelin, Black Crowes m fl). Beth Harts och Joe Bonamassas vägar har korsats ett antal gånger och de har uppträtt på samma festivaler i Europa genom åren. 2010 besökte han en av hennes spelningar i London- ”Jag blev helt knäckt”, säger Bonamassa och föreslog att de någon gång skulle göra något tillsammans. Samma sommar började ”Don’t Explain” ta form då Bonamassa spelade in sin senaste platta, ”Dust Bowl”, på ön Santorini i Grekland. Till inspelningarna tog Joe Bonamassa med sig bandet från sitt topplistealbum ”The Ballad Of John Henry” från 2009: Anton Fig (trummor), Blondie Chaplin (gitarr) och Carmine Rojas (bas). Plattan utvecklades till en sjudande blandning av soul, jazz, rock och blues där Beth Harts fantastiska sång omsorgsfullt mejslats in i varje spår. ”Beth är en dold pärla”, säger Bonamassa. -
Fureur Sonique En Singine Sonic Youth, Sunno))), Mogwai, Lightning Bolt… Pas Le Sommaire Du Prochain Rock'n'rolla Mais Quelques Têtes D'affiche De La Kilbi
UNE PUBLICATION No 30 DU COLLECTIF MAI 2009 MENSUEL Daily Rock GRATUIT TOUTE L’ACTUALITÉ BRÛLANTE DU ROCK EN ROMANDIE Pour quelques Début des Vingt ans épingles à festivités ! p. 2 pour Ten ! p. 6 nourrice de plus p. 12 La Kilbi : fureur sonique en Singine Sonic Youth, SunnO))), Mogwai, Lightning Bolt… Pas le sommaire du prochain Rock'n'Rolla mais quelques têtes d'affiche de la Kilbi. Si les festivals sont d'habitude au masculin, la Kilbi, elle, est bel et bien une dame. Expérimentée, malicieuse et pleine d'humour, elle sait aussi être capricieuse. Mais sa richesse et son sens de l'accueil en font la partenaire idéale pour un week-end riche en émotions fortes, voire très fortes… Edito Voici dix-neuf ans qu'elle séduit, gagne en maturité et se montre plus Rockeuses, Rockeurs, surprenante à chaque fois. En mai, fais ce qu’il te plaît. L’adage Mais trêve de métaphore. S'il y a bien printanier devrait s’appliquer à tous les un festival sur terre helvète qui a su se mois de l’année, histoire de s’accorder démarquer, jouer d'audace avec une un souffle de liberté qui enverrait intelligence et une culture musicale paître toutes les ondes négatives qu’on rares, il s'agit bien de la Kilbi. Une nous rumine jour après jour, à la TV, à manifestation de taille humaine où la radio ou dans les journaux… la programmation musicale est ciblée pour les mélomanes. Par le passé, Et voilà que, justement, la liberté est mise à l’épreuve. -
Télécharger Le Programme 2010
1 ÉDITO Depuis 1981, Jazz à Vienne a spectacle dans les rues de Vienne hos Brown, Bobby McFerrin. connu un exceptionnel dévelop- le dimanche 4 juillet avec la Et nous n'oublierons pas l'art pement grâce à la fidélité et à la compagnie “La Belle Zanka” et la de “vocaliser en groupe” avec passion de son public qui s'est contribution de la “Locomysic” : Manhattan Transfer. multiplié par six en près de 30 ans. musiques, danses, spectacles Jazz à Vienne n'oubliera pas ses Les soirées aussi se sont de rues, costumes et défilés soirées traditionnelles : Blues, multipliées : des 5 soirées agrémenteront cette journée que Gospel, Brésil, Caraïbes, Afrique, d’origine au théâtre antique, l'on souhaite festive, participative ni sa dernière nuit marathon, la le festival compte aujourd’hui et un peu déjantée ! Jazz Mix Night. Les scènes du 15 à 16 événements par édition. Pour cette trentième, le thème de Club de Minuit et de Jazz Mix La plupart des artistes de jazz, la programmation sera l'art vocal. offriront des musiques de de blues, de gospel, de musique On sait que le jazz est né au début découverte, d'émergence brésilienne, cubaine et africaine, du XXe siècle par l'adaptati on et de mise en valeur de musiciens se sont succédés sur la scène instrumentale de l'art vocal des régionaux. d'un lieu devenu mythique dans noirs américains. Cet art vocal Enfin, les amate urs de jazz l'histoire de cette musique. noir américain qui est peut-être instrumental pourront picorer ça Enfin le festival est de plus en plus le seul héritage des origines afri- et là -
Beth Hart & Joe Bonamassa “Seesaw”
Beth Hart & Joe Bonamassa “Seesaw” PRD 7414 2 Seesaw reunites force-of-nature blues-rock vocalist Beth Hart and guitar hero Joe Bonamassa for a second album of choice covers from various musical eras. As with their first outing, Don’t Explain, the project is in collaboration with producer Kevin Shirley (Joe Bonamassa, Led Zeppelin, Aerosmith, Black Crowes). Each of the three principals suggested and selected tracks for the 11-song set list, which mines soulful classics previously made famous by Aretha Franklin, Etta James, Billie Holiday, Donnie Hathaway, Lucinda Williams, Buddy Miles, Tina Turner, Slackwax, Melody Gardot, and Nina Simone. The one-two punch of Hart’s powerhouse vocals and Bonamassa’s scorching solos both honors and reinvents the original recordings. They are backed by the same world class band that kept the grooves going on Don’t Explain: Anton Fig (drums, percussion), Carmine Rojas (bass), Blondie Chaplin (rhythm guitar, backing vocals and percussion), Arlan Schierbaum (organ, piano). This time out, their mighty sound is augmented by a horn section, with Lee Thornburg on trumpets and trombones, and Ron Dziubla on saxophones. For Hart and Bonamassa, making music together grew out of the friendship and mutual artistic appreciation they developed after crossing paths on the road numerous times, particularly on the festival circuit in Europe. Bonamassa wanted to do a project with her, and came up with the idea for a soul covers record. Shirley, who’s produced 12 of Bonamassa’s albums, was enthusiastic, and Bonamassa contacted Hart. “When I got the call that he wanted to do a soul record with me, I figured I’d be the background singer. -
Pleasanton Invites Pusd to Help Shape Future Housing
Thursday, FEBRUARY 7, 2019 VOLUME LVI, NUMBER 6 Your Local News Source Since 1963 SERVING DUBLIN, LIVERMORE, PLEASANTON, SUNOL Pleasanton Invites PUSD to Help Shape Future Housing By Ron McNicoll With the state taking more con- Gerry Beaudin told the PUSD The state requires cities to re- compliant housing element, and trol over local residential develop- Board of Trustees at their Jan. 29 new their housing elements every for not following through on ment through its legislative bills meeting that in early 2022, the eight years. Failure to comply housing commitments,” stated See Inside Section A designed to increase and speed up city will know its state-mandated in the past has not led to serious Beaudin. construction of high-density hous- housing numbers assigned by the consequences. However, with He explained, “We have a lot Section A is filled with ing, Pleasanton City Manager Nel- state to meet housing goals. Gov. Gavin Newsom in office, of influence, even with (the bills information about arts, people, son Fialho invited the Pleasanton Fialho made it a point to invite things are changing, Beaudin told passed in 2017), but (local control) entertainment and special events. Unified School District (PUSD) PUSD to the public planning pro- the school board. still keeps being pulled back by the There are education stories, a to help the city shape what future cess that will collect community “Coming right out of the gate, state. We believe that our ability variety of features, and the arts growth should look like. input, since the school district must Newsom has been no-nonsense to manage the change at a reason- and entertainment and Fialho and Pleasanton Direc- house the students that future de- about it. -
Ron Wood © Felix Aeppli 08-2018 / 06-2020
Gimme Some Neck Ron Wood © Felix Aeppli 08-2018 / 06-2020 7001 June 1, 1947 Born in Hillingdon, Middlesex: Ronald David Wood. 7001A Late 1963 and early 1964 Yiewsley, Middlesex: RHYTHM AND BLUES BOHEMIANS (not recorded) RW, Tony Munroe: guitar; Robin Scrimshaw: vocals; Kim Gardner: bass; Bob Langham: drums; - When Ali McKenzie replaced singer Robin Scrimshaw in early 1964, the band changed their name to THE THUNDERBIRDS, soon to be shortened to THE BIRDS in order to avoid confusion with Chris Farlowe’s backing band. 7001B Early March, 1964 Live at the Crawdaddy Club, Station Hotel, Richmond, Surrey: THE YARDBIRDS (not recorded) RW (replacing Keith Relf for one gig): harmonica; Eric Clapton: guitar, vocals; Chris Dreja: guitar; Paul Samwell-Smith: bass, vocals; Jim McCarty: drums, back-up vocals. 7001C June, 1964 Demo recordings, Tony Pike Sound Studio, Putney, London: THE BIRDS, SAY THOSE MAGIC WORDS (Beat Rec. BLP-3 [UK], late Summer, 1997); THE COLLECTORS’ GUIDE TO RARE BRITISH BIRDS (Deram 564139-2, CD [UK], Aug. 1, 1999): 1. You Don’t Love Me [Demo] (McDaniel), 2. You’re On My Mind [Demo] (Wood) Line-up: same as next. Summer, 1964, onwards THE BIRDS, BRITISH BALLROOM & CLUB DATES 7002 Early November, 1964 Decca Studios, London: THE BIRDS, Single (Decca F 12031 [UK], Nov. 20, 1964); THESE BIRDS ARE DANGEROUS (Edsel Rec. NEST901;12" EP [UK], 1985); SAY THOSE MAGIC WORDS (Beat Rec. BLP-3 [UK], late Summer, 1997); THE COLLECTORS’ GUIDE TO RARE BRITISH BIRDS (Deram 564139-2, CD [UK], July, 1999); RONNIE WOOD, ANTHOLOGY: THE ESSENTIAL CROSSEXION (EMI 3 11735 2, CD [UK], June 26, 2006): 1. -
Beth Hart and Joe Bonamassa Live in Amsterdam 2013
Beth Hart and Joe Bonamassa Live in Amsterdam 2013 Written by bluesever Tuesday, 17 May 2016 15:59 - Beth Hart and Joe Bonamassa Live in Amsterdam 2013 1. Amsterdam, Amsterdam! 2. Them There Eyes 3. Sinner's Prayer 4. Can't Let Go 5. For My Friends 6. Close To My Fire 7. Rhymes 8. Something's Got A Hold On Me 9. Your Heart Is As Black As Night 10. Chocolate Jesus 11. Baddest Blues 12. Someday After Awhile (You ll Be Sorry) 13. Beth introduces the band 14. Well, well 15. If I Tell You I Love You 16. See Saw 17. Strange Fruit 18. Miss Lady 19. I Love You More Than You'll Ever Know 20. Nutbush City Limits 21. I'd Rather Go Blind 22. Antwerp Jam (Credits) --J&R Adventures Beth Hart - Piano, Vocals Joe Bonamassa - Guitar, Vocals Carlos Perez Alfonso - Percussion, Trombone Blondie Chaplin - Guitar (Rhythm), Vocals (Background) Ron Dziubla - Percussion, Saxophone Anton Fig – Drums Carmine Rojas - Bass Arlan Schierbaum – Keyboards Lee Thornburg - Horn Arrangements, Percussion, Trumpet This double disc is an exact replication of a concert vocalist Beth Hart and guitarist Joe Bonamassa performed in Amsterdam in support of their studio album Seesaw. What you hear is what was played: there are no overdubs or digital studio fixes. They replicate all but one track from the studio album ("Sunday Kind of Love") and five more from their 2011 offering Don't Explain, and play some other covers and a long band jam called "Antwerp Jam" as a finale. Hart and Bonamassa are backed by a killer band to boot, including a full horn section, drummer Anton Fig, bassist Carmine Rojas, rhythm guitarist Blondie Chaplin, and keyboardist Arlan Schierbaum.