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Dark-Night and Nameless:Globalization in Murakami’S Kafka on the Shore and the Wind-Up Bird Chronicle
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2020 Dark-Night and Nameless:Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle Thomas Velazquez Herring Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Cultural History Commons, Japanese Studies Commons, Modern Literature Commons, and the Social History Commons Let us know how access to this document benefits ou.y Recommended Citation Herring, Thomas Velazquez, "Dark-Night and Nameless:Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle" (2020). Graduate Student Theses, Dissertations, & Professional Papers. 11657. https://scholarworks.umt.edu/etd/11657 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Dark-Night And Nameless: Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle By Tom Herring For the last thirty odd years, Haruki Murakami has been a towering figure on the international literary scene. He has to his name: fourteen novels translated into English, four collections of short stories (and a good handful of short stories which have not been anthologized), and over forty works of nonfiction, including translations of works into Japanese. His first two novels, Hear the Wind Sing and Pinball, 1973, which he wrote basically because he thought he could, are stylistically realist and best characterized by weltschmerz, which in English means angsty world-weariness, a la J.D. -
Erewhon Fall 2021
198 EREWHON CATALOG FALL 2021 EREWHON CATALOG FALL 2021 Lonely Castle in the Mirror Mizuki Tsujimira n a tranquil neighborhood of Tokyo seven students are avoiding going to school I– hiding in their darkened bedrooms, unable to face their family and friends – until the moment they find the mirrors in their bedrooms are shining. At a single touch, they are pulled from their lonely lives into to a wondrous castle straight out of a Grimm’s fairy tale. This whimsical place, oddly lacking in food and running water but full of electrical sockets, is home to a petulant girl in a mask, named Wolf Queen and becomes their playground and refuge during school hours. Hidden within the walls they're told is a key that will grant one wish, and a set of clues with which to find it. But there's a catch: the key must • Bestselling, prizewinning, be found by the end of the school year and they must leave the premises by five international success: Lonely Castle o'clock each day or else suffer a fatal end. has sold half a million copies and was a #1 bestseller in Japan. It was As time passes, a devastating truth emerges: only those brave enough to share the winner of the Japan Booksellers their stories will be saved. And so they begin to unlock each other's stories: how Award, voted for by the booksellers a boy is showered with more gadgets than love; how another suffers a painful across Japan. Translation rights have sold in Italy, France, Taiwan, Korea, and unexplained rejection and how a girl lives in fear of her predatory stepfather. -
A Study of Haruki Murakami's Kafka on the Shore
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-11) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s6n2.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s6n2 Privileging Oddity and Otherness: A Study of Haruki Murakami’s Kafka on the Shore Rasleena Thakur1 and Vani Khurana2 1Ph.D. Research Scholar, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: [email protected], ORCID ID: 0000-0002-3032-2831 2Assistant Professor, Centre of Professional Enhancement, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: [email protected] Abstract The concept of otherness in literature usually comes under the broad purview of postcolonial studies, relating to the subaltern and the displaced. This paper, however, focuses on the concept of the ‘other’ and the ‘odd’ in the light of magical realism and how the characters which are generally side-lined by society on the basis of their sexual preference, mental capability, physical deformity, gender fluidity and age find a clear and distinct voice in these fictions. Haruki Murakami’s novel Kafka on the Shore is taken up for this study. The unique blend of surrealism (the progenitor genre) with magical realism (the offspring mode) in the novel creates an oneiric landscape which is still very much rooted in reality, in present day Japan. The paper concentrates on the trauma of certain characters and how their exclusion from society leads to their subsequent recovery. -
Recommended Reading for AP Literature & Composition
Recommended Reading for AP Literature & Composition Titles from Free Response Questions* Adapted from an original list by Norma J. Wilkerson. Works referred to on the AP Literature exams since 1971 (specific years in parentheses). A Absalom, Absalom by William Faulkner (76, 00) Adam Bede by George Eliot (06) The Adventures of Huckleberry Finn by Mark Twain (80, 82, 85, 91, 92, 94, 95, 96, 99, 05, 06, 07, 08) The Aeneid by Virgil (06) Agnes of God by John Pielmeier (00) The Age of Innocence by Edith Wharton (97, 02, 03, 08) Alias Grace by Margaret Atwood (00, 04, 08) All the King's Men by Robert Penn Warren (00, 02, 04, 07, 08) All My Sons by Arthur Miller (85, 90) All the Pretty Horses by Cormac McCarthy (95, 96, 06, 07, 08) America is in the Heart by Carlos Bulosan (95) An American Tragedy by Theodore Dreiser (81, 82, 95, 03) The American by Henry James (05, 07) Anna Karenina by Leo Tolstoy (80, 91, 99, 03, 04, 06, 08) Another Country by James Baldwin (95) Antigone by Sophocles (79, 80, 90, 94, 99, 03, 05) Anthony and Cleopatra by William Shakespeare (80, 91) Apprenticeship of Duddy Kravitz by Mordecai Richler (94) Armies of the Night by Norman Mailer (76) As I Lay Dying by William Faulkner (78, 89, 90, 94, 01, 04, 06, 07) As You Like It by William Shakespeare (92 05. 06) Atonement by Ian McEwan (07) Autobiography of an Ex-Colored Man by James Weldon Johnson (02, 05) The Awakening by Kate Chopin (87, 88, 91, 92, 95, 97, 99, 02, 04, 07) B "The Bear" by William Faulkner (94, 06) Beloved by Toni Morrison (90, 99, 01, 03, 05, 07) A Bend in the River by V. -
The Literary Landscape of Murakami Haruki
Akins, Midori Tanaka (2012) Time and space reconsidered: the literary landscape of Murakami Haruki. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/15631 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Time and Space Reconsidered: The Literary Landscape of Murakami Haruki Midori Tanaka Atkins Thesis submitted for the degree of PhD in Japanese Literature 2012 Department of Languages & Cultures School of Oriental and African Studies University of London Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
How Haruki Murakami Shapes Narratives and Their Methods in Creating and Understanding Trauma
The Teleology of Trauma: How Haruki Murakami Shapes Narratives and their Methods in Creating and Understanding Trauma Presented in partial fulfillment of the requirements for graduation with research distinction in English in the undergraduate colleges of The Ohio State University by Noah Ridley Blacker The Ohio State University April 2018 Project Advisor: Professor Amy Shuman, Department of English Blacker 1 Table of Contents Abstract .............................................................................................................................. 2 Introduction ....................................................................................................................... 3 Chapter 1 – Trauma and Genre ....................................................................................... 8 Chapter 2 – Trauma and Narrative............................................................................... 18 Chapter 3 – Trauma and Closure .................................................................................. 29 Chapter 4 – Trauma and Teleology ............................................................................... 39 Conclusion ....................................................................................................................... 49 References ........................................................................................................................ 52 Blacker 2 Abstract Haruki Murakami (1949-) is a contemporary Japanese author whose works present our world on the cusp of -
A Study on Conflicts and Defense Mechanisms in Haruki Murakami's
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON CONFLICTS AND DEFENSE MECHANISMS IN HARUKI MURAKAMI’S KAFKA ON THE SHORE AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By CONNIE KRIS AVIARI Student Number: 144214078 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON CONFLICTS AND DEFENSE MECHANISMS IN HARUKI MURAKAMI’S KAFKA ON THE SHORE AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By CONNIE KRIS AVIARI Student Number: 144214078 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2018 A Sarjana Sastra Undergraduate Thesis ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI vi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI “Just like Yeats said: In dreams begin responsibilities. No power to imagine, no responsibility can arise.” -Haruki Murakami, Kafka on the Shore. vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI I, wholeheartedly, dedicate this thesis to: My lovely Mother, Father, and big Brother. viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGMENTS First of all, I would like to state my gratitude towards Jesus Christ for His grace and endless blessings so that I could finish my undergraduate thesis. For the paths that I have faced make me even stronger. Second of all, I would like to thank my advisor, E. Arti Wulandari, M.A.,Ph.D., who willingly shares her knowledge to help me finish this undergraduate thesis. -
An Analysis of Haruki Murakami's Kafka on the Shore
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Deciphering Trauma and its Excruciating Experiences: An Analysis of Haruki Murakami’s Kafka on the Shore Dr. N.U.Lekshmi S.P.Soubhagya Assistant Professor and Research Guide Full Time Research Scholar Sree Ayyppa College for Women Reg.No: 19213184012008 Chunkankadai. Sree Ayyappa College for Women, Affiliated to Manonmaniam Sundarnar Chunkankadai. University, Abishekapatti, Tirunelveli,627012 Affiliated to Manonmaniam Sundarnar Tamil Nadu, India University, Abishekapatti, Tirunelveli,. 627012, Tamil Nadu, India. Trauma theory, developed as an interdisciplinary field asserts its autonomist nature in the twenty first century. It affirms that trauma crafts a split in human psyche and is able to destroy ones identity. The theory gained wide prominence after series of attacks that affected humanity like holocaust, shell shock, the wars and a lot more that traumatized people and led to several psychological issues. Kali Tal and Cathy Caruth remain seminal figures in the field of literary trauma theory. According to the psychiatrist, Lenore Terr, “psychic trauma occurs when a sudden, unexpected, overwhelming intense emotional blow or a series of blows assaults the person from outside. Traumatic events are external, but they quickly become incorporated into the mind”(8). The root of the word trauma takes its name from the medical branch where it speaks about intense bodily injuries in human beings. With the passage of time and the evolution of new technologies the word trauma is not only limited to the physical damages but also to the emotional and psychic harm done to the consistent sense of self. -
Haruki Murakami's Kafka on the Shore – a World of War
HARUKI MURAKAMI’S KAFKA ON THE SHORE – A WORLD OF WAR AND MAGICAL REALISM WITH VEDANTIC VIEW PATHAK TANUJA* ABSTRACT. Haruki Murakami is one of the greatest exPonents of magical realism in the con- temporary literary world. He weaves stories of common PeoPle and Presents these stories through the Prism of magic realism. Their struggles become manifestations of deePer existen- tial crisis. The solution is often to be found in the lAbyrinthine of fluid time And sPace. In Kafka on the Shore, Fifteen years old Kafka Tamura runs away from home to avoid the terrible oediPal curse Put on him by his father. His story runs Parallel to the story of an old man Nakata. Kaf- ka’s quest takes him into other realm, realms opened for him by Nakata and his companion Hoshino. Oshima, a transgender recePtionist at a Private library, acts as saarathi- the guide for Kafka. Kafka’s journey into the labyrinthine of the forest to find his answers ends with his deci- sion to come back to the world he had left behind. One aspect of Kafka’s journey is the age old struggle between free will and fate. In the background of this seArch for finding meaning in life, there is critique against war and violence. Kafka’s anger, void, insecurities along with fragmented narrative and emphAsis on memories make this a tyPical Postmodernist novel. This Paper begins with a brief synopsis of the novel, an introduction of the major characters. The first section focuses on the theme of war and inherent violence. Second section discusses magic realism in the novel. -
Fantastic Fantasy
FANTASTIC FANTASY World Fantasy Award WinnWinninginginging NOVELS Deer Park Public Library 44 Lake Avenue, Deer Park NY 11729 (631) 586-3000 www.deerparklibrary.org 1975: The Forgotten Beasts of Eld by Patricia A. McKillip 1998: The Physiognamy by Jeffrey Ford 1976: Bid Time Return by Richard Matheson 1999: The Antelope Wife by Louise Erdrich 1977: Doctor Rat by William Kotzwinkle 2000: Thraxas by Martin Scott 1978: Our Lady of Darkness by Fritz Leiber 2001: Declare by Tim Powers 1979: Gloriana by Michael Moorcock Galveston by Sean Stewart 1980: Watchtower by Elizabeth A. Lynn 2002: The Other Wind by Ursula Le Guin 1981: The Shadow of the Torturer by Gene Wolfe 2003: The Facts of Life by Graham Joyce 1982: Little Big by John Crowley Ombria in Shadow by Patricia A. McKillip 1983: Nifft the Lean by Michael Shea 2004: Tooth and Claw by Jo Walton 1984: The Dragon Waiting by John M. Ford 2005: Jonathan Strange & Mr. Norrell by Susanna Clarke 1985: Mythago Wood by Robert Holdstock 2006: Kafka on the Shore by Haruki Murakami 1986: Song of Kali by Dan Simmons 2007: Soldier of Sidon by Gene Wolfe 1987: Perfume by Patrick Suskind 2008: Ysabel by Guy Gavriel Kay 1988: Replay by Ken Grimwood 2009: The Shadow Year by Jeffrey Ford 1989: Koko by Peter Straub Tender Morsels by Margo Lanagan 1990: Lyoness: Madouc by Jack Vance 2010: The City & The City by China Miéville 1991: Only Begotten Daughter by James Morrow 2011: Who Fears Death by Nnedi Okorafor Thomas the Rhymer by Ellen Kushner 2012: Osama by Lavie Tidhar 1992: Boy’s Life by Robert R. -
BATTERSEA Book Fair List, 2018
BATTERSEA Book Fair List, 2018 . STAND M09 Item 43 BLACKWELL’S RARE BOOKS 48-51 Broad Street, Oxford, OX1 3BQ, UK Tel.: +44 (0)1865 333555 Fax: +44 (0)1865 794143 Email: [email protected] Twitter: @blackwellrare blackwell.co.uk/rarebooks BLACKWELL’S RARE BOOKS 1. Abbott (Mary) [Original artwork:] Sketch Book. early 1940s, sketches in ink and pencil throughout, some use of colour, text of various types (mostly colouring suggestions, some appointments, and a passage of lyrical prose), pp. [190, approx.], 4to, black cloth, various paint spots, webbing showing at front hinge, rear hinge starting, loose gathering at rear, ownership inscription of ‘Mary Lee Abbott, 178 Spring Street’, sound £15,000 An important document, showing the early progress of one of the key figures of the New York School of Abstract Expressionism; various influences, from her immediate surroundings to the European avant-garde, are evident, as are the emergent characteristics of her own style - the energetic use of line, bold ideas about colour, the blending of abstract and figurative. Were the nature of the work not indicative of a stage of development, the presence of little recorded details such as an appointment with Vogue magazine would supply an approximate date - Abbott modelled for the magazine at the beginning of this decade. 2. Achebe (Chinua) Things Fall Apart. Heinemann, 1958, UNCORRECTED PROOF COPY FOR FIRST EDITION, a couple of handling marks and a few faint spots occasionally, a couple of passages marked lightly in pencil to the margin, pp. [viii], -
The City University of New York Lehman College Department of English English Honors Program (EHP) 2018 Senior Honors Theses
The City University of New York Lehman College Department of English English Honors Program (EHP) 2018 Senior Honors Theses This volume is dedicated to the talented and hard-working seniors of the Lehman College English Honors Program (EHP) Class of 2018 Kimberley Aguirre, Rakiye Benjamin, Shivani Boodhoo, Tana Cambrelen, Deirdre Fanzo, Victoria Hofstad, Justin Joyce, Parbattie Khalawan, Mena McCarthy, Angel Mindanao, Arlinda Mulosmanaj, Maria Reyes-Ramirez, Melissa Ruiz, Jeffrey Sanders, Nicholas Santiago, Eileen Sepulveda, Rachel Strom, Nicole Torres, Anabel Ventura and to their dedicated mentors Professors Siraj Ahmed, Allison Amend, James Anderson, Grace Russo Bullaro, Jane Cleland, Mario DiGangi, William Fisher, Amanda Gulla, David Hyman, Jennifer MacKenzie, Janis Massa, Joseph McElligott, Margot Mifflin, Olivia Moy, Deirdre O’Boy, GD Peters, Tyler T. Schmidt, Dhipinder Walia, Jessica Yood as well as to the many English faculty members who generously provided valuable critical responses to the completed theses. * * * * * Thanks also to Lehman College’s Office of Prestigious Awards, which guides departmental honors students toward prestigious academic and profession opportunities, and to the Dean of Arts and Humanities and the Interim Provost and Senior Vice-President for Academic Affairs for their kind support of our students’ success. * * * * * May the experience of proposing, developing, and completing a long-term independent critical or creative or professional project, alone and in collaboration with mentors (in tutorial) and peers (in colloquium), embolden this year’s EHP seniors in all their future intellectual and creative endeavors. May each of you always reach beyond your existing strengths and skills to arrive at new and important insights and accomplishments that you share generously with the larger world.