Comp Summer Reading--2021.Docx
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dark-Night and Nameless:Globalization in Murakami’S Kafka on the Shore and the Wind-Up Bird Chronicle
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2020 Dark-Night and Nameless:Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle Thomas Velazquez Herring Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Cultural History Commons, Japanese Studies Commons, Modern Literature Commons, and the Social History Commons Let us know how access to this document benefits ou.y Recommended Citation Herring, Thomas Velazquez, "Dark-Night and Nameless:Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle" (2020). Graduate Student Theses, Dissertations, & Professional Papers. 11657. https://scholarworks.umt.edu/etd/11657 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Dark-Night And Nameless: Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle By Tom Herring For the last thirty odd years, Haruki Murakami has been a towering figure on the international literary scene. He has to his name: fourteen novels translated into English, four collections of short stories (and a good handful of short stories which have not been anthologized), and over forty works of nonfiction, including translations of works into Japanese. His first two novels, Hear the Wind Sing and Pinball, 1973, which he wrote basically because he thought he could, are stylistically realist and best characterized by weltschmerz, which in English means angsty world-weariness, a la J.D. -
Erewhon Fall 2021
198 EREWHON CATALOG FALL 2021 EREWHON CATALOG FALL 2021 Lonely Castle in the Mirror Mizuki Tsujimira n a tranquil neighborhood of Tokyo seven students are avoiding going to school I– hiding in their darkened bedrooms, unable to face their family and friends – until the moment they find the mirrors in their bedrooms are shining. At a single touch, they are pulled from their lonely lives into to a wondrous castle straight out of a Grimm’s fairy tale. This whimsical place, oddly lacking in food and running water but full of electrical sockets, is home to a petulant girl in a mask, named Wolf Queen and becomes their playground and refuge during school hours. Hidden within the walls they're told is a key that will grant one wish, and a set of clues with which to find it. But there's a catch: the key must • Bestselling, prizewinning, be found by the end of the school year and they must leave the premises by five international success: Lonely Castle o'clock each day or else suffer a fatal end. has sold half a million copies and was a #1 bestseller in Japan. It was As time passes, a devastating truth emerges: only those brave enough to share the winner of the Japan Booksellers their stories will be saved. And so they begin to unlock each other's stories: how Award, voted for by the booksellers a boy is showered with more gadgets than love; how another suffers a painful across Japan. Translation rights have sold in Italy, France, Taiwan, Korea, and unexplained rejection and how a girl lives in fear of her predatory stepfather. -
Murakami Poster
“ I think that my job is to observe people and the world, and not to judge them. I always hope to position myself away from so-called conclusions. I would like to leave everything wide open to all the possibilities in the world. ---HARUKI MURAKAMI ” BIOGRAPHY Murakami Haruki is a world-famous Japanese writer whose works have been translated into 50 languages and have sold millions of copies worldwide. He only began writing at the age of 29 with no intention to be an author, yet his books and short stories have been best sellers in Japan and many other countries. He is one of the most well-known Japanese writers in the world, but his works are ironically criticized for being “un-Japanese.” Even Murakami himself once said he is “an outcast of the Japanese literary world”. Themes Because of the presence of western music and literature in his early life, Murakami Haruki emulated favorite writers such as F. Scott Fitzgerald, Raymond Chandler, Raymond Carver, and Franz Kafka, implementing their writing styles in his depiction of Japanese society. This unique combination is what makes Murakami Haruki so distinct, and also, what makes him renowned worldwide. --- Janice Yutong Cai Murakami and Music Imagine nestling into a couch with Janacek Sinfonietta playing in the background, while reading 1Q84. Aomame is unknowingly climbing the fence to the other world and the feelings of excitement and adrenaline are pumping in her veins. And just as she reaches the other side, the violins crescendo through the E-flat minor scale, subtly alluding to the setting of mysterious uncharted territories and questionable decisions of strange characters. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
A Study of Haruki Murakami's Kafka on the Shore
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-11) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s6n2.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s6n2 Privileging Oddity and Otherness: A Study of Haruki Murakami’s Kafka on the Shore Rasleena Thakur1 and Vani Khurana2 1Ph.D. Research Scholar, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: [email protected], ORCID ID: 0000-0002-3032-2831 2Assistant Professor, Centre of Professional Enhancement, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: [email protected] Abstract The concept of otherness in literature usually comes under the broad purview of postcolonial studies, relating to the subaltern and the displaced. This paper, however, focuses on the concept of the ‘other’ and the ‘odd’ in the light of magical realism and how the characters which are generally side-lined by society on the basis of their sexual preference, mental capability, physical deformity, gender fluidity and age find a clear and distinct voice in these fictions. Haruki Murakami’s novel Kafka on the Shore is taken up for this study. The unique blend of surrealism (the progenitor genre) with magical realism (the offspring mode) in the novel creates an oneiric landscape which is still very much rooted in reality, in present day Japan. The paper concentrates on the trauma of certain characters and how their exclusion from society leads to their subsequent recovery. -
Recommended Reading for AP Literature & Composition
Recommended Reading for AP Literature & Composition Titles from Free Response Questions* Adapted from an original list by Norma J. Wilkerson. Works referred to on the AP Literature exams since 1971 (specific years in parentheses). A Absalom, Absalom by William Faulkner (76, 00) Adam Bede by George Eliot (06) The Adventures of Huckleberry Finn by Mark Twain (80, 82, 85, 91, 92, 94, 95, 96, 99, 05, 06, 07, 08) The Aeneid by Virgil (06) Agnes of God by John Pielmeier (00) The Age of Innocence by Edith Wharton (97, 02, 03, 08) Alias Grace by Margaret Atwood (00, 04, 08) All the King's Men by Robert Penn Warren (00, 02, 04, 07, 08) All My Sons by Arthur Miller (85, 90) All the Pretty Horses by Cormac McCarthy (95, 96, 06, 07, 08) America is in the Heart by Carlos Bulosan (95) An American Tragedy by Theodore Dreiser (81, 82, 95, 03) The American by Henry James (05, 07) Anna Karenina by Leo Tolstoy (80, 91, 99, 03, 04, 06, 08) Another Country by James Baldwin (95) Antigone by Sophocles (79, 80, 90, 94, 99, 03, 05) Anthony and Cleopatra by William Shakespeare (80, 91) Apprenticeship of Duddy Kravitz by Mordecai Richler (94) Armies of the Night by Norman Mailer (76) As I Lay Dying by William Faulkner (78, 89, 90, 94, 01, 04, 06, 07) As You Like It by William Shakespeare (92 05. 06) Atonement by Ian McEwan (07) Autobiography of an Ex-Colored Man by James Weldon Johnson (02, 05) The Awakening by Kate Chopin (87, 88, 91, 92, 95, 97, 99, 02, 04, 07) B "The Bear" by William Faulkner (94, 06) Beloved by Toni Morrison (90, 99, 01, 03, 05, 07) A Bend in the River by V. -
Pulitzer Prize
1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P. -
The Literary Landscape of Murakami Haruki
Akins, Midori Tanaka (2012) Time and space reconsidered: the literary landscape of Murakami Haruki. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/15631 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Time and Space Reconsidered: The Literary Landscape of Murakami Haruki Midori Tanaka Atkins Thesis submitted for the degree of PhD in Japanese Literature 2012 Department of Languages & Cultures School of Oriental and African Studies University of London Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
How Haruki Murakami Shapes Narratives and Their Methods in Creating and Understanding Trauma
The Teleology of Trauma: How Haruki Murakami Shapes Narratives and their Methods in Creating and Understanding Trauma Presented in partial fulfillment of the requirements for graduation with research distinction in English in the undergraduate colleges of The Ohio State University by Noah Ridley Blacker The Ohio State University April 2018 Project Advisor: Professor Amy Shuman, Department of English Blacker 1 Table of Contents Abstract .............................................................................................................................. 2 Introduction ....................................................................................................................... 3 Chapter 1 – Trauma and Genre ....................................................................................... 8 Chapter 2 – Trauma and Narrative............................................................................... 18 Chapter 3 – Trauma and Closure .................................................................................. 29 Chapter 4 – Trauma and Teleology ............................................................................... 39 Conclusion ....................................................................................................................... 49 References ........................................................................................................................ 52 Blacker 2 Abstract Haruki Murakami (1949-) is a contemporary Japanese author whose works present our world on the cusp of -
A Study on Conflicts and Defense Mechanisms in Haruki Murakami's
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON CONFLICTS AND DEFENSE MECHANISMS IN HARUKI MURAKAMI’S KAFKA ON THE SHORE AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By CONNIE KRIS AVIARI Student Number: 144214078 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON CONFLICTS AND DEFENSE MECHANISMS IN HARUKI MURAKAMI’S KAFKA ON THE SHORE AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By CONNIE KRIS AVIARI Student Number: 144214078 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2018 A Sarjana Sastra Undergraduate Thesis ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI vi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI “Just like Yeats said: In dreams begin responsibilities. No power to imagine, no responsibility can arise.” -Haruki Murakami, Kafka on the Shore. vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI I, wholeheartedly, dedicate this thesis to: My lovely Mother, Father, and big Brother. viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGMENTS First of all, I would like to state my gratitude towards Jesus Christ for His grace and endless blessings so that I could finish my undergraduate thesis. For the paths that I have faced make me even stronger. Second of all, I would like to thank my advisor, E. Arti Wulandari, M.A.,Ph.D., who willingly shares her knowledge to help me finish this undergraduate thesis. -
An Analysis of Haruki Murakami's Kafka on the Shore
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Deciphering Trauma and its Excruciating Experiences: An Analysis of Haruki Murakami’s Kafka on the Shore Dr. N.U.Lekshmi S.P.Soubhagya Assistant Professor and Research Guide Full Time Research Scholar Sree Ayyppa College for Women Reg.No: 19213184012008 Chunkankadai. Sree Ayyappa College for Women, Affiliated to Manonmaniam Sundarnar Chunkankadai. University, Abishekapatti, Tirunelveli,627012 Affiliated to Manonmaniam Sundarnar Tamil Nadu, India University, Abishekapatti, Tirunelveli,. 627012, Tamil Nadu, India. Trauma theory, developed as an interdisciplinary field asserts its autonomist nature in the twenty first century. It affirms that trauma crafts a split in human psyche and is able to destroy ones identity. The theory gained wide prominence after series of attacks that affected humanity like holocaust, shell shock, the wars and a lot more that traumatized people and led to several psychological issues. Kali Tal and Cathy Caruth remain seminal figures in the field of literary trauma theory. According to the psychiatrist, Lenore Terr, “psychic trauma occurs when a sudden, unexpected, overwhelming intense emotional blow or a series of blows assaults the person from outside. Traumatic events are external, but they quickly become incorporated into the mind”(8). The root of the word trauma takes its name from the medical branch where it speaks about intense bodily injuries in human beings. With the passage of time and the evolution of new technologies the word trauma is not only limited to the physical damages but also to the emotional and psychic harm done to the consistent sense of self. -
Haruki Murakami's Kafka on the Shore – a World of War
HARUKI MURAKAMI’S KAFKA ON THE SHORE – A WORLD OF WAR AND MAGICAL REALISM WITH VEDANTIC VIEW PATHAK TANUJA* ABSTRACT. Haruki Murakami is one of the greatest exPonents of magical realism in the con- temporary literary world. He weaves stories of common PeoPle and Presents these stories through the Prism of magic realism. Their struggles become manifestations of deePer existen- tial crisis. The solution is often to be found in the lAbyrinthine of fluid time And sPace. In Kafka on the Shore, Fifteen years old Kafka Tamura runs away from home to avoid the terrible oediPal curse Put on him by his father. His story runs Parallel to the story of an old man Nakata. Kaf- ka’s quest takes him into other realm, realms opened for him by Nakata and his companion Hoshino. Oshima, a transgender recePtionist at a Private library, acts as saarathi- the guide for Kafka. Kafka’s journey into the labyrinthine of the forest to find his answers ends with his deci- sion to come back to the world he had left behind. One aspect of Kafka’s journey is the age old struggle between free will and fate. In the background of this seArch for finding meaning in life, there is critique against war and violence. Kafka’s anger, void, insecurities along with fragmented narrative and emphAsis on memories make this a tyPical Postmodernist novel. This Paper begins with a brief synopsis of the novel, an introduction of the major characters. The first section focuses on the theme of war and inherent violence. Second section discusses magic realism in the novel.