DOCSLIB.ORG

Erewhon Fall 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

198 EREWHON CATALOG FALL 2021 EREWHON CATALOG FALL 2021 Lonely Castle in the Mirror Mizuki Tsujimira n a tranquil neighborhood of Tokyo seven students are avoiding going to school I– hiding in their darkened bedrooms, unable to face their family and friends – until the moment they find the mirrors in their bedrooms are shining. At a single touch, they are pulled from their lonely lives into to a wondrous castle straight out of a Grimm’s fairy tale. This whimsical place, oddly lacking in food and running water but full of electrical sockets, is home to a petulant girl in a mask, named Wolf Queen and becomes their playground and refuge during school hours. Hidden within the walls they're told is a key that will grant one wish, and a set of clues with which to find it. But there's a catch: the key must • Bestselling, prizewinning, be found by the end of the school year and they must leave the premises by five international success: Lonely Castle o'clock each day or else suffer a fatal end. has sold half a million copies and was a #1 bestseller in Japan. It was As time passes, a devastating truth emerges: only those brave enough to share the winner of the Japan Booksellers their stories will be saved. And so they begin to unlock each other's stories: how Award, voted for by the booksellers a boy is showered with more gadgets than love; how another suffers a painful across Japan. Translation rights have sold in Italy, France, Taiwan, Korea, and unexplained rejection and how a girl lives in fear of her predatory stepfather. China, Indonesia, and Vietnam. As they struggle to abide by the rules of the game, a moving story unfolds, of seven characters trapped in a cycle of misunderstanding and loneliness, who are • Literary lineage: the translator Philip ultimately set free by the power of friendship, empathy, and sacrifice. Gabriel is an enormously prominent Japanese translator whose works Exploring vivid human stories with a twisty and puzzle-like plot, this heart- include works by Nobel Prize- warming novel is full of joy and hope for anyone touched by sadness and winner Kenzaburo Oe such as vulnerability. At the heart of this tender, playful tale is a powerful message about Somersault, and novels and short fiction by Haruki Murakami including the importance of reaching out which shows how with one kind act you can 1Q84. He is the recipient of the change your life for the better, and more importantly, you can change the lives of 2001 Sasakawa Prize for Japanese others. Literature, the 2001 Japan-U.S. Friendship Commission Prize for Translation of Japanese Literature, and the 2006 PEN/Book-of-the- Month Club Translation Prize for Kafka on the Shore. • Japanese cultural cachet: there is a strong interest in Japanese culture as a source of both high culture (many prominent international artists and literary authors) and popular culture (anime, manga, horror and samurai films). Mizuki Tsujimira is a Japanese writer from Fuefuki, Yamanashi. Tsujimura writes both for adults and children and Lonely Castle in the Mirror specializes in mystery novels. She is the winner of the 2018 400 pages; 5½" x 8½" Jacketed Hardcover: HARDCOVER Japan Booksellers' Award for her novel Kagami no Kojo(Lonely $27.95/$36.95 Can. Castle in the Mirror). After being shortlisted several times for the ISBN: 978-1-64566-040-8 Naoki Prize, she finally received the prize in 2012 for Kagi no No. 516040 nai Yume wo Miru (I Saw a Dream Without a Key). EREWHON CATALOG FALL 2021 EREWHON CATALOG FALL 2021 199 Day Boy Trent Jamieson Mark is a Day Boy. In a post-traumatic future the Masters—formerly human, now practically immortal—rule a world that bends to their will and a human population upon which they feed. Invincible by night, all but helpless by day, each relies on his Day Boy to serve and protect him. Mark has been lucky in his Master: Dain has treated him well. But as he grows to manhood and his time as a Day Boy draws to a close, there are choices to be made. Will Mark undergo the Change and become, himself, a Master—or throw in his lot with his fellow humans? As the tensions in his conflicted world reach crisis • Australian prizewinner: when it point, Mark’s decision may be crucial, and teach him what it means to become a was published a few years ago in Australia, Day Boy won the Aurealis man, or decide to remain one. Award for Best Fantasy Novel AND Best Horror Novel and was shortlisted for the Ditmar Award for Best Novel, Courier-Mail People’s Choice Queensland Book of the Year Award, and the International DUBLIN Literary Award, Ireland, but was never published in the US, so we are pleased to give this award winning book its US Debut. • Vampire resurgence: we have seen a strong uptick in interest in vampire stories over the past few years, from the comedic (What We Do In the Shadows) to the literary/cinematic (Only Lovers Left Alive, A Girl Walks Home Alone At Night) and this is a lovely and subtle addition to the canon. • Companion to the Stone Road: Day Boy is set in the same world as The Stone Road, which we are launching in Spring 2021. The two books stand alone but share some characters so it is especially interesting to read them as companion pieces. Trent Jamieson is a multi-award winning Australian writer. He's the author of the Death Works series and the Nightbound Author Land duology, as well as The Stone Road and Day Boy. When Day Boy 320 pages; 5½" x 8½" Photo he’s not writing, Trent works as a bookseller at Avid Reader in Jacketed Hardcover: HARDCOVER (optional) Brisbane, where he runs the monthly SF Bookclub. $25.95/$34.95 Can. ISBN: 978-1-64566-026-2 No. 516026 200 EREWHON CATALOG FALL 2021 EREWHON CATALOG FALL 2021 Rise of the Red Hand Olivia Chadha rare, searing portrayal of the future of climate change in South Asia. A A streetrat turned revolutionary and the disillusioned hacker son of a politician try to take down a ruthlessly technocratic government that sacrifices its poorest citizens to build its utopia. The South Asian Province is split in two. Uplanders lead luxurious lives inside a climate-controlled biodome, dependent on technology and gene therapy to keep them healthy and youthful forever. Outside, the poor and forgotten scrape by with discarded black-market robotics, a society of poverty-stricken cyborgs struggling to survive in slums threatened by rising sea levels, unbreathable air, and deadly superbugs. Ashiva works for the Red Hand, an underground network of revolutionaries • Accessible story about current fighting the government, which is run by a merciless computer algorithm that issues: This is a tight, exciting sci-fi dictates every citizen’s fate. She’s a smuggler with the best robotic arm and novel that addresses important topics like poverty and class cybernetic enhancements the slums can offer, and her cargo includes the most stratification, global warming, and vulnerable of the city’s abandoned children. bioethics When Ashiva crosses paths with the brilliant hacker Riz-Ali, a privileged • OwnVoices representation: Story in Uplander who finds himself embroiled in the Red Hand’s dangerous activities, futuristic South Asia written by an they uncover a horrifying conspiracy that the government will do anything to Indian-American author, with unique bury. From armed guardians kidnapping children to massive robots flattening perspective that’s in demand among the slums, to a pandemic that threatens to sweep through the city like wildfire, English language readers hungry for representation, especially in school/ Ashiva and Riz-Ali will have to put aside their differences in order to fight the library markets. system and save the communities they love from destruction. • Exciting, versatile new voice: A promising writer of color who has published comic books and literary fiction, demonstrating great range and ability to cross genres. • For ages 13 and up Olivia Chadha began her writing career in Los Angeles writing comic book scripts for Fathom. She has a Ph.D in creative Author writing from Binghamton University and a master's in creative Rise of the Red Hand 384 pages; 5½" x 8½" Photo writing from the University of Colorado, Boulder. Her research Trade Paperback: PAPERBACK (optional) centers on exile, folklore and fairy tales, and the environment. $10.95/$14.95 Can. She is first-generation American of Punjabi Sikh and Latvian/ ISBN: 978-1-64566-033-0 German descent and lives in Colorado with her family. No. 516033 EREWHON CATALOG FALL 2021 EREWHON CATALOG FALL 2021 201 The Beholden Cassandra Rose Clarke rphaned as young women, Celestia and Izara De Malena are land rich but Odestitute, with only a failing rainforest acreage, Celestia’s perfect manners, and Izara’s nascent magic to their aristocratic names. With their money running out, they enact a dangerous plan—using an obscure spell, Izara demands a favor from the Lady of the Seraphine: a husband for Celestia, one rich enough to enable the sisters to keep their land. But a favor from the river goddess always comes at a cost... Five years later, rumors of war and disease are spreading, Celestia’s husband has been called away on secret business for the Emperor, and the Lady of the Seraphine is back to collect her due, forcing Izara to leave the academy where she has been studying magic and pulling Celestia from her now-flourishing farm • Critically acclaimed writer: Clarke while newly pregnant.
Recommended publications
  • Dark-Night and Nameless:Globalization in Murakami’S Kafka on the Shore and the Wind-Up Bird Chronicle

    Dark-Night and Nameless:Globalization in Murakami’S Kafka on the Shore and the Wind-Up Bird Chronicle

    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2020 Dark-Night and Nameless:Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle Thomas Velazquez Herring Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Cultural History Commons, Japanese Studies Commons, Modern Literature Commons, and the Social History Commons Let us know how access to this document benefits ou.y Recommended Citation Herring, Thomas Velazquez, "Dark-Night and Nameless:Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle" (2020). Graduate Student Theses, Dissertations, & Professional Papers. 11657. https://scholarworks.umt.edu/etd/11657 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Dark-Night And Nameless: Globalization in Murakami’s Kafka on the Shore and The​ Wind-up Bird Chronicle ​ By Tom Herring For the last thirty odd years, Haruki Murakami has been a towering figure on the international literary scene. He has to his name: fourteen novels translated into English, four collections of short stories (and a good handful of short stories which have not been anthologized), and over forty works of nonfiction, including translations of works into Japanese. His first two novels, Hear the Wind Sing and Pinball, 1973, which he wrote basically because he ​ ​ ​ ​ thought he could, are stylistically realist and best characterized by weltschmerz, which in English means angsty world-weariness, a la J.D.
  • Murakami Haruki's Short Fiction and the Japanese Consumer Society By

    Murakami Haruki's Short Fiction and the Japanese Consumer Society By

    Murakami Haruki’s Short Fiction and the Japanese Consumer Society By © 2019 Jacob Clements B.A. University of Northern Iowa, 2013 Submitted to the graduate degree program in East Asian Language and Cultures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ___________________________ Chair: Dr. Elaine Gerbert ___________________________ Dr. Margaret Childs ___________________________ Dr. Ayako Mizumura Date Defended: 19 April 2019 The thesis committee for Jacob Clements certifies that this is the approved version of the following thesis: Murakami Haruki’s Short Fiction and the Japanese Consumer Society _________________________ Chair: Dr. Elaine Gerbert Date Approved: 16 May 2019 ii Abstract This thesis seeks to describe the Japanese novelist Murakami Haruki’s continuing critique of Japan’s modern consumer-oriented society in his fiction. The first chapter provides a brief history of Japan’s consumer-oriented society, beginning with the Meiji Restoration and continuing to the 21st Century. A literature review of critical works on Murakami’s fiction, especially those on themes of identity and consumerism, makes up the second chapter. Finally, the third chapter introduces three of Murakami Haruki’s short stories. These short stories, though taken from three different periods of Murakami’s career, can be taken together to show a legacy of critiquing Japan’s consumer-oriented society. iii Acknowledgments I would like to thank my committee, Dr. Maggie Childs and Dr. Ayako Mizumura, for their guidance and support throughout my Master's degree process. In particular, I would like to thank Dr. Elaine Gerbert her guidance throughout my degree and through the creation of this thesis.
  • Murakami Poster

    Murakami Poster

    “ I think that my job is to observe people and the world, and not to judge them. I always hope to position myself away from so-called conclusions. I would like to leave everything wide open to all the possibilities in the world. ---HARUKI MURAKAMI ” BIOGRAPHY Murakami Haruki is a world-famous Japanese writer whose works have been translated into 50 languages and have sold millions of copies worldwide. He only began writing at the age of 29 with no intention to be an author, yet his books and short stories have been best sellers in Japan and many other countries. He is one of the most well-known Japanese writers in the world, but his works are ironically criticized for being “un-Japanese.” Even Murakami himself once said he is “an outcast of the Japanese literary world”. Themes Because of the presence of western music and literature in his early life, Murakami Haruki emulated favorite writers such as F. Scott Fitzgerald, Raymond Chandler, Raymond Carver, and Franz Kafka, implementing their writing styles in his depiction of Japanese society. This unique combination is what makes Murakami Haruki so distinct, and also, what makes him renowned worldwide. --- Janice Yutong Cai Murakami and Music Imagine nestling into a couch with Janacek Sinfonietta playing in the background, while reading 1Q84. Aomame is unknowingly climbing the fence to the other world and the feelings of excitement and adrenaline are pumping in her veins. And just as she reaches the other side, the violins crescendo through the E-flat minor scale, subtly alluding to the setting of mysterious uncharted territories and questionable decisions of strange characters.
  • A Study of Haruki Murakami's Kafka on the Shore

    A Study of Haruki Murakami's Kafka on the Shore

    Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-11) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s6n2.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s6n2 Privileging Oddity and Otherness: A Study of Haruki Murakami’s Kafka on the Shore Rasleena Thakur1 and Vani Khurana2 1Ph.D. Research Scholar, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: [email protected], ORCID ID: 0000-0002-3032-2831 2Assistant Professor, Centre of Professional Enhancement, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: [email protected] Abstract The concept of otherness in literature usually comes under the broad purview of postcolonial studies, relating to the subaltern and the displaced. This paper, however, focuses on the concept of the ‘other’ and the ‘odd’ in the light of magical realism and how the characters which are generally side-lined by society on the basis of their sexual preference, mental capability, physical deformity, gender fluidity and age find a clear and distinct voice in these fictions. Haruki Murakami’s novel Kafka on the Shore is taken up for this study. The unique blend of surrealism (the progenitor genre) with magical realism (the offspring mode) in the novel creates an oneiric landscape which is still very much rooted in reality, in present day Japan. The paper concentrates on the trauma of certain characters and how their exclusion from society leads to their subsequent recovery.
  • Recommended Reading for AP Literature & Composition

    Recommended Reading for AP Literature & Composition

    Recommended Reading for AP Literature & Composition Titles from Free Response Questions* Adapted from an original list by Norma J. Wilkerson. Works referred to on the AP Literature exams since 1971 (specific years in parentheses). A Absalom, Absalom by William Faulkner (76, 00) Adam Bede by George Eliot (06) The Adventures of Huckleberry Finn by Mark Twain (80, 82, 85, 91, 92, 94, 95, 96, 99, 05, 06, 07, 08) The Aeneid by Virgil (06) Agnes of God by John Pielmeier (00) The Age of Innocence by Edith Wharton (97, 02, 03, 08) Alias Grace by Margaret Atwood (00, 04, 08) All the King's Men by Robert Penn Warren (00, 02, 04, 07, 08) All My Sons by Arthur Miller (85, 90) All the Pretty Horses by Cormac McCarthy (95, 96, 06, 07, 08) America is in the Heart by Carlos Bulosan (95) An American Tragedy by Theodore Dreiser (81, 82, 95, 03) The American by Henry James (05, 07) Anna Karenina by Leo Tolstoy (80, 91, 99, 03, 04, 06, 08) Another Country by James Baldwin (95) Antigone by Sophocles (79, 80, 90, 94, 99, 03, 05) Anthony and Cleopatra by William Shakespeare (80, 91) Apprenticeship of Duddy Kravitz by Mordecai Richler (94) Armies of the Night by Norman Mailer (76) As I Lay Dying by William Faulkner (78, 89, 90, 94, 01, 04, 06, 07) As You Like It by William Shakespeare (92 05. 06) Atonement by Ian McEwan (07) Autobiography of an Ex-Colored Man by James Weldon Johnson (02, 05) The Awakening by Kate Chopin (87, 88, 91, 92, 95, 97, 99, 02, 04, 07) B "The Bear" by William Faulkner (94, 06) Beloved by Toni Morrison (90, 99, 01, 03, 05, 07) A Bend in the River by V.
  • Literature's Postmodern Condition

    Literature's Postmodern Condition

    Literature’s Postmodern Condition: Representing the Postmodern in the Translated Novel Name: Deirdre Flynn Award: PhD Institution: Mary Immaculate College, University of Limerick Supervisor: Dr Eugene O’Brien Submitted to the University of Limerick, date Literature’s Postmodern Condition: Representing the Postmodern in the Translated Novel ii Declaration I hereby declare that this thesis represents my own work and has not been submitted, in whole or part, by me or another person, for the purpose of obtaining any other qualification. Signed: ___________________ Date: iii Dedication To Kafka Tamura for sending me into this metaphysical storm iv Acknowledgements I would like to thank my supervisor, Dr Eugene O’Brien, for all his help, guidance and support; my family for their patience; and Shane Keogh for everything. v Portions of this thesis have been disseminated at the following conferences and in the following publications: Conferences ‘The Postmodern Protagonist: Publicly Positioned and Privately Prejudiced’ Public/Private Conference, Mary Immaculate College, May 2011. ‘If Modern Life is Rubbish, What is Postmodern Life?’ The Contemporary: An International Conference of Literature and the Arts, June 24 – 26, 2011, Nayang University, Singapore. ‘When Work Doesn’t Work’ RePresentations of Working Life Conference, November 18-20, 2011, Erlangen University, Germany. ‘Adventures in the Postmodern Wonderland’ Future Adventures in Wonderland: The Aftermath of Alice Conference, December 1, 2011, HIC Dragonnes, Manchester. ‘Postmodern Literature: Murakami’s International Chronicle’ What Happens Now: 21st Century Writing in English, July 16-18, 2012, Lincoln University. ‘Positioning the Postmodern Female’ Otherness in philosophy, theory and art practice, November 23, 2012, The Centre vi for Otherness, Limerick.
  • The Literary Landscape of Murakami Haruki

    The Literary Landscape of Murakami Haruki

    Akins, Midori Tanaka (2012) Time and space reconsidered: the literary landscape of Murakami Haruki. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/15631 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Time and Space Reconsidered: The Literary Landscape of Murakami Haruki Midori Tanaka Atkins Thesis submitted for the degree of PhD in Japanese Literature 2012 Department of Languages & Cultures School of Oriental and African Studies University of London Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination.
  • How Haruki Murakami Shapes Narratives and Their Methods in Creating and Understanding Trauma

    How Haruki Murakami Shapes Narratives and Their Methods in Creating and Understanding Trauma

    The Teleology of Trauma: How Haruki Murakami Shapes Narratives and their Methods in Creating and Understanding Trauma Presented in partial fulfillment of the requirements for graduation with research distinction in English in the undergraduate colleges of The Ohio State University by Noah Ridley Blacker The Ohio State University April 2018 Project Advisor: Professor Amy Shuman, Department of English Blacker 1 Table of Contents Abstract .............................................................................................................................. 2 Introduction ....................................................................................................................... 3 Chapter 1 – Trauma and Genre ....................................................................................... 8 Chapter 2 – Trauma and Narrative............................................................................... 18 Chapter 3 – Trauma and Closure .................................................................................. 29 Chapter 4 – Trauma and Teleology ............................................................................... 39 Conclusion ....................................................................................................................... 49 References ........................................................................................................................ 52 Blacker 2 Abstract Haruki Murakami (1949-) is a contemporary Japanese author whose works present our world on the cusp of
  • Storytelling with Actional Function in Haruki Murakami's Hypertexts

    Storytelling with Actional Function in Haruki Murakami's Hypertexts

    Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Litera: Journal of Language, Literature and Culture Studies Litera 2021; 31(1): 95-119 DOI: 10.26650/LITERA2021-871832 Research Article Storytelling with Actional Function in Haruki Murakami’s Hypertexts: Yesterday and Scheherazade Haruki Murakami’nin Hipertextlerinde Performatif İşlevli Hikâye Anlatımı: Dün ve Şehrazad Mustafa Zeki ÇIRAKLI1 ABSTRACT Haruki Murakami uses hypertextual elements as a narrative strategy and frequently represents storyteller characters whose embedded stories have critical –and core– roles in the frame narrative. This article analyses Murakami’s fictional narratives Yesterday and Scheherazade, the hypertexts of The Beatles’ “Yesterday” and One Thousand and One Nights, from the perspective of hypertextuality, actional storytelling and narrative therapy. Drawing on narrative theories of Genette and Rimmon-Kenan, it examines how the implied author explores actional function in two hypertextual narratives, making references to the previous texts (hypotexts) and representing the storytellers in search of narrative relief in a far-fetched world of everyday life with seemingly trivial problems. The discussion focuses on two storytellers: the character- narrator as the second self of the implied author and a female storyteller living on 1Assoc. Prof., Karadeniz Technical the experiential tales of life. It argues that both storytellers exhibit a desire to narrate University, Faculty of Letters, Department of Western Languages and Literature, to transform their experiences into verbal expression and to repair their episodic Trabzon, Turkey memory through the act of storytelling. The study shows that the characters’ stories and the references and allusions to other texts are essential parts accounting for the ORCID: M.Z.Ç.
  • A Study on Conflicts and Defense Mechanisms in Haruki Murakami's

    A Study on Conflicts and Defense Mechanisms in Haruki Murakami's

    PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON CONFLICTS AND DEFENSE MECHANISMS IN HARUKI MURAKAMI’S KAFKA ON THE SHORE AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By CONNIE KRIS AVIARI Student Number: 144214078 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON CONFLICTS AND DEFENSE MECHANISMS IN HARUKI MURAKAMI’S KAFKA ON THE SHORE AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By CONNIE KRIS AVIARI Student Number: 144214078 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2018 A Sarjana Sastra Undergraduate Thesis ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI vi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI “Just like Yeats said: In dreams begin responsibilities. No power to imagine, no responsibility can arise.” -Haruki Murakami, Kafka on the Shore. vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI I, wholeheartedly, dedicate this thesis to: My lovely Mother, Father, and big Brother. viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGMENTS First of all, I would like to state my gratitude towards Jesus Christ for His grace and endless blessings so that I could finish my undergraduate thesis. For the paths that I have faced make me even stronger. Second of all, I would like to thank my advisor, E. Arti Wulandari, M.A.,Ph.D., who willingly shares her knowledge to help me finish this undergraduate thesis.
  • An Analysis of Haruki Murakami's Kafka on the Shore

    An Analysis of Haruki Murakami's Kafka on the Shore

    Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Deciphering Trauma and its Excruciating Experiences: An Analysis of Haruki Murakami’s Kafka on the Shore Dr. N.U.Lekshmi S.P.Soubhagya Assistant Professor and Research Guide Full Time Research Scholar Sree Ayyppa College for Women Reg.No: 19213184012008 Chunkankadai. Sree Ayyappa College for Women, Affiliated to Manonmaniam Sundarnar Chunkankadai. University, Abishekapatti, Tirunelveli,627012 Affiliated to Manonmaniam Sundarnar Tamil Nadu, India University, Abishekapatti, Tirunelveli,. 627012, Tamil Nadu, India. Trauma theory, developed as an interdisciplinary field asserts its autonomist nature in the twenty first century. It affirms that trauma crafts a split in human psyche and is able to destroy ones identity. The theory gained wide prominence after series of attacks that affected humanity like holocaust, shell shock, the wars and a lot more that traumatized people and led to several psychological issues. Kali Tal and Cathy Caruth remain seminal figures in the field of literary trauma theory. According to the psychiatrist, Lenore Terr, “psychic trauma occurs when a sudden, unexpected, overwhelming intense emotional blow or a series of blows assaults the person from outside. Traumatic events are external, but they quickly become incorporated into the mind”(8). The root of the word trauma takes its name from the medical branch where it speaks about intense bodily injuries in human beings. With the passage of time and the evolution of new technologies the word trauma is not only limited to the physical damages but also to the emotional and psychic harm done to the consistent sense of self.
  • The Afterlife of Raymond Carver: Authenticity, Neoliberalism and Influence

    The Afterlife of Raymond Carver: Authenticity, Neoliberalism and Influence

    The Afterlife of Raymond Carver: Authenticity, Neoliberalism and Influence A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2017 Jonathan N P Pountney School of Arts, Languages and Cultures 2 Table of Contents Abstract 4 Declaration 5 Copyright Statement 6 Acknowledgements 7 Introduction 8 i. The Emergence of Neoliberalism 9 ii. Carver, Neoliberal Hegemony and Craftsmanship 13 iii. Theoretical Approaches to Carver’s Influence 25 iv. Gordon Lish and Tess Gallagher 31 Three Case Studies 36 i. The Transatlantic Political Convergence and Stuart Evers 36 ii. Diminished Class-Consciousness and Denis Johnson 43 iii. Transnational Adaptations and Ray Lawrence’s Jindabyne 47 iv. Raymond Carver’s Afterlife 49 Chapter One – ‘Carveresque Realism’: Raymond Carver and Jay McInerney 53 i. Early Years and Correspondence 53 ii. Vintage Contemporaries 1984 60 iii. Carver’s Realism, Minimalism and Literary Accuracy 68 iv. Carver and John Gardner 73 v. McInerney’s Early Fiction 79 vi. The Calloways: An Example of Carveresque Realism? 86 Chapter Two – ‘The Transpacific Partnership’: Raymond Carver and Haruki Murakami 101 i. Carver’s American Postwar Context 106 ii. Humiliation, Consumption and Idleness in Will You Please Be Quiet, Please? 108 iii. Murakami’s Japanese Postwar Context 115 iv. Humiliation, Consumption and Conformity in The Elephant Vanishes 120 v. Turning Points: The Impact of Life-Altering Events on Carver and Murakami 127 vi. Residual Spirituality in ‘All God’s Children Can Dance’ 135 vii. Residual Craft in ‘Kindling’ 138 3 viii. Epilogue: ‘The Projectile’ 142 Chapter Three – ‘Why Raymond Carver?’: The Equivocal Carver in Alejandro González Iñárritu’s Birdman 144 i.