1001 Books You Must Re Before You
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Nature in Kawabata's Writings Ss.Pdf
NATURE IN KAWABATA’S WRITINGS Selected Secondary Sources His own cosmos ―While every novelist endeavors to create a proper setting for his novel, Kawabata seems to have been especially careful in preparing a cosmos uniquely his own. In these worlds of Kawabata‘s, some of the commonest words come to have special meanings, though they may vary somewhat from one reader to another. There emerges a tension between the generality of the word and the specifics of the context, and that tension becomes a source of stimulation for the reader‘s fancy.‖ --Ueda, Modern Japanese Writers, 213 Wide margins of canvas of life (moths, Russian woman) ―The kaleidoscopic succession of images . effectively suspends the narrative progress and forces us to pay attention to those large margins in the canvas of life.” --Miyashi, Accomplices of Silence, 111 In The Sound of the Mountain: ―the paragraphs, highlighting the objects of [Shingo‘s] consciousness, nonetheless gradually move away from the interior of his existence toward the container of all the drama – the world around, the wide margins of the novel.‖ --Miyashi, Accomplices of Silence, 118 Nature by itself ―Kawabata‘s achievement . lies in just this, his keen awareness of the objects around men that exist in themselves as solidly as people do. Objects, in the world and in the world of the novel, are somehow or other related to people, but Kawabata seldom makes the connection between them explicit for us. With each of his brief paragraphs self-contained in this way . these objects tend to stand autonomous.” --Miyashi, Accomplices of Silence, 119 > not a statement of atomism, but of biocentrism ―What I would call Kawabata‘s nominal imagination is apparent even in his earliest work. -
Dark-Night and Nameless:Globalization in Murakami’S Kafka on the Shore and the Wind-Up Bird Chronicle
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2020 Dark-Night and Nameless:Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle Thomas Velazquez Herring Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Cultural History Commons, Japanese Studies Commons, Modern Literature Commons, and the Social History Commons Let us know how access to this document benefits ou.y Recommended Citation Herring, Thomas Velazquez, "Dark-Night and Nameless:Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle" (2020). Graduate Student Theses, Dissertations, & Professional Papers. 11657. https://scholarworks.umt.edu/etd/11657 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Dark-Night And Nameless: Globalization in Murakami’s Kafka on the Shore and The Wind-up Bird Chronicle By Tom Herring For the last thirty odd years, Haruki Murakami has been a towering figure on the international literary scene. He has to his name: fourteen novels translated into English, four collections of short stories (and a good handful of short stories which have not been anthologized), and over forty works of nonfiction, including translations of works into Japanese. His first two novels, Hear the Wind Sing and Pinball, 1973, which he wrote basically because he thought he could, are stylistically realist and best characterized by weltschmerz, which in English means angsty world-weariness, a la J.D. -
Erewhon Fall 2021
198 EREWHON CATALOG FALL 2021 EREWHON CATALOG FALL 2021 Lonely Castle in the Mirror Mizuki Tsujimira n a tranquil neighborhood of Tokyo seven students are avoiding going to school I– hiding in their darkened bedrooms, unable to face their family and friends – until the moment they find the mirrors in their bedrooms are shining. At a single touch, they are pulled from their lonely lives into to a wondrous castle straight out of a Grimm’s fairy tale. This whimsical place, oddly lacking in food and running water but full of electrical sockets, is home to a petulant girl in a mask, named Wolf Queen and becomes their playground and refuge during school hours. Hidden within the walls they're told is a key that will grant one wish, and a set of clues with which to find it. But there's a catch: the key must • Bestselling, prizewinning, be found by the end of the school year and they must leave the premises by five international success: Lonely Castle o'clock each day or else suffer a fatal end. has sold half a million copies and was a #1 bestseller in Japan. It was As time passes, a devastating truth emerges: only those brave enough to share the winner of the Japan Booksellers their stories will be saved. And so they begin to unlock each other's stories: how Award, voted for by the booksellers a boy is showered with more gadgets than love; how another suffers a painful across Japan. Translation rights have sold in Italy, France, Taiwan, Korea, and unexplained rejection and how a girl lives in fear of her predatory stepfather. -
Landscape Theory
Page 1 Landscape Theory Artistic representations of landscape are studied in a half-dozen disciplines (art history, geography, literature, philosophy, politics, sociology), and there is no master narrative or historiographic genealogy to frame interpretations. Geographers are interested in political formations (and geography, as a discipline, is increasingly non-visual). Art historians have written extensively on landscape, but there have not been any recent synthetic attempts or theoretical overviews. At the same time, painters and other artists often feel they “possess” the landscape of the region in which they live; that ownership takes place at a non-verbal level, and seems incommensurate with the discourses of art history or geography. Landscape Theory, volume 6 in The Art Seminar series, is the first book to bring together different disciplines and practices, in order to undertand how best to conceptualize land- scape in art. The volume includes an introduction by Rachael Ziady DeLue and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on landscape and art including Yvonne Scott, Minna Törmä, Denis Cosgrove, Rebecca Solnit, Anne Whiston Spirn, David Hays, Michael Gaudio, Jacob Wamberg, Michael Newman, and Jessica Dubow. Rachael Ziady DeLue is Assistant Professor of Art History at Princeton Uni- versity. She is author of George Inness and the Science of Landscape (University of Chicago Press, 2004). James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. He is general series editor of “The Art Seminar.”His many books include Pictures and Tears, How to Use Your Eyes, What Painting Is, and most recently, The Strange Place of Religion in Contemporary Art and Master Narratives and Their Discontents, all published by Routledge. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Making Icons
Making Icons Repetition and the Female Image in Japanese Cinema, 1945–1964 Jennifer Coates Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2016 Hong Kong University Press ISBN 978-988-8208-99-9 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents List of Illustrations vii Acknowledgements viii Notes on the Romanization of Japanese Words x Introduction 1 Aff ect and the Spectator 4 From Emotion, through Aff ect, to Fantasy 12 Communal Fantasies: Making Meaning and Memory through Film 17 Women in Post-war Japan 21 Reading the Female Image: An Iconographic Approach 22 Chapter Outline 30 Chapter 1 Post-war Stars and the Japanese Studio System 33 Stars and the Studios 44 Compliance and Confl ict in the Studios: Th e Tōhō Strikes 49 Aff ect and Aspiration: Th e Star Persona of Hara Setsuko 54 Misora Hibari, Yamaguchi Yoshiko, and the ‘New Faces’ 62 Chapter 2 Th e Suff ering Mother Trope 68 Suff ering Mothers versus Modern Housewives 68 Historical Contexts: Changing Japan from the Family Level Up 70 From Victim to Victimizer: Changes in the Mother -
Murakami Poster
“ I think that my job is to observe people and the world, and not to judge them. I always hope to position myself away from so-called conclusions. I would like to leave everything wide open to all the possibilities in the world. ---HARUKI MURAKAMI ” BIOGRAPHY Murakami Haruki is a world-famous Japanese writer whose works have been translated into 50 languages and have sold millions of copies worldwide. He only began writing at the age of 29 with no intention to be an author, yet his books and short stories have been best sellers in Japan and many other countries. He is one of the most well-known Japanese writers in the world, but his works are ironically criticized for being “un-Japanese.” Even Murakami himself once said he is “an outcast of the Japanese literary world”. Themes Because of the presence of western music and literature in his early life, Murakami Haruki emulated favorite writers such as F. Scott Fitzgerald, Raymond Chandler, Raymond Carver, and Franz Kafka, implementing their writing styles in his depiction of Japanese society. This unique combination is what makes Murakami Haruki so distinct, and also, what makes him renowned worldwide. --- Janice Yutong Cai Murakami and Music Imagine nestling into a couch with Janacek Sinfonietta playing in the background, while reading 1Q84. Aomame is unknowingly climbing the fence to the other world and the feelings of excitement and adrenaline are pumping in her veins. And just as she reaches the other side, the violins crescendo through the E-flat minor scale, subtly alluding to the setting of mysterious uncharted territories and questionable decisions of strange characters. -
English Language and Literature (ENGL) 1 English Language and Literature (ENGL)
English Language and Literature (ENGL) 1 English Language and Literature (ENGL) * ENGL 005b / AFAM 013b, Counterarchives: Black Historical Fictions Elleza Kelley While historical records have long been the source from which we draw our picture of the past, it is with literature and art that we attempt to speculatively work out that which falls between the cracks of conventional archival documentation, that which cannot be contained by historical record—emotion, gesture, the sensory, the sonic, the inner life, the aerlife, the neglected and erased. This course examines how contemporary black writers have imagined and attempted to represent black life from the late 17th to the early 20th centuries, asking what fiction can tell us about history. Reading these works as alternative archives, or “counterarchives,” which index the excess and fugitive material of black histories in the Americas, we probe the uses, limits, and revelations of historical fictions, from the experimental and realist novel, to works of poetry and drama. Drawing on the work of various interdisciplinary scholars, we use these historical fictions to explore and enter into urgent and ongoing conversations around black life & death, African-American history & memory, black aesthetics, and the problem of “The Archive.” Enrollment limited to first-year students. Preregistration required; see under First-Year Seminar Program. HU * ENGL 006a / AFAM 017a, Black Nature: African American Nature Writing Jonathan Howard What stories do we tell about nature? How are the stories we are able to tell about nature informed by race? And how do these stories shape our understanding of what it means to be human? In contrast to a largely white tradition of nature writing that assumes a superior position outside of Nature, this course undertakes a broad survey of African American nature writing. -
A Study of Haruki Murakami's Kafka on the Shore
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-11) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s6n2.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s6n2 Privileging Oddity and Otherness: A Study of Haruki Murakami’s Kafka on the Shore Rasleena Thakur1 and Vani Khurana2 1Ph.D. Research Scholar, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: [email protected], ORCID ID: 0000-0002-3032-2831 2Assistant Professor, Centre of Professional Enhancement, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: [email protected] Abstract The concept of otherness in literature usually comes under the broad purview of postcolonial studies, relating to the subaltern and the displaced. This paper, however, focuses on the concept of the ‘other’ and the ‘odd’ in the light of magical realism and how the characters which are generally side-lined by society on the basis of their sexual preference, mental capability, physical deformity, gender fluidity and age find a clear and distinct voice in these fictions. Haruki Murakami’s novel Kafka on the Shore is taken up for this study. The unique blend of surrealism (the progenitor genre) with magical realism (the offspring mode) in the novel creates an oneiric landscape which is still very much rooted in reality, in present day Japan. The paper concentrates on the trauma of certain characters and how their exclusion from society leads to their subsequent recovery. -
Recommended Reading for AP Literature & Composition
Recommended Reading for AP Literature & Composition Titles from Free Response Questions* Adapted from an original list by Norma J. Wilkerson. Works referred to on the AP Literature exams since 1971 (specific years in parentheses). A Absalom, Absalom by William Faulkner (76, 00) Adam Bede by George Eliot (06) The Adventures of Huckleberry Finn by Mark Twain (80, 82, 85, 91, 92, 94, 95, 96, 99, 05, 06, 07, 08) The Aeneid by Virgil (06) Agnes of God by John Pielmeier (00) The Age of Innocence by Edith Wharton (97, 02, 03, 08) Alias Grace by Margaret Atwood (00, 04, 08) All the King's Men by Robert Penn Warren (00, 02, 04, 07, 08) All My Sons by Arthur Miller (85, 90) All the Pretty Horses by Cormac McCarthy (95, 96, 06, 07, 08) America is in the Heart by Carlos Bulosan (95) An American Tragedy by Theodore Dreiser (81, 82, 95, 03) The American by Henry James (05, 07) Anna Karenina by Leo Tolstoy (80, 91, 99, 03, 04, 06, 08) Another Country by James Baldwin (95) Antigone by Sophocles (79, 80, 90, 94, 99, 03, 05) Anthony and Cleopatra by William Shakespeare (80, 91) Apprenticeship of Duddy Kravitz by Mordecai Richler (94) Armies of the Night by Norman Mailer (76) As I Lay Dying by William Faulkner (78, 89, 90, 94, 01, 04, 06, 07) As You Like It by William Shakespeare (92 05. 06) Atonement by Ian McEwan (07) Autobiography of an Ex-Colored Man by James Weldon Johnson (02, 05) The Awakening by Kate Chopin (87, 88, 91, 92, 95, 97, 99, 02, 04, 07) B "The Bear" by William Faulkner (94, 06) Beloved by Toni Morrison (90, 99, 01, 03, 05, 07) A Bend in the River by V. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard