DOCSLIB.ORG

History of Medicine Istorija Medicine

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
History of Medicine Istorija Medicine Med Pregl 2016; LXIX (11-12): 391-401. Novi Sad: novembar-decembar. 391 HISTORY OF MEDICINE ISTORIJA MEDICINE University of Belgrade, Belgrade History of medicine Faculty of Medicine Istorija medicine Institute for Pathophysiology “Ljubodrag-Buba Mihailović“ UDK 615.84:929 Tesla N. DOI: 10.2298/MPNS1612391V NIKOLA TESLA AND MEDICINE: 160TH ANNIVERSARY OF THE BIRTH OF THE GENIUS WHO GAVE LIGHT TO THE WORLD - PART II NIKOLA TESLA I MEDICINA − 160 GODINA OD ROĐENJA GENIJA KOJI JE SVETU PODARIO SVETLOST − II DEO Danijela VUČEVIĆ, Drago ĐORĐEVIĆ and Tatjana RADOSAVLJEVIĆ Summary Sažetak Introduction. Nikola Tesla (1856 - 1943) was a genius inventor and Uvod. Nikola Tesla (1856−1943) bio je genijalni pronalazač i na- scientist, whose contribution to medicine is remarkable. Part I of učnik koji je izuzetno doprineo razvoju medicine. U našem pret- this article reviewed special contributions of the world renowned hodnom radu opisan je poseban doprinos ovog naučnika svetskog scientist to the establishment of radiology as a new discipline in glasa utemeljenju radiologije kao nove medicinske discipline. U medicine. This paper deals with the use of Tesla currents in medi- ovom radu dat je osvrt na primenu Teslinih struja u medicini. cine. Tesla Currents in Medicine. Tesla’s greatest impact on Primena Teslinih struja u medicini. Teslin izum koji je najzna- medicine is his invention of a transformer (Tesla coil) for producing čajnije doprineo medicini je transformator (Teslin kalem) za high frequency and high voltage currents (Tesla currents). Tesla stvaranje visokofrekventnih i visokonaponskih struja (Teslinih currents are used in diathermy, as they, while passing through the struja). Tesline struje se koriste u postupcima medicinske dija- body, transform electrical energy into a therapeutic heat. In 1891, termije, pri čemu se prilikom njihovog prolaska kroz organizam Tesla passed currents through his own body and was the first to električna energija pretvara u toplotnu, te se na taj način zagre- experience their beneficial effects. He kept correspondence on elec- vanjem tkiva u unutrašnjosti organizma postiže terapijski efekat. trotherapy with J. Dugan and S. H. Monell. In 1896, he used high Poznato je da se Tesla dopisivao sa lekarima elektroterapeutima, frequency currents and designed an ozone generator for producing Duganom i Monelom. Podstaknut korišćenjem visokofrekventnih ozone, with powerful antiseptic and antibacterial properties. Tesla is struja, Tesla je 1896. godine konstruisao ozonski generator, koji famous for his extensive experiments with mechanical vibrations služi za dobijanje ozona, agensa sa snažnim baktericidnim svoj- and resonance, examining their effects on the organism and pioneer- stvima. Nikola Tesla je ispitivao i uticaj mehaničkih vibracija i ing their use for medical purposes. Tesla also designed an oscilla- rezonancije na organizam i prvi ih primenio u medicinske svrhe. tor to relieve fatigue of the leg muscles. It is less known that Tesla’s S tim u vezi, osmislio je oscilator koji je koristio za suzbijanje inventions (Tesla coil and wireless remote control) are widely used umora u nožnim mišićima. Malo je poznato da su Teslini prona- in modern medical equipment. Apart from this, wireless technol- lasci (transformator i sistem za bežično daljinsko upravljanje) ogy is nowadays widely applied in numerous diagnostic and thera- nezaobilazni deo korišćenja medicinske opreme. Pored toga, be- peutic procedures. Conclusion. Nikola Tesla was the last Renais- žična tehnologija u današnje vreme se takođe u potpunosti pri- sance figure of the modern era. Tesla bridged three centuries and menjuje u sklopu brojnih dijagnostičkih i terapijskih procedura. two millennia by his inventions, and permanently indebted human- Zaključak. Nikola Tesla je poslednja renesansna ličnost moder- kind by his epochal discoveries. nog doba. Svojim grandioznim delom spojio je tri veka i dva Key words: History of Medicine; Famous Persons; Portraits as milenijuma i večno zadužio čovečanstvo. Topic; Electric Stimulation Therapy; Ozone; Radio Waves; Ključne reči: istorija medicine; poznate ličnosti; portreti; elek- Diathermy; Wireless Technology troterapija; ozon; radio talasi; dijatermija; bežična tehnologija Introduction ewed his remarkable contribution to the esta- blishment of radiology as a new discipline in medi- Nikola Tesla (1856 - 1943) was a genius inventor cine. Part II reviews the application of Tesla currents and scientist whose contribution to the development in medicine. of medicine is outstanding. Part I of this paper revi- Corresponding Author: Prof. dr Danijela Vučević, Medicinski fakultet, Institut za patofiziologiju, 11000 Beograd, Dr Subotića 9, E-mail: [email protected]; [email protected]; [email protected] 392 Vučević D, et al. Nikola Tesla and Medicine – Part II Abbreviations AIEE – American Institute of Electrical Engineers - - - - - - - - - - - - - - - - - - - Acknowledgements This research is a part of the Project no. 175015, funded by the Ministry of Education, Science and Technological Development of the Republic of Serbia. We would like to express our deepest gratitude to Bra- nislav Slavnić, laboratory technician, for his generous and friendly assistance in collecting references used in writing this paper. Tesla Currents in Medicine A man is born to work, to suffer and to fight; he who doesn’t, must perish. Of all the frictional resi- stance, the one that most retards human movement is ignorance. If you don’t know how, observe the phe- Figure 1. Nikola Tesla - master of lightning – produced nomena of nature, they will give you clear answers by high frequency and high voltage currents in his lab and inspiration. The progress and development of in Colorado, 1899. Source: The Nikola Tesla Museum, man essentially depends on ingenuity. The most im- document no. MNT, VI/II, 38 portant product of the creative mind is an invention. Slika 1. Nikola Tesla kao gospodar munja, odnosno vi- Its final goal is an overall mastering of the mind over sokofrekvencijskih i visokonaponskih struja proizvede- the nature and the exploitation of all its forces for nih u njegovoj laboratoriji u Koloradu 1899. godine the needs of humankind. An inventor’s endeavor is Izvor: Muzej Nikole Tesle, dokument br. MNT, VI/II, 38 essentially life saving. Whether he harnesses forces, improves devices, or provides new comforts and con- 1889 to enter a systematic investigation of high frequen- veniences, he is adding to the safety of our existence. cy phenomena. This has proved itself so fruitful, since” Nikola Tesla [8]. During 1891 and 1892, Tesla designed and made several high-frequency electrical oscillators for medical Nikola Tesla and Electrotherapy purposes [8, 9]. As he said, the work was hard, and he Historians of medicine consider high-frequency struggled “to get from the Scylla to the Charybdis’’ [8]. and high voltage currents to be the most important Those were mainly high frequency generators (5-10000 Tesla’s contribution to medicine [1]. By the use of cycles per second), operating at tens of thousands these currents, called Tesla currents, it is possible to volts [3, 9]. Using these devices, Tesla performed ama- produce heat in tissues of the human body (electrot- zing experiments [6]. Showers of sparks and li- herapy) [2, 3]. Today, Tesla currents are used in me- ghtning erupted around him in his laboratory, making dical diathermy, where electrical energy is converted some fascinating scenes [6, 10, 11]. On these occasions, into heat and thus warms the tissue inside the body Tesla transformers raised the potential to several million [2–6]. These currents are used to treat disorders of the volts at a frequency of several million Hertz [6, 11]. Li- locomotor system, inflammatory processes and chro- ghtning bolts were flying around his lab a few meters in nic diseases, as well as in gynecology and surgery [3]. range [6]. Tesla liked sitting in a chair inside his lab ta- A similar procedure is called teslinization, where the king notes while the air all around him was filled with human body is subjected to a high frequency electric such streamers from his giant coil [6, 12] (Figure 1). field of Tesla currents generated by a Tesla coil (“skin In his experiments with his oscillating transfor- effect”) [2–7]. mer, Tesla connected his coil to a Geissler tube and Before Tesla currents were used, direct current elec- found it glowing intensely [6]. The luminescence trotherapy had been associated with painful muscle appeared in these tubes without direct connection spasms, and even fatalities [8]. At that time, there were of conductors with the source of electrical energy ways to generate extremely high-frequency damped [6, 13]. Therefore, in Tesla’s hands, light bulbs lit oscillations [5]. However, Tesla was the first who like in hands of a magician, which was a real attrac- succeeded, first using mechanical generators, and tion for observers [1, 6, 12–15] (Figure 2). then oscillator coils, to produce continuous, undam- Tesla conducted a number of experiments on himself ped high-frequency currents [5, 6]. using high-frequency and high-voltage currents, and Tesla explained his decision to start researching he was the first to report about their beneficial effects high-frequency currents, previously completely un- on the body [1–3, 5, 6, 8, 9, 16]. In the winter of 1891, known: “Some theoretical possibilities offered by cu- Tesla passed high-frequency and high-voltage current rrents of very high frequency and observations which I through his body without causing any muscle spasms causally made while pursuing experiments with alter- or tissue damage [1]. The scientific world was soon nating currents, as well as the stimulating influence of informed of the fascinating properties of Tesla’s the work of Hertz, determined me some time during currents [1, 16]. On February 21, 1891, Tesla pu- Med Pregl 2016; LXIX (11-12): 391-401. Novi Sad: novembar-decembar. 393 On May 20, 1891, Tesla was invited to give a lec- ture before the members of American Institute of Electrical Engineers (AIEE), now the IEEE, at Co- lumbia University in New York [5, 8, 9].
Load more

Recommended publications
  • Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
    The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context.
    [Show full text]
  • Frakcija »Asopis Za Izvedbene Umjetnosti / Performing Arts Journal No
    frakcija »asopis za izvedbene umjetnosti / Performing Arts Journal No. 51/52, jesen/autumn 2009. What To Affirm? What To Perform? is a joint Što afirmirati? Kako izvoditi? zajedniËki je project of the Centre for Drama Art (Zagreb), projekt Centra za dramsku umjetnost (Zagreb), National Dance Center (Bucharest), Maska Nacionalnog plesnog centra (Bukureπt), (Ljubljana), Tanzquartier (Vienna) and Allianz Maske (Ljubljana), Tanzquartiera (BeË) i Kulturstifftung. It affirms the situations Allianz Kulturstifftung. Afirmira situacije i and mechanisms of historical presence of naËine povijesnog pojavljivanja koreografskog choreographic thinking in a non-institutional miπljenja u neinstitucionalnim uvjetima, environment, researching the ways dance odnosno istraæuje naËine kojima je ples established specific strategies of self- razvijao specifiËne strategije samoorganizacije, organization, self-eduction and political activation. samoedukacije i politiËke aktivacije. Povijest The history of dance is not understood here plesa ovdje ne shvaÊamo kao institucionalnu as an institutional history with its developed povijest s razvijenim bijelim podruËjima i white areas and black spots, which comes very crnim toËkama, πto se itekako (dovoljno (suspiciously enough) close to the geopolitical sumnjivo) pribliæava geopolitiËkom mapiranju mapping of the Western world. What interests zapadnog svijeta. Ono πto nas zanima jest us is precisely this ‘different history’, which upravo ona ‘drugaËija povijest’, koju Derrida Derrida defines as the “history of paradoxical
    [Show full text]
  • 1 En Petkovic
    Scientific paper Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1967 to 20031 UDC 811.163.41’322 DOI 10.18485/infotheca.2019.19.1.1 Ljudmila Petkovi´c ABSTRACT: The paper analyses the pro- [email protected] cess of creation and processing of the Yu- University of Belgrade goslav rock song lyrics corpus from 1967 to Belgrade, Serbia 2003, from the theoretical and practical per- spective. The data have been obtained and XML-annotated using the Python program- ming language and the libraries lyricsmas- ter/yattag. The corpus has been preprocessed and basic statistical data have been gener- ated by the XSL transformation. The diacritic restoration has been carried out in the Slovo Majstor and LeXimir tools (the latter appli- cation has also been used for generating the frequency analysis). The extraction of socio- cultural topics has been performed using the Unitex software, whereas the prevailing top- ics have been visualised with the TreeCloud software. KEYWORDS: corpus linguistics, Yugoslav rock and roll, web scraping, natural language processing, text mining. PAPER SUBMITTED: 15 April 2019 PAPER ACCEPTED: 19 June 2019 1 This paper originates from the author’s Master’s thesis “Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1945 to 2003”, which was defended at the University of Belgrade on March 18, 2019. The thesis was conducted under the supervision of the Prof. Dr Ranka Stankovi´c,who contributed to the topic’s formulation, with the remark that the year of 1945 was replaced by the year of 1967 in this paper.
    [Show full text]
  • Jelena Hadži-Purić, Jasmina Dobrić Faculty of Mathematics University of Belgrade Dušan Vesić, Sandra Rančić PDV Production Team
    Преглед НЦД 23 (2013), 67–72 Jelena Hadži-Purić, Jasmina Dobrić Faculty of Mathematics University of Belgrade Dušan Vesić, Sandra Rančić PDV production team BEHIND ROCKOVNIK – MULTIMEDIA DATABASE Abstract. This paper shows implementation of storage and information retrieval used in digitization project Behind Rockovnik [1] dedicated to the history of rock and roll culture in former Yugoslavia from 1958-2000. This project was motivated by previous work of Dušan Vesić and Sandra Rančić, such as the 40 epi- sode TV show “Rockovnik” (Radio Television of Serbia) and their published books, articles and movies. Keywords. Digitization, popular culture, multimedia database. 1. Introduction During Cold War, the most profoundly influential music in Eastern Europe and the Soviet Union has been rock 'n' roll. [2]. Rock music in Yugoslavia has reflected rock trends worldwide. All the major styles witnessed in the West were also replicated in Yugoslavia [3]. Yet president Tito personally considered early on what stance to take regarding rock music, and in contrast to other East European chairmen, chose tolerance for and limited acceptance of rock mu- sic's rebellious form of expression [4]. Rock and roll cultural heritage in former Yugoslavia consists of tangible objects of value, but also intangible entities such as music, dance, skills, fashion, practices, associated cultural spaces that groups and some individuals recognize as part of their cultural heritage. Lack of care and oblivion of those objects and entities would be a huge loss for people, future audience and science. Our multimedia database is one way to protect that heritage against loss and to provide public access with straightforward user interface.
    [Show full text]
  • Particularities of Translation of a Chapter from Kazuo Ishiguro´S "An Artist of the Floating World"
    PARTICULARITIES OF TRANSLATION OF A CHAPTER FROM KAZUO ISHIGURO´S "AN ARTIST OF THE FLOATING WORLD" Vrdoljak, Ana Master's thesis / Diplomski rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Split, Faculty of Humanities and Social Sciences, University of Split / Sveučilište u Splitu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:172:552279 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: Repository of Faculty of humanities and social sciences Sveučilište u Splitu Filozofski fakultet Odsjek za engleski jezik i književnost Ana Vrdoljak PARTICULARITIES OF TRANSLATION OF A CHAPTER FROM KAZUO ISHIGURO’S “AN ARTIST OF THE FLOATING WORLD” Diplomski rad Split, 2020. University of Split Faculty of Humanities and Social Sciences Department of English Language and Literature PARTICULARITIES OF TRANSLATION OF A CHAPTER FROM KAZUO ISHIGURO’S “AN ARTIST OF THE FLOATING WORLD” Graduation Thesis Student: Supervisor: Ana Vrdoljak Danijela Šegedin Borovina, PhD, Asst. Prof. Split, 2020 Contents 1. Introduction ......................................................................................................................................... 1 2. Theoretical part .................................................................................................................................... 3 2.1. Translation ...................................................................................................................................
    [Show full text]
  • Dunavski Dijalozi / Danube Dialogues 2014
    DUNAVSKI DIJALOZI / DANUBE DIALOGUES 2014 FESTIVAL SAVREMENE UMETNOSTI PODUNAVSKIH ZEMALJA FESTIVAL OF CONTEMPORARY ART OF THE DANUBE COUNTRIES NOVI SAD / PETROVARADIN / ZRENJANIN / MÖDLING / BADEN AVGUST - SEPTEMBAR 2014 / AUGUST - SEPTEMBER 2014 AHVALJUJUĆI drugom izdanju Festivala savremene umetnosti Dunavski dijalozi 2014. Novi Sad je tokom avgusta i septembra ponovo bio stecište savremene umetnosti podunavskog regiona. ZIzbor umetnika iz zemalja učesnica pružio je priliku da se publika upozna sa radovima koji au- toritativno manifestuju aktuelna kretanja na umetničkoj sceni regiona: autorska izložba Tomasa Marka, direktora ugledne bečke Artmark galerije, prezentovala je savremene austrijske umetnike Florentinu Pakostu, Frica Ruprehtera, Janoša Međika, Franca Ridla, Kristijana Edera, Erika Kresniga, Roberta Gšvantnera i Hermana J. Pajnica; bugarska kustoskinja i umetnica Elena Panajotova je osim svojih radova odabrala radove Atanasa Gadjeva, Delije Čauševe i Atanasa Atanasova; Slovačku je samostal- nom izložbom predstavljao Rudolf Sikora po izboru dr Katarine Bajcurove; Rumuniju slikar Dan Palade i kritički osvrt istoričara umetnosti Dana Popeskua; Hrvatsku umetnici Đorđe Jandrić, Iva Gobić, Ivan Posavec, Sebastijan Dračić, Zlatan Vehabović, Matija Debeljuh, Alen Floričić, Davor Sanvičenti i Šikuti Makine (Machine) u selekciji Mladena Lučića; Nemačku Sandra Zart i Klaus Gajsler iz Kelna, o kojima piše dr Martin Turk; Srbiju Radoš Antonijević, Andrea Ivanović-Jakšić, Veljko Vujačić i Vesna Perunović po izboru Sunčice Lambić-Fenjčev. Domaćin je iskoristio privilegiju organizatora te je predstavljanje Srbije ove godine dopunjeno programom Novi Sad + u kome su predstavljeni radovi novosadskih umet- nika Slobodana Kneževića Abija, Dragana Vojvodića i performans umetničkog para MP_art. Povezani izložbom i specifičnom dunavskom geografijom, umetnici su na najbolji način pružili informaciju o klimi u savremenoj umetnosti svojih zemalja i čitavog jednog regiona.
    [Show full text]
  • ACFC 2Nd State Report Croatia
    April 2004 ACFC/SR/II(2004)002 SECOND REPORT SUBMITTED BY CROATIA PURSUANT TO ARTICLE 25, PARAGRAPH 1 OF THE FRAMEWORK CONVENTION FOR THE PROTECTION OF NATIONAL MINORITIES (Received on 13 April 2004) ACFC/SR/II(2004)002 Table of contents: INTRODUCTION .............................................................................................................. 6 PART I.............................................................................................................................. 11 From the report of the Ministry of Justice ........................................................................ 11 From the report of the Office for National Minorities of the Government of the Republic of Croatia .......................................................................................................................... 20 From the report of the Commission on Relations with Religious Communities.............. 34 From the report of the Central State Administration Bureau............................................ 38 From the report of the Ministry of Foreign Affairs .......................................................... 38 From the report of the Ministry of Science, Education and Sports .................................. 38 Albanian national minority ............................................................................................... 43 PART II............................................................................................................................. 46 Answers to the Questionnaire of the Advisory
    [Show full text]
  • Učinci Eufemizacije U Dablincima Jamesa Joycea
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of Josip Juraj Strossmayer University of Osijek Sveuĉilište J. J. Strossmayera u Osijeku Filozofski fakultet Studij maĊarskoga jezika i knjiţevnosti i hrvatskoga jezika i knjiţevnosti Andrea Šimunović Učinci eufemizacije u Dablincima Jamesa Joycea Diplomski rad Mentorica doc. dr. sc. Sanja Jukić Osijek, 2019. Sveuĉilište J. J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za hrvatski jezik i knjiţevnost / Katedra za hrvatsku knjiţevnost Studij maĊarskoga jezika i knjiţevnosti i hrvatskoga jezika i knjiţevnosti Andrea Šimunović Učinci eufemizacije u Dablincima Jamesa Joycea Diplomski rad Znanstveno podruĉje humanistiĉkih znanosti, znanstveno polje filologija, znanstvena grana teorija i povijest knjiţevnosti Mentorica doc. dr. sc. Sanja Jukić Osijek, 2019. IZJAVA O ORIGINALNOSTI RADA Sažetak Cilj ovoga diplomskog rada bio je prikazati rezultate istraţivanja stilskih postupaka eufemizacije u Dablincima Jamesa Joycea. Analizi eufemizama pristupa se s leksiĉkoga, sintagmatskoga, sintaktiĉkoga i tekstnoga stajališta, a prikazuju se znaĉenjske implikacije svih navedenih postupaka – kako s obzirom na mikrokontekst pripovjednog svijeta svake novele, tako i s obzirom na poetiĉki, kulturalni, etiĉki, socijalni, odnosno ideološki makrokontekst. Istraţivanje se koristi lingvostilistiĉkim i knjiţevnoteorijskim pristupom. Nakon što se uvodno predstavi struktura rada, slijedi poglavlje u kojemu se donosi pregled teorijskih postavki o eufemizmima, koje će biti sredstvo analize i interpretacije korpusnih dijelova. Nakon toga pobliţe se prikazuje zbirka novela Dablinci Jamesa Joycea, odnosno daje se uvid u njene poetiĉke, formalne i tematske znaĉajke. Potom se prilazi analizi i interpretaciji eufemizacijskih postupaka. Zakljuĉno se donosi sinteza spoznaja do kojih se došlo u analitiĉko- interpretacijskim dijelovima rada. Kljuĉne rijeĉi: stilske figure, eufemizam, James Joyce, Dablinci, lingvostilistika Sadržaj 1.
    [Show full text]
  • Brkic Eap 15
    ORIGINALNI NAU 5NI 5LANAK UDK 316.4+316.7 Aleksandar Brki 4 Univerzitet umetnosti u Beogradu [email protected] Mogu 4nost društvene promene i popularna muzika * u Srbiji: Studija slu 6aja – Šobaja i "Tri poljupca" Apstrakt: Da li je društvena promena mogu 4a samo na radikalan na 6in? Da li je radikalan na 6in promene uopšte mogu 4? Kada kažemo društvena promena, da li misli- mo "revolucija"? Postoji li druga 6ije gledanje na promenu društva i koja je uloga elit- ne, a koja popularne kulture u ovim procesima? Da li se zaista vremenski i kontekstu- alno ograni 6eni efekat promene i gerilske subverzije, kroz popularnu kulturu, pokazao efektniji? Ovo istraživanje, u ograni 6enom formatu, ima za cilj da pokrene pitanje mogu 4nosti uticaja na pozitivne promene u društvu kroz popularnu muziku, razmatra- ju 4i uslovnosti takvih mogu 4nosti, a kroz studiju slu 6aja projekta Nebojše An 7elkovi- 4a – Šobaje i pesme "Tri poljupca" koja je proglašena najve 4im muzi 6kim hitom 2009. godine u Srbiji. Klju 6ne re 6i: popularna kultura, društvena promena, Rambo Amadeus, Puraševi 4, Šobaja, tri poljupca Društvena subverzija i popularna kultura Mo 4 je stanje svesti Dejl Karnegi 1 Da li je društvena promena mogu 4a samo na radikalan na 6in? Da li je radi- kalan na 6in promene uopšte mogu 4? Kada kažemo društvena promena, da li mislimo "revolucija"? Postoji li druga 6ije gledanje na promenu društva i koja je uloga elitne, a koja popularne kulture u ovim procesima? Da li se zaista vre- * Ovo istraživanje ra 7eno je u okviru predmeta "Popularna kultura" na nau6nim doktorskim studijama Menadžment umetnosti i medija na Fakultetu dramskih umet- nosti Univerziteta umetnosti u Beogradu, pod mentorstvom profesora Dr Aleksandra Jankovi 4a, tokom 2009/2010.
    [Show full text]
  • Anarhija/ Blok 45 PORODIČ NA BIBLIOTEKA
    ARP Dadaland anarhija/ blok 45 PORODIČ NA BIBLIOTEKA Jean Arp DADALAND Iz dnevnika jednog dadaiste 1912–1966 Preveo i priredio: Aleksa Golijanin, 2013. htt p://anarhija-blok45.net1zen.com [email protected] Duži izbor Arpovih tekstova, pod istim naslovom, može se preuzeti sa stranice Porodične biblioteke. Zajednička arhiva htt p://anarhisticka-biblioteka.net 64 1 ARP Dadaland ARP 5 Kaspar je mrtav (1912) 11 Manifest Krokodarijuma Dada (1921) 11 Izjava (1921) 12 Iz dnevnika jednog dadaiste (1932) 12 Dadaland (Cirih 1915–1920) 18 Dadaland II (1955) 23 Dada nije bila farsa (1949) 26 SOFI (1943–1945) 29 Oaze čistote… (1946) 30 Sveta tišina (1948) 35 Pismo gospodinu Bženkovskom (1927) 35 Medalja… (1925) 36 Počeo sam da se sve više udaljavam od estetike ( 1948) 37 Zagonetni plivači (1958) 39 Naš mali kontinent (1958) 39 Voće za sve (1939) 40 Humor je… (1950) 41 Između redova vremena (1952) 41 Konj je konj i nije umetnost… (1955) 41 Snevač može da… (1955) 42 Dada izreke (1955) 42 Strazburška konfi guracija (1931) 43 Veliki komarac, brk i mala mandolina (1946) 44 U skladu sa zakonom slučaja (1916) Spuštenih kapaka (1955) 45 Čovek koji hoće da strelom skine oblak… (1956) 46 Japanska jabuka (1957) 46 2 3 ARP Dadaland Putokazi (1950) 47 ARP Razgovor sa Džordžom L. K. Morisom (1956) 52 Manifest beskonačnog milimetra (1938) 55 „ići brže, zakoračiti dalje, skočiti više, udariti jače, to je ono za šta je čovek spre- Trg Blanš (1949) 55 man da plati najveću cenu. male folklorne pesme vremena i prostora izbrisane Na dvoboj s vetrom (1966) 57 su cerebralnim sunđerom.
    [Show full text]
  • RIJECI I STVARI Ovdje Ne Mijenja Stvarno Tijelo Niti Bestijar Imaginarnog; Ona Se Ne Krije U Nekoj Neobičnoj Moći
    MIŠEL FUKO ' RIJEČI I STVARI ARHEOLOGIJA HUMANISTIČKIH NAUKA i NO LI Т • BEOGRAD 1971 Poznati francuski filosof lan Val govorio je, 1962. go­ dine, da u naše vreme postoje tri filosofije koje se bore za prevlast: dijalektički materijalizam, zatim dosta loše defi- nisana kontinentalna filosofija u svojim raznim oblicima: fenomenologija ili egzistencijalizam, i najzad neopozitivi- zam, svejedno kako ga zvali. Da je govorio dve-tri godine kasnije, Val ne bi mogao prevideti strukturalizam, a ni kritike strukturalizma upućene » kontinentalnoj filosofiji.« Reč nije ovde, naravno, o strukturalizmu uopšte, ako tako što uopšte i postoji, — . o strukturalizmu ženevske škole sa Pijazeom na čelu, ili o strukturalizmu u izvesnim egzakt­ nim naukama, gde ga je oduvek bilo — već samo o pariš­ kom strukturalizmu grupe teoretičara iz raznih oblasti an­ tropologije, koji se danas, uostalom, uglavnom odriču tog naziva, jer je pojam vrlo brzo postao neodređen i izlizan snobizmom. Mišel Fuko čak tvrdi da su etiketu prišili struk­ turalistima oni koji to nisu. Pariški strukturalizam je pokret na vrlo širokom fron­ tu. Ili je to bar doskora bio. Obuhvatao je oblasti misli i nauke o čoveku, od marksizma i etnologije do poezije1, a neki od njegovih predstavnika, Levi Stros, na primer, ima­ ju za sobom opus enciklopedijskog obima. Ovaj napis ne pretenduje na sveobuhvatnost, daleko od toga. Biće reči 1 Kao da je literatura osobito zahvalna za primenu najrazličitijih metoda. Neopozitivizam je preobrazio anglo-saksonsku kritiku; fenomeno­ logija i egzistencijalizam su inspirisali francusku i nemačku kritiku. Danas je to slučaj sa strukturalizmom (koji se oslanja na ruski for­ malizam). Obnavlja se i marksistička kritika, koja, рге svega, prožima svojom problematikom neke druge.
    [Show full text]
  • Sounds of Attraction
    edited by Sounds of Attraction Miha Kozorog, Rajko Muršič Yugoslav and Post-Yugoslav Popular Music edited by Miha Kozorog and Rajko Muršič Miha Kozorog by edited Yugoslav and Post-Yugoslav Post-Yugoslav and Yugoslav Attraction Sounds ofSounds Popular Music Popular SOUNDS OF ATTRACTION: YUGOSLAV AND POST-YUGOSLAV POPULAR MUSIC Sounds of Attraction: Yugoslav and Published by/Založila: Znanstvena Post-Yugoslav Popular Music založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Uredila/Edited by Faculty of Arts) Miha Kozorog, Rajko Muršič Izdal/Issued by: Oddelek za etnologijo Recenzenta/Reviewers in kulturno antropologijo/ Svanibor Pettan Department of Ethnology and Cultural Jernej Mlekuž Anthropology Zbirka/Book series Za založbo/For the publisher Zupaničeva knjižnica, št. 43 Roman Kuhar, dekan Filozofske fakultete Univerze v Ljubljani/The Lektor/Proofreading dean of the Faculty of Arts, University Peter Altshul of Ljubljana Odgovorni urednik zbirke/ Ljubljana, 2017 Editor in chief Boštjan Kravanja Oblikovna zasnova zbirke/Design Vasja Cenčič Uredniški odbor zbirke/ Editorial board Bojan Baskar, Mateja Habinc, Vito Hazler, Jože Hudales, Božidar Jezernik, Delo je ponujeno pod licenco Creative Miha Kozorog, Boštjan Kravanja, Commons Attribution-ShareAlike 4.0 Uršula Lipovec Čebron, Ana Sarah International License (priznanje Lunaček Brumen, Mirjam Mencej, avtorstva, deljenje pod istimi pogoji). Rajko Muršič, Jaka Repič, Peter Simonič Prva izdaja, e-izdaja/ First edition/e-edition Fotografija na naslovnici/Cover photo Urša Valič Publikacija je na voljo na/Publication is available on: Vse pravice pridržane./ https://e-knjige.ff.uni-lj.si All rights reserved. DOI: 10.4312/9789612379643 Raziskovalni program št. P6-0187 je sofinancirala Javna agencija za raziskovalno dejavnost Republike Slovenije iz državnega Publikacija je brezplačna./Publication proračuna.
    [Show full text]