Rescuing the World Bank
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Mapping the Jihadist Threat: the War on Terror Since 9/11
Campbell • Darsie Mapping the Jihadist Threat A Report of the Aspen Strategy Group 06-016 imeless ideas and values,imeless ideas contemporary dialogue on and open-minded issues. t per understanding in a nonpartisanper understanding and non-ideological setting. f e o e he mission ofhe mission enlightened leadership, foster is to Institute Aspen the d n T io ciat e r p Through seminars, policy programs, initiatives, development and leadership conferences the Institute and its international partners seek to promote the pursuit of the pursuit partners and its international promote seek to the Institute and ground common the ap Mapping the Jihadist Threat: The War on Terror Since 9/11 A Report of the Aspen Strategy Group Kurt M. Campbell, Editor Willow Darsie, Editor u Co-Chairmen Joseph S. Nye, Jr. Brent Scowcroft To obtain additional copies of this report, please contact: The Aspen Institute Fulfillment Office P.O. Box 222 109 Houghton Lab Lane Queenstown, Maryland 21658 Phone: (410) 820-5338 Fax: (410) 827-9174 E-mail: [email protected] For all other inquiries, please contact: The Aspen Institute Aspen Strategy Group Suite 700 One Dupont Circle, NW Washington, DC 20036 Phone: (202) 736-5800 Fax: (202) 467-0790 Copyright © 2006 The Aspen Institute Published in the United States of America 2006 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-456-4 Inv No.: 06-016 CONTENTS DISCUSSANTS AND GUEST EXPERTS . 1 AGENDA . 5 WORKSHOP SCENE SETTER AND DISCUSSION GUIDE Kurt M. Campbell Aspen Strategy Group Workshop August 5-10, 2005 . -
2005 ANNUAL REPORT CONTENTS 6 Economic 10 Studies Global Economy and Development 27 Katrina’S Lessons in Recovery
QUALITY IMPACT AND INDEPENDENCE ANNUAL REPORT THE 2005 1775 Massachusetts Avenue, NW Washington, DC 20036 www.brookings.edu BROOKINGSINSTITUTION 2005 ANNUAL REPORT CONTENTS 6 Economic 10 Studies Global Economy and Development 27 Katrina’s Lessons in Recovery 39 Brookings Institution Press 14 40 Governance Center for Executive Education Studies 2 About Brookings 4 Chairman’s Message 5 President’s Message 31 Brookings Council 18 36 Honor Roll of Contributors Foreign 42 Financial Summary Policy Studies 44 Trustees 24 Metropolitan Policy Editor: Melissa Skolfield, Vice President for Communications Copyright ©2005 The Brookings Institution Writers: Katie Busch, Shawn Dhar, Anjetta McQueen, Ron Nessen 1775 Massachusetts Avenue, NW 28 Design and Print Production: The Magazine Group, Inc. Washington, DC 20036 Jeffrey Kibler, Virginia Reardon, Brenda Waugh Telephone: 202-797-6000 Support for Production Coordinator: Adrianna Pita Fax: 202-797-6004 Printing: Jarboe Printing www.brookings.edu Cover Photographs: (front cover) William Bradstreet/Folio, Inc., Library of Congress Card Number: 84-641502 Brookings (inside covers) Catherine Karnow/Folio, Inc. Broadcast reporters zoom in for a forum on a new compact for Iraq THE BROOKINGS INSTITUTION featuring U.S. Sen. Joseph Biden of Delaware. he Brookings Institution is a pri- vate nonprofit organization devoted to independent research and innovative policy solutions. Celebrating its 90th anniversary in 2006, Brookings analyzes current and emerging issues and produces new ideas that matter—for the nation and the world. ■ For policymakers and the media, Brookings scholars provide the highest-quality research, policy recommendations, and analysis on the full range of public policy issues. ■ Research at the Brookings Institution is conducted to inform the public debate, not advance a political agenda. -
University of New South Wales Stephen Muecke
Muecke Coal and ivory University of New South Wales Stephen Muecke The composition and decomposition of commodities: the colonial careers of coal and ivory Abstract: Commodities are composed of heterogeneous parts, for they are not pure, despite coal being almost 100% carbon. With the introduction of steam ships in the Indian Ocean trade that was at the nexus of Africa, Middle East, South Asia and China, the economic viability of coal had to be constructed from the different parts of the imperial political machinery of administration, technology and modernist fantasy. Ivory was also a key commodity in the Indian Ocean, contributing considerable wealth to that early global market. Leaving one environment in Africa, it gained value by being culturally reworked and aestheticised, and in the process humans’ feelings for it were enhanced as a part of the value-adding, if not fetishing, process. Later in its colonial career, elephants’ feelings about being slaughtered were also taken into account by their human advocates, and under this new environmental alignment the trade in ivory eventually came to a halt in 1989. This paper argues, in a Latourian fashion, that affects are key agents in a chain of associations that have transformed the careers of ivory and coal as ‘vibrant matter’ (Bennett) transformed from its original living sources to its lively appreciation by humans. Biographical note: Stephen Muecke is Professor of Writing at the University of New South Wales, Sydney. Recent books are Butcher Joe, Documenta 13: 100 Notizen - 100 Gedanken Hatje Cantz Verlag, Ostfildern, 2011 and Contingency in Madagascar, with photographer Max Pam, in Intellect Books’ Critical Photography Series, 2012. -
Edith Cowan University Copyright Warning
Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. In Keeping the Devil Down (1999), Watt extended her mythic approach to painting to her own life. She adapted a traditional image of St Michael trampling the Devil to a portrait of her partner whose name is Michael. A young man is trampling a mummy-like figure. He holds up on high a portrait of woman, or perhaps a magic mirror in which her face is reflected. Th e action takes place, on the shore at a sandy estuary on a bright sunny day. This is an elegant allegory of courage and conviction conceived in the manner of the illustrations to mediaeval romance manuscripts. Jo Darbyshire (b.1961), also developed a mythic approach to her painting. In her seashore portrait Looking West (1999), she pictured herself on the beach looking out over the Ind ian Ocean with a series of three Jo Darbyshire, Looking West (1999) shark egg-sacks in a frieze above her. -
MAX PAM "Ailleurs"
MAX PAM "Ailleurs" Exposition 24 octobre - 30 novembre 2013 Rencontre avec Max Pam le samedi 9 novembre à 16h en présence de son «frère» en photographie : Bernard Plossu Signature de trois nouveaux livres : Pam Plossu (éd. Eduardo Momeñe) Doubles (Les éditions de l’Œil) Supertourist (éd. Bessard) Galerie Camera Obscura 268, boulevard Raspail 75014 Paris • Tél : 01 45 45 67 08 Mardi - vendredi : 12h à 19h / samedi : 11h à 19h • M° Raspail • www.galeriecameraobscura.fr Max Pam - Ailleurs ax Pam est né en 1949 à Melbourne, Australie. MAdolescent, il se découvre une passion pour le surf, la contre-culture et rêve de pays lointains. Dans «Going East», (éd. Marval, 1992), il raconte son initiation à la photographie et au voyage : «En 1968, j’ai eu la chance de trouver du travail à la faculté de physique d’une grande uni- versité australienne, à Melbourne. C’est ma passion qui m’a fait obtenir la place, car lors de l’entretien préalable la ferveur quasi religieuse que m’inspirait la perspective d’améliorer ma situation avait fait forte impression. J’ai donc travaillé deux ans à photographier des lasers traversant des cristaux ou des expériences en superconductivité, à développer des émul- sions nucléaires et des micrographies électroniques... Fin 1969, je me trouvais dans le local de l’association des étudiants à re- garder une une manifestation contre la guerre du Vietnam lorsqu’un ami m’a fait remarquer une petite an- nonce sur le panneau d’affichage : «Astrophysicien cherche accompa- gnateur pour voyage en Coccinelle vw de Calcutta à Londres». Je me suis présenté, j’ai été accep- té : dans toute l’université, j’étais le seul prêt à tout laisser pour partir sur le champ. -
'Writers on Writing' Public Event Series
‘WRITERS ON WRITING’ PUBLIC EVENT SERIES + IN-CLASS EVENTS. AUTUMN SESSION 2012. FACULTY OF CREATIVE ARTS, UNIVERSITY OF WOLLONGONG MARCH 26 – 27. BOOK LAUNCH, CONVERSATION, LECTURE March 26, 4:30-6:30 pm. Dr. Francesca Rendle-Short and Dr. Merlinda Bobis Hair, Tongue, and History: Writing and Reading the Body Theatrette, Wollongong City Gallery. 41 Burelli Street, Wollongong. Co-sponsored by the South Coast Writers Centre WRIT312 lecture on ‘Object as Autobiography: Writing the Self’: 26 March, 9:30-10:30 am. DR. FRANCESCA RENDLE-SHORT grew up in Queensland, the fifth of six children. She has worked variously as a radio producer, teacher, editor, freelance writer and arts journalist. She is a novelist, author of Bite Your Tongue (Spinifex Press), Imago (Spinifex Press), and Big Sister (Redress Novellas). She has won the ACT Book of the Year and the ANUTech Short Story Award. Her short fictions, photo-essays, exhibition text, and poetry for the page and for the wall, have been published in literary journals and magazines, online and in exhibitions. Francesca has a Doctorate of Creative Arts from the University of Wollongong and is the Program Director of Creative Writing at RMIT. She lives in Melbourne. Website: http://www.francescarendleshort.com/ DR. MERLINDA BOBIS, a Filipino-Australian writer and performer, has published in three languages in multiple genres: novel, short fiction, poetry, and drama. She has received the Prix Italia (Radio Fiction), the Australian Writers’ Guild Award, the Steele Rudd Award for the Best Published Collection of Australian Short Stories, the Philippine National Book Award, and has been shortlisted for The Age Poetry Book Award and the Australian Literature Society Gold Medal. -
Inventario Completo
10 x 10 Japanese photobooks 10 x 10 photobooks. Clap Contepomprary latin 10 x 10 photobooks. American photobooks 2013 Provoke between protest and performance, photography in 2016 From here on [exposición] 2013 Brassaï 1987 At war 2004 Omar Victor Diop: photographe 2013 Mikhael Subotzky: photographe 2007 William Klein: photographe, cinéaste, peintre 2010 On Daido: an homage by photographers & writers 2015 Cuaderno de ejercicios para poetas visuales: el camino de jugar 2013 La colonie des enfants d'izieu 1943-1944 2012 My life is a man 2015 Photographs Vol. 1 2012 Photographs Vol. 2 2014 Photographs Vol. 3 2016 A history of photography: from 1839 to the present 2005 Resultados electorales en Torrejón de Ardoz en las elecciones Cartographie de la photographie contemporaine No. 0 2016 8 japanese photographers another language 2015 Aa Bronson, Mel Bochner, Inaki Working drawing and other visible things on paper not 2008 Aaron Mc Elroy Zine Collection N°25: No time 2015 Aaron McEl Roy, Yokota, Nocturnes . am. project 2012 Aaron Schuman Folk 2016 Aaron Schuman, Isabelle Evertse The document 2016 Aaron Stern I Woke up in my clothes 2013 Ad van Denderen Go no go 2003 Ad van Denderen Steidlmack So blue so blue : edges of the mediterranean 2008 Adam Broomberg / Oliver Scarti 2013 Adam Broomberg / Oliver 2 war primer 2018 Adam Broomberg Oliver DODO 2015 Adam Broomberg, Oliver Fig. 2007 Adam Broomberg; Oliver Humans and other animals 2015 Adam Broomberg; Oliver Holy Bible Adam Panczuk Karczeby 2013 Adina Ionescu Muscel Getting the extra beating heart -
Law School Announcements 2020-2021
University of Chicago Law School Chicago Unbound University of Chicago Law School Announcements Law School Publications Fall 2020 Law School Announcements 2020-2021 Law School Announcements Editors [email protected] Follow this and additional works at: https://chicagounbound.uchicago.edu/lawschoolannouncements Recommended Citation Editors, Law School Announcements, "Law School Announcements 2020-2021" (2020). University of Chicago Law School Announcements. 133. https://chicagounbound.uchicago.edu/lawschoolannouncements/133 This Book is brought to you for free and open access by the Law School Publications at Chicago Unbound. It has been accepted for inclusion in University of Chicago Law School Announcements by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. The University of Chicago The Law School Announcements Fall 2020 Effective Date: September 1, 2020 This document is published on September 1 and its contents are not updated thereafter. For the most up-to-date information, visit www.law.uchicago.edu. 2 The Law School Contents OFFICERS AND FACULTY ........................................................................................................ 6 Officers of Administration ............................................................................................ 6 Officers of Instruction ................................................................................................... 6 Lecturers in Law ......................................................................................................... -
Refracted Reality Pica 2020 Salon Vernissage Catalogue of Works for Sale
REFRACTED REALITY PICA 2020 CATALOGUE OF SALON VERNISSAGE WORKS FOR SALE Image: Valerie Sparks, Waratah, from the series Sanctuary, 2019. Courtesy the artist. Details correct as of 9th October 2020 - subject to change PICA HODA AFSHAR (VIC) BIOGRAPHY Hoda Afshar (born 1983, Tehran, Iran) lives and works in Melbourne. She completed a Bachelor degree in Fine Art – Photography in Tehran, and recently submitted her PhD thesis in Creative Arts at Curtin University. Afshar began her career as a documentary photographer in Iran in 2005, and since 2007 she has been living in Australia where she practices as a visual artist and also lectures in photography and fine art. Afshar’s work has been widely exhibited locally and internationally and published online and in print. Recent exhibitions includes Lahore Biennale (LB02) in Pakistan (2020); Remain, UQ Museum of Art in Brisbane (2019); Beyond Place, Museum of Photographic Arts, San Diego CA, USA (2019); Primavera 2018, Museum of Contemporary Art, Sydney and Waqt al tagheer: Time of Change, ACE Open, Adelaide (2018). In 2015, she received the National Photographic Portrait Prize, National Portrait Gallery and in 2018 won Bowness Photography Prize, Monash Gallery of Art, Australia. Her work is also part of numerous private and public collections including the National Gallery of Victoria, Melbourne; UQ Art Museum, Brisbane; Murdoch University Art Collection, Perth; and Monash Gallery of Art, Melbourne. PICA Hoda Afshar (VIC) Portrait of Aref, from the series Remain, 2018 Archival inkjet print 100 -
MULTILATERALISM MIND, SOCIETY, Past, Present, and Future and BEHAVIOR
A World Bank Group Flagship Report world development report2015 MIND, SOCIETY, AND BEHAVIOR A World Bank Group Flagship Report world development report2015 A World Bank Group Flagship Report world development report2015 MIND, SOCIETY, AND BEHAVIOR MULTILATERALISM MIND, SOCIETY, Past, Present, and Future AND BEHAVIOR A World Bank Group Flagship Report world development report2015 A World Bank Group Flagship Report world development report2015 MIND, SOCIETY, AND BEHAVIOR A World Bank Group Flagship Report world development report2015 MIND, SOCIETY, AND BEHAVIOR MIND, SOCIETY, Scan or Visit: www.worldbank.org/ABCDE2019 AND BEHAVIOR Follow us on Twitter: #ABCDEwb A World Bank Group Flagship Report world development report2015 2019 MIND, SOCIETY, AND BEHAVIOR Annual Bank Conference on Development Economics June 17–18, 2019 Washington, DC ✦ World Bank Headquarters A World Bank Group Flagship Report world development report2015 MIND, SOCIETY, AND BEHAVIOR A World Bank Group Flagship Report world development report2015 MIND, SOCIETY, AND BEHAVIOR 9 1 0 2 1944 Practical Information VENUE Preston Auditorium World Bank Headquarters | Main Complex 1818 H Street, NW, Washington, DC, 20433 The Conference REGISTRATION AND SECURITY Registration will open at 8 am on Monday, June17, 2019. For security reasons, all visitors to the World Bank are required to pass through a metal detector and all visitors’ bags are X-rayed. On arrival at the World Bank, please enter through the main entrance of the Main Complex (1818 H Street, NW). There will be a security guard and signage to guide you. As you pass through security, you will be directed to the ABCDE registration tables (after the metal detectors). -
Beyond the Abcs: Higher Education and Developing Countries by Devesh Kapur and Megan Crowley
Working Paper Number 139 February 2008 Beyond the ABCs: Higher Education and Developing Countries By Devesh Kapur and Megan Crowley Abstract This paper analyzes a relatively neglected facet of the complex debate regarding human capital – higher (or tertiary) education. It addresses five broad questions examining higher education in developing countries. One, are the economic effects of higher education on developing countries different from those in industrialized countries, with its links with labor markets of lesser importance than its impact on institutional development? Two, how does the impact of higher education depend on the type of education and its beneficiaries? Three, with the state unable to meet growing demand pressures, what should be the proper role of the state to ensure not just quality but also equity and access? Four, how should countries rethink the provision of higher education in an “open economy” from seeking education abroad or encouraging foreign providers into the country or simply linking domestic institutions with foreign quality assurance mechanisms? And five, do new technologies offer developing countries a new paradigm to expand the provision of high quality but low cost higher education? The aim is not to provide categorical answers to these complex questions, but rather highlight the analytical and empirical lacuna with regard to each of these questions. The Center for Global Development is an independent think tank that works to reduce global poverty and inequality through rigorous research and active engagement with the policy community. Use and dissemination of this working paper is encouraged, however reproduced copies may not be used for commercial purposes. -
Nuclear India in the Twenty-First Century This Page Intentionally Left Blank Nuclear India in the Twenty-First Century
Nuclear India in the Twenty-First Century This page intentionally left blank Nuclear India in the Twenty-First Century Edited by D. R. SarDesai and Raju G. C. Thomas NUCLEAR INDIA IN THE TWENTY-FIRST CENTURY Copyright © D. R. SarDesai and Raju G. C. Thomas, 2002. Softcover reprint of the hardcover 1st edition 2002 978-0-312-29459-5 All rights reserved. No part of this book may be used or reproduced in any manner in critical articles or reviews. First published 2002 by PALGRAVE-MACMILLAN™, 175 Fifth Avenue, New York, and representatives throughout the world. PALGRAVE-MACMILLAN is the new global publishing imprint of St. Martin’s Press LLC Scholarly and Reference Division and Palgrave-Macmillan Publishers Ltd. (formerly Macmillan Press Ltd.). ISBN 978-1-349-38779-3 ISBN 978-0-230-10923-0 (eBook) DOI 10.1057/9780230109230 Library of Congress Cataloging-in-Publication Data p. cm. Includes bibliographical references and index. 1. Nuclear weapons—India. 2. India—Military policy. 3. World politics—21st century. I. SarDesai, D. R. II. Thomas, Raju G. C. UA840 .N827 2001 355.02'17'09540905—dc21 200153134 A catalogue record for this book is available from the British Library. Composition by autobookcomp First edition: May, 2002 10 9 8 7 6 5 4 3 2 1 CONTENTS Preface vii Contributors xi PART I: GENERAL DIMENSIONS 1. Whither Nuclear India? 3 Raju G.C. Thomas 2. What Makes the Indian Bomb Tick? 25 George Perkovich PART II: STRATEGIC DIMENSIONS 3. India and the International Nuclear Order 63 K. Subrahmanyam 4. India, the International System and Nuclear Weapons 85 T.