Memoirs of September 11, 2001 New York Law School

Total Page:16

File Type:pdf, Size:1020Kb

Memoirs of September 11, 2001 New York Law School digitalcommons.nyls.edu Academic Centers and Programs Tribeca Square Press 2011 Eight Blocks Away: Memoirs of September 11, 2001 New York Law School Follow this and additional works at: http://digitalcommons.nyls.edu/tribeca_square_press Recommended Citation New York Law School, "Eight Blocks Away: Memoirs of September 11, 2001" (2011). Tribeca Square Press. Book 3. http://digitalcommons.nyls.edu/tribeca_square_press/3 This Book is brought to you for free and open access by the Academic Centers and Programs at DigitalCommons@NYLS. It has been accepted for inclusion in Tribeca Square Press by an authorized administrator of DigitalCommons@NYLS. Eight Blocks Away Memoirs of September 11, 2001 by the New York Law School Community 2011 Note: The essays collected in this volume are unedited, except for minor spelling and punctuation errors. © 2011 by Tribeca Square Press © 2002 New York Law School Tribeca Square Press, 185 West Broadway New York, NY 10013 [email protected] Tribeca Square Press® is a registered trademark of New York Law School. Richard A. Matasar, President and Dean Jethro K. Lieberman, Vice President and Publisher ISBN: 978-0-9793354-6-4 Tribeca Square Press Book No. 8 Title page and divider pages set in Mona Lisa Recut and Mona Lisa Solid. Text type is Minion Condensed. Compiled and edited by Jethro K. Lieberman Contents Refl ections—Th en and Now . v Foreword. ix Eyewitnesses. 1 Recovery . 85 Reminiscences . .115 Reflections — Then and Now Richard A. Matasar Rereading the reflections in Eight Blocks Away has brought back many memories — bad and good. There was confusion, deep depression, worry, fear, anger, and uncertainty. There was also love, dedication, perse- verance, sharing, and optimism in the face of challenges. For many, 9/11 was the worst day of their lives, indelibly tattooed as a marker of the loss of innocence. For others it marked a day to plot retaliation, hope for revenge, and strike out at enemies within and without. For most, it brought them to colleagues and friends to share mutual support. It allowed healing of frac- tured parts of our lives, giving back, reaching out to others, and moving forward with renewed purpose. Looking back at my own words, I cannot remember writing, but I can remember feeling — sometimes alone, always challenged to act stronger than I felt and more cheerful than I wanted to be — conscious that in bad times, the Dean must be CEO, comforting parent, counselor, strategist, and even clergyman. Before 9/11, I worked at New York Law School. After 9/11, I embraced New York Law School as my home and saw our community as my family. These events remade me and our School. In the fall of 2001, I met frequently with students who wanted to drop out of law school — some to go home to be with their families, some who wanted to be anywhere but in our neighborhood (or war zone as they called it), some who were fearful, some who saw it as a chance to leverage their way into higher ranked schools, and some who simply could not cope. But when the dust settled, when faculty began teaching again, when “normalcy” returned — so too did our students. Why? vi Perhaps it was because this tragedy brought out the best in all of us. It turned our commuter school into a community. It took us away from our selfish pursuits and led us to focus on the needs of others — the legal needs of our neighbors who lost so much, the spiritual needs of those far from home, the intellectual needs of students seeking to understand how to deal with lawlessness, and the simple need to be close to those who com- fort us and to provide comfort to those who need us. My father died of a stroke in October of 2001. I felt I failed to grieve his loss properly because I needed to be at the law school and to be strong for others. Now, some ten years later, I understood that I poured all of my grief into work — redoubling my efforts to make others feel better, mak- ing sure that their needs were met, assuring our students, faculty, staff, and graduates that everything would be ok. I realize now that those were qual- ities I did not know I had — qualities my father gave to me by being the wonderful man he was and the silent and strong leader of his organization. Through our city’s tragedy, I implicitly tried to emulate my dad. Perhaps his death passed to me his strength. Now, ten years later, what of the fears we had? Our country blindly went to multiple wars that continue to this day. Governmental lawyers ran roughshod over the Constitution and liberties built over centuries. But they were rebuked by a Supreme Court made up of strong believers in Ex- ecutive power, who simply could not condone usurpation of our traditions. We returned to a system of laws. We somehow held off further attacks. Wow! Ten years later, we have learned that the anthrax attacks were the work of a home grown kook, that terrorist devastation could lead our neighborhood into being the most progressive and economically vibrant place in New York City, that students would return to New York in droves, that the country could elect an African-American as President, and that we could manage to screw up our economy all on our own! vii What of New York Law School ten years later? After the disaster, we grew stronger, more confident, more active, more committed. We took ad- vantage of the rebounding and resilience of TriBeCa to make a record sale of some of our property, used the proceeds to secure the financing that built a wonderful new building that will keep us as a downtown institution in perpetuity (see next page), enrolled the best students ever to attend the law school, expanded our programs in ways we could not have imagined before 9/11, grew our resources beyond our fondest dreams, and estab- lished a remarkably student-centric program. Was all this also an effect of 9/11? I think so. The larger meaning of 9/11 for all of us here on that day was a reminder that some things are beyond our control, that evil exists in the world, and that blindly striking out rarely is a satisfactory answer to a problem. 9/11 also taught us that we must control what we can control — our programs, our treatment of each other, our talent put to use to add value, our outreach to those in need, and our mutual respect. It taught us to make the best of those things, to learn from the past, and then to look for- ward. The chronicle contained in Eight Blocks Away decodes the DNA of New York Law School and all of us who work and study here. Though the events of 9/11 are now a decade behind us, their impact and the lessons that they have taught us will forever remain indelible. Foreword New York Law School stands in the middle of Tribeca, eight blocks north of the site of the World Trade Center in Manhattan. Tuesday, September 11, 2001, the third week of the semester, was sunny and mild. Several classes were scheduled to begin at 9 a.m., so by 8:46 several dozen students, a few faculty members, and early arriving staff were on campus or just entering when the first airplane slammed into the north tower with a shattering boom. Many rushed outside; others were on street corners in time to see the second airplane flying low and strike the south tower ten minutes later. A few, who lived at or near the site, heard and saw the entire attack unfold. Within minutes the dean, who had been in his office, was urging people off the streets and into the sanctuary of school. By shortly after 9 school was officially closed, and through the day students, staff, and faculty managed to wend their way home as best they could. Some, departing early, caught subways. Others organized carpools. Many just walked north or east. By afternoon the school buildings, which were physically intact, lost their ties to the world: electrical power ceased, phone lines went down, computers were out, Internet connection was severed. For two weeks, regular activities were suspended. For several days, very access to the campus was out of the question except for a small facilities crew, struggling to connect an external generator and to survey for damage. Regrouping, the dean, associate deans, and senior staff spent hours on the phone from their homes in daily conference calls to organize the return. By Monday, September 17, with power partially restored, faculty and senior staff found their way through the phalanx of police barricades to meet, embrace, and plan the recovery. A false bomb alert in the early afternoon, aimed at ConEdison workers laboring to repair electrical connections, sent everyone home again. A week later, on Monday, September 24, the school returned to life, with classes, teach-ins, and visiting mental health professionals on hand to greet all who were struggling to learn new ways to study, teach, and commute. Though electrical power was back, telephone and Internet service was spotty, not fully restored until after Thanksgiving. Because of byzantine cable connections beneath the streets, most telephones could not dial beyond the confines of New York City, though a few fax lines could dial out to the world. Even had it been possible for people to ignore the daily headlines, look through the hole in the sky x where the twin towers had stood, and put out of mind the inconveniences of travel, a persistent, at times overpowering foul odor permeated the air, waxing and waning with the temperature and breezes, making it impossible to forget the horror.
Recommended publications
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Sentimental Poetry of the American Civil War Permalink https://escholarship.org/uc/item/4m34b5p3 Author Trapp, Marjorie Jane Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Sentimental Poetry of the American Civil War by Marjorie Jane Trapp A dissertation submitted in partial satisfaction of the requirements for the degree of Doctorate of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mitchell Breitweiser, Chair Professor Dorri Beam Professor David Henkin Fall 2010 Abstract Sentimental Poetry of the American Civil War by Marjorie Jane Trapp Doctorate of Philosophy in English University of California, Berkeley Professor Mitchell Breitweiser, Chair In her book The Imagined Civil War, Alice Fahs makes a compelling case that Daniel Aaron's seminal claim about the Civil War --- that it was unwritten in every meaningful sense --- misses the point, and, in so doing, looks in the wrong places. Fahs, along with Kathleen Diffley, claims that the American Civil War was very much written, even overwritten, if you look in the many long-overlooked popular periodicals of the war years. I will take Fahs's and Diffley's claims and push them farther, claiming that the Civil War was imaginatively inscribed as a written war in many of its popular poems and songs. This imagined war, or the war as imagined through its popular verse, is a war that is inscribed and circumscribed within images of bounded text and fiction making, and therefore also within issues of authorship, authority, sure knowledge, and the bonds of sentiment.
    [Show full text]
  • Journeys of the Beat Generation
    My Witness Is the Empty Sky: Journeys of the Beat Generation Christelle Davis MA Writing (by thesis) 2006 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all the information sources and literature used are indicated in the thesis. Signature of Candidate 11 Acknowledgements A big thank you to Tony Mitchell for reading everything and coping with my disorganised and rushed state. I'm very appreciative of the Kerouac Conference in Lowell for letting me attend and providing such a unique forum. Thank you to Buster Burk, Gerald Nicosia and the many other Beat scholars who provided some very entertaining e­ mails and opinions. A big slobbering kiss to all my beautiful friends for letting me crash on couches all over the world and always ringing, e­ mailing or visiting just when I'm about to explode. Thanks Andre for making me buy that first copy of On the Road. Thank you Tim for the cups of tea and hugs. I'm very grateful to Mum and Dad for trying to make everything as easy as possible. And words or poems are not enough for my brother Simon for those silly months in Italy and turning up at that conference, even if you didn't bother to wear shoes.
    [Show full text]
  • Da Vinci Code Research
    The Da Vinci Code Personal Unedited Research By: Josh McDowell © 2006 Overview Josh McDowell’s personal research on The Da Vinci Code was collected in preparation for the development of several equipping resources released in March 2006. This research is available as part of Josh McDowell’s Da Vinci Pastor Resource Kit. The full kit provides you with tools to equip your people to answer the questions raised by The Da Vinci Code book and movie. We trust that these resources will help you prepare your people with a positive readiness so that they might seize this as an opportunity to open up compelling dialogue about the real and relevant Christ. Da Vinci Pastor Resource Kit This kit includes: - 3-Part Sermon Series & Notes - Multi-media Presentation - Video of Josh's 3-Session Seminar on DVD - Sound-bites & Video Clip Library - Josh McDowell's Personal Research & Notes Retail Price: $49.95 The 3-part sermon series includes a sermon outline, discussion points and sample illustrations. Each session includes references to the slide presentation should you choose to include audio-visuals with your sermon series. A library of additional sound-bites and video clips is also included. Josh McDowell's delivery of a 3-session seminar was captured on video and is included in the kit. Josh's personal research and notes are also included. This extensive research is categorized by topic with side-by-side comparison to Da Vinci claims versus historical evidence. For more information and to order Da Vinci resources by Josh McDowell, visit josh.davinciquest.org. http://www.truefoundations.com Page 2 Table of Contents Introduction: The Search for Truth..................................................................................
    [Show full text]
  • February 2021
    Monmouth Viewfinder SEEING THE WORLD THROUGH MANY EYES The Monthly Publication of Monmouth Camera Club | February 2021 Join Us on Zoom FEBRUARY 11 at 7:30 pm Creative architecture w/ Claire gentile DETAILS AND ZOOM LINK TO BE SENT VIA EMAIL Sparring Bison by Colette Cannataro MONMOUTH CAMERA CLUB February 2021 Club Information THE MONMOUTH CAMERA CLUB provides a forum and gathering place for amateur and professional photographers at all levels of accomplishment. It allows members to share MCC is a proud member their experiences, to increase their knowledge, to find new of NJFCC + PSA stimulation for photographic endeavors, and to make new friends. Our club was founded in 1979 and meets twice per month, on Thursday evenings, from September to June. Lectures and Information / Updates discussions span a wide array of topics. Most speakers are accomplished photographers. available online & social media: Competitions are held for digital and printed images and provide constructive critiques from an objective judge. www.mcc-nj.org For more information, visit www.mcc-nj.org. www.instagram.com/Monmouth_Camera_Club MEETINGS Colts Neck Reformed Church (Red-brick building behind church) 139 Route 537, Colts Neck, NJ www.meetup.com/monmouth-camera-club/ MEMBER -Photographic Society of America -NJ Federation of Camera Clubs www.facebook.com/monmouthcameraclub mcc-nj.org Page 2 MONMOUTH CAMERA CLUB February 2021 Upcoming MCC Events Take Note: Given current conditions and with the health & safety of our members as our highest priority, it is expected that we will not be holding indoor physical presence meetings for the foreseeable future. We will continue to communicate all updates with our members.
    [Show full text]
  • Nostalgia and the Irish Fairy Landscape
    The land of heart’s desire: Nostalgia and the Irish fairy landscape Hannah Claire Irwin BA (Media and Cultural Studies), B. Media (Hons 1) Macquarie University This thesis is presented for the degree of Doctor of Philosophy in Media and Cultural Studies. Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney August 2017 2 Table of Contents Figures Index 6 Abstract 7 Author Declaration 8 Acknowledgments 9 Introduction: Out of this dull world 1.1 Introduction 11 1.2 The research problem and current research 12 1.3 The current field 13 1.4 Objective and methodology 14 1.5 Defining major terms 15 1.6 Structure of research 17 Chapter One - Literature Review: Hungry thirsty roots 2.1 Introduction 20 2.2 Early collections (pre-1880) 21 2.3 The Irish Literary Revival (1880-1920) 24 2.4 Movement from ethnography to analysis (1920-1990) 31 2.5 The ‘new fairylore’ (post-1990) 33 2.6 Conclusion 37 Chapter Two - Theory: In a place apart 3.1 Introduction 38 3.2 Nostalgia 39 3.3 The Irish fairy landscape 43 3 3.4 Space and place 49 3.5 Power 54 3.6 Conclusion 58 Chapter Three - Nationalism: Green jacket, red cap 4.1 Introduction 59 4.2 Nationalism and the power of place 60 4.3 The wearing of the green: Evoking nostalgia for Éire 63 4.4 The National Leprechaun Museum 67 4.5 The Last Leprechauns of Ireland 74 4.6 Critique 81 4.7 Conclusion 89 Chapter Four - Heritage: Up the airy mountain 5.1 Introduction 93 5.2 Heritage and the conservation of place 94 5.3 Discovering Ireland the ‘timeless’: Heritage
    [Show full text]
  • Download Survey Written Responses
    Family Members What place or memorial have you seen that you like? What did you like about it? 9/11 memorial It was inclusive, and very calming. 9/11 Memorial It was beautiful. Park with a wall with names on it. Angels status. Water fountain. Water fountain area and location. Touchscreen info individual memorials Oklahoma City Memorial memorabilia collections 9-11 memorial Place to reflect and remember; reminder of the lessons we should Several Washington DC memorials learn from hateful acts Love that all the names were 911 New York City Place on a water fall Before the 911 Memorial was erected; I visited the site a month after the event. I liked its raw state; film posters adverts still hanging up from films premiered months prior. The brutal reality of the site in baring its bones. The paper cranes left by the schoolchildren. The Holocaust Museum along with the Anne Frank Haus spoke to me; the stories behind the lives of these beautiful people subjected to nothing but hate for who they loved and who they were. The educational component to the Holocaust Museum in D.C. spoke volumes to me. To follow the journey of a Holocaust victim... For Pulse, I see a blend of all of this. To learn the stories of why so many sought refuge and enjoyment there. Why did so many leave their "families"? Because they could not be who they were. I find it is important that we teach this lesson-it's okay to be who you are-we have your back-we love you-we will dance with you-in any form of structure.
    [Show full text]
  • TM 3.1 Inventory of Affected Businesses
    N E W Y O R K M E T R O P O L I T A N T R A N S P O R T A T I O N C O U N C I L D E M O G R A P H I C A N D S O C I O E C O N O M I C F O R E C A S T I N G POST SEPTEMBER 11TH IMPACTS T E C H N I C A L M E M O R A N D U M NO. 3.1 INVENTORY OF AFFECTED BUSINESSES: THEIR CHARACTERISTICS AND AFTERMATH This study is funded by a matching grant from the Federal Highway Administration, under NYSDOT PIN PT 1949911. PRIME CONSULTANT: URBANOMICS 115 5TH AVENUE 3RD FLOOR NEW YORK, NEW YORK 10003 The preparation of this report was financed in part through funds from the Federal Highway Administration and FTA. This document is disseminated under the sponsorship of the U.S. Department of Transportation in the interest of information exchange. The contents of this report reflect the views of the author who is responsible for the facts and the accuracy of the data presented herein. The contents do no necessarily reflect the official views or policies of the Federal Highway Administration, FTA, nor of the New York Metropolitan Transportation Council. This report does not constitute a standard, specification or regulation. T E C H N I C A L M E M O R A N D U M NO.
    [Show full text]
  • Frise Historique
    Construction on the north tower The Port Authority of New York and New Jersey began began. obtaining property at the World Trade Center site. 01/08/1968 01/03/1965 Demolition at the site began with the clearance of thirteen square blocks of low rise buildings for construction of the Minoru Yamasaki, The The Port Authority chose the current site for the World Trade World Trade Center. architect of the World Center. 01/01/1966 Trade Center. 20/09/1962 1960 Minoru Yamasaki was selected to design the project. He was a second generation Groundbreaking for the construction began on Japanese-American who studied architecture at the August 5, 1966. Site preparations were vast and University of Washington and New York University. included an elaborate method of foundation work Construction of He considered hundreds of different building for which a "bathtub" had to be built 65 feet configurations before deciding on the twin towers below grade. The bathtub was made of a bentonite the south tower design. The Port Authority unveiled the $525 million (absorbent clay) slurry wall intended to keep out World Trade Center plan to the public. It was a groundwater and the Hudson River. began. composite of six buildings comprised of 10 million Yamasaki's design for the World Trade square feet of office space. At its core were the Twin Center was unveiled to the public. 01/01/1969 Towers, which at 110 stories (1,368 and 1,362 feet) The design consisted of a square plan each would be the world's tallest skyscrapers. approximately 207 feet in dimension on each side.
    [Show full text]
  • Karels2018 Redaction.Pdf
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Performing Remembrances of 9/11 Martina Karels PhD The University of Edinburgh 2017 Declaration This is to declare that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional qualification. Martina Karels Edinburgh, 30 June 2017 TABLE OF CONTENTS ABSTRACT .................................................................................................................... i LAY SUMMARY ............................................................................................................. ii ACKNOWLEDGEMENTS ..............................................................................................
    [Show full text]
  • 1 World Trade Center Llc, Et Al
    1 WORLD TRADE CENTER LLC, ET AL. - DETERMINATION - 12/03/09 In the Matter of 1 WORLD TRADE CENTER LLC, ET AL. TAT(H)07-34 (CR), ET AL. - DETERMINATION NEW YORK CITY TAX APPEALS TRIBUNAL ADMINISTRATIVE LAW JUDGE DIVISION COMMERCIAL RENT TAX – THE LESSEES' PAYMENTS TO THE PORT AUTHORITY AFTER SEPTEMBER 11, 2001 DID NOT CONSTITUTE BASE RENT PAID FOR TAXABLE PREMISES BECAUSE THE LESSEES NO LONGER HAD THE RIGHT TO OCCUPY SPECIFIC SPACE AFTER THE GOVERNMENT TAKEOVER OF THE WORLD TRADE CENTER SITE ON SEPTEMBER 11, 2001. THUS, THE COMMERCIAL RENT TAX DOES NOT APPLY TO THOSE PAYMENTS. DECEMBER 3, 2009 NEW YORK CITY TAX APPEALS TRIBUNAL ADMINISTRATIVE LAW JUDGE DIVISION : In the Matter of the Petition : DETERMINATION : of : : TAT(H)07-34(CR), et al. 1 World Trade Center LLC, et al. : : Schwartz, A.L.J.: Petitioners, 1 World Trade Center LLC, 2 World Trade Center LLC, 4 World Trade Center LLC and 5 World Trade Center LLC (now known as 3 World Trade Center LLC) (“Petitioners” or the “Silverstein Lessees”) filed Petitions for Hearing with the New York City (“City”) Tax Appeals Tribunal (“Tribunal”) seeking redeterminations of deficiencies of City Commercial Rent Tax (“CRT”) under Chapter 7 of Title 11 of the City Administrative Code (“Code”) for the five tax years beginning June 1, 2001 and ending May 31, 2006 (“Tax Years”). A hearing was held and various documents were admitted into evidence. Petitioners were represented by Elliot Pisem, Esq. and Joseph Lipari, Esq. of Roberts & Holland LLP. The Commissioner of Finance (“Respondent” or “Commissioner”) was represented by Frances J.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI DATE: May 15, 2003 I, James Gilbert Jenkins , hereby submit this as part of the requirements for the degree of: Master of Architecture in: The Department of Architecture of the College of DAAP It is entitled: New World Trade Approved by: Michael McInturf Arati Kanekar NEW WORLD TRADE A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE In the Department of Architecture Of the College of Design, Art, Architecture, and Planing 2003 by James G. Jenkins B.S., University of Cincinnati, 2001 Committee Chair : Michael Mcinturf Abstract In these Modern Times, “facts” and “proofs” seem necessary for achieving any credibility in a field where there is a client. To arrive at a “truth,” many architects quickly turn to a dictionary for the final “truth” of a word, such as “privacy” or to a road map to find the “truth” in site conditions, or to a census count for the “truth” of people migration. It is, of coarse, part of the Modern Crisis that many feel the need to go with the way of technology, for fear that Architecture might otherwise fall by the wayside because of its perceived irrelevancy or frivolousness. Following this action, with time, could very well reduce Architecture to a form of methodology and inevitably end with the replacement or removal of the profession from its importance- as creators of a “Truth.” The following thesis is a serious reclamation. The body of work moves to take back for Architecture its power, and specifically it holds up and praises the most important thing we have, but in modern times have been giving away: Life.
    [Show full text]
  • SEPTEMBER 11Th: ART LOSS, DAMAGE, and REPERCUSSIONS Proceedings of an IFAR Symposium
    International Foundation for Art Research (IFAR) www.ifar.org This article may not be published or printed elsewhere without the express permission of IFAR. SEPTEMBER 11th: ART LOSS, DAMAGE, AND REPERCUSSIONS Proceedings of an IFAR Symposium SPEAKERS • Saul S. Wenegrat: Art Consultant; Former • Dietrich von Frank: President and CEO, AXA Art Director, Art Program, Port Authority of NY and NJ Insurance Corporation • Elyn Zimmerman: Sculptor (World Trade Center • Gregory J. Smith: Insurance Adjuster; Director, Memorial, 1993) Cunningham Lindsey International • Moukhtar Kocache: Director, Visual and Media Arts, • John Haworth: Director, George Gustav Heye Center, Lower Manhattan Cultural Council Smithsonian National Museum of the American Indian • Suzanne F.W. Lemakis: Vice President and Art • Lawrence L. Reger: President, Heritage Preservation, Curator, Citigroup Heritage Emergency National Task Force IFAR SYMPOSIUM: THE ART LOST & DAMAGED ON 9/11 INTRODUCTION SHARON FLESCHER* Five months have passed since the horrific day in September that took so many lives and destroyed our sense of invulner- ability, if we were ever foolish enough to have had it in the first place. In the immediate aftermath, all we could think about was the incredible loss of life, but as we now know, there was also extensive loss of art—an estimated $100 mil- lion loss in public art and an untold amount in private and corporate collections. In addition, the tragedy impacted the art world in myriad other ways, from the precipitous drop in museum attendance, to the dislocation of downtown artists’ Left to right: Sharon Flescher, Saul S. Wenegrat, Elyn studios and arts organizations, to the decrease in philan- Zimmerman, Moukhtar Kocache, and Suzanne F.
    [Show full text]