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Creating a Sustainable Main Street
Creating A Sustainable Main Street Woodbury, CT SDAT Report Table of Contents INTRODUCTION 1 MARKET 2 COMMUNITY DESIGN 12 ARTS & ARTISANS 34 MOBILITY & LIVABILITY 38 PLACEMAKING 50 MOVING FORWARD 58 TEAM ROSTER & THANKS 61 APPENDICES 64 INTRODUCTION • Inclusive and Participatory Processes. Public participation is the foundation of good community design. The SDAT involves a wide range of stakeholders and utilizes short feedback loops, resulting In December of 2014, Woodbury, CT submitted a proposal to the in sustainable decision-making that has broad public support and ownership. American Institute of Architects (AIA) for a Sustainable Design Assessment Team (SDAT) to assist the community and its citizens in • Objective Technical Expertise. The SDAT Team is assembled to include a range of technical addressing key issues facing the community. The issues included experts from across the country. Team Members do not accept payment for services and serve in economic development, mobility, and urban design. The AIA accepted a volunteer capacity on behalf of the AIA and the partner community. As a result, the SDAT Team the proposal and, after a preliminary visit by a small group in July has enhanced credibility with local stakeholders and can provide unencumbered technical advice. 2015, recruited a multi-disciplinary team of volunteers to serve on the • Cost Effectiveness.Through SDAT, communities are able to take advantage of leveraged resources SDAT Team. In October 2015, the SDAT Team members worked closely for their planning efforts. The AIA contributes up to $15,000 in financial assistance per project. The with local officials, community leaders, technical experts, non-profit SDAT team members volunteer their labor and expertise, allowing communities to gain immediate organizations and citizens to study the community and its concerns. -
Fear and Loathing in America After 9/11: Terrorism, Racism, and the Need for New Beginnings
ઞखഀ Fear and Loathing in America after 9/ 11: Terrorism, Racism, and the Need for New Beginnings Moustafa Bayoumi )Cspplmzo!Dpmmfhf!DVOZ* Every year after the terrorist attacks of 2001, New York City has commemorated its grievous losses from that terrible day with a kind of quiet dignity. Since September 2003, the city has lit the “Tribute in Light,” two powerful spotlight beams that soar into the night air where the World Trade Center once was1) (the “Tribute in Light” was first launched on March 11, 2002, for an initial period of one month).2) On the actual anniversary, New York has hosted a prayer service and public reading of the names of the dead. The simplicity of these gestures has endowed the day with feelings of mourning and loss, and these have been the dominant emotions in New York on 1) David W. Dunlap, “‘Tribute in Light’ Will Keep Shining, This Year and The Next,” Cityroom, The New York Times, September 10, 2001, http://cityroom.blogs. nytimes.com/2010/09/10/tribute-in-light-will-keep-shining-this-year-and-the-next/. 2) Terence Smith, “Tribute in Light,” Online News Hour, PBS.org, March 11, 2002, http://www.pbs.org/newshour/bb/terrorism/jan-june02/light_3-11.html. .PVTUBGB#BZPVNJ the anniversaries of the September 11 attacks, at least until 2010. On September 11, 2010, rage took to the streets in ways that stunned many observers. The New York Times described “heated demonstrations” that illustrated “political and religious tensions and an unmistakable sense that a once-unifying day was now replete with division,” further -
ORION Flight Test Dec
December 2014 Vol. 1 No. 9 National Aeronautics and Space Administration Kennedy Space Center’s ORION Flight Test Dec. 4, 7:05 a.m. #imonboard Colin Baker http://go.nasa.gov/11r6OeO Lou Ferrigno Nichelle Nichols http://go.nasa.gov/1xlmT2f http://go.nasa.gov/11r7fWA Erin Gray John Barrowman http://go.nasa.gov/1AIE28z Austin St. John http://go.nasa.gov/1xlmT2f http://go.nasa.gov/1AIERyd 2 SPACEPORT Magazine SPACEPORT Magazine 3 International Space MARS Education Technology Solar System History Station (ISS) KENNEDY SPACE CENTER’S NASA’S SPACEPORT MAGAZINE LAUNCH SCHEDULE CONTENTS Date: Dec. 4 - 7:05 a.m. EST ...................Orion ready for first test flight Mission: NASA’s Orion 7 spacecraft will launch atop a Delta IV Heavy rocket from Cape 9 ...................Flight Test to carry mementos, inspirational items Canaveral Air Force Stationís Space Launch Complex 37. The Orion Flight Test will evaluate 14 ................IT Advance Concepts Lab changing way IT is done launch and high speed re-entry systems such as avionics, attitude control, parachutes and 22 ................Research ready for SpaceX CRS-5 mission the heat shield. Date: Dec. 16, 2014 - 27 ................Tanzanian teen hopes to become astronaut 2:31 p.m. EST Mission: Launching from Cape Canaveral Air Force Station, 30 ................New animation follows long, strange trip of Bennu SpaceX CRS-5 will deliver cargo and crew supplies to the International Space Station. It 33 ................175-ton crane undergoes upgrades also will carry CATS, a laser instrument to measure clouds and the location and distribution 36 ................Ceremony honors fallen astronaut of pollution, dust, smoke and other particulates in the I am the range master at the NASA Protective Services Training atmosphere. -
Partial Action Plan No. 8 for the World Trade Center Memorial And
APPROVED BY HUD (as of 11/23/04) LOWER MANHATTAN DEVELOPMENT CORPORATION Partial Action Plan No. 8 for The World Trade Center Memorial and Cultural Program, Related Initiatives, and Lower Manhattan Tourism Overview The Lower Manhattan Development Corporation (LMDC) has prepared the following Partial Action Plan with regard to the $2 billion federal grant for the World Trade Center disaster recovery and rebuilding efforts administered by the United States Department of Housing and Urban Development (HUD). LMDC has received additional funding through a $783 million grant from HUD for damaged properties and businesses (including the restoration of utility infrastructure) as well as economic revitalization related to the terrorist attacks at the World Trade Center. This plan details the proposed expenditure of up to $65,259,894.74 to fund the items listed below. Of this proposed funding, $64,259,894.74 will be taken from the remaining amounts from the $2.78 billion allocation. An additional $1,000,000.00 in program income is proposed in this Partial Action Plan to be allocated to the World Trade Center Memorial Foundation. This funding will not be taken from the remaining Community Development Block Grant funding. An overview of the proposed funding is as follows: 1. World Trade Center Memorial and Cultural Program: 1A. World Trade Center Memorial and Memorial Center; 1B. World Trade Center Memorial Foundation; 1C. World Trade Center Performing Arts Center; 1D. World Trade Center Museum Complex 2. Tribute in Light 3. Story Corps WTC Story Booth Project 4. Living Memorial Project 5. Lower Manhattan Tourism - River to River Festival 2004 6. -
Journeys of the Beat Generation
My Witness Is the Empty Sky: Journeys of the Beat Generation Christelle Davis MA Writing (by thesis) 2006 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all the information sources and literature used are indicated in the thesis. Signature of Candidate 11 Acknowledgements A big thank you to Tony Mitchell for reading everything and coping with my disorganised and rushed state. I'm very appreciative of the Kerouac Conference in Lowell for letting me attend and providing such a unique forum. Thank you to Buster Burk, Gerald Nicosia and the many other Beat scholars who provided some very entertaining e mails and opinions. A big slobbering kiss to all my beautiful friends for letting me crash on couches all over the world and always ringing, e mailing or visiting just when I'm about to explode. Thanks Andre for making me buy that first copy of On the Road. Thank you Tim for the cups of tea and hugs. I'm very grateful to Mum and Dad for trying to make everything as easy as possible. And words or poems are not enough for my brother Simon for those silly months in Italy and turning up at that conference, even if you didn't bother to wear shoes. -
May 2018 Newsletter
YOUR MONTHLY GUIDE TO PORT’S LIBRARY BOOKINGS MAY 2018 HARMONY AND HUMANITY WITH THE LEVINS QUICK READS Wednesday, May 16 at 7:30 p.m. Holiday hours Known for their sun-splashed songwriting that celebrates The library will be closed over our common humanity, The Levins were 2016 Northeast Memorial Day weekend: Satur- Regional Folk Alliance (NERFA) Formal Showcase Artists and day, May 26 through Monday, were voted 2014 Falcon Ridge Emerging Artists. May 28. The Levins’ recordings have garnered them invitations to Port Fest perform in Amsterdam, England, and throughout the U.S. They have received recognition and numerous songwrit- Visit the library’s booth at this ing awards in the Children’s, Jewish, Folk, and Indie music fun community gathering! Meet communities. Their unique harmonies and tightly blended and chat with staff, learn about unison vocals, along with their guitar and piano interplay, the latest library offerings, see reflect the couple’s own musical and personal relationship. some new tech, and find ac- tivities for kids. Saturday, May Their 2015 release Trust debuted in the Top 10 Folk chart 19 from 11 a.m. to 4 p.m. on and the Top 20 Roots chart. Tom Staudter of The New York the track between Weber and Times wrote that the album “underscores positive mes- Schreiber. sages of love, peace, and self-awareness. Each tune serves as another stepping stone toward a better day and a richer FOL Book & Author life.” The disc’s title song, “Trust,” was a Top 10 song of 2015 Luncheon for WFUV’s John Platt, who said, “The Levins speak to our There’s still time to reserve your better selves with their crystalline harmonies and uplifting seat—but hurry! The Friends of lyrics.” the Library’s 49th Annual Book & Author Luncheon is on Friday, May 11 at 11 a.m. -
February 2021
Monmouth Viewfinder SEEING THE WORLD THROUGH MANY EYES The Monthly Publication of Monmouth Camera Club | February 2021 Join Us on Zoom FEBRUARY 11 at 7:30 pm Creative architecture w/ Claire gentile DETAILS AND ZOOM LINK TO BE SENT VIA EMAIL Sparring Bison by Colette Cannataro MONMOUTH CAMERA CLUB February 2021 Club Information THE MONMOUTH CAMERA CLUB provides a forum and gathering place for amateur and professional photographers at all levels of accomplishment. It allows members to share MCC is a proud member their experiences, to increase their knowledge, to find new of NJFCC + PSA stimulation for photographic endeavors, and to make new friends. Our club was founded in 1979 and meets twice per month, on Thursday evenings, from September to June. Lectures and Information / Updates discussions span a wide array of topics. Most speakers are accomplished photographers. available online & social media: Competitions are held for digital and printed images and provide constructive critiques from an objective judge. www.mcc-nj.org For more information, visit www.mcc-nj.org. www.instagram.com/Monmouth_Camera_Club MEETINGS Colts Neck Reformed Church (Red-brick building behind church) 139 Route 537, Colts Neck, NJ www.meetup.com/monmouth-camera-club/ MEMBER -Photographic Society of America -NJ Federation of Camera Clubs www.facebook.com/monmouthcameraclub mcc-nj.org Page 2 MONMOUTH CAMERA CLUB February 2021 Upcoming MCC Events Take Note: Given current conditions and with the health & safety of our members as our highest priority, it is expected that we will not be holding indoor physical presence meetings for the foreseeable future. We will continue to communicate all updates with our members. -
Emplacing and Excavating the City: Art, Ecology, and Public Space in New Delhi
Transcultural Studies 2015.1 75 Emplacing and Excavating the City: Art, Ecology, and Public Space in New Delhi Christiane Brosius, Ruprecht-Karls-Universität Heidelberg Every claim on public space is a claim on the public imagination. It is a response to the questions: What can we imagine together?… Are we, in fact, a collective; is the collective a site for the testing of alternatives, or a ground for mobilising conformity? (Adajania 2008) Introduction Contemporary art production can facilitate the study of a city’s urban fabric, its societal change, and its cultural meaning production; this is particularly the case when examining exhibition practices and questions of how, why, when, where, and by whom artworks came to be emplaced and connected to certain themes and concepts.* Emplacement here refers to the process of constructing space for certain events or activities that involve sensory and affective aspects (Burrell and Dale 2014, 685). Emplacing art thus concerns a particular and temporary articulation of and in space within a relational set of connections (rather than binaries). In South Asia, where contemporary “fine art”1 is still largely confined to enclosed spaces like the museum or the gallery, which seek to cultivate a “learned” and experienced audience, the idea of conceptualising art for and in rapidly expanding and changing cities like Delhi challenges our notions of place, publicness, and urban development. The particular case discussed here, the public art festival, promises—and sets out—to explore an alternative vision of the city, alternative aspirations towards “belonging to and participating in” it.2 Nancy Adajania’s question “What can we imagine together” indirectly addresses which repositories and languages are available and can be used for such a joint effort, and who should be included in the undertaking. -
Nostalgia and the Irish Fairy Landscape
The land of heart’s desire: Nostalgia and the Irish fairy landscape Hannah Claire Irwin BA (Media and Cultural Studies), B. Media (Hons 1) Macquarie University This thesis is presented for the degree of Doctor of Philosophy in Media and Cultural Studies. Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney August 2017 2 Table of Contents Figures Index 6 Abstract 7 Author Declaration 8 Acknowledgments 9 Introduction: Out of this dull world 1.1 Introduction 11 1.2 The research problem and current research 12 1.3 The current field 13 1.4 Objective and methodology 14 1.5 Defining major terms 15 1.6 Structure of research 17 Chapter One - Literature Review: Hungry thirsty roots 2.1 Introduction 20 2.2 Early collections (pre-1880) 21 2.3 The Irish Literary Revival (1880-1920) 24 2.4 Movement from ethnography to analysis (1920-1990) 31 2.5 The ‘new fairylore’ (post-1990) 33 2.6 Conclusion 37 Chapter Two - Theory: In a place apart 3.1 Introduction 38 3.2 Nostalgia 39 3.3 The Irish fairy landscape 43 3 3.4 Space and place 49 3.5 Power 54 3.6 Conclusion 58 Chapter Three - Nationalism: Green jacket, red cap 4.1 Introduction 59 4.2 Nationalism and the power of place 60 4.3 The wearing of the green: Evoking nostalgia for Éire 63 4.4 The National Leprechaun Museum 67 4.5 The Last Leprechauns of Ireland 74 4.6 Critique 81 4.7 Conclusion 89 Chapter Four - Heritage: Up the airy mountain 5.1 Introduction 93 5.2 Heritage and the conservation of place 94 5.3 Discovering Ireland the ‘timeless’: Heritage -
Narrative Reform Dilemmas
Narrative Reform Dilemmas Mariela Olivares* I. INTRODUCTION The way in which we tell our stories and describe our characters sets the foundation for how our audience perceives the story. Depending on the narra- tor’s choices, our protagonist may be a hero against the wrongs of an unjust authoritarian system – or a terrorist working against a legitimate government. Nelson Mandela, even as a former President of South Africa, was on a U.S. government terror watch list until as late as 2008 and could not enter the coun- try without a dispensation of U.S. immigration policies.1 The U.S. government prohibited his entry as a communist sympathizer who fought against the once- recognized South African leadership.2 Only with the wisdom of time and po- litical awakening did the world fully recognize that Mandela fought for free- dom against the apartheid regime and that his resistance against the govern- ment was just. Prior to this realization, however, Mandela was characterized in many popular media outlets of the time as a communist and terrorist leader of the revolutionary African National Congress (“ANC”) South African party.3 Though the passage of time may influence narrative choices, changes in rhetoric can have concomitant influence on political movements. For example, *Associate Professor of Law, Howard University School of Law; LL.M., Georgetown University Law Center; J.D., University of Michigan Law School; B.A., University of Texas at Austin. I am very grateful for the thoughtful and insightful comments of Stew- art Chang, Kevin R. Johnson, Elizabeth Keyes, Karla McKanders and participants at presentations at the Howard University School of Law and the 2016 Law & Society Conference. -
A Love Returns to Role As Player
GEORGIAPGA.COM GOLFFOREGEORGIA.COM «« OCTOBER/NOVEMBER 2012 Love returns to role as player By Mike Blum fter a few of the most hectic years of his professional career, Davis Love III can relax a bit. After helping get the McGladreyA Classic off the ground in his long time home of St. Simons Island Island, Love was named captain of the U.S. Ryder Cup team. The McGladrey Classic, which made its debut two years ago, has been an imme- diate success on the PGA Tour, quickly moving to the top of the short list of Fall Series tournaments. McGladrey has extended its commitment as the tourna- ment’s title sponsor through 2015, placing the event on firm financial footing for the immediate future. Love’s stint as Ryder Cup captain was a big hit for two days as the U.S. built a size- able lead in the team matches. But Europe’s dramatic final round comeback in singles Register to Win! left Love open to the biennial second guessing that greets the losing captain. 2 Night Stay & Play Much of Love’s efforts over the past few Innisbrook, Reunion or Hammock Beach years have revolved around his role in get- Details & registration information on page 4. ting the McGladrey Classic off and running, followed by his almost two-year commitment as Ryder Cup captain. Prior to that, Love put together a distin- guished career as a player that is still active, but has taken a back seat to his other duties the last few years. With his captaincy behind him and his hometown tournament entering its third year, Love can focus more [ See Love, page 6 ] KATHY COUSART FINE ART © FALL GOLF PACKAGES rates * from $149 Our luxurious and spacious villas give you more room to relax and unwind GrandGolfResorts.comGrandGolfResorts.com | INNISBROOK 866.299.1693866.299.1693 | REUNION & HAMMOCK BEACH 866.257.9208866.257.9208 *Based on double occupancyoccupancy in a two bedroombedrrooom Villa at InnisbrookInnisbr roook Resort. -
Raw Thought: the Weblog of Aaron Swartz Aaronsw.Com/Weblog
Raw Thought: The Weblog of Aaron Swartz aaronsw.com/weblog 1 What’s Going On Here? May 15, 2005 Original link I’m adding this post not through blogging software, like I normally do, but by hand, right into the webpage. It feels odd. I’m doing this because a week or so ago my web server started making funny error messages and not working so well. The web server is in Chicago and I am in California so it took a day or two to get someone to check on it. The conclusion was the hard drive had been fried. When the weekend ended, we sent the disk to a disk repair place. They took a look at it and a couple days later said that they couldn’t do anything. The heads that normally read and write data on a hard drive by floating over the magnetized platter had crashed right into it. While the computer was giving us error messages it was also scratching away a hole in the platter. It got so thin that you could see through it. This was just in one spot on the disk, though, so we tried calling the famed Drive Savers to see if they could recover the rest. They seemed to think they wouldn’t have any better luck. (Please, plase, please, tell me if you know someplace to try.) I hadn’t backed the disk up for at least a year (in fairness, I was literally going to back it up when I found it giving off error messages) and the thought of the loss of all that data was crushing.