Fear and Loathing in America After 9/11: Terrorism, Racism, and the Need for New Beginnings
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'The Muslims Are Coming' Show Featuring Muslim-American Comics Hopes to Foster Laughs and Understanding
'The Muslims Are Coming' Show featuring Muslim-American comics hopes to foster laughs and understanding. By Scott Bernarde July 31, 2011 When the producers of “The Muslims are Coming!” were looking for venues for their tour of free comedy performances, Gwinnett County, particularly Lilburn, caught their eye. The satirical standup comedy tour, which features several top Muslim-American comics, aims to dispel “myths associated with Islamaphobia” in shows scheduled in Georgia, Tennessee, Alabama and Florida, and later in Midwest states this fall. The tour comes to the Aurora Theatre in Lawrenceville on Aug. 9, beginning at 8 p.m. Reserve the free tickets here. Shows are scheduled in Gainesville, Fla., Aug. 5 and in Columbus, Ga., Aug. 6, before the Lawrenceville show, then in Birmingham, Nashville and Murfreesboro, Tenn., afterward. Muslim-American comedians Negin Farsad and Dean Obeidallah say the shows — and corresponding documentary by the same name — bring a message of understanding and open communication through laughter to the communities they visit. “It’s going to be funny for everyone. It’s not just for Muslims,” said Obeidallah in a phone interview last week. “Our hope is to use the stand-up comedy to bring people of all faiths and backgrounds to laugh and to foster understanding.” The Dar-E-Abbas mosque controversy in Lilburn caught their attention and prompted Farsad and Obeiballah to search for local venues to host the show. Obeidallah read about the controversy online — the city’s denial of a request by the mosque to expand its facilities on Highway 29 at Hood Road, the subsequent lawsuit filed by the mosque, and the Department of Justice investigation into the city’s decision. -
Performing Arabness in Arab American Stand-Up Comedy
77 Performing Arabness DOI: 10.1515/abcsj-2014-0028 Performing Arabness in Arab American Stand-up Comedy YASSER FOUAD SELIM Sohag University Abstract This article deals with the dramatic art of stand-up comedy. It locates Arab American stand-up comedy within a broader American humorous tradition and investigates the way Arab American performers use this art to negotiate and (re)construct their identity. The main question in this article is the way Arab American stand-up comedians define their relationship to the Arab and the western worlds in the process of establishing their Arab American identity. Three humor theories – the relief theory, the incongruity theory, and the superiority theory – are deployed in the study to examine the representation of Arabness in selected Arab American performances. The study argues that Arab American comics minstrelize their own diasporic origin through reinscribing a range of orientalizing practices in order to claim their Americanness. Keywords: Arab American, stand-up comedy, Maysoon Zayid, Ahmed Ahmed, Dean Obeidallah, Aron Kader, humor, identity The art of stand-up comedy is one of the most scholarly marginalized theatrical forms. There is very little academic and scholarly attention given to the study and analysis of stand-up comedy despite its old history and present popularity. Arab American stand-up comedy is the most marginalized in the tradition. This article is an attempt to fill a gap in the study of stand-up comedy in general and the criticism of Arab American artistic expression in particular. The article starts with defining stand-up comedy and tracing its historical connection to the negotiation and projection of ethnicity. -
Partial Action Plan No. 8 for the World Trade Center Memorial And
APPROVED BY HUD (as of 11/23/04) LOWER MANHATTAN DEVELOPMENT CORPORATION Partial Action Plan No. 8 for The World Trade Center Memorial and Cultural Program, Related Initiatives, and Lower Manhattan Tourism Overview The Lower Manhattan Development Corporation (LMDC) has prepared the following Partial Action Plan with regard to the $2 billion federal grant for the World Trade Center disaster recovery and rebuilding efforts administered by the United States Department of Housing and Urban Development (HUD). LMDC has received additional funding through a $783 million grant from HUD for damaged properties and businesses (including the restoration of utility infrastructure) as well as economic revitalization related to the terrorist attacks at the World Trade Center. This plan details the proposed expenditure of up to $65,259,894.74 to fund the items listed below. Of this proposed funding, $64,259,894.74 will be taken from the remaining amounts from the $2.78 billion allocation. An additional $1,000,000.00 in program income is proposed in this Partial Action Plan to be allocated to the World Trade Center Memorial Foundation. This funding will not be taken from the remaining Community Development Block Grant funding. An overview of the proposed funding is as follows: 1. World Trade Center Memorial and Cultural Program: 1A. World Trade Center Memorial and Memorial Center; 1B. World Trade Center Memorial Foundation; 1C. World Trade Center Performing Arts Center; 1D. World Trade Center Museum Complex 2. Tribute in Light 3. Story Corps WTC Story Booth Project 4. Living Memorial Project 5. Lower Manhattan Tourism - River to River Festival 2004 6. -
<I>The Axis of Evil Comedy Tour
Global Posts building CUNY Communities since 2009 http://tags.commons.gc.cuny.edu “Persian Like The Cat”: Crossing Borders with The Axis of Evil Comedy Tour Tamara L. Smith/ In the wake of the attacks of September 11, Americans of Middle Eastern heritage experienced a sudden and dramatic change in how their ethnicities were perceived. As comedian and activist Dean Obeidallah explained, “On September 10, I went to bed white, and woke up Arab.”[1] Once comfortable in their American identities, they now had to contend with new cultural forces that configured them as dangerous outsiders. In the months and years that followed, the supposed existence of a so-called “Axis of Evil” of dangerous, anti-American regimes became the justification for expanding military operations abroad, while domestically it fed into a growing Orientalist sentiment that continues to configure Americans of Middle Eastern descent as potentially dangerous outsiders. In 2005, a group of United States comedians of Middle Eastern heritage adopted the alarmist moniker as a tongue-in-cheek title for their stand-up comedy performances. Part commiseration and part public relations, the Axis of Evil Comedy Tour served both as an expression of solidarity between Middle Eastern-Americans and as an act of cultural diplomacy, recasting Middle Eastern ethnic identities as familiar, patriotic, and safe. In this article, I look back to a 2006 performance by the Axis of Evil Comedy Tour in Santa Ana, California, including sets by tour members Ahmed Ahmed, Maz Jobrani, and Aron Kader as well as their guest, New York Arab-American Comedy Festival founder Dean Obeidallah. -
Download Survey Written Responses
Family Members What place or memorial have you seen that you like? What did you like about it? 9/11 memorial It was inclusive, and very calming. 9/11 Memorial It was beautiful. Park with a wall with names on it. Angels status. Water fountain. Water fountain area and location. Touchscreen info individual memorials Oklahoma City Memorial memorabilia collections 9-11 memorial Place to reflect and remember; reminder of the lessons we should Several Washington DC memorials learn from hateful acts Love that all the names were 911 New York City Place on a water fall Before the 911 Memorial was erected; I visited the site a month after the event. I liked its raw state; film posters adverts still hanging up from films premiered months prior. The brutal reality of the site in baring its bones. The paper cranes left by the schoolchildren. The Holocaust Museum along with the Anne Frank Haus spoke to me; the stories behind the lives of these beautiful people subjected to nothing but hate for who they loved and who they were. The educational component to the Holocaust Museum in D.C. spoke volumes to me. To follow the journey of a Holocaust victim... For Pulse, I see a blend of all of this. To learn the stories of why so many sought refuge and enjoyment there. Why did so many leave their "families"? Because they could not be who they were. I find it is important that we teach this lesson-it's okay to be who you are-we have your back-we love you-we will dance with you-in any form of structure. -
Bird-Friendly Building Guide
Bird-Friendly Building Design Vassar’s Bridge for Laboratory Sciences, shown here under construction in October 2015. The building is scheduled to open in January 2016. Cover rendering and photos courtesy of Ennead Architects Cover rendering and photo this page: The new Bridge for Laboratory Sciences building at Vassar College, designed by Richard Olcott/Ennead Architects, redefines the identity of the sciences on the College’s historic campus and provides technologically advanced facilities for students, faculty, and researchers. Fundamental to the building’s design is its seamless integration with the natural landscape, scale, and campus aesthetic of the College. In this natural wooded setting, the need for strategies to reduce bird collisions with the building was apparent. In response, the building was designed to comply with LEED Pilot Credit 55: Bird Collision Deterrence. Ennead managing partner Guy Maxwell is a nationally recognized champion of bird-friendly design and has led Ennead’s innovative approach to make the building’s glazing safer for birds, employing patterned glass, screens and sunshades, and Ornilux glass, a specialty glass product that uses a UV coating visible to birds but not humans. By framing and showcasing views of the landscape, the building celebrates and connects students with the surrounding environment, while the overall development of the precinct repurposes an Exterior glass detail Glass detail, showing frit pattern underutilized sector of campus. Table of Contents Executive Summary ...........................................................4 -
Complaint with Jury Demand
Case: 2:17-cv-00720-EAS-EPD Doc #: 1 Filed: 08/16/17 Page: 1 of 38 PAGEID #: 1 IN THE UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF OHIO EASTERN DIVISION DEAN OBEIDALLAH, CASE NO. Plaintiff, JUDGE v. MAGISTRATE JUDGE ANDREW B. ANGLIN, DBA Daily Stormer, and MOONBASE HOLDINGS, LLC, DBA Andrew Anglin, and JOHN DOES NUMBERS 1–10, Individuals who also assisted in the publication or representation of false statements regarding Mr. Obeidallah, Defendants. COMPLAINT WITH JURY DEMAND — NATURE OF THE ACTION — This is an action that arises from the false and defamatory statements in a news article published by Defendants about Plaintiff Dean Obeidallah. Mr. Obeidallah is a comedian, commentator, and host of a national daily radio show. With malice and reckless disregard, Defendants published false statements asserting that Mr. Obeidallah is a terrorist and fabricated evidence to support those false accusations. As a result, Mr. Obeidallah has endured threats, suffered Page 1 of 38 Case: 2:17-cv-00720-EAS-EPD Doc #: 1 Filed: 08/16/17 Page: 2 of 38 PAGEID #: 2 emotional distress, and his reputation has been permanently damaged. He brings this case to force Defendants to answer for their malicious conduct. — INTRODUCTION — 1. On June 1, 2017, Defendants Andrew B. Anglin, Moonbase Holdings, LLC, and John Doe Defendants 1–10 (“John Doe Defendants”) published an article entitled “Dean Obeidallah, Mastermind Behind Manchester Bombing, Calls on Trump to Declare Whites the Real Terrorists” (the “Article”) on a popular Neo-Nazi and white supremacist website, the Daily Stormer.1 In the Article, Defendants falsely claim that Plaintiff Dean Obeidallah planned and executed the horrific terrorist attack that took place at an Ariana Grande concert in Manchester, United Kingdom a little over a week earlier (on May 22, 2017) (the “Manchester Bombing”). -
Newsletter September 2008:Spring 2007 Newsletter.Qxd
September 11th Families' Association TributeWE REMEMBER Volume 7, Issue 3 September 2008 Pentagon Memorial Opens on Anniversary The Pentagon Memorial will be dedicated this September 11th. The design features 184 stainless steel benches, with a name of each of the victims. The benches are oriented outward or inward to the Pentagon, depending on whether the victim was on the plane or inside the building. Each bench will feature a lighted pool beneath it, and a grove of trees will cover the site -- permitting contemplation at any of the benches. The dedication plaque reads: We claim this ground in remembrance of September 11, 2001. To honor the 184 people whose lives were lost, their families, and all who sacrifice that we may live in freedom. We will never forget. September 11, 2008 Anniversary Commemorations Washington D.C. The Shanksville, PA On September Tribute Center On September 11th, the Pentagon and Flight 77 10th, the Somerset Alliance Church Tribute Center will be open for family members Memorial dedication for will hold a service to honor the from 9am - 6pm. Liberty Street will be in the family members and victims of Flight 93. On the restricted zone between Zuccotti Park and the injured survivors will be morning of September 11th the entrance to the WTC site. held on September 11th at ceremony will be held at the If your family member is 9:30 am (please arrive at temporary memorial site to not yet remembered in 6:00 am). The Washington commemorate the anniversary. the Tribute Gallery, and National Cathedral will The theme of this year’s you would like to submit a remember victims and anniversary is “Their courage, our photo (up to 8”x10”), their families during the commitment”. -
Recollections & Reflections of 9/11/01
PERSPECTIVE Recollections & Reflections of 9/11/01 Shown above: 2020 Tribute. [NATIONAL SEPTEMBER 11 MEMORIAL & MUSEUM; WWW.911MEMORIAL.ORG] Cover photo: Tribute in Light is a commemorative public art installation first presented six months after 9/11 and then every year thereafter, from dusk to dawn, on the night of September 11. [CREATIVE COMMONS, WIKIMEDIA] The Community Plaza in front of the National September 11 Memorial & Museum (more frequently known simply, as the 9/11 Memorial) at Ground Zero. [NATIONAL SEPTEMBER 11 MEMORIAL & MUSEUM; WWW.911MEMORIAL.ORG] Memorial photograph wall of people killed on display at the World Trade Center Memorial and Museum in New York City, built on the site of the terrorist attack that brought down the World Trade Center’s Twin Towers on 9/11/2001. [LIBRARY OF CONGRESS, HIGHSMITH, CAROL M., PHOTOGRAPHER] RIMJ ARCHIVES | SEPTEMBER ISSUE WEBPAGE | RIMS SEPTEMBER 2021 RHODE ISLAND MEDICAL JOURNAL 73 PERSPECTIVE September 11, 2001 – A Recollection of a Tragic Day in my Hometown KENNETH S. KORR, MD, FACC New York City fire fighters amid debris at the World Trade Center. [LIBRARY OF CONGRESS] Two men assisting and walking with an injured woman down a street littered with paper and ashes, follow- ing the attack. [LIBRARY OF CONGRESS, PHOTOGRAPHER DON HALASY] New York City fire fighter and another man covering his eyes on street in front of burning buildings following the Sept. 11th ter- rorist attack on the World Trade Center. [LIBRARY OF CONGRESS] IT WAS A TYPICAL HECTIC MONDAY IN THE hit. Something was going on in a field in NYC had to be evacuated. -
Accepted Version
Newcastle University ePrints Campbell E. The cultural politics of justice: Bakhtin, stand-up comedy and post-9/11 securitization. Theoretical Criminology 2011, 15(2), 159-177. Copyright: The definitive version of this article, published by SAGE, 2011, is available at: http://dx.doi.org/10.1177/1362480610387967 Always use the definitive version when citing. Further information on publisher website: http://tcr.sagepub.com/ Date deposited: 27th January 2014 Version of article: Author’s final accepted manuscript This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License ePrints – Newcastle University ePrints http://eprint.ncl.ac.uk THE CULTURAL POLITICS OF JUSTICE: BAKHTIN, STAND-UP COMEDY AND POST 9-11 SECURITIZATION Paper published in: Theoretical Criminology (2011) Volume 15(2): 159-177 Author: Dr Elaine Campbell Reader in Criminology School of Geography, Politics and Sociology Claremont Bridge Building NEWCASTLE UNIVERSITY Newcastle Upon Tyne NE1 7RU United Kingdom Contact details: Tel: +44 (0)191 222 5030 Fax: +44 (0)191 222 5421 E-mail: [email protected] Biography: Elaine Campbell is a Reader in Criminology in the School of Geography, Politics and Sociology at Newcastle University. She teaches courses in cultural criminology, transgression, visual cultures and methodologies, and researches and publishes on the emotionality, aesthetics and ethics of crime and punishment, with a focus on how these are visually and discursively mobilised. THE CULTURAL POLITICS OF JUSTICE: BAKHTIN DOES STAND-UP1 ABSTRACT For Rabelais, `folk humour’ and its boundless forms are far from frivolous, inconsequential aspects of the human condition, but are central to modes of critique and the formation of discourses which seek radical cultural transformation by evading, exposing, resisting, scandalizing and mocking `official culture’. -
An Impact Report of Muslim Contributions to New York City July
An Impact Report of Muslim Contributions MUSLIMS FOR AMERICAN PROGRESS to New York City July 2018 Muslims for American Progress is a project of the Institute for Social Policy and Understanding. Muslims for American Progress: An Impact Report of Muslim Contributions to New York City Research Team Dr. Elisabeth Becker, Safia Albaiti, Meral Kocak, Taylor Mattia, Principal Investigator & Research Assistant Research Assistant Research Assistant Author Nusrath Yusuf, Michael Lance, Dalia Mogahed, Sarrah Buageila, Research Assistant Data Analyst ISPU Director of Research ISPU Project Manager Communications Team Katherine Coplen, Katie Grimes, ISPU Senior ISPU Communication & Communications Manager Creative Media Specialist i Muslims for American Progress: An Impact Report of Muslim Contributions to New York City Advisory Team Dr. Debbie Almontaser – Community activist, advocate, entrepreneur, and educator who works across sectors in NYC. Among her numerous roles, Almontaser is the founding principal of the Khalil Gibran International Academy, the CEO of the Building Cultures Group Inc, founding board member of the Muslim Community Network and the Yemeni American Merchants Association, and is on the board of Micah Institute. Dr. Almontaser is an advisor on cultural and religious diversity issues for Public Advocate Tish James, Borough President Eric Adams, the Mayor’s Ofce of Immigrant Afairs, the NYC Commission for Human Rights, and New York City Council members. She is also a member of the NYC Department of Education Diversity Advisory Board. Gareth Bryant – Chaplain, mental health advocate, suicide awareness/prevention advocate, community activist, member of Muslims Giving Back, writer/poet, model. Mustafa Davis – Photographer, film producer, digital media consultant, and founder of Mustafa Davis Studios™. -
CR16-Shaheen.Pdf
Hollywood’s Bad Arabs By Jack G. Shaheen s it easier for a camel to go through the eye of a needle than for an Arab to appear as a genuine human being?” I posed this question forty years ago, when I first Ibegan researching Arab images. My children, Michael and Michele, who were six and five years old at the time, are, in part, responsible. Their cries, “Daddy, Daddy, they’ve got bad Arabs on TV,” motivated me to devote my professional career to edu- cating people about the stereotype. It wasn’t easy. Back then my literary agent spent years trying to find a publisher; he told me he had never before encountered so much prejudice. He received dozens of rejection letters before my 1984 book, The TV Arab, the first ever to document TV’s Arab images, made its debut, thanks to Ray and Pat Browne, who headed up Bowling Green State University Popular Press. The Brownes came to our rescue. Regrettably, the damaging stereotypes that infiltrated the world’s living rooms when The TV Arab was first released—billionaires, bombers, and belly dancers—are still with us today. In my subsequent book Reel Bad Arabs I documented both positive and negative images in Hollywood portrayals of Arabs dating back to The Sheik (1921) starring Rudolph Valentino. The Arab-as-villain in cinema remains a pervasive motif. This stereotype has a long and powerful history in the United States, but since the September 11 attacks it has extended its malignant wingspan, casting a shadow of distrust, prejudice, and fear over the lives of many American Arabs.