Masaki Fujihata Rieko Hidaka Takashi Ito Index born 1956 in Tokyo/JPN born 1958 in Tokyo/JPN born 1956 in Fukuoka/JPN lives in Tokyo/JPN lives in Tokyo/JPN lives in /JPN Exhibitions (selection) Exhibitions (selection): Films and Festivals (selection): Field-Work@Alsace, Lisboa Rieko Hidaka – Trees, Northland Monochrome Head, 10:00 min, 16- Photo2005, Lisbon 2005; Field- Museum of Art, Hokkaido 2004; mm, 1997; Apparatus M, 6:00 min, Work@Alsace, Microwave Festival, Rieko Hidaka, Galerie 16, Kyoto 2004; 16-mm, 1997 (shown in the exhibi- Low Block, Hong Kong City Hall, Rieko Hidaka, Art Kite Museum, tion – The Hong Kong 2004; Mersea Circle, Detmold 2003; Masterpieces in CAMK Sickness unto Beauty, Yokohama firstsite gallery, Colchester 2003; selection – Today’s Japanese Tradi- Museum of Art, Yokuhama 1996); Beyond Pages – Im Buchstabenfeld. tional Painting, Contemporary Art Zone, 13:00 min, 16-mm, 1995; New Die Zukunft der Literatur, Neue Museum, Kumamoto 2003; Komorebi, York Film Festival 1995; Oberhausen Galerie Graz am Landesmuseum Contemporary Art Gallery, Art International Film Festival 1996; Joanneum/steirischer herbst, Graz Tower Mito, Ibaraki 2003; Painting Brisbane International Film Festival 2001; Field-Work@Hayama, Ars in our time, The Niigata Bandaijima 1996; Vancouver International Film Electronica Festival, Linz 2001; Art Museum, Niigata 2003; Rieko Festival 1996; Tampere International Impressing Velocity, net conditions, Hidaka – From the Space of Trees, Short Film Festival 1996; ZKM, Karlsruhe 1999; Global Interior Tomio Koyama Gallery, Tokyo 2002, New Zealand Film Festival 1996; Project, Kunst- und Ausstellungshalle Galerie 16, Kyoto 2002; Here is the The Moon, 7:00 min, 16-mm, 1994; der Bundesrepublik Deutschland, Museum, the scape collaborated with Rotterdam International Film Festival Bonn 1997; Global Interior Project our collection, artists and you – The 1995; Vancouver International Film and Beyond Pages, Ars Electronica Encounter of our Collection and 4 Festival 1995; Kerala International Festival, Linz 1996. Artists, Shizuoka Prefectural Museum Film Festival 1995; New Zealand Film of Art, Shizuoka 2002; Rieko Hidaka, Festival 1996; Hide-and-Seek in Karyn Lovegrove Gallery, Los Angeles December, 7:30 min, video, 1993; Field-Work@Alsace, 2003 2001; ikiro – be alive. Contemporary Venus, 4:00 min, 16-mm, 1990; The Multimedia installation, projector, PC; art from 1980 until now, Dream of Mummy, 5:00 min, 16-mm, dimensions variable Kröller-Müller Museum, Otterlo 2001. 1989. Property of the artist; co-produced by ZKM, Karlsruhe see p. 104, 105 Distance from the Sky I, 2002 Spacy, 1981 Pigment on paper; 240 × 240 cm Film, 10:00 min Collection of Hiroshima City Museum Courtesy of Image Forum of Contemporary Art see p. 111 see p. 107 Distance from the Sky II, 2002 Pigment on paper; 240 × 240 cm Collection of The Niigata Prefectural Museum of Modern Art/The Niigata Bandaijima Art Museum see p. 109 Emiko Kasahara Tadashi Kawamata Yayoi Kusama Trinh T. Minh-ha 224 225 born 1963 in Tokyo/JPN born 1953 in Hokkaido/JPN born 1929 in Matsumoto/JPN born 1952 Hanoi/VN lives in New York/USA lives in Tokyo/JPN lives in Tokyo/JPN lives in Berkeley/USA Exhibitions (selection): Exhibitions (selection): Exhibitions (selection): Films, screenings, exhibitions On Reason and Emotion, The 14th Kawamata Coal Mine Project, Yayoi Kusama: The Place for My Soul, and festivals (selection): Biennale of Sydney, Sydney, 2004; Tagawa, 2004, Project Reconsidera- Matsumoto City Museum of Art, Shanghai Biennale 2004 – Techniques Public/Private, The 2nd Auckland tion, Tagawa 2004; Work in Progress Matsumoto 2005; Yayoi Kusama: of the Visible, Shanghai Biennale, Triennial, Auckland, 2004; Project in Toyota City, Toyota 2004; Sailing the Sea of Infinity, Contempo- Shanghai 2004; Busan Art Biennale Formed to Function, John Michael Memory in Progress Saint Thelo, rary Art Museum, Kumamoto 2005; 2004, Busan 2004; MACBA (Museum Kohler Arts Center, Sheboygan 2004; Wooden Terrace Beach, Basel Yayoi Kusama: Eight Places for of Contemporary Art) Barcelona 2003; 2003; Chat@MIMOCA, Marugame 2004; Echigo-Tsumari Art Triennial, Burning Soul, Hiroshima City Museum documenta 11: Naked Spaces – Genichiro-Inokuma Museum of Tsumari 2003; Biennal de Valencia, of Contemporary Art, Hiroshima 2005; Living is Round, 16-mm film, 1985; Contemporary Art, Kagawa 2002; Valencia 2003; Bridge and Archives, Yayoi Kusama: Eternity-Modernity, Poesie des Wohnens und Experimente A Cabinet of Curiosities, The New Moyland, Bedburg-Hau 2003; The National Museum of Modern Art, mit gesteigerter akustischer Wahrneh- York Public Library, New York 2002; Demeter: Tokachi International Tokyo and Kyoto 2004 – 2005; mung, Musik, Umgebungsgeräuschen Oral Fixation, Center for Cultural Contemporary Art Exhibition, Tokachi Eijanaika! Yes, Future! Post 20th und Momenten der Stille, Kassel Studies Museum at Bard College, 2002; Shanghai Biennale, Shanghai Century Japan, Collection Lambert, 2002; Screening, Wiener Secession, Annandale-on-Hudson, USA. 2002; 2002; Temporary Existence, Avignon 2004; Water Level of Image – Vienna 2001; Screening, Haus der Pink, White Box, New York 2001; Ex-Teresa Arte Actual, Mexico City Transformation and Reflection of Kulturen der Welt, 1999; Immaculate Fabrication, Deitch 2002; Daily News, Art Tower Mito, Narcissus, Toyota Municipal Museum Screening, Brooklyn Museum of Art, Projects, New York 1997; Emiko Mito 2001. of Art, Toyota 2004; Mediarena New York, The Museum of Modern Kasahara, Gallery Kobayashi, Tokyo Contemporary Art from Japan, Art, New York, und The Art Institute 1992. The Govett-Brewster Art Gallery, of Chicago, 1997; Feminale Women’s Field Work in Tokyo, 1989 Plymouth, 2004; Kusamatrix, Film Festival, Cologne 1996 (Special Mixed media; dimensions variable Mori Art Museum, Tokyo 2004. Tribute); Screening: Shedhalle, Zurich La Charme, 2001 Courtesy of the artist and and Kunstverein München 1995. Synthetic hair, plywood, Velcro, DVD, on the table, Tokyo monitor; dimensions variable see p. 115 Rose Garden, 1998 Courtesy of the artist and Yoshiko Mixed media; 135 × 125 × 65 cm The Fourth Dimension, 2001 Field Work in Graz, 2005 Isshiki Office, Tokyo Courtesy of the artist, Digital video/VHS, color; 87:00 min Mixed media; dimensions variable Installation view of Fabian & Claude Walter Galerie, Produced by Jean-Paul Bourdier Courtesy of the artist and Yokohama Triennale, 2001 Basel-Zürich, and Robert Miller and Trinh T. Minh-ha; Directed, on the table, Tokyo see p. 112/113 Gallery, New York photographed, written, narrated see p. 116 –117 see p. 121 and edited by Trinh T. Minh-ha; La Charme #3, 2004 Music by The Construction of Ruins, Installation and Performance Walking on the Sea of Death, 1981 with Greg Goodman and by Shoko of Biennale of Sydney, 2004 Sewn stuffed fabric, wooden boat, Hikage see p. 113 paint; 58 × 256 × 158 cm see p. 125 – 127 Collection of Museum of Contemporary Art, Tokyo see p. 123

Hiroyuki Moriwaki Daido Moriyama Takuma Nakahira Tetsuya Nakamura born 1964 in Wakayama/JPN born 1938 in /JPN born 1938 in Tokyo/JPN born 1969 in Chiba/JPN lives in Tokyo/JPN lives in Tokyo/JPN lives in Tokyo/JPN lives in Tokyo/JPN Exhibitions (selection): Solo exhibitions (selection): Solo Exhibitions (selection): Exhibitions (selection): Visualize – The history and futures- Buenos Aires, Taka Ishii Gallery, Tokyo Why an illustrated human-animal Young Artists from Korea, China and cape of visual media, Tokyo Metro- 2005; Moriyama : Shinjuku : Araki, dictionary?, Shugoarts, Tokyo, 2004; Japan, The National Museum of politan Museum of Photography, Tokyo Opera City Gallery, Tokyo Takuma Nakahira: Degree Zero, Cotemporary Art, Korea, Seoul 2004; Tokyo 2005; My Sweet Home, Spiral 2005; Moriyama Daido 1965 – 2003, Naha Civic Gallery, Naha, Okinawa, Passage to the Future: Young Garden/Wacoal Art Center, Tokyo Shimane Art Museum, Shimane 2004; Takuma Nakahira: Degree Japanese Artists, from the Japan 2003; Re-Imagination-image/media/ 2003; Shinjuku, Taka Ishii Gallery, Zero – Yokohama, Yokohama Foundation Collection 2004; museum, Tokyo Metropolitan Museum Tokyo 2002; inside the white cube: Museum of Art, Yokohama, 2003; Roppongi Crossing: New Visions of of Photography, Tokyo 2002; Antipodes, White Cube, London 2002; Everyday Life: Nakahira Takuma Now, Japanese Art 2004, Mori Art Museum, Moriwakit EXPO 2001, Sagamihara Platform, Light and Shadow, Daiwa C-square, Art Gallery of the Chukyo Tokio 2004; Living together is easy, City Museum, Kanagawa 2001; Radiator Factory, Hiroshima 2002; University, Nagoya, 1997; Adieu à X, Contemporary Art Center, Art Tower Space Odyssey, Art Tower Imaraki, Daido Moriyama: Stray Dog, Photo Daido, Tokyo 1989. Mito, Ibaraki 2004, National Gallery Ibaraki 2001, Resolution, 20th Wharf, San Francisco MOMA, San Francisco of Victoria, Victoria 2004; Port of Nagoya, Nagoya 2000; 1999; Fragments, Parco Gallery, Home Sweet Home, Spiral Garden/ Debris of Heaven (Live Performance), Tokyo 1998; Osaka, Taka Ishii Gallery, Untitled, 1978 –1989 Wacoal Art Center, Tokyo 2003; Hara Museum of Contemporary Art, Tokyo 1997; Moriyama Daido, Gelatin silver print; 21,2 × 29,1 cm A_MUSE_LAND 2003 Asoventurers Tokxo 1999; Media Select, 20th Laurence Miller Gallery, New York Collection of the artist World, Hokkaido Museum of Modern Wharf, Port of Nagoya, Aichi 1999; 1993; Moriyama Daido, Zeit Photo see p. 143 Art, Sapporo 2002; Chiba Art Now “Garden of Memory” by Minato and Salon, Tokyo 1990; Light and Shadow, ’02 Retracing the Paths, Sakura City Degree Zero – Yokohama, 2002 Moriwaki, NTT Inter Communication Nagase Photo Salon 1981; Das Museum of Art, Chiba 2002; Type C print; 90 × 60 cm Center, Tokyo 1998; AKARI Message, ist Japan, Camera Austria, Forum Emotional Site, Saga-cho Shokuryo Courtesy of Shugoarts, Tokyo AXIS Gallery, Tokyo 1998; Nagoya Stadtpark 1980. Bild., Tokio 2002; Un monde reve de see p. 145 International Biennale ARTEC’97, la main, Maison Hermes, Tokio 2002; Nagoya city art museum, Nagoya, Degree Zero – Yokohama, 2002 Speed King, Rice Gallery by G2, 1997. KIROKU no. 2 (Records no. 2), n.d. Type C print; 90 × 60 cm Tokio 2001; Replica Custom, Gallery Gelatin silver print; 16 × 23,8 cm Courtesy of Shugoarts, Tokyo Koyanagi, Tokio 1999. Collection of Shadai Gallery, Tokyo see p. 147 Lake Awareness, 2005 see p. 131 La nuit 3, ca. 1969 LED, printed board, aluminium; Premium Unit Bath, 2003 Untitled, n.d. Photogravure on paper; 57,2 × 84,5 cm 500 × 500 × 175cm Paint on FRP; 90 × 200 × 130 cm Spread from the book SHASHINYO Collection of Catherine and Jacques Collection of the artist Collection of the artist SAYOUNARA (A Farewell to Pineau see p. 129 see p. 155 Photography), 1972 see p. 148/149 36,2 × 23 cm Premium Unit Pillar, 2003 La nuit 5, ca. 1969 Collections of Toshiharu Ito, Tokyo Paint on FRP; 120 × 110 × 80 cm Photogravure on paper; 58,2 × 83,4 cm see p. 132/133 Collection of the artist Collection of Catherine and Jacques see p. 156 Scandalous: Wild Party, 1970 Pineau Page from the book SHASHINYO see p. 150/151 Premium Unit Step, 2003 SAYOUNARA (A Farewell to Paint on FRP; 180 × 110 × 60cm Amami Oshima, 1975 Photography), 1972 Collection of the artist Type C print; 38,7 × 58 cm 18 × 23 cm see p. 156 Courtesy of Shugoarts, Tokyo Collection of Toshiharu Ito, Tokyo see p. 152/153 see p. 135 Light and Shadow 2: On the Road, Chair, 1981–1982 Gelatin silver print; 24 × 29 cm Collection Tatsumi Sato Courtesy of Taka Ishii Gallery, Tokyo see p. 136/137 Light and Shadow 4, Hat, 1981–1982 Gelatin silver print; 35 × 41,9 cm Collection Tatsumi Sato Courtesy of Taka Ishii Gallery, Tokyo see p. 138/139 Shinjuku, 2001 – 2002 Gelatin silver print; 83,7 × 55,5 cm Courtesy of Taka Ishii Gallery, Tokyo see p. 140 Motohiko Odani Taro Okamoto Yoko Ono Yutaka Sone 226 227 born 1972 in Kyoto/JPN born 1911 in Kawasaki/JPN born in 1933 in Tokio/JPN born 1965 in Shizuoka/JPN lives in Tokyo/JPN died 1996 in Tokyo/JPN lives in New York/USA lives in California/USA Exhibitions (selection): Exhibitions (selection): Exhibtions (selection): Exhibitions (selection): Erectro, Yamamoto Gendai, Tokio, Taro Okamoto – La solitude absolue, Horizontal Memories. Performances, Universal Experience: Art, Life & the 2004; Heterotopias: Japanese Contemporary Art Museum, installations, films, music, sculptures Tourists Eye, MCA Chicago, Chicago Pavillion, Dream and Conflict: 50. Kumamoto 2003; Photographer Taro and photography, Astrup Fearnley 2005; Yutaka Sone, Gallery Side 2, Biennale die Venezia, Venedig 2003; Okamoto, Sendai Mediatheque 2003; Museum of Modern Art, Oslo 2005; Tokyo 2004; Brainstorming: Topogra- Strategies of Desire, Kunsthaus Message from the Tower of the Sun: Do You Believe in Reality? 2004 phie de la morale, Centre National Baselland, Basle 2004; En Melody, Taro Okamoto and EXPO’70, Taro Taipei Biennial, Taipei Fine Arts d’art et du Paysage de Vassivière, Fine Art Rafael Vorstell, Berlin 2001; Okamoto Museum of Art, Kawasaki Museum – Taipei Biennial, Taipei île de Vassivière 2004; 100 Artists Translated Acts, Haus der Kulturen 2000; TARO, a truly multifaceted 2005; Editions, Ephemera and See God, Independent Curators der Welt, Berlin and Queens Museum individual, Taro Okamoto Museum of Printed Works. Yoko Ono, Printed International, New York 2004; Happy of Art, New York 2001; Marella Arte Art, Kawasaki 1999; Taro Okamoto, Matter Inc., New York 2004; Yoko Trail, Shiseido Gallery, Tokyo 2003; Contemporanea, 2001; Hiroshima City Museum of Contem- Ono, Kulturhuset, Stockholm 2004; White Cave, Akiyoshidai International 5th biennale de lyon, art contempo- porary Art, 1995; Taro Kaleidoscope, Yes Yoko Ono, Museum of Contem- Art Village, Mine-gun 2003; Yutaka rain, Halle Tony Garnier, Lyon 2000; Kawasaki City Museum, 1993; porary Art Tokyo, Hiroshima City Sone: Jungle Island, MOCA at the Guarene Arte 99, Fondazione Taro Okamoto – Outstanding Talent Museum of Contemporary Art, Art Geffen Contemporary, Los Angeles Sandretto Re Rebaudengo, from Kawasaki, Kawasaki City Tower Mito, Tokyo, Hiroshima, Ibara- 2003; The Gift: Generous offerings, 1999; Transfiguration, Röntgen Museum, Kawasaki 1991; Avantgarde kiken 2004; Tri(o)ptique – Akerman/ insidious hospitality, Block Museum Kunstraum, Tokyo 1998; Phantom art in Japan 1945–1965, Oxford Ono/Moral. Chantal Akerman, Yoko of Art at Northwestern University, Limb, P-House Tokyo, Tokyo 1997. Museum of Modern Art, Oxford 1985; Ono, Sukran Moral, Luxflux Museo Chicago 2003; Travel to Double River Taro Okamoto, Yamanashi Prefectural Laboratorio di Arte Contemporanea, Island, Toyota Municipal Museum Museum of Art, Kofu 1981. 2003. of Art, Toyota 2002; Beautiful Artist Berenice, 2003 (curated by Yutaka Sone), YICA, FRP, steel etc.; dimensions variable Yamaguchi 2002; I Love NY – (diameter of sphere ap. 300 cm) Jomon period jar, detail, Nagano Pointedness, 1964/1966 A Benefit, David Zwirner Gallery, TAKAHASHI Collection (diggings), Tokyo National Museum, Crystal sphere on Plexiglas pedestal; New York 2001; Techno-Landscape: see p. 158/159 1956 sphere: diameter 6,6 cm, Toward Newer World Textures, NTT Gelatin silver print; 37,9 × 25 cm pedestal: 147,6 × 26,6 × 25,4 cm Inter Communication Center, Tokyo Skeleton, 2003 Collection Taro Okamoto Museum Collection of the artist 2001; Double Six, ArtPace, San FRP; 45 × 400 cm of Art, Kawasaki see p. 175 Antonio 2000. Courtesy of Yamamoto Gendai, see p. 163 Tokyo Apple, 1996 see p. 161 IZAIHO ceremony, Kudakajima, Apple, Plexiglas pedestal with brass Hello Bat, 1999 Okinawa, 1966 plaque; 91,5 × 25,4 × 25,4 cm DVD; 4:00 min Gelatin silver print; 27,4 × 37,8 cm Collection of the artist Collection Hauser und Wirth, Collection Taro Okamoto Museum see p. 177 Schweiz of Art, Kawasaki Forget it, 1966 see p. 180 see p. 164/165 Needle of stainless Bat, 1999 O-UTAKI sanctuary, Kudakajima, steel on Plexiglas pedestal; wax crayon, pencil on paper; Okinawa, 1959 needle: 8,2 cm, pedestal: 43,2 × 58 cm Gelatin silver print; 39 × 59 cm 147,6 × 26,6 × 25,4 cm Collection Hauser und Wirth, Collection Taro Okamoto Museum Collection of the artist Schweiz of Art, Kawasaki see p. 179 see p. 181 see p. 166/167

Green Jungle, 1999 SHISHI-ODORI (deer dance), Dried seaweed, sponge, dried Hanamaki hot springs, Iwate, 1957 flowers, fabric, glue, tree; Gelatin silver print; 40,4 × 27 cm 92 × 132 × 200 cm Collection Taro Okamoto Museum Hauser und Wirth Collection, of Art, Kawasaki Switzerland see p. 169 see p. 182/183 Lion dance in Kabira, Ishigakijima, Highway Junction 110–10, 2002 Okinawa, 1959 Carved marble; 24,1 × 133,4 × 130,1 cm Gelatin silver print; 35,5 × 43,4 cm Daros Collection, Switzerland Collection Taro Okamoto Museum see p. 184, 185 of Art, Kawasaki see p. 170/171 Highway Junction 14–5, 2002 Carved marble; 34 × 113 × 123,5 cm Roasting a goat, Ishigakijima, Daros Collection, Switzerland Okinawa, 1959 see p. 186, 187 Gelatin silver print; 37,9 × 24,8 cm Collection Taro Okamoto Museum of Art, Kawasaki

see p. 172

Yoshihiro Suda Hiroshi Sugimoto Makoto Sei Watanabe Masaaki Yamada born 1969 in Yamanashi/JPN born 1948 in Tokyo/JPN born 1952 in Yokohama/JPN born 1930 in Tokyo/JPN lives in Tokyo/JPN lives in New York/USA lives in Tokyo/JPN lives in Tokyo/JPN Exhibitions (selection): Exhibitions (selection): Exhibitions and projects (selection): Exhibitions (selection): VOLTAshow 01, Basle 2005; Blumen- Conceptual Forms, Gagosian Gallery Shin Minamata MON, Minamata- Why Not Live For Art?, Tokyo Opera stück – Künstlers Glück, Museum Britannia, London 2005; Conceptual city, 2005; Fiber Wave II, III, ICC City Art Gallery, Tokyo 2004; Morsbroich, Leverkusen 2005; Forms, Sonnabend Gallery, New York Tokyo, Biennale di Venezia, Venice Remaking Modernism in Japan 1900 – Skulptur. Prekariouse Realism 2005; Sophie Calle + Hiroshi Sugimoto, 1999 – 2000; Fiber Wave: environ- 2000, Sezon Museum of Modern Art, between the Melancholy and Comical, Gallery Koyanagi, Tokyo 2005; mental art, Gifu and Tokyo, Chicago, Nagano 2004, Museum of Contem- Kunsthalle Wien, Vienna 2005; Photographs by Hiroshi Sugimoto: 1995, 1996, 1998; Subway station/ porary Art, Tokyo & The University Yoshihiro Suda and Takehito The Sylvan Barret and William Burto Iidabashi & Web frame, Tokyo 2000; Art Museum – Tokyo National Univer- Koganezawa: ‚Ma‘, Douglas Hyde Collection, Museum of Fine Arts, K-Museum, Tokyo 1996; Aoymama sity of Fine Arts and Music, Tokyo Gallery, Dublin 2004; Petites Boston 2005; Hiroshi Sugimoto, Étant technical college, Tokyo 1990. 2004; Masaaki Yamada, M Art, Tokyo natures? – Installations de Koichi donné: Le Grand Verre, Fondation 2003; Hirano Museum Modern Art Kurita et Yoshihiro Suda, Maison Cartier pour l’art contemporain, Exhibition, Hirano Museum of Art, de la culture du Japon, Paris, 2004; Paris 2004 – 2005; Hiroshi Sugimoto, Fiber Wave I, K-Museum, 1996 Shizuoka 2003; Contemporary Yoshihiro Suda, Palais de Tokyo, Galería Javier López, Madrid 2004; Carbon fiber, LED, solar battery etc.; Japanese Watercolor – Wet in wet, Paris 2004; Yoshihiro Suda – New Singular Forms (Sometimes Height: 4 m, width variabel Gradated Wash, Overpainting, Line, Sculptures, D´Amelio Terras Gallery, Repeated): Art from 1951 to the Collection of the artist The Shoto Museum of Art, Tokyo New York 2004; flower power, Lille Present, Solomon R. Guggenheim see p. 196 2002; Masaaki Yamada, Gallery 2004 – Cultural Capital of Europa Museum, New York 2004; Five Billion Kasahara, Tokyo 2002; The unfinished Fiber Wave II, 1999 2004; Yoshihiro Suda, Galerie Wohn- Years, Swiss Institute, New York century: legacies of 20th century art, Plastics, fan, computer program etc. maschine, Berlin 2003; La Biennale 2004; Hiroshi Sugimoto: Sea of National Museum of Modern Art, Height: 4m, width variable de Montréal 2000, Montreal 2000. Buddha, David and Alfred Smart Tokyo 2002; Invitation of Contempo- Collection of the artist Museum of Art, Chicago 2003 – 2004; rary Art, Tottori Prefectural Museum, Installation view Supernova: Art of the 1990s from Tottori 2001. Biennale di Venezia, 2000 Rose, 2003 the Logan Collection, San Francisco see p. 197 Painted wood Museum of Modern Art, San Courtesy of Gallery Koyanagi Francisco 2003 – 2004. Work D–87, 1972 Photo: Installationview Location of the Oil on canvas; 227 × 162 cm Spirit – Contemporary Japanese Art, Collection of The National Museum Budapest 2003 Sea of Buddha, 1995 of Art, Osaka see p. 189 Gelatine silver prints (48 pieces); see p. 199 42 × 54,5 cm each Work C–400, 1969 Collection of Hara Museum Oil on canvas; 162 × 112 cm of Contemporary Art Collection of Metropolitan Museum (formerly titled: Hall of Thirty-three of Contemporary Art, Tokyo Bays) see p. 201 see p. 191 – 193 Mathematical Forms: Surface 0009, Conic Surface of revolution with constant negative curvature, 2004 Gelatin silver print, Edition 4/5; 149,2 × 119,4 cm Private Collection Chicago see p. 194 Mathematical Forms: Curves 0014, Two Hyperbola Tangent to one Another, 2004 Gelatin silver print, Edition 4/5; 149,2 × 119,4 cm Courtesy of Gagosian Gallery see p. 195 Mechanical Forms 0029, Quick Return Motion Used in Metal Cutting, 2004 Gelatin silver print, Edition 4/5; 149,2 × 119,4 cm Courtesy of Gagosian Gallery see p. 195 Miwa Yanagi BIX Media Competition 228 229 born 1967 in /JPN lives in Kyoto/JPN Kentaro Taki Exhibitions (selection): Born 1973 in Osaka/JPN Miwa Yanagi, Hara Museum of Media artist, Director of Non Profit Contemporary Art, Tokyo 2005; Organization VIDEOART CENTER, Self-Portrait Landscape, Woo Je Gil Tokyo Museum, Gwangyu 2004; Fairy Tale, Tentakle, 2005 Galeria Leyendecker, Canarie Islands QuickTime Movie, produced for 2004; Art Downtown: Connecting the BIX facade of Kunsthaus Graz Collections, Wall Street Rising, New see p. 211 York 2004; Darkness of Girlhood & Lightness of Aging, Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa 2004; Miwa Yanagi, Sammlung Deutsche Shinsuke Kajitaka Bank, Deutsche Guggenheim, Born 1981 in Hiroshima/JPN Berlin 2004; Takarazuka: The Land media artist of Dreams, Suntory Museum, Osaka; Tokyo Opera City Art Gallery, Tokyo Waterfall, 2005 2004; Sogo Museum, Yokohama QuickTime Movie, produced for 2004; Mediarena: Contemporary the BIX façade of Kunsthaus Graz Art from Japan, Govette-Brewster see p. 213 Art Gallery, New York, 2004.

Girls in her Sand, 2004 Video installation, tent, 2 photo- graphs; tent: 300 × 300 × 400 cm Courtesy of the artist and Yoshiko Isshiki Office see p. 202 – 205 Untitled 1, 2004 Gelatine silver print; 140 × 100 cm Courtesy of the artist and Yoshiko Isshiki Office see p. 207 Untitled 2, 2004 Gelatine silver print; 140 × 100 cm Courtesy of the artist and Yoshiko Isshiki Office see p. 208