DOCSLIB.ORG

SA T URDA YJ UNE 20 T H 2 0 15 / M AR Kt HA Ll EB ASE L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SA T URDA YJ UNE 20 T H 2 0 15 / M AR Kt HA Ll EB ASE L DESIGN: WWW.HAUSER-SCHWARZ.CH MONDAY JUNE 15 TH – SATURDAY JUNE 20 TH 2015 / MARKTHALLE BASEL ADN -------------------------------------------------------------------------------- B4 BEERS ----------------------------------------------------------------- B27 DE ROUSSAN ------------------------------------------ D4 GUERRERO, Enrique -------------- C14 KLEINDIENST --------------------------------------- B26 PABlo’s BIRTHDAY ------------------ B6 SOLOMON, Mindy ----------------------------- A3 AKINCI ----------------------------------------------------------------- C12 BETA PICTORIS / MAUS ---------------- DE VILLEPOIX, Anne ------------------ B9 H.A.N. ------------------------------------------------------------------------ D2 KOGURE -------------------------------------------------------------- A2 PONCE+ROBLES ----------------------------- C4 SPECTA ------------------------------------------------------------------ A1 ALARCÓN CRIADO ------------------- B22 --------------------------------------------------------------------------------- C1– C3 DRESDNER, Tamar ------------------------- C8 HEIDE, Patrick ------------------------------------------ B7 KORNFELD ------------------------------------------------ C10 RECIO, Sandra ------------------------------------ D12 STANDING PINE --------------------------------- B8 ANDERSEN, Mikael ------------------------ D8 BJØRN, Jacob ------------------------------------- B25 DUKAN -------------------------------------------------------------------- A7 HEMPEL, Jochen --------------------------- B10 KUDLEK, Martin ------------------------------------ C6 RICHARD ------------------------------------------------------------ D1 TABACARU, Catinca ------------------ B17 ART NUEVE -------------------------------------------------- D9 BROWNSTONE, Spencer - B2 ESPACIO VALVERDE ----------------- D3 HilgerBROTKunsthalle ------------ B12 LARM ------------------------------------------------------------------------- C9 RISLEY, David ---------------------------------------- B14 TEN HAAF ---------------------------------------------------- C22 ARTCOURT ------------------------------------------------ C16 BRUNNHOFER ---------------------------------------- A5 FERRARA, Jonathan ---------------- B15 HOFLAND, Gerhard ------------------- B20 MA2 -------------------------------------------------------------------------- B21 ROBERT HENRY --------------------------- C23 TEZUKAYAMA --------------------------------------- C15 EMERGENCY EXIT GALLERIES ASBÆK, Martin ------------------------------------ C17 BULIAN, Laura ------------------------------------- C21 The FLAT -------------------------------------------------------------- A8 The HOLE ------------------------------------------------------ B13 MANDOS, Ron ------------------------------------------ B1 ROLLINS, Tyler ----------------------------------- C24 V1 ----------------------------------------------------------------------------------- B11 ASPN ---------------------------------------------------------------------- B16 CHARLIE SMITH ----------------------------- C13 FRESH WINDOW --------------------------- D10 JARMUSCHEK+Partner ----- B19 MIKHAIL, Patrick ------------------------------ C11 ROYALE ----------------------------------------------------------------- A6 WOLFSTÆDTER ----------------------------------- D7 BACKSLASH ------------------------------------------ C19 COHEN, Ethan ----------------------------------------- C5 FROSCH&PORTMANN ------- B23 JECZA ------------------------------------------------------------------ C18 MILO, Yossi ---------------------------------------------------- B5 SANTOS, Rosa ---------------------------------- C20 YOD ------------------------------------------------------------------------------- D5 BAÑOS, Ángeles ---------------------------------- D6 CONRADS --------------------------------------------------- B18 GUÉPIN, Muriel --------------------------------------- A4 KAVANAGH, Kevin ----------------------- B24 P74 ------------------------------------------------------------------------------ D11 SLAG -------------------------------------------------------------------------- B3 ZILBERMAN --------------------------------------------------- C7 B26 B27 C24 KLEINDIENST BEERS ROLLINS RESTAURANT B25 B24 B23 C21 C22 C23 BJØRN KAVANAGH FROSCH& BULIAN TEN HAAF ROBERT PORTMANN HENRY B20 B21 B22 C20 C19 C18 B19 HOFLAND MA2 ALARCÓN SANTOS BACKSLASH JECZA JARMUSCHEK+ CRIADO PARTNER A8 THE FLAT D10 FRESH WINDOW A7 B16 B17 B18 B12 C11 C17 C16 C15 DUKAN ASPN TABACARU CONRADS HILGER- MIKHAIL ASBÆK ARTCOURT TEZUKAYAMA BROT- D11 KUNST- P74 HALLE B15 B14 B13 C12 C13 C14 D12 FERRARA RISLEY THE HOLE AKINCI CHARLIE GUERRERO RECIO A6 SMITH ROYALE D8 D9 ANDERSEN ART NUEVE CAFE A5 D7 D6 BRUNNHOFER B10 B11 B5 C5 C10 C9 WOLFSTÆDTER BAÑOS HEMPEL V1 MILO COHEN KORNFELD LARM D1 RICHARD A1 B7 B6 C6 C7 A4 SPECTA HEIDE PABLO’S BIRTHDAY KUDLEK ZILBERMAN D2 GUÉPIN B9 DE C8 H.A.N. VILLE- DRESDNER A2 POIX D2 KOGURE ESPACIO VALVERDE A3 B3 B4 C1– C3 C4 D4 D5 SOLOMON DE YOD SLAG ADN BETA PICTORIS / PONCE+ROBLES ROUSSAN MAUS B8 STANDING PINE B2 SHOW BROWN- OFFICE STONE B1 MANDOS GALLERYLOG MEDIA LOUNGE VIP TICKETS PRESS TRAM 1, 2, 8 MARKTHALLE ENTRANCE TRAM 2 FROM ART BASEL CHAMPAGNE BAR SHUTTLE SERVICE TO 3 MINUTE WALK AND FROM ART BASEL TO BASEL SBB TUE – SAT, 12 – 6 PM TRAIN STATION VOLTA 11 STAFF Our decade edition in Basel last year, coupled with our return to Markthalle in the city Artistic Director: center, was a golden occasion: from the galleries assembled and art on view to the Amanda Coulson majestic venue itself. So as the dust settled and the walls came down on VOLTA10, Managing Director: we thought to ourselves: where to take this next? Not a location change: Markthalle Chris De Angelis will be ours going forward. But rather, the direction of VOLTA itself. Over ten years Project Manager: on, we have built and refined our identity as Basel’s renowned art fair for new and Kerstin Herd emerging art, as we navigate the malleable terrain between the ultra blue-chip gal- Project Coordinator: leries exhibiting at Art Basel (including an ever-growing list of VOLTA “alumni”) and Rachel Mijares Fick the ultra-young galleries plucked away by LISTE. Press Manager: As this is our eleventh Basel edition, our mission was clear: follow Nigel Tufnel’s ad- Brian Fee vice in classic rockumentary This Is Spinal Tap and “GO TO ELEVEN!” Production Assistant: Ralph Jon Murray We challenged prospective Basel exhibitors with this command, and the 69 inter- national galleries here have delivered and then some. What this means — “go to [email protected] eleven!” — is over 20 solo-artist presentations, ranging from young artists enjoying Founders: their first (true) solo show in Switzerland, to mid-career artists with enviable mu- Kavi Gupta Uli Voges seum exhibitions and biennial participation in their CVs. Add to this nearly 20 dual- Friedrich Loock artist booth dialogues, and the majority of VOLTA11 presentations more closely re- semble our New York fair’s strict solo focus than ever before — and this has been accomplished entirely organically, by galleries believing in our brand and delivering OFFICIAL MEDIA PARTNER the bold goods. Several exhibiting artists this year are featured in the 56th Venice Biennale, from curator Okwui Enwezor’s Main Pavilion “All the World’s Futures” to major National Pavilion participation and exhibition in official Collateral Events throughout Venice. PARTNERS As well, an array of thoughtfully curated group conversations and several major site-specific installations and participatory presentations round out our compelling eleventh Basel fair. We are not reinventing the wheel, nor ourselves as a fair. Collectors and guests know what to expect from us, and we do not wish to disappoint. Rather, we are “amping it up”, showcasing compelling projects from artists across the globe while return- ing the art fair focus back to its most crucial — and most obvious — component: the art itself. Welcome to VOLTA11! CULTURAL PARTNERS ADN GALERÍA BARCELONA VOLTA 11 | BOOTH NUMBER B4 ADN GALERÍA WEBSITE Carlos Aires gives a semantic turn to established icons and values by recontextual- www.adngaleria.com izing ready-made raw material. His work plays ironically with popular icons and mass E-MAIL media, pointing out his critical position towards contemporary neo-liberal society. [email protected] The work of Carlos Aires talks about an uncomfortable reality through beautiful and PHONE attractive productions, leading the spectator to a multi-level lecture to discover a +34 934 510 064 perturbing and politically incorrect lecture beyond the appearance. CELL +34 687 528 625 mounir fatmi constructs visual spaces and linguistic games. His work deals with the desecration of religious object, deconstruction and the end of dogmas and ideolo- CONTACT NAME Miguel Angel Sánchez gies. His videos, installations, drawings, paintings and sculptures bring to light our doubts, fears and desires. Mounir Fatmi’s work offers a look at the world from a different glance, refusing to be blinded by the conventions. EXHIBITED ARTISTS Kendell Geers’ work formulates a critical and iconoclast standpoint almost atypical Carlos Aires mounir fatmi in the contemporary artistic landscape. The notion of power comes out in repre- Kendell Geers sentations that deal directly or metaphorically with issues like violence, religion and Eugenio Merino spirituality, moral, sex and body, discipline and fear. Geers undermines the system Avelino Sala of values set by our Western society and harshly
Load more

Recommended publications
  • Manchester's Business Improvement District (Bid)
    MANCHESTER’S BUSINESS IMPROVEMENT DISTRICT (BID) 2018 – 2023 DRAFT BUSINESS PLAN MANCHESTER TODAY • Second most visited city in England • £3 billion worth of major property by domestic visitors developments in the pipeline, including at St John’s, Old Granada Studios, • Third most visited UK destination by Mayfield, NOMA and Kampus international visitors, an increase of 30% between 2006 and 2016 • £1.5 billion tram line expansion, with more than £1.85 billlion allocated to • 40 million visitors to Manchester’s transport improvements over the next retail district every year, spending five years, including the transformation over £900 million of Manchester Airport • 100,000 strong student population, • 2,300 new hotel rooms across Manchester the UK’s largest city centre coming on board, increasing • 50,000 city centre residential population, supply by 25% a rise of 20,000 over the last decade, • £11 million worth of development with more than 10,000 new apartments forthcoming at Manchester Arndale, in development the UK’s largest inner city shopping centre IN 2016, LONELY PLANET RATED PART OF THE PICTURE ARE THE 400 MEMBERS OF MANCHESTER ONE OF THE EVERY SUCCESS MANCHESTER’S BUSINESS IMPROVEMENT DISTRICT. HAS A STORY TOP TEN PLACES TO VISIT IN TO TELL... THE WORLD. SINCE 2013, THEY HAVE BEEN WORKING TOGETHER, THROUGH CITYCO, TO SUPPORT CITY CENTRE GROWTH AND ENHANCE THE RETAIL OFFER. 2 3 MANCHESTER BID: THE STORY SO FAR YOUR VOICE, YOUR VIEW, AND OUR SHARED VISION As the end of the BID’s first five years approaches, it seems fitting to celebrate the successes we’ve already had, and to look to the future.
    [Show full text]
  • Biographie Szücs Attila 1967 Geboren in Miskolc, Ungarn 1980-84
    Biographie Szücs Attila 1967 Geboren in Miskolc, Ungarn 1980-84 Studium an der Kunsthochschule der Schönen Künste, Budapest 1985-90 Studium an der Ungarischen Akademie der Schönen Künste, Budapest 1990-93 Nach der Graduierung weiterführendes Studium an der Akademie der Schönen Künste, Budapest (Abteilung Wandmalerei) 1993-98 Lehrt Zeichnung und Malerei an der Kunsthochschule und an der Ungarischen Akademie der Schönen Künste, Budapest 1994 Barcsay Award 1996 Smohay Award 1997 Hungarian Asphalt Ltd Award 1998 The MAK-Schindler Stipend programme in the Mackey Apartment House, Los Angeles, USA 2003 Künstlerhaus Bethanien, Berlin, Internationales Atelierprogram 2005 Munkácsy Award Lebt und arbeitet in Budapest Einzelausstellungen: 2019 „Rajzok“, Pannonhalmi Bencés Gimnázium Galériája, Pannonhalma (HU) 2018 „Portraits from the beginning of the XXI century“, Federico Luger (FL Gallery), Milano (I) „Inside the Black Box“, Erika Deák Gallery, Budapest (HU) 2017 „Preparing for Lightness“, Emmanuel Walderdorff Galerie, Düsseldorf Transients, Ferenczy Museum, Szentendre (HU) 2016 „Specters and Experiments“, Ludwig Museum, Budapest (HU) „Waiting for the Unknown“, Federico Luger (FL Gallery), Mailand (I) 2015 „Vertical Attractions“, Erika Deák temporary Munich Gallery, München 2014 „Still Light“, Kieselbach Gallery, Budapest (HU) „The End of Gravity“, Erika Deák Gallery, Budapest (HU) 2013 „Planking and Dreaming“, balzerARTprojects, Basel (CH) „Still Light“, Kepes György Institute, Eger (HU) 2012 Emmanuel Walderdorff Galerie bei Kuratorium Kränzel, Thermes (I) „Planking“, Erika Deäk Galerie, Budapest (HU) „Planking 2 - Drawings“, Gallery 38, Budapest (HU) „New Paintings“ (mit Alexander Tinei), Galerie Hussenot, Paris (F) „Strange Light“ (mit Alexander Tinei), Tajan, Paris (F) 2011 „Close to exlipse“, Emmanuel Walderdorff Galerie, Köln 2010 „The Hidden and the Revered“, Priska C.
    [Show full text]
  • Debenhams: the Rise and Fall of a British Retail Institution Rupert Neate
    Debenhams: the rise and fall of a British retail institution Rupert Neate The Gaurdian.com 1 December 2020 Founded in 1778, Debenhams was one of the largest and most historic department store chains in the world. The business was formed by William Clark as a single high end drapers store at 44 Wigmore Street in London’s West End. It rose to become one of the biggest retailers in the UK with, at one point, more than 200 large stores across 18 countries and exclusive partnerships with some of the world’s best-known designers including Jasper Conran and Julien Macdonald. But on Tuesday, the shutters finally came down as administrators announced the chain would be wound down and all of its remaining 124 stores shut, putting potentially all of its 12,000 employees out of work. The demise of Debenhams comes just a day after Sir Philip Green’s Arcadia Group retail empire collapsed into administration, putting a further 13,000 jobs at risk. In the 1980s and 1990s both retailers had been part of the vast Burton Group, founded by Sir Montague Maurice Burton. Clark’s business remained just the single shop on Wigmore Street until 1813 when he teamed up with Suffolk businessman William Debenham, and expanded into two stores on opposite sides of the street. One was known as Debenham & Clark and the other known as Clark & Debenham. The first store outside London – and an exact replica of the original Wigmore Street shop – was opened in Cheltenham in 1818. “In the ensuing years the firm prospered from the Victorian fashion for family mourning by which widows and other female relatives adhered to a strict code of clothing and etiquette,” the company says on its website.
    [Show full text]
  • Said Atabekov
    Said Atabekov From the series Wolves of the Steppes (Airborne Forces), 2011 Photo print 100 x 150 cm Edition #: 2/5 + 1 AP 1 From the series Wolves of the Steppes, 2013 Photo print 100 x 150 cm Edition #: 1/5 + 1 AP 2 From the series Wolves of the Steppes (Janabazar), 2011 Photo print 100 x 150 cm Edition #: 2/5 + 1 AP 3 From the series Wolves of the Steppes (Alpamyskokpar), 2013 Photo print 100 x 150 cm Edition #: 3/5 + 1 AP 4 From the series Steppenwolf, 2013 Photo print 100 x 150 cm Edition #: 1/5 + 1 AP 5 From the series Steppenwolf (Arsenal), 2014 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP From the series Steppenwolf (Adidas), 2016 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP 6 From the series Steppenwolf (Airborne Forces), 2014 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP 7 From the series Steppenwolf (Ferrari), 2014 Photo print 105 x 70 cm Edition #: 2/5 + 1 AP 8 From the series Steppenwolf (GWDC), 2013 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP From the series Steppenwolf (ZSCA KZ), 2016 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP 9 From the series Steppenwolf (Border Control), 2015 Photo print 105 x 70 cm Edition #: 2/5 + 1 AP 10 From the series Steppenwolf (Aktau Sea Port KZ), 2014 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP 11 From the series Steppenwolf (Liverpool), 2016 Photo print 105 x 70 cm Edition #: 2/5 + 1 AP From the series Steppenwolf (Panasonic), 2016 Photo print 105 x 70 cm Edition #: 2/5 + 1 AP 12 Saddle (Oxygen), 2017 wood and car paint 33 x 34 x 47 cm 13 Said Atabekov (b1965) has been acknowledged internationally for his mix of ethnographic signs, recollections of the Russian avant – garde and post – Soviet global interferences.
    [Show full text]
  • Nr. III Martie 2013
    FAMILIA REVISTĂ LUNARĂ DE CULTURĂ Fondată în 1865 de IOSIF VULCAN DIRECTOR: IOAN MOLDOVAN Nr. 3 martie 2013 Oradea Responsabilitatea opiniilor, ideilor ºi atitudinilor exprimate în articolele publicate în revista Familia revine exclusiv autorilor lor. Numãrul este ilustrat de reproduceri ale lucrãrilor artistului plastic Mircea Titus Romanescu Seria a V-a REDACÞIA: martie 2013 anul 49 (149) Traian ªTEF - redactor ºef Nr. 3 (568) Miron BETEG, Mircea PRICÃJAN, Alexandru SERES, Ion SIMUÞ Redactori asociaþi: REVISTÃ DE CULTURÃ Mircea MORARIU, Marius MIHEÞ, Aurel CHIRIAC Apare la Oradea Seriile Revistei Familia REDACÞIA ªI ADMINISTRAÞIA: Seria Iosif Vulcan: 1865 - 1906 Oradea, Piaþa 1 Decembrie, nr. 12 Seria a doua: 1926 - 1929 Telefon: 40-259-41.41.29; 40-770-850068 M. G. Samarineanu E-mail: Seria a treia: 1936 - 1940 [email protected] M. G. Samarineanu (Print) I.S.S.N 1220-3149 Seria a patra: 1941 - 1944 (Online) I.S.S.N 1841-0278 M. G. Samarineanu www.revistafamilia.ro Seria a cincea: 1965-1989 TIPAR: Imprimeria de Vest, Oradea Alexandru Andriþoiu Revista figureazã în catalogul publicaþiilor la poziþia 4213 din 1990 Idee graficã, tehnoredactare ºi copertã: Miron Beteg Ioan Moldovan Responsabil de numãr: Revista este instituþie a Ioan Moldovan Consiliului Judeþean Bihor ABONAMENTE LA FAMILIA Revista Familia anunþã abonaþii ºi cititorii cã la abonamentele efectuate direct la redacþie se acordã o reducere semnificativã. Astfel, un abonament pe un an costã 60 de lei. Plata se face la sediul insti- tuþiei. De asemenea, se pot face abonamente prin platã în contul: RO80TREZ0765010XXX000205, deschis la Trezoreria Oradea. Abonamentul pe un an costã 72 de lei.
    [Show full text]
  • Editions in Other Languages
    EDITIONS IN OTHER LANGUAGES English 1 Arabic 72 Chinese 73 Croatian 75 French 77 German 84 Georgian 86 Greek 86 Japanese 86 Latvian 87 Polish 87 Portuguese 88 Russian 89 Spanish 91 Turkish 95 EDITIONS IN OTHER LANGUAGES - BOOK INDEX ENGLISH TITLES: Design Roma 67 Landscape 7 Solar buildings 71 Église des Miracles de Notre Dame 100 objects of Italian design 33 Design the built 21 Landscape as infrastructure 26 Something on Earth 71 -su-Signe à Podolsk Moscou (l’) 78 Abu Ghraib. Abuse of power 33 Designing with the information 22 Landscape policies and cultures 69 Song of the sea (the) 56 Entre le Christianisme et l’Islam 83 Ad sidera for Athanasius Kircher 33 Documentation of Mediterranean Landscape report (the) 26 Sonicity 71 Feedback. Territoires de recherche Advanced design 17 ancient theatres 22 Lavinium archaeological museum 47 Spirit into shape 56 pour le projet d’architecture 77 Adventures of Pinocchio (the) 62 Domestic space in the Mediterranean 3 Libraries in the United Kingdom 69 Sport design system 57 Force et intériorité 80 Aesthetics of taste (the) 33 Dragon and butterfly 40 Life quality in the metropolitan areas69 Sprawl scapes. A design workshop Forma 1 et ses artistes 80 Africa 34 Drawings of Carlo Scarpa for the Lima 27 for Quartu Sant’Elena 30 Langage de la nature 78 After amnesia: restitutio et Biennale of Venezia (the) 67 Looking for more light 47 Statutes of the Papal mace-bearers Maisonnette (la) 83 renovatio urbis Romae 66 Dwelling urban regeneration 4 Lost in nature 27 in 1437 (the) 62 Maurizio Diana 81 Agrourban system 16 Ecclesiastical archives and libraries Lucio Fontana 48 Step ahead (a) 57 Montagnes et les mots poème- Albino Manca 34 of the third millennium 41 Maastricht 2010 48 Stone and plaster 30 peintures au Mali (les) 81 Alternative futures 17 Ed-Ruscha 68 Maddalena 48 Susana Serpas Soriano Natangué Sénégal 81 Alto crotonese.
    [Show full text]
  • Statens Kunstfonds Årsberetning 2018
    STATENS KUNSTFONDS ÅRSBERETNING 2018 BILAG OVERSIGT OVER ÅRETS TILDELINGER 3 Oversigt over årets tildelinger, 2018 Tildeling af hædersydelse ................................................................................................................................. 2 Legat- og Projektstøtteudvalget for Arkitektur ............................................................................................... 3 Legatudvalget for Billedkunst ........................................................................................................................... 6 Projektstøtteudvalget for Billedkunst ............................................................................................................ 16 Legatudvalget for Film .................................................................................................................................... 46 Legatudvalget for Kunsthåndværk og Design ................................................................................................ 47 Projektstøtteudvalget for Kunsthåndværk og Design ................................................................................... 52 Legatudvalget for Litteratur ........................................................................................................................... 60 Projektstøtteudvalget for Litteratur .............................................................................................................. 68 Legatudvalget for Musik ..............................................................................................................................
    [Show full text]
  • Abstracts 1A
    Transnational Italies: Mobility, Subjectivities and Modern Italian Cultures Conference, The British School at Rome, 26-28 October 2016-10-24 ABSTRACTS 1A - “Moving Borders, Moving Identities” Panel submitted by Eden McLean, Borut Klabjan, Vanni D’Alessio, Maura Hametz Chair: Loredana Polezzi Panel Overview Transnational studies have traditionally concerned themselves with the movement of goods, ideas, and people along and across borders, but not with the movement of the borders themselves. This panel seeks to position the movement of borders as a vital component of any conversation about what it means to be transnational, particularly in Europe’s era of the world wars. The four papers proposed here use case studies from the multiethnic—and transnational— borderlands of northeastern Italy (Trieste, Fiume/Rijeka, the Carso, and Alto Adige) to explore questions of Italian identity, citizenship, and state formation in the first half of the twentieth century. In the years directly following World War I, Italy sought to “redeem” the Italian identity of the populations living in the territories it acquired from the former Austro-Hungarian Empire. As the following papers will show, it sought to do so by imposing an official definition of Italian-ness on resident populations through the simultaneous processes of modifying language, education, and public space and subverting the presence of alternative national or ethnic affiliations. All of these efforts worked not only to transform the cultural landscape of these borderlands, but also to establish the very definition of what it meant to be Italian, at least on the edges of the Italian nation-state. Borut Klabjan, European University Institute and University of Primorska [email protected] “’Italianize it!’ National Homogenization in Interwar Trieste/Trst/Triest” After World War I, newly acquired borderlands played a key role in the national symbolism of post-war Italy.
    [Show full text]
  • HAGGERTY NEWS Newsletter of the Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, Fall 2006, Vol
    HAGGERTY NEWS Newsletter of the Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, Fall 2006, vol. 20, no. 2 Haggerty Exhibition Explores Work of Emerging Central Asian Artists After the collapse of the Soviet Union, artists from the Central Asian states struggled to reclaim their identity and shape their emerging cultures. The exhibitionArt and Conflict in Central Asia which opens at the Haggerty Museum on Thursday, October 19 focuses on the efforts and aspirations of artists from the states of Kazakhstan, Kyrgyzstan, and Uzbekistan. The opening lecture will be given in the Museum at 6 p.m. by Valerie Ibraeva, director of the Soros Center for Contemporary Art of Almaty (Kazakhstan), and scholar on Central Asian art. A reception will follow from 7 to 8 p.m. in the Museum. Erbosyn Meldibekov (Kazakhstan), Pol Pot, 2002, photograph The five featured artists are Said Atabekov, Erbossyn Meldibekov, Almagul Menlibayera, Rustan Khalfin and Georgy Tryakin-Bukharov who work Haggerty Exhibition Explores Work of Emerging Central Asian Artists in several mediums relying heavily on video and photography. Over 50 works are included. The history of the region, current conflicts as well as national traditions are all explored by the artists as they strive to express their interpretation of the relation of the Asian states to the rest of the world. Many of the works were shown at the Central Asian Pavilion at the 2005 Venice Biennale. Enrico Mascelloni, one of the foremost authorities on contemporary art of the region, is the co-curator of the exhibition with Valerie Ibraeva. He will assist Lynne Shumow, curator of education, in preparing a series of educational programs in conjunction with the exhibition.
    [Show full text]
  • (PA 9404.90.00) “Art of Bedding Ex Mattress Etc, Inc Quilts Cushions”
    Perfil de mercado de almohadones (PA 9404.90.00) (PA 9404.90.00) “Art of bedding ex mattress etc, inc quilts cushions” 1.1.- REGIMEN DE IMPORTACION (tarifa arancelaria - documentación exigida) Posición arancelaria argentina: 9404.90.00 (almohadones) Posición arancelaria británica: 9403.20.00 (Art of bedding ex mattress etc, inc quilts cushions”) Sistema Generalizado de Preferencias (SGP): aplica 0% IVA: 17,5% No requiere licencia. No hay restricciones en la cantidad a traer de Argentina. 1.2.-IMPORTACIONES BRITANICAS TOTALES: Mill US$ KILOGRAMOS 2002 106,180 17.383.704 2003 142,379 24.451.876 2004 193,977 29.745.274 1.3.- PRINCIPALES PAISES PROVEEDORES: 2002 MILL. DE U$S KILOGRAMOS 1) China 53,273 8.884.499 2) Irlanda 5,949 510.756 3) Estonia 5,903 1.262.655 4) Alemania 5,107 666.425 5) Pakistán 3,368 815.754 6) India 3,015 271.571 ----- Argentina 0,000 0 2003 1) China 73,358 14.234.419 2) Estonia 8,599 1.651.920 3) Alemania 6,762 746.046 4) India 6,294 734.811 5) Pakistán 5,399 1.097.857 6) Irlanda 4,663 523.881 PDF Creator - PDF4Free v2.0 http://www.pdf4free.com ----- Argentina 0,000 0 2004 1) China 104,988 17.830.215 2) Estonia 13,454 2.713.701 3) Pakistán 13,244 2.456.113 4) Alemania 12,067 943.732 5) India 8,925 1.067.133 6) USA 5,382 529.620 48)Argentina 0,008 306 1.4.- EXPORTACIONES BRITANICAS TOTALES: MILL.
    [Show full text]
  • Theredgaze.Pdf
    1 1 Edited by A.S. Bruckstein Çoruh together with / zusammen mit Lotte Laub Istanbul: Istiklal Cad. Mısır Apt. No:163, K. 2 & 3 D. 5 & 10 34433 Beyoglu/Istanbul, Turkey t: +90 212 251 1214 f: +90 212 251 4288 Berlin: Goethestraße 82, 10623 Berlin/Germany t: +49 (0) 30 31809900 f: +49 (0) 30 31809901 zilbermangallery.com 4 5 5 CONTENTS / INHALT For Beral Madra 04 Prefaces: Lotte Laub, A.S. Bruckstein Çoruh and the 5th International Çanakkale Biennial 2016 which has been cancelled due to political pressure three weeks 18 The rats may feast where they want / Die Ratten sie mögen before the opening schmausen wo sie wollen (Pablo Picasso) Für Beral Madra Artists: Sarkis, Memed Erdener a.k.a. Extramücadele, Imran Qureshi, Rebecca Raue, Erkan Özgen With texts by Uwe Fleckner, Tobias Nöbauer & Işın Önol, Erkan Özgen der 5. Internationalen Çanakkale Biennale 2016 gewid- met, die im September 2016 unter politischem Druck abgesagt wurde 44 If at all the word martyr means anything today / Wenn der Begriff des Märtyrers heute eine Bedeutung habe (Navid Kermani) Artists: Arnold Schoenberg, Ali Kaaf, Memed Erdener a.k.a. Extramücadele, With a text by Sarkis 53 As long as wars are still being waged in the name of religion / Solange im Namen der Religion noch Kriege geführt werden (Şükran Moral) Artists: Memed Erdener a.k.a. Extramücadele, Şükran Moral, Aisha Khalid 57 I am just one protest, I am just one artist / Ich bin nur ein Protest, ich bin nur ein Künstler (Erdem Gündüz) Artists: Aisha Khalid, unknown Flemish artist, Ahmet Elhan, Eşref Yıldırım With texts by Daniel Boyarin, Naz Cuguoğlu 72 Appendix 6 7 LOTTE LAUB Being Witness Zeuge-Sein On June 18, 2013, Erdem Gündüz stood motionless for were, a closely woven carpet of relations intertwining in Am 18.
    [Show full text]
  • Copenhagen, Denmark
    Jennifer E. Wilson [email protected] www.cruisewithjenny.com 855-583-5240 | 321-837-3429 COPENHAGEN, DENMARK OVERVIEW Introduction Copenhagen, Denmark, is a city with historical charm and a contemporary style that feels effortless. It is an old merchants' town overlooking the entrance to the Baltic Sea with so many architectural treasures that it's known as the "City of Beautiful Spires." This socially progressive and tolerant metropolis manages to run efficiently yet feel relaxed. And given the Danes' highly tuned environmental awareness, Copenhagen can be enjoyed on foot or on a bicycle. Sights—Amalienborg Palace and its lovely square; Tivoli Gardens; the Little Mermaid statue; panoramic views from Rundetaarn (Round Tower); Nyhavn and its nautical atmosphere; Christiansborg Palace and the medieval ruins in the cellars. Museums—The sculptures and impressionist works at Ny Carlsberg Glyptotek; the Louisiana Museum of Modern Art and its outdoor sculpture park; paintings from the Danish Golden Age at the Hirschsprung Collection; Viking and ancient Danish artifacts at the Nationalmuseet; neoclassical sculpture at Thorvaldsens Museum. Memorable Meals—Traditional herring at Krogs Fiskerestaurant; top-notch fine dining at Geranium; Nordic-Italian fusion at Relae; traditional Danish open-face sandwiches at Schonnemanns; the best of the city's street food, all in one place, at Reffen Copenhagen Street Food. Late Night—The delightful after-dark atmosphere at Tivoli Gardens; indie rock at Loppen in Christiana; a concert at Vega. Walks—Taking in the small island of Christianshavn; walking through Dyrehaven to see herds of deer; walking from Nyhavn to Amalienborg Palace; strolling along Stroget, where the stores show off the best in Danish design.
    [Show full text]