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Alice Creischer Culturgest Lisbon 2017
KOW BRUNNENSTR 9 D–10119 BERLIN ALICE CREISCHER +49 30 311 66 770 GALLERY@KOW–BERLIN.COM CULTURGEST LISBON 2017 „It is March, 24th 2000 which is compelling to be prospective“ The work was exhibited at Culturgest in Lisbon, curated by Miguel Wandschneider, in Alice Creischer February 2017 - among other works ( His Master´s Voice, 2015, and The Greatest Hap- piness Principle Party, 2002). The issue of the work gathers personal and historical as- pects which are leading to the so called „debt crisis“ in Portugal and the „PIGS“ States. It starts with the construction of the Agenda 2010 (inaugurated at the Lisbon Council 2000) which led to the German financial hegemony and its austerity dictat 10 years later. Therefore, I would like to show the work not only in Lisbon but also in the other „PIGS“ states. This discriminating term was invented by the rating agencies for the indebted countries Portugal, Ireland, Greece, Spain in 2011. I would like to show and modify the work in the special local contexts as well as to cooperate with other artists who are working about the same issue. This issue of indebtness and debt economy might be now pushed to the news of yesterday but is dominating seriously the daily life of many people. I believe also that artistic work has certain difficulties to react imme- diatly to political actuality. It needs time to „digest“ and find its ways of reflection and clarity. The work connects personal memories and images with so called scientific facts of the „debt crisis“ and dismantles them as (what Bourdieu called in his critique to the German finance technocrat Thietmeyer) a „deliberate delirium“. -
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HI INCUBANDO PROCESOS EN CLAVE DE _ Hábitat Inclusivo ECONOMIA SOCIAL Y SOLIDARIA. AUTORES: Propuesta del Programa Universitario en Incubación Social de la Universidad Nacional Lic. Anna Daga Lic. Santiago Errecalde de Quilmes Prof. Graciela Fernández Lic. Nancy Marchand Anna Daga, Graciela Fernández y Nancy El Programa Universitario de Incubación Social se propone Marchand son Directora, responsable vincular las funciones de docencia, investigación y extensión del Área de Proyectos y aistente técnica para el fortalecimiento de procesos de innovación sociotécnica y respectivamente del Programa Universitario de Incubación Social de valoración económica. Se propone la construcción de equipos (PUIS) de la Universidad Nacional de interdisciplinarios y multiactorales nucleados en Incubadoras Quilmes. Universitarias en Economía Social y Solidaria. El siguiente artículo busca presentar la propuesta del Programa Santiago Errecalde es Licenciado en Comunicación Social, docente- Universitario de Incubación Social en general y algunas de las investigador de la UNQ. Dirige la propuestas y desafíos de la Incubadora Universitaria en Incubadora Universitaria en Economía Social y Solidaria en Diseño y Economía Social y Solidaria de Diseño y Comunicación. Comunicación del Programa Universitario de Incubación Social. El Programa Universitario de Incubación Social en Economía Social y Solidaria (PUIS) (1) es una propuesta transversal, que se comienza a implementar en la CONTACTO: Universidad Nacional de Quilmes (UNQ) a partir del año 2013. El PUIS [email protected] [email protected] depende de la Secretaría de Extensión Universitaria en articulación con la [email protected] [email protected] Secretaría de Innovación y Transferencia Tecnológica, como propuesta para incubar procesos generadores de valor socio-económico e innovación social y Palabras Claves: tecnológica, en el marco del desarrollo estratégico del sector de la Economía Incubación Proceso Social y Solidaria (ESS). -
The Vienna Method in Amsterdam: Peter Alma's Office for Pictorial Statistics Benjamin Benus, Wim Jansen
The Vienna Method in Amsterdam: Peter Alma’s Office for Pictorial Statistics Benjamin Benus, Wim Jansen The Dutch artist and designer, Peter Alma (see Figure 1), is today remembered for his 1939 Amstel Station murals, as well as for Downloaded from http://direct.mit.edu/desi/article-pdf/32/2/19/1715594/desi_a_00379.pdf by guest on 24 September 2021 his earlier involvement with the Cologne-based Gruppe progres- siver Künstler [Progressive Artists’ Group]. Yet Alma also pro- duced an extensive body of information graphics over the course of the 1930s. Working first in Vienna at the Gesellschafts- und Wirtschaftsmuseum [Social and Economic Museum] (GWM) and later setting up an independent design firm in Amsterdam, Alma became one of the principal Dutch practitioners and promoters of the design approach known as the “Vienna Method of Picto- rial Statistics.” To date, most accounts of this method’s history have focused on its chief inventor, Austrian social scientist Otto Figure 1 Neurath, and his principal collaborators, Germans Marie Neurath August Sander, photograph of Peter Alma, (née Reidemeister) and Gerd Arntz.1 Yet Alma’s work in pictorial late 1920s. Private collection. Reproduced by permission from Sinja L. Alma and statistics also constitutes a substantial chapter in this history, Peter L. Alma. although it has not yet been fully appreciated or adequately docu- mented.2 In addition to providing an account of Alma’s role in the 1 For a detailed history of the Vienna development and dissemination of the Vienna Method, this essay Method, see Christopher Burke, Eric assesses the nature of Alma’s contribution to the field of informa- Kindel, and Sue Walker, eds., Isotype: tion design and considers the place of his pictorial statistics work Design and Contexts, 1925–1971 within his larger oeuvre. -
Guide to Proper Names and References in Gödel's “Protokolle
Guide to proper names and references in Gödel’s “Protokolle” notebook People Abel Othenio Abel (1875-1946) professor of paleontology and paleobiology at the University of Vienna. Founder of the group of professors known as the “Bärenhöhle” that blocked the appointment and promotion of Jews Adele Adele Nimbursky, née Porkert (1899–1981), Gödel’s girlfriend, separated from her first husband; she and Gödel would marry in September 1938 Bachmann Friedrich Bachmann (1909–1982), mathematician, doctoral student of Scholz’s at Münster, where he received his Ph.D. in 1933; from 1935 at University of Marburg, as assistant then Privatdozent Behmann Heinrich Behmann (1891–1970), German mathematician; his reply to Perelman’s criticism of Gödel’s result had appeared in the journal Mind in April 1937. He was dismissed from his position at the University of Halle after the war for his Nazi Party activities Beer Gustav Beer, member of the Vienna Circle and Menger’s Mathematical Colloquium Benjamin Abram Cornelius Benjamin (1897–1968), American philosopher of science on the University of Chicago faculty 1932 to 1945 Bernays Paul Bernays (1888–1977), Swiss mathematician and logician; close collaborator with David Hilbert on the foundations of mathematics and the axiomatization of set theory Brentano Franz Brentano (1838-1917), resigned as priest, Professor of Philosophy at the University of Vienna, founder of Gestalt Brunsvick Egon Brunswik (1903–1955), Hungarian-born psychologist, assistant to Karl Bühler in Vienna, active member of Otto Neurath’s “Unity of Science” movement Bühler Karl Bühler (1879–1963), professor of psychology at the University of Vienna. He led an effort to reorganize Vienna’s city schools by incorporating scientific findings from child psychology. -
Nr. III Martie 2013
FAMILIA REVISTĂ LUNARĂ DE CULTURĂ Fondată în 1865 de IOSIF VULCAN DIRECTOR: IOAN MOLDOVAN Nr. 3 martie 2013 Oradea Responsabilitatea opiniilor, ideilor ºi atitudinilor exprimate în articolele publicate în revista Familia revine exclusiv autorilor lor. Numãrul este ilustrat de reproduceri ale lucrãrilor artistului plastic Mircea Titus Romanescu Seria a V-a REDACÞIA: martie 2013 anul 49 (149) Traian ªTEF - redactor ºef Nr. 3 (568) Miron BETEG, Mircea PRICÃJAN, Alexandru SERES, Ion SIMUÞ Redactori asociaþi: REVISTÃ DE CULTURÃ Mircea MORARIU, Marius MIHEÞ, Aurel CHIRIAC Apare la Oradea Seriile Revistei Familia REDACÞIA ªI ADMINISTRAÞIA: Seria Iosif Vulcan: 1865 - 1906 Oradea, Piaþa 1 Decembrie, nr. 12 Seria a doua: 1926 - 1929 Telefon: 40-259-41.41.29; 40-770-850068 M. G. Samarineanu E-mail: Seria a treia: 1936 - 1940 [email protected] M. G. Samarineanu (Print) I.S.S.N 1220-3149 Seria a patra: 1941 - 1944 (Online) I.S.S.N 1841-0278 M. G. Samarineanu www.revistafamilia.ro Seria a cincea: 1965-1989 TIPAR: Imprimeria de Vest, Oradea Alexandru Andriþoiu Revista figureazã în catalogul publicaþiilor la poziþia 4213 din 1990 Idee graficã, tehnoredactare ºi copertã: Miron Beteg Ioan Moldovan Responsabil de numãr: Revista este instituþie a Ioan Moldovan Consiliului Judeþean Bihor ABONAMENTE LA FAMILIA Revista Familia anunþã abonaþii ºi cititorii cã la abonamentele efectuate direct la redacþie se acordã o reducere semnificativã. Astfel, un abonament pe un an costã 60 de lei. Plata se face la sediul insti- tuþiei. De asemenea, se pot face abonamente prin platã în contul: RO80TREZ0765010XXX000205, deschis la Trezoreria Oradea. Abonamentul pe un an costã 72 de lei. -
Johannes Frischauf – Matematik, Geodet, Astronom in Alpinist Seminar Za Zgodovino Matematiˇcnihznanosti
Johannes Frischauf { matematik, geodet, astronom in alpinist Seminar za zgodovino matematiˇcnihznanosti Marko Razpet Univerza v Ljubljani, Pedagoˇska fakulteta Ljubljana, 22. marec 2010 Marko Razpet Johannes Frischauf { matematik, geodet, astronom in alpinist Johannes Frischauf { matematik, geodet, astronom in alpinist Johannes Frischauf (1837{1924) Marko Razpet Johannes Frischauf { matematik, geodet, astronom in alpinist Johannes Frischauf Slap Rinka { Logarska dolina Marko Razpet Johannes Frischauf { matematik, geodet, astronom in alpinist Johannes Frischauf Frischaufov dom na Okreˇslju{ 1378 m Marko Razpet Johannes Frischauf { matematik, geodet, astronom in alpinist Glavni viri za to predstavitev R. Rosner, Scientists and Mathematicians in Czernowitz University, 2nd International Conference of the European Society for the History of Science, Cracow, September 2006. R. Tichy, J. Wallner, Johannes Frischauf { eine schillernde Pers¨onlichkeit in Mathematik und Alpinismus. Internat. Math. Nachrichten Nr. 210 (2009), 21{32. Slovenski biografski leksikon (besedilo JoˇzaGlonar) Osterreichisches¨ Biographisches Lexikon 1815{1950 Svetovni splet I. Vidav, Josip Plemelj: ob stoletnici rojstva, DZS, Ljubljana 1973 R. Rosner, Ignaz Lieben Gesellschaft, Dunaj. R. Tichy, J. Wallner, profesorja na TU Gradec Marko Razpet Johannes Frischauf { matematik, geodet, astronom in alpinist Osterreichisches¨ Biographisches Lexikon 1815{1950 Kratek Frischaufov ˇzivljenjepis Marko Razpet Johannes Frischauf { matematik, geodet, astronom in alpinist Osterreichisches¨ Biographisches Lexikon 1815{1950 Kratek Friesachov ˇzivljenjepis Marko Razpet Johannes Frischauf { matematik, geodet, astronom in alpinist Glavni ˇzivljenjskimejniki Johannesa Frischaufa 1837 - rojen na Dunaju 1857 - vpis na dunajsko univerzo 1861 - doktorat pri J. Petzvalu (1807{1891) in F. Mothu (1802{1879); sistematiˇcnoraziskovanje planinskega sveta 1863 - asistent v zvezdarni in privatni docent za matematiko na dunajski univerzi 1866 - izredni profesor za matematiko na graˇskiuniverzi, kot matematik nasledi E. -
"The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937
"The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Johnson, Samuel. 2015. "The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17463124 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA “The Architecture of the Book”: El Lissitzky’s Works on Paper, 1919-1937 A dissertation presented by Samuel Johnson to The Department of History of Art and Architecture in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History of Art and Architecture Harvard University Cambridge, Massachusetts May 2015 © 2015 Samuel Johnson All rights reserved. Dissertation Advisor: Professor Maria Gough Samuel Johnson “The Architecture of the Book”: El Lissitzky’s Works on Paper, 1919-1937 Abstract Although widely respected as an abstract painter, the Russian Jewish artist and architect El Lissitzky produced more works on paper than in any other medium during his twenty year career. Both a highly competent lithographer and a pioneer in the application of modernist principles to letterpress typography, Lissitzky advocated for works of art issued in “thousands of identical originals” even before the avant-garde embraced photography and film. -
Gallery Guide 7
���������������������������������������� ������������������������������������������������ ����������������������������������������� isotype International picture language 10 December 2010 – 13 March 2011 isotype Society and economy (International System Of TYpographic Picture Education) was a method for assembling, configuring and disseminating Isotype was forged in the optimism of the first Austrian information and statistics through pictorial means. Republic. It was developed from 1924 at the Social and Economic Museum of Vienna, where it was first called the Its initiator, Otto Neurath, described it as a ‘language-like Vienna Method of Pictorial Statistics. technique’ characterised by consistency in the use of graphic elements. The basic elements are pictograms – simplified The Social and Economic Museum was funded by the Social pictures of people or things, designed to function as repeat- Democratic municipality of Vienna and shared its socialist able units. agenda. It was not what is usually thought of as a museum: its director Otto Neurath stated that instead of a treasure From its beginnings in Vienna of the 1920s, Isotype spread to chest of rare objects, it should be a teaching museum. The the Netherlands, Britain, the Soviet Union, the United States principal exhibits were charts made with the Vienna Method and elsewhere. Its potential for communicating with people in order to ‘represent social facts pictorially’, as a way of of all ages and nationalities was explored in a wide range of Chart from Gesellschaft communicating with both young people and adults. projects and publications through the 1960s. und Wirtschaft (Society The museum had a global-historical outlook, which it The story of Isotype presents a case study of the Modern and Economy). 1930. -
Art and the Crisis of the European Welfare State Addresses Contemporary Art in the Context of Changing European Welfare States
UNIVERSITY OF CALIFORNIA, SAN DIEGO No Such Thing as Society: Art and the Crisis of the European Welfare State A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Art History, Theory and Criticism by Sarah Elsie Lookofsky Committee in charge: Professor Norman Bryson, Co-Chair Professor Lesley Stern, Co-Chair Professor Marcel Hénaff Professor Grant Kester Professor Barbara Kruger 2009 Copyright Sarah Elsie Lookofsky, 2009 All rights reserved. The Dissertation of Sarah Elsie Lookofsky is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2009 iii Dedication For my favorite boys: Daniel, David and Shannon iv Table of Contents Signature Page…….....................................................................................................iii Dedication.....................................................................................................................iv Table of Contents..........................................................................................................v Vita...............................................................................................................................vii Abstract……………………………………………………………………………..viii Chapter 1: “And, You Know, There Is No Such Thing as Society.” ....................... 1 1.1 People vs. Population ............................................................................... 2 1.2 Institutional -
Arts and the City Abstract Booklet
Arts and the City International Conference Budapest, 23-24 May 2019 Booklet of Abstracts artsandthecity2019.wordpress.com Keynote Speakers BERNARDINE EVARISTO, writer, London (author of Lara, Soul Tourists and Blonde Roots, among other novels) “The Many Londons of Amazing London: The Capital as Muse & City of Experimentation for this Black Woman Writer” As a writer of fiction and verse fiction, London has been a muse in most of my eight books. I am constantly finding ways to narrativize it from multiple perspectives, and through different eras and generations, as well as creating imaginary versions of the capital city in two of my books where I invented parallel universes. In my talk I will investigate how London has manifested as a guiding light for my imagination, how my writing subverts the dominant narratives about the city today and in history, and how London’s rich multiculturalism presents never-ending possibilities for creativity and storytelling. ANDREW GIBSON, Royal Holloway, University of London “The City and the Historicity of Affect in European Art Cinema 1945-80” The city, the metropolis, the megalopolis is what is increasingly given us to think and think from. Cities are where we can pursue truth and reality. What exactly does the city, or, if you like, the planetary megalopolis gives us to think? For me, above all, a historical materialism; but a historical materialism that is sui generis, of its own kind, not to be confused with other historical materialisms, a historical materialism specifically of the city. On the one hand, self- evidently, cities are always material entities, cannot be otherwise. -
Mathematics in the Austrian-Hungarian Empire
Mathematics in the Austrian-Hungarian Empire Christa Binder The appointment policy in the Austrian-Hungarian Empire In: Martina Bečvářová (author); Christa Binder (author): Mathematics in the Austrian-Hungarian Empire. Proceedings of a Symposium held in Budapest on August 1, 2009 during the XXIII ICHST. (English). Praha: Matfyzpress, 2010. pp. 43–54. Persistent URL: http://dml.cz/dmlcz/400817 Terms of use: © Bečvářová, Martina © Binder, Christa Institute of Mathematics of the Czech Academy of Sciences provides access to digitized documents strictly for personal use. Each copy of any part of this document must contain these Terms of use. This document has been digitized, optimized for electronic delivery and stamped with digital signature within the project DML-CZ: The Czech Digital Mathematics Library http://dml.cz THE APPOINTMENT POLICY IN THE AUSTRIAN- -HUNGARIAN EMPIRE CHRISTA BINDER Abstract: Starting from a very low level in the mid oft the 19th century the teaching and research in mathematics reached world wide fame in the Austrian-Hungarian Empire before World War One. How this was complished is shown with three examples of careers of famous mathematicians. 1 Introduction This symposium is dedicated to the development of mathematics in the Austro- Hungarian monarchy in the time from 1850 to 1914. At the beginning of this period, in the middle of the 19th century the level of teaching and researching mathematics was very low – with a few exceptions – due to the influence of the jesuits in former centuries, and due to the reclusive period in the first half of the 19th century. But even in this time many efforts were taken to establish a higher education. -
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Hobbs, Mark (2010) Visual representations of working-class Berlin, 1924–1930. PhD thesis. http://theses.gla.ac.uk/2182/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Visual representations of working-class Berlin, 1924–1930 Mark Hobbs BA (Hons), MA Submitted in fulfillment of the requirements for the Degree of PhD Department of History of Art Faculty of Arts University of Glasgow February 2010 Abstract This thesis examines the urban topography of Berlin’s working-class districts, as seen in the art, architecture and other images produced in the city between 1924 and 1930. During the 1920s, Berlin flourished as centre of modern culture. Yet this flourishing did not exist exclusively amongst the intellectual elites that occupied the city centre and affluent western suburbs. It also extended into the proletarian districts to the north and east of the city. Within these areas existed a complex urban landscape that was rich with cultural tradition and artistic expression. This thesis seeks to redress the bias towards the centre of Berlin and its recognised cultural currents, by exploring the art and architecture found in the city’s working-class districts.