DOCUMENT RESUME ED 061 114 SO 002 487 TITLE Black Americans: Past and Present
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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
From Commerce to Art: American Women Photographers 1850--1900 Denny, Margaret H
From commerce to art: American women photographers 1850--1900 Denny, Margaret H.. Proquest Dissertations And Theses 2010. Section 0799, Part 0377 468 pages; [Ph.D. dissertation].United States -- Illinois: University of Illinois at Chicago; 2010. Publication Number: AAT 3431211. 'Imprints of their being': The photographs of Hansel Mieth and Otto Hagel Linssen, Dalia Habib. Proquest Dissertations And Theses 2010. Section 0017, Part 0377 402 pages; [Ph.D. dissertation].United States - - Massachusetts: Boston University; 2010. Publication Number: AAT 3430399. The Narrative Document: Lewis Hine and "Social Photography" Quick, Kathy A.. Proquest Dissertations And Theses 2010. Section 0024, Part 0377 171 pages; [Ph.D. dissertation].United States -- Rhode Island: Brown University; 2010. Publication Number: AAT 3430074. Japanism and the American aesthetic interior, 1867--1892: Case studies by James McNeill Whistler, Louis Comfort Tiffany, Stanford White, and Frank Lloyd Wright Roberts, Ellen E.. Proquest Dissertations And Theses 2010. Section 0017, Part 0377 316 pages; [Ph.D. dissertation].United States - - Massachusetts: Boston University; 2010. Publication Number: AAT 3430422. The buffoon men: Classic Hollywood comedians and masculinity Balcerzak, Scott Daniel. Proquest Dissertations And Theses 2008. Section 0070, Part 0900 253 pages; [Ph.D. dissertation].United States -- Florida: University of Florida; 2008. Publication Number: AAT 3425471. Exhibiting Cinema: The Moving Image in Art After 1990 Balsom, Erika. Proquest Dissertations And Theses 2010. Section 0024, Part 0900 417 pages; [Ph.D. dissertation].United States -- Rhode Island: Brown University; 2010. Publication Number: AAT 3430048. 1 Afterimages and afterthoughts about the afterlife of film: A memory of resistance Cammaer, Gerda Johanna. Proquest Dissertations And Theses 2009. Section 0228, Part 0900 285 pages; [Ph.D. -
Everything Man Paul Robeson the Form and Function Of
EVERYTHING THE MAN FORM AND FUNCTION PAUL OF ROBESON SHANA L. REDMOND EVERYTHING MAN refiguring american music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor duke university press | durham and london | 2020 EVERYTHING MAN THE FORM AND FUNCTION OF PAUL ROBESON shana l. redmond © 2020 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Cover designed by Drew Sisk Text designed by Matthew Tauch Typeset in Whitman by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Redmond, Shana L., author. Title: Everything man : the form and function of Paul Robeson / Shana L. Redmond. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019015468 (print) lccn 2019980198 (ebook) isbn 9781478005940 (hardcover) isbn 9781478006619 (paperback) isbn 9781478007296 (ebook) Subjects: lcsh: Robeson, Paul, 1898–1976. | Robeson, Paul, 1898–1976—Criticism and interpretation. | Robeson, Paul, 1898–1976—Political activity. | African American singers— Biography. | African American actors—Biography. Classification: lcc e185.97.r63 r436 2020 (print) | lcc e185.97.r63 (ebook) | ddc 782.0092 [b]—dc23 lc record available at https://lccn.loc.gov/2019015468 lc ebook record available at https://lccn.loc.gov/2019980198 Cover art: Norman Lewis (1909–1979), Too Much Aspiration, 1947. Gouache, ink, graphite, and metallic paint on paper, 21¾ × 30 inches, signed. © Estate of Norman Lewis. Courtesy of Michael Rosenfeld Gallery llc, New York, NY. This book is freely available in an open access edition thanks to tome (Toward an Open Monograph Ecosystem)— a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin, and the ucla Library. -
25 Recommended Recordings of Negro
25 Recommended Recordings of Negro Spirituals for Solo Vocalist Compiled by Randye Jones This is a sample of recordings recommended for enhancing library collections of Spirituals and, thus, is limited (with one exception) to recordings available on compact disc. This list includes a variety of voice types, time periods, interpretative styles, and accompaniment. Selections were compiled from The Spirituals Database, a resource referencing more than 450 recordings of Negro Spiritual art songs. Marian Anderson, Contralto He’s Got the Whole World in His Hands (1994) RCA Victor 09026-61960-2 CD, with piano Songs by Hall Johnson, Harry T. Burleigh, Lawrence Brown, J. Rosamond Johnson, Hamilton Forrest, Florence Price, Edward Boatner, Roland Hayes Spirituals (1999) RCA Victor Red Seal 09026-63306-2 CD, recorded between 1936 and 1952, with piano Songs by Hall Johnson, John C. Payne, Harry T. Burleigh, Lawrence Brown, Hamilton Forrest, Robert MacGimsey, Roland Hayes, Florence Price, Edward Boatner, R. Nathaniel Dett Angela Brown, Soprano Mosiac: a collection of African-American spirituals with piano and guitar (2004) Albany Records TROY721 CD, variously with piano, guitar Songs by Angela Brown, Undine Smith Moore, Moses Hogan, Evelyn Simpson- Curenton, Margaret Bonds, Florence Price, Betty Jackson King, Roland Hayes, Joseph Joubert Todd Duncan, Baritone Negro Spirituals (1952) Allegro ALG3022 LP, with piano Songs by J. Rosamond Johnson, Harry T. Burleigh, Lawrence Brown, William C. Hellman, Edward Boatner Denyce Graves, Mezzo-soprano Angels Watching Over Me (1997) NPR Classics CD 0006 CD, variously with piano, chorus, a cappella Songs by Hall Johnson, Harry T. Burleigh, Marvin Mills, Evelyn Simpson- Curenton, Shelton Becton, Roland Hayes, Robert MacGimsey Roland Hayes, Tenor Favorite Spirituals (1995) Vanguard Classics OVC 6022 CD, with piano Songs by Roland Hayes Barbara Hendricks, Soprano Give Me Jesus (1998) EMI Classics 7243 5 56788 2 9 CD, variously with chorus, a cappella Songs by Moses Hogan, Roland Hayes, Edward Boatner, Harry T. -
The Harlem Renaissance: a Handbook
.1,::! THE HARLEM RENAISSANCE: A HANDBOOK A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY ELLA 0. WILLIAMS DEPARTMENT OF AFRO-AMERICAN STUDIES ATLANTA, GEORGIA JULY 1987 3 ABSTRACT HUMANITIES WILLIAMS, ELLA 0. M.A. NEW YORK UNIVERSITY, 1957 THE HARLEM RENAISSANCE: A HANDBOOK Advisor: Professor Richard A. Long Dissertation dated July, 1987 The object of this study is to help instructors articulate and communicate the value of the arts created during the Harlem Renaissance. It focuses on earlier events such as W. E. B. Du Bois’ editorship of The Crisis and some follow-up of major discussions beyond the period. The handbook also investigates and compiles a large segment of scholarship devoted to the historical and cultural activities of the Harlem Renaissance (1910—1940). The study discusses the “New Negro” and the use of the term. The men who lived and wrote during the era identified themselves as intellectuals and called the rapid growth of literary talent the “Harlem Renaissance.” Alain Locke’s The New Negro (1925) and James Weldon Johnson’s Black Manhattan (1930) documented the activities of the intellectuals as they lived through the era and as they themselves were developing the history of Afro-American culture. Theatre, music and drama flourished, but in the fields of prose and poetry names such as Jean Toomer, Langston Hughes, Countee Cullen and Zora Neale Hurston typify the Harlem Renaissance movement. (C) 1987 Ella 0. Williams All Rights Reserved ACKNOWLEDGEMENTS Special recognition must be given to several individuals whose assistance was invaluable to the presentation of this study. -
9 What a Ticket Carpet
g . 'V ■■ THURSDAY, SEPTEMBER 19, 196S TWENTY-POUR Weather iSlaturbratrr Ettrahtg Hifralii A v i i t g i H tU r Nat Prass Run __ /mild tooigbt. Low K to ■Pet The- WSsli M M 60> '^’Pwnonww again surniy, ztonn. IB«h 80 to 86. 6 ^ r Nina Walker, South St., Cov Comment Session Band Gets Besson Cornet ■eiaiartkr 14, im s < Scholardluip entry; Mrs. Beverly Russell, Trotter. Passes lEupnins llT ra llii probaMlRy neer eero Oirouth ►ut Town 104 W. Middle Tpke.; Mra. An A 6:80 to 8:80 p.m. com Saturday. Memorial to ita Roberta, Eaat Hartford; Landing Tests 14,895 ment session la b e^ con As Mentorial to Boh Lyons Mmtekeetpr -A City of Vttiage Charm •coot Pack 1 « of Nathan Mrs. Zella Oliver, 28 Duval St.; ducted tonight by the Board Aboard Carrier PRICE TEN CENTS School will have Ita flrat Town Teacher Mrs. Jean Hansen, East Hart of Directors. It Is ki Ihe An English Besson cornet ^ ^ (Clrmlflsd AdvertMag « i Page M) MANCHESTER, CONN., HUDAY, SEPTEMBER 20, 1968 of the year tomorrow ford; Erwin Koneani, Pomfret; town counsel’s office in the dedicated last Sunday at the “ L “ --------- ,, VOL. LXXXVn, NO. 299 (TWBNTY-BIQHt PAGES—TWO SECTIONS) The co-teachera and frlenda of Naval Reserve Ena. Richard * ** * The dedication prayer written iilS7:U p.m. at the achool audt- M rs. D orothy C lancy, 187 H igh Municipal BuUding. the late Mra. Ada A. Petersen, L. Trotter, son of Mr. and Mrs. Salvation Army to thw memory Lyons-McMahon la set All hoya Intereated In land St.; Mrs. -
1750-1937 (Bulk Dates 1800-1860)
HOPEWELL FURNACE NATIONAL HISTORIC SITE ELVERSON, PENNSYLVANIA FINDING AID FOR THE BUCKLEY AND BROOKE COMPANY RECORDS AND THE CLINGAN AND BUCKLEY COMPANY RECORDS 1750-1937 (BULK DATES 1800-1860) CATALOG NUMBER: HOFU 35503 INDIVIDUAL NUMBERS: 7645, 7737, 8169, 8178, 8180, 34079, 34080, 35366 PREPARED BY TERI DEYOUNG Northeast MUSEUM SERVICES CENTER AUGUST 2007 Cover illustration: Account sheet, 29 December 1808 From Buckley and Brooke Company and Clingan and Buckley Company Records, 8081229 (box 2, folder 2). Buckley and Brooke Company and Clingan and Buckley Company Records - i CONTENTS Preface ...................................................................................................................................... iii Restrictions .................................................................................................................................v Introduction ................................................................................................................................1 Part 1: Collection Description .....................................................................................................5 Scope and Content Note .........................................................................................................7 Series Descriptions ............................................................................................................... 11 Part 2: Corporate History ......................................................................................................... -
Stories Matter: the Complexity of Cultural Authenticity in Children's Literature (Pp
DOCUMENT RESUME ED 480 339 CS 512 399 AUTHOR Fox, Dana L., Ed.; Short, Kathy G., Ed. TITLE Stories Matter: The Complexity of CulturalAuthenticity in Children's Literature. INSTITUTION National Council of Teachers of English, Urbana,IL. ISBN ISBN-0-8141-4744-5 PUB DATE 2003-00-00 NOTE 345p. AVAILABLE FROM National Council of Teachers ofEnglish, 1111 W. Kenyon Road, Urbana,.IL 61801-1096 (Stock no. 47445: $26.95members; $35.95 nonmembers). Tel: 800-369-6283 (Toll Free); Web site: http://www.ncte.org. PUB TYPE Books (010).-- Collected Works General (020) -- Opinion Papers (120) EDRS PRICE EDRS Price MF01/PC14 Plus Postage. DESCRIPTORS *Childrens Literature; *Cultural Context; ElementaryEducation; *Literary Criticism; *Multicultural Literature;Picture Books; Political Correctness; Story Telling IDENTIFIERS Trade Books ABSTRACT The controversial issue of cultural authenticity inchildren's literature resurfaces continually, always elicitingstrong emotions and a wide range of perspectives. This collection explores thecomplexity of this issue by highlighting important historical events, current debates, andnew questions and critiques. Articles in the collection are grouped under fivedifferent parts. Under Part I, The Sociopolitical Contexts of Cultural Authenticity, are the following articles: (1) "The Complexity of Cultural Authenticity in Children's Literature:Why the Debates Really Matter" (Kathy G. Short and Dana L. Fox); and (2)"Reframing the Debate about Cultural Authenticity" (Rudine Sims Bishop). Under Part II,The Perspectives of Authors, -
Folklorist of the Brush and Palette: Rare Winold Reiss Exhibition
“Folklorist of the Brush and Palette”: Rare Winold Reiss Exhibition Features Distinct, Illuminating Portraits of Harlem Figures by Victoria L. Valentine on May 3, 2018 • 8:58 am WINOLD REISS, “Harlem Girl with Blanket,” circa 1925 FORTY WORKS BY A HARLEM LEGEND are on view in midtown Manhattan. “Winold Reiss Will Not Be Classified” at Hirschl & Adler gallery presents works spanning the German American artist’s four decade career. Winold Reiss (1886–1953) was variously considered an artist, designer, illustrator, architect, printmaker, and muralist. The exhibition, the first compre- hensive presentation of Reiss’s work in three decades, features oil paintings, watercolors, pastels, prints and drawings that capture a range of subjects, including a handful of works about Harlem. Reiss famously made portraits of W. E. B. Du Bois, Mary McLeod Bethune, Paul Robeson, Charles S. Johnson, James Weldon Johnson, and Alain Locke. Nearly a century ago, Locke edited a special issue of Survey Graphic dedicated to black artistic expression. The March 1925 edition of the social science journal was full of essays by writers and intellectuals such as Du Bois, Albert C. Barnes, Arthur Schomburg, who were shaping the cultural discourse, and selec- tions by young African American poets, including Countee Cullen, Langston Hughes, Anne Spencer, and Jean Toomer, who would come to define the Harlem Renaissance. The seminal publication was both a literary and visual record. Titled “Harlem: Mecca of the New Negro,” the issue was illustrated by Reiss, who contributed stylized portraits of Harlem figures, Art Deco graphics, and a cover portrait of Roland Hayes, the composer and tenor vocalist regarded as the first internationally recognized African American concert performer. -
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era. -
National Pastime a REVIEW of BASEBALL HISTORY
THE National Pastime A REVIEW OF BASEBALL HISTORY CONTENTS The Chicago Cubs' College of Coaches Richard J. Puerzer ................. 3 Dizzy Dean, Brownie for a Day Ronnie Joyner. .................. .. 18 The '62 Mets Keith Olbermann ................ .. 23 Professional Baseball and Football Brian McKenna. ................ •.. 26 Wallace Goldsmith, Sports Cartoonist '.' . Ed Brackett ..................... .. 33 About the Boston Pilgrims Bill Nowlin. ..................... .. 40 Danny Gardella and the Reserve Clause David Mandell, ,................. .. 41 Bringing Home the Bacon Jacob Pomrenke ................. .. 45 "Why, They'll Bet on a Foul Ball" Warren Corbett. ................. .. 54 Clemente's Entry into Organized Baseball Stew Thornley. ................. 61 The Winning Team Rob Edelman. ................... .. 72 Fascinating Aspects About Detroit Tiger Uniform Numbers Herm Krabbenhoft. .............. .. 77 Crossing Red River: Spring Training in Texas Frank Jackson ................... .. 85 The Windowbreakers: The 1947 Giants Steve Treder. .................... .. 92 Marathon Men: Rube and Cy Go the Distance Dan O'Brien .................... .. 95 I'm a Faster Man Than You Are, Heinie Zim Richard A. Smiley. ............... .. 97 Twilight at Ebbets Field Rory Costello 104 Was Roy Cullenbine a Better Batter than Joe DiMaggio? Walter Dunn Tucker 110 The 1945 All-Star Game Bill Nowlin 111 The First Unknown Soldier Bob Bailey 115 This Is Your Sport on Cocaine Steve Beitler 119 Sound BITES Darryl Brock 123 Death in the Ohio State League Craig -
Biographical Description for the Historymakers® Video Oral History with the Honorable Edward Brooke
Biographical Description for The HistoryMakers® Video Oral History with The Honorable Edward Brooke PERSON Brooke, Edward William, 1919- Alternative Names: The Honorable Edward Brooke; Life Dates: October 26, 1919-January 3, 2015 Place of Birth: Washington, District of Columbia, USA Residence: Miami, FL Occupations: U.S. Senator Biographical Note Edward Brooke, III was born in Washington, D.C., on October 26, 1919. His father, Edward Brooke, Jr., was an attorney for the Veterans Administration for more than fifty years, and his mother, Helen, later worked on all of Brooke’s political campaigns. Brooke entered all of Brooke’s political campaigns. Brooke entered Howard University at the age of sixteen, and earned his B.A. degree in sociology in 1941. After graduation, Brooke entered the U.S. Army and was sent overseas. A decorated captain in the all-black 366th Combat Infantry Regiment, Brooke defended men in military tribunals. During the Italian campaign, Brooke disguised himself as an Italian, crossing enemy lines to meet with the Italian Partisans and facing Nazi and Fascist troops. Returning from World War II and experienced in legal proceedings, Brooke enrolled in Boston University Law School, earning an LL.B. in 1948 and an LL.M. a year later, as well as serving as the editor of the school’s Law Review. While practicing law in Boston, Brooke began seeking political office. Despite good showings in several races between 1950 and 1960, he failed to win. However, in 1960, he was appointed chairman of the Boston Finance Commission, where he exposed corruption in many city departments.