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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
From Commerce to Art: American Women Photographers 1850--1900 Denny, Margaret H
From commerce to art: American women photographers 1850--1900 Denny, Margaret H.. Proquest Dissertations And Theses 2010. Section 0799, Part 0377 468 pages; [Ph.D. dissertation].United States -- Illinois: University of Illinois at Chicago; 2010. Publication Number: AAT 3431211. 'Imprints of their being': The photographs of Hansel Mieth and Otto Hagel Linssen, Dalia Habib. Proquest Dissertations And Theses 2010. Section 0017, Part 0377 402 pages; [Ph.D. dissertation].United States - - Massachusetts: Boston University; 2010. Publication Number: AAT 3430399. The Narrative Document: Lewis Hine and "Social Photography" Quick, Kathy A.. Proquest Dissertations And Theses 2010. Section 0024, Part 0377 171 pages; [Ph.D. dissertation].United States -- Rhode Island: Brown University; 2010. Publication Number: AAT 3430074. Japanism and the American aesthetic interior, 1867--1892: Case studies by James McNeill Whistler, Louis Comfort Tiffany, Stanford White, and Frank Lloyd Wright Roberts, Ellen E.. Proquest Dissertations And Theses 2010. Section 0017, Part 0377 316 pages; [Ph.D. dissertation].United States - - Massachusetts: Boston University; 2010. Publication Number: AAT 3430422. The buffoon men: Classic Hollywood comedians and masculinity Balcerzak, Scott Daniel. Proquest Dissertations And Theses 2008. Section 0070, Part 0900 253 pages; [Ph.D. dissertation].United States -- Florida: University of Florida; 2008. Publication Number: AAT 3425471. Exhibiting Cinema: The Moving Image in Art After 1990 Balsom, Erika. Proquest Dissertations And Theses 2010. Section 0024, Part 0900 417 pages; [Ph.D. dissertation].United States -- Rhode Island: Brown University; 2010. Publication Number: AAT 3430048. 1 Afterimages and afterthoughts about the afterlife of film: A memory of resistance Cammaer, Gerda Johanna. Proquest Dissertations And Theses 2009. Section 0228, Part 0900 285 pages; [Ph.D. -
Reading the Irish Woman: Studies in Cultural Encounter and Exchange, 1714–1960
Reading the Irish Woman: Studies in Cultural Encounter and Exchange, 1714–1960 Meaney, Reading the Irish Woman.indd 1 15/07/2013 12:33:33 Reappraisals in Irish History Editors Enda Delaney (University of Edinburgh) Maria Luddy (University of Warwick) Reappraisals in Irish History offers new insights into Irish history, society and culture from 1750. Recognising the many methodologies that make up historical research, the series presents innovative and interdisciplinary work that is conceptual and interpretative, and expands and challenges the common understandings of the Irish past. It showcases new and exciting scholarship on subjects such as the history of gender, power, class, the body, landscape, memory and social and cultural change. It also reflects the diversity of Irish historical writing, since it includes titles that are empirically sophisticated together with conceptually driven synoptic studies. 1. Jonathan Jeffrey Wright, The ‘Natural Leaders’ and their World: Politics, Culture and Society in Belfast, c.1801–1832 Meaney, Reading the Irish Woman.indd 2 15/07/2013 12:33:33 Reading the Irish Woman Studies in Cultural Encounter and Exchange, 1714–1960 GerArdiNE MEANEY, MARY O’Dowd AND BerNAdeTTE WHelAN liVerPool UNIVersiTY Press Meaney, Reading the Irish Woman.indd 3 15/07/2013 12:33:33 reading the irish woman First published 2013 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2013 Gerardine Meaney, Mary O’Dowd and Bernadette Whelan The rights of Gerardine Meaney, Mary O’Dowd and Bernadette Whelan to be identified as the authors of this book have been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. -
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The e-journal of analog and digital sound. no.23 2009 Ladies and gentlemen, the Beatles. Bob Gendron Reviews the Beatles Remasters TONE A 1 NO.23 2 0 0 9 PUBLISHER Jeff Dorgay EDITOR Bob Golfen ART DIRECTOR Jean Dorgay r MUSIC EDITOR Ben Fong-Torres ASSISTANT Bob Gendron MUSIC EDITOR M USIC VISIONARY Terry Currier STYLE EDITOR Scott Tetzlaff C O N T R I B U T I N G Tom Caselli WRITERS Kurt Doslu Anne Farnsworth Joe Golfen Jesse Hamlin Rich Kent Ken Kessler Hood McTiernan Rick Moore Jerold O’Brien Michele Rundgren Todd Sageser Richard Simmons Jaan Uhelszki Randy Wells UBER CARTOONIST Liza Donnelly ADVERTISING Jeff Dorgay WEBSITE bloodymonster.com tonepublications.com Editor Questions and Comments: [email protected] 800.432.4569 © 2009 Tone MAGAZIne, LLC All rights reserved. TONE A 2 NO.23 2 0 0 9 features Old School: Love Those LED’s 10 The SAE 2200 By Jerold O’Brien Please Please Me: 21 The Beatles Remasters Reviewed By Bob Gendron 104 Simon Drake Talks About 40 Naim’s Music Label: Embracing Past and Future Technologies By Jeff Dorgay Dealers That Mean Business: 21 85 We visit Nuts About HiFi (on the cover) By Jeff Dorgay Budget Gear: 90 Rotel RA-1520 Integrated Amplifier and RDC-1520 CD Player By Mark Marcantonio A Visit to Rega: 104 Roy Gandy’s Model of Efficiency By Jeff Dorgay 7. NEW CONTRIBUTORS 8. PUBLISHER’S LETTER 9. TONE TOON By Liza Donnelly TONE A 3 NO.23 2 0 0 9 tone style An Afternoon With the Focal 67 Grande Utopia EM By Jeff Dorgay The B&W Panorama 71 The Fantastic Soundbar By Jeff Dorgay The Olympus E-P1 74 DSLR Performance, Compact Size By Jeff Dorgay TomTom for the iPhone 78 Let Your iPhone be Your Guide By Jeff Dorgay 67 The Sound of the Future 79 of Radio: WiFi Is Here By Ben Fong-Torres RedEye’s Remote System 81 Grab This All In One By Jeff Dorgay Little City Coffee: 82 Austin’s Best Roast. -
A Feminist Perspective on New Orleans Jazzwomen
A FEMINIST PERSPECTIVE ON NEW ORLEANS JAZZWOMEN Sherrie Tucker Principal Investigator Submitted by Center for Research University of Kansas 2385 Irving Hill Road Lawrence, KS 66045-7563 September 30, 2004 In Partial Fulfillment of #P5705010381 Submitted to New Orleans Jazz National Historical Park National Park Service 419 Rue Decatur New Orleans, LA 70130 This is a study of women in New Orleans jazz, contracted by the National Park Service, completed between 2001 and 2004. Women have participated in numerous ways, and in a variety of complex cultural contexts, throughout the history of jazz in New Orleans. While we do see traces of women’s participation in extant New Orleans jazz histories, we seldom see women presented as central to jazz culture. Therefore, they tend to appear to occupy minor or supporting roles, if they appear at all. This Research Study uses a feminist perspective to increase our knowledge of women and gender in New Orleans jazz history, roughly between 1880 and 1980, with an emphasis on the earlier years. A Feminist Perspective on New Orleans Jazzwomen: A NOJNHP Research Study by Sherrie Tucker, University of Kansas New Orleans Jazz National Historical Park Research Study A Feminist Perspective on New Orleans Jazz Women Sherrie Tucker, University of Kansas September 30, 2004 Table of Contents Acknowledgments ................................................................................................ iii Introduction ...........................................................................................................1 -
Two Day Autograph Auction Day 1 Saturday 23 February 2013 11:00
Two Day Autograph Auction Day 1 Saturday 23 February 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 International, 1909. Also an ENGLAND FOOTBALL: An Olympic Gold Medallist 1908 & extremely rare blue suede bound 1912), Rupert Sandilands (5 8vo programme for the Football Caps 1892-96), C. J. Burnup (1 Association's 75th Anniversary Cap 1896), Fred R. Pelly (3 Caps Banquet at The King's Hall, 1893-94, England's heaviest Holborn Restaurant, London, outfield player), F.N.S. Creek (1 26th October 1938, with gilt Cap 1923, England Captain in his stamped emblem to cover, the only International), Frank Hartley inside featuring the menu, toast (1 Cap 1923), Maxwell list and guest artistes (including Woodsman (1 Cap 1922, Gracie Fields and Webster England Captain in his only Booth), list of guests etc., signed International, also Captained to two blank pages by over 30 England's Davis Cup Team, and England Internationals including won the Wimbledon's Mens Joseph Smith (5 Caps 1913-20, Doubles in 1921), Ralph T. Captain of the Bolton Wanderers Squire (3 Caps 1886), Arthur team that won the first FA Cup at Walters (9 Caps 1885-90, Wembley in 1923 and manager England Captain in one match, of the Blackpool FA Cup winning his brother Percy also an team of 1953), William J. England Captain; the only pair of Wedlock (26 Caps 1907-14, the brothers to have Captained first England International to play England) etc. -
Ladyslipper Catalog Table of Contents
LADYSLIPPER CATALOG TABLE OF CONTENTS Ordering Information 2 Women's Spirituality * New Age 39 Ladyslipper On-Line! * Ladyslipper Listen Line 3 Women's Music * Feminist * Lesbian 46 Readers' Comments 4 Alternative 54 Free Gifts 5 Rock/Pop 56 Gift Orders * Gift Certificates 6 Folk/Singer-Songwriter 58 Musical Month Club * Donor Discount Club 7 Country 64 Ladyslipper's Top 100 8 Jazz 65 Mailing List Info * Buy a Brick, Build Our Future 9 Gospel 66 Ladyslipper's "Baby Pictures" 11 Blues * R&B/Rap 67 Cassette Madness Sale 12 Cabaret 68 Holiday 13 Acappella 69 Cards * Posters * Grabbags 16 Choral 70 Calendars 17 Dance 72 Classical 18 "Mehn's Music" 73 Global * Celtic/British Isles 21 Comedy 76 European 27 Spoken * Babyslipper Catalog 77 Latin American 28 Videos 79 Asian/Pacific 30 Songbooks * T-Shirts 83 Arabic/ Middle Eastern * Jewish 31 Books 84 African 32 Dedication * Credits * Join Our E-Mail List * Come Visit .... 85 African Heritage 34 Order Blank 86 Native American 35 Artist Index 87 Drumming/Percussion 37 MAIL: Ladyslipper, 3205 Hillsborough Road, Durham NC 27705 USA PHONE ORDERS: 800-634-6044 (Mon-Fri 9-9, Sat 10-6 Eastern Time) FAX ORDERS: 800-577-7892 INFORMATION: 919-383-8773 ORDERING INFO E-MAIL: [email protected] WEB SITE: www.ladyslipper.org PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available: CD = compact disc, CS = cassette. -
Pav, ,Girr Motown MS672 PETER KASTNER IS the UGLIEST GIRL in TOWN !
COIN MACHINE SEPTEMBER 21, 1968 SEVENTY -FOURTH Y R $1.00 PAGES 53 TO 63 The 7# International Music -Record Newsweekly 7 Montreux Disk Prize to Ford & Motorola in New British Decca's 'Electra' RCA in Drive By MIKE HENNESSEY Pact; Join By LEE ZHITO MONTREUX, France-The don on behalf of CBS, and to British Decca recording of Rich- Peter Andry, Essistant manager DETROIT -The Ford Motor cartridge system and is ex- Motorola will jointly stage a ard Strauss' "Electra," starring of EMI's international artists de- Co. has extended its Stereo 8 pected to quash periodic rumors giant in -store car dealer promo - Birgit Nilsson and conducted by partment, on behalf of EMI player contract with Motorola's that Ford is considering other tion aimed at achieving the Georg Solti, won the gold London. Automotive Products Division tape systems. Ford's commit- broadest consumer exposure of trophy in the Montreux Inter- Gelatt Presides for another three years, and is ment appears certain to add the cartridge concept as yet at- national Record Awards, inau- In addition, the 10 -man in- joining Motorola and RCA in a significant impetus to the al- tempted at the automotive level. gurated here Sept. 10 during the ternational jury, presided over massive nationwide Stereo 8 ready burgeoning 8 -track mar- Display Center 23d Montreux Music Festival. by Roland Gelatt, associate pub- promotion campaign. Thus, ket. This will consist of a car Winner of the silver award lisher of Higt Fidelity which Motorola will continue to sup- In addition, Ford, RCA and showroom demonstration and was Leonard Bernstein's CBS is sponsoring the annual rec- ply 8 -track CARtridge play- display center spotlighting recording of Mahler's "Sixth ord awards in conjunction with backs for all lines in the Ford IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Stereo 8. -
The Twenties and Louis Armstrong a Thesis Submitted to the Faculty of Atlanta University in Partial Fulfillment of The
JAZZ: THE TWENTIES AND LOUIS ARMSTRONG A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS BY LETA HENDRICKS DEPARTMENT OF AFRO-AMERICAN STUDIES ATLANTA, GEORGIA MAY, 1979 TABLE OF CONTENTS Page INTRODUCTION 1 Chapter I. THE TWENTIES 3 II. JAZZ BACKGROUND 17 III. LOUIS ARMSTRONG 54 SELECTED BIBLIOGRAPHY 83 SELECTED DISCOGRAPHY 93 INTRODUCTION Louis Armstrong has been one of the most important figures in jazz history. Armstrong helped change the sound and form of jazz. Traditionally the rugged and mordant cor¬ net had been the number one horn in jazz. In the late twenties, Louis changed to the fuller and brilliant sounding trumpet. The trumpet soon became the number one horn in jazz. He played his horn like no other musician before him. Armstrong's voicing and rhythm was almost flawless. He used a vocal technique for his horn and an instrumental technique for his singing. Armstrong's lung power and extraordinary lip muscles made him the King of Jazz. Louis Armstrong became the culture hero of Blacks during the twenties and thirties. Musicians and fans alike copied his speech, dress, and mannerisms. Arm¬ strong had as much impact on his culture as did White society on him. To understand the growth of Louis Armstrong there must be an understanding of the forces and events that shaped him and jazz during the twenties. Jazz, more than any other music, has been influenced by non-musical forces and events. Two of the main influences on jazz have been race and business. -
Booth Issues
NATIONAL RECORDING REGISTRY (2002-2018) – BY DATE 1853-1861 Phonautograms – Edouard-Leon Scott de Martinville 1888 Israel in Egypt--August Manns, dir. 1888 (Nov.) Edison Talking Doll cylinder (Nov. 1888) 1888-1889 Edison Exhibition cylinders (Around the World on the Phonograph; The Pattison…) 1890 Fewkes, Jess Walter recordings (Passamaquoddy Indians) 1890 (circa) David Giovannoni Collection of Home Recordings on Wax Cylinder (Vernacular Recordings at University of California—SB) 1890 (circa) The Lord’s Prayer/Twinkle Twinkle Little Star—Emile Berliner recordings 1893 Benjamin Ives Gilman Collection Recorded at the 1893 World’s Columbia Exposition at Chicago c. 1896 Laughing Song—George W. Johnson 1897 Stars and Stripes Forever—Military Band 1898 Gypsy Love Song—Eugene Cowles 1898 Honolulu Cake Walk—Vess Ossman 1900s Ragtime compositions—Scott Joplin 1900-1903 Mapleson, Lionel recordings of Met Opera 1901 Williams, Bert and George Walker Victor Releases c. 1901-1905 Yiddish Cylinders from the Standard Phonograph Company of NY and Thomas Lambert Co. 1903 Canzone del Porter—Edouard de Reszke 1904 Uncle Josh and the Insurance Company—Cal Stewart 1906 Casey at the Bat—DeWolf Hopper 1906 Washington, Booker T. 1895 Atlanta Exposition Speech 1906 You’re a Grand Ole Rag [Flag]—Billy Murray 1907 Vesti la guibba—Enrico Caruso 1907-1910 Densmore, Frances Chippewa/Ojibwe cylinder collection 1908 No News, or What Killed the Dog—Nat M. Wills 1908 Take Me Out to the Ballgame – Edward Meeker 1909 Swing Low, Sweet Chariot—Fisk Jubilee Singers 1911 Let Me Call You Sweetheart—Peerless Quartet 1911 Some of These Days—Sophie Tucker 1911-1914 Recordings of Ishi 1912 Come Down Ma Evenin’ Star--Lillian Russell 1912 Lovey’s Trinidad String Band 1913 Dream Melody Intermezzo: Naughty Marietta—Victor Herbert and His Orchestra 1913-Apr. -
Queen Latifah, Unruly Women, and the Bodies of Romantic Comedy Genders, December 2007
Queen Latifah, unruly women, and the bodies of romantic comedy Genders, December 2007 Bodies, stardom, narratives [1] The questions that compel this essay concern the relationship between bodies and narratives: the narratives available to certain bodies and the disruptive impact of those bodies on narratives. My focus is the embodiment of the spunky heroine of the romantic comedy film--the feisty screwball leading lady whose excessive speech, aspirations, and energy have endeared her to generations of cinema lovers and to feminist film theory as well, which has celebrated her as woman-on-top and fast-talking dame. Earlier versions of this film character were played by the likes of Rosalind Russell, Barbara Stanwyck, Carole Lombard, and Katherine Hepburn, the later versions by Meg Ryan, Julie Roberts, Drew Barrymore, and Jennifer Aniston. As this list suggests, the excessiveness of this heroine is proscribed by the cultural ideals of white femininity, which in turn is pictured through very select bodies. While feminist film scholarship has long acknowledged the power of the unruly woman in comedy, this scholarship has glossed over the ways in which race in particular enables the unruliness of this character and intersects with class ideals in the picturing of this heroine. Using the star persona of Queen Latifah as a case study, this essay centers on how the romantic comedy narrative handles the sexuality of the unruly woman who is black, or conversely, the narratives available for racial unruliness when it is female. [2] The traditional romantic comedy ends in the coupling of the unlikely couple, but the pleasure of the narrative--and its feminist appeal--is the lively, quarrelsome give-and-take of the courtship, fired by the struggle for egalitarianism between the unruly woman and the man who is her match. -
Walter Winchell Broadway E
Private Rreccr Abroad n On Hurling On the Walter Winchell Broadway E. V. Side mermans will float the white hair to match exactly the color Sleep gently, gently beneath courage displayed by the per- brown eyed honey blonde had Walter Winchell, now on diaper again. of that of her latest *uitor. foreign nkie* formers was wonderful. We all started him ttnging torch songs. • • • inkling vacation, will return Sept. 2. Sophie Tucker, vacationing in That Here never meant for were particularly impressed by The first he had that In the meantime, Jack Lait, Auburn, N. Y., is prostrated p LORI A VANDERBILT STO- you. this honey blonde was not still yea girl. the effort* of Marlene Dietrich. his wha* w for many re one of over her financial tragedy. All U 1- ¦ new Slit /» gently, gently among sweetheart hen he KOWSJd given Amine a'e Mott colorful her professional life, she sent The white haired maestro- atrauyi [lnner*, She cannot be too much received an invitation to her newspaper men, will keep 21-year-old wedding to another fellow. her savings to her brother, in bridegroom of the I utd the angel* gnu, credit. A hraxer, kinder and space make filled. her into < are to this Hart lord, Conn, for investment, heiress has transformed .S' /< ; ff, ntl't, grnt'y tin <oh more .—ajjicere trouper never We sorry hear blown charming, subdued, *• eyed honey and she thought she was rich. a sedate the while, lived. blondes are kicking died, transpired he the hearts , Broadway and Elsewhere Alter he it person. The InvedjHie* you behind § § § ol our subscriber! banking the in left th*s way.