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Parsifal and Canada: a Documentary Study
Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
From Commerce to Art: American Women Photographers 1850--1900 Denny, Margaret H
From commerce to art: American women photographers 1850--1900 Denny, Margaret H.. Proquest Dissertations And Theses 2010. Section 0799, Part 0377 468 pages; [Ph.D. dissertation].United States -- Illinois: University of Illinois at Chicago; 2010. Publication Number: AAT 3431211. 'Imprints of their being': The photographs of Hansel Mieth and Otto Hagel Linssen, Dalia Habib. Proquest Dissertations And Theses 2010. Section 0017, Part 0377 402 pages; [Ph.D. dissertation].United States - - Massachusetts: Boston University; 2010. Publication Number: AAT 3430399. The Narrative Document: Lewis Hine and "Social Photography" Quick, Kathy A.. Proquest Dissertations And Theses 2010. Section 0024, Part 0377 171 pages; [Ph.D. dissertation].United States -- Rhode Island: Brown University; 2010. Publication Number: AAT 3430074. Japanism and the American aesthetic interior, 1867--1892: Case studies by James McNeill Whistler, Louis Comfort Tiffany, Stanford White, and Frank Lloyd Wright Roberts, Ellen E.. Proquest Dissertations And Theses 2010. Section 0017, Part 0377 316 pages; [Ph.D. dissertation].United States - - Massachusetts: Boston University; 2010. Publication Number: AAT 3430422. The buffoon men: Classic Hollywood comedians and masculinity Balcerzak, Scott Daniel. Proquest Dissertations And Theses 2008. Section 0070, Part 0900 253 pages; [Ph.D. dissertation].United States -- Florida: University of Florida; 2008. Publication Number: AAT 3425471. Exhibiting Cinema: The Moving Image in Art After 1990 Balsom, Erika. Proquest Dissertations And Theses 2010. Section 0024, Part 0900 417 pages; [Ph.D. dissertation].United States -- Rhode Island: Brown University; 2010. Publication Number: AAT 3430048. 1 Afterimages and afterthoughts about the afterlife of film: A memory of resistance Cammaer, Gerda Johanna. Proquest Dissertations And Theses 2009. Section 0228, Part 0900 285 pages; [Ph.D. -
559288 Bk Wuorinen US
559373-74 bk Lincoln US 12/12/08 12:58 PM Page 16 Also available: AMERICAN CLASSICS ABRAHAM LINCOLN PORTRAITS Ives • Persichetti • Harris • Bacon Gould • McKay • Turok • Copland Nashville Symphony • Leonard Slatkin 8.559328 2 CDs 8.559373-74 16 559373-74 bk Lincoln US 12/12/08 12:58 PM Page 2 ABRAHAM LINCOLN PORTRAITS Also available: CD 1 60:54 1 Charles Ives (1874-1954): Lincoln, the Great Commoner 3:39 2 Vincent Persichetti (1915-1987): A Lincoln Address, Op. 124 13:22 3 Roy Harris (1898-1979): Abraham Lincoln Walks at Midnight 14:10 Ernst Bacon (1898-1990): Ford’s Theatre: A Few Glimpses of Easter Week, 1865 29:43 4 Preamble 1:43 5 Walt Whitman and the Dying Soldier 2:42 6 Passing Troops 2:42 7 The Telegraph Fugue (an Etude for Strings - with Timpani) 5:07 8 Moonlight on the Savannah 2:03 9 The Theatre 1:26 0 The River Queen 2:26 ! Premonitions (a duett with a hall clock) 1:51 @ Pennsylvania Avenue, April 9, 1865 3:35 # Good Friday, 1865 3:15 $ The Long Rain 1:17 % Conclusion 1:35 CD 2 51:43 1 Morton Gould (1913-1996): Lincoln Legend 16:36 George Frederick McKay (1899-1970): To a Liberator (A Lincoln Tribute) 11:18 2 Evocation 3:10 3 Choral Scene 2:49 4 March 2:06 5 Declaration 0:43 6 Epilogue 2:30 7 Paul Turok (b. 1929): Variations on an American Song: Aspects of Lincoln and Liberty, Op. 20 9:18 8 Aaron Copland (1900-1990): Lincoln Portrait 14:31 Publishers: Edwin F. -
Identidade Latino-Americana Na Obra Para Violoncelo De José Bragato
Universidade Federal da Paraíba Centro de Comunicação, Turismo e Artes Programa de Pós-Graduação em Música Identidade latino-americana na obra para violoncelo de José Bragato Leonardo Medina João Pessoa 2018 Universidade Federal da Paraíba Centro de Comunicação, Turismo e Artes Programa de Pós-Graduação em Música Identidade latino-americana na obra para violoncelo de José Bragato Dissertação apresentada ao Programa de Pós- Graduação em Música da Universidade Federal da Paraíba como requisito parcial para a obtenção do título de Mestre em Música, área de concentração Etnomusicologia, linha de pesquisa Música, Cultura e Performance. Leonardo Medina Orientadora: Dra. Alice Lumi Satomi João Pessoa 2018 Un arco capataz sube la cuesta, el arco que dictó, después y antes. Un arco iris bravo y ondulante, sabido de preguntas y respuestas. La gloria enamoró a tu violonchelo, El monumento tuyo es ser tanguista, Y el mío, ser tu hermano, mi Bragato. Horacio Ferrer, Soneto para el mejor en violonchelo y amor. Y así termina el relato de este músico de Udinese Que se escuda en su modestia y es más de lo que parece […] Maestro usted lo merece –y no me haga usted un desaire- Una calle con su nombre necesita Buenos Aires Alberto Francisco Lande, Del piano al chelo Dedicado a José Bragato (in memoriam) e a sua esposa, Gina Lotufo, por tudo o carinho e compreensão para realizar este trabalho. Para meus pais, Suad e Orlando; meus irmãos Sebastián e Federico; meus sobrinhos Valentín, Juan Bautista e Sol; e Inaê; por todo o amor e apoio recebido neste tempo, fazendo possível chegar a cumprir esta meta tão desejada. -
Toscanini SSB Sib6
STAR SPANGLED MUSIC EDITIONS The Star-Spangled Banner for Orchestra (1943, revised 1951) Original Tune By JOHN STAFFORD SMITH Arranged and Orchestrated By ARTURO TOSCANINI Full Score Star Spangled Music Foundation www.starspangledmusic.org STAR SPANGLED MUSIC EDITIONS The Star-Spangled Banner for Orchestra (1943, revised 1951) Original Tune By JOHN STAFFORD SMITH Arranged and Orchestrated By ARTURO TOSCANINI 06/14/2014 Imprint Star Spangled Music Foundation www.starspangledmusic.org Star Spangled Music Editions Mark Clague, editor Performance materials available from the Star Spangled Music Foundation: www.starspangledmusic.org Published by the Star Spangled Music Foundation Musical arrangement © 1951 Estate of Arturo Toscanini, used by permission This edition © 2014 by the Star Spangled Music Foundation Ann Arbor, MI Printed in the U.S.A. Music Engraving: Michael-Thomas Foumai & Daniel Reed Editorial Assistance: Barbara Haws, Laura Jackson, Jacob Kimerer, and Gabe Smith COPYRIGHT NOTICE Toscanini’s arrangement of “The Star-Spangled Banner” is made in cooperation with the conductor’s heirs and the music remains copyrighted by the Estate of Arturo Toscanini ©1951. Prefatory texts and this edition are made available by the Star Spangled Music Foundation ©2014. SUPPORT STAR SPANGLED MUSIC EDITIONS This edition is offered free of charge for non-profit educational use and performance. Other permissions can be arranged through the Estate of Arturo Toscanini. We appreciate notice of your performances as it helps document our mission. Please consider making a tax-deductible donation to the Star Spangled Music Foundation to support this effort. The Star Spangled Music Foundation is a 501(c)(3) non-profit organization. -
THE BALDWIN PIANO COMPANY * Singing Boys of Norway Springfield (Mo.) Civic Symphony Orchestra St
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org Each artist has his own reason for choosing Baldwin as the piano which most nearly approaches the ever-elusive goal of perfection. As new names appear on the musical horizon, an ever-increasing number of them are joining their distinguished colleagues in their use of the Baldwin. Kurt Adler Cloe Elmo Robert Lawrence Joseph Rosenstock Albuquerque Civic Symphony Orchestra Victor Alessandro Daniel Ericourt Theodore Lettvin Aaron Rosand Atlanta Symphony Orchestra Ernest Ansermet Arthur Fiedler Ray Lev Manuel Rosenthal Baton Rouge Symphony Orchestra Claudio Arrau Kirsten Flagstad Rosina Lhevinne Jesus Maria Sanroma Beaumont Symphony Orchestra Wilhelm Bachaus Lukas Foss Arthur Bennett Lipkin Maxim Schapiro Berkshire Music Center and Festival Vladimir Bakaleinikoff Pierre Fournier Joan Lloyd George Schick Birmingham Civic Symphony Stefan Bardas Zino Francescatti Luboshutz and Nemenoff Hans Schwieger Boston "Pops" Orchestra Joseph Battista Samson Francois Ruby Mercer Rafael Sebastia Boston Symphony Orchestra Sir Thomas Beecham Walter Gieseking Oian Marsh Leonard Seeber Brevard Music Foundation Patricia Benkman Boris Goldovsky Nino Martini Harry Shub Burbank Symphony Orchestra Erna Berger Robert Goldsand Edwin McArthur Leo Sirota Central Florida Symphony Orchestra Mervin Berger Eugene Goossens Josefina Megret Leonard Shure Chicago Symphony Orchestra Ralph Berkowitz William Haaker Darius Milhaud David Smith Pierre Bernac Cincinnati May Festival Theodor Haig -
March 1936) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1936 Volume 54, Number 03 (March 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 03 (March 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/842 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 'IPJg ETUDE <JXCagazine WHAT DOES IT TAKE TO MAKE A SINGER?" by Richard Crooks /Jte a &fieturte Toveas) rrvuAic NEW DITSON PUBLICATION MORRISON ORCHESTRAL UNIONS By DON MORRISON A Musical Revue A system of Relay Solos for train¬ By GERTRUDE VAN AKIN ™.TH ^ ^ ing young orchestras Interesting Invaluable for Vocal Score and Dialog"® direction8 and dance steps, may be had Instructive Exhibitions STAGE GUIDE, with ful^ d"e month or fraction thereof. Practical on a rental h™^™JZs,ed popular music and forms of This musical reYu^ °f ^gt jg unique among materials for school or Planned equally lor all i™1™" •„ Illustrates vividly variety * «lg*“,on entertainment of the P h n„e from the usual operetta, offers Builds intonation and tone quai ty Follows any first-year instrumental class •“inUto°o”aoS»^-y *»<! ■-■> ”*y b,! ,,erI<>rmtd "‘k method anv number of players.___ book one 1. -
Concerts of May 8, 9 and 10, 2015 Notes on the Program by Ken
Concerts of May 8, 9 and 10, 2015 Notes on the Program by Ken Meltzer Concerto No. 3 for Piano and Orchestra in D minor, Opus 30 (1909) Sergei Rachmaninoff was born in Semyonovo, Russia, on April 1, 1873, and died in Beverly Hills, California, on March 28, 1943. The first performance of the Third Piano Concerto took place at the New Theater in New York City on November 28, 1909, with the composer as soloist, and Walter Damrosch conducting the Symphony Society of New York. From the Archives: The first performance of this work by the Charlotte Symphony took place on February 5, 1957 with James Christian Pfohl conducting at Ovens Auditorium. The fifth and most recent performance set took place on September 18 & 19, 1998 with Peter McCoppin conducting in Belk Theater. In the summer of 1909, Sergei Rachmaninoff received an invitation to make his first concert tour of the United States. The Russian pianist/composer/conductor had grave misgivings about leaving his family and homeland for such an extended period of time. But Rachmaninoff, who had developed a passion for motorcars, was swayed by the generous fees offered. As he confessed to a friend: “I don’t want to go. But then perhaps after America I’ll be able to buy myself that automobile…It may not be so bad after all!” The American concert tour featured Rachmaninoff as both pianist and conductor in performances of his compositions. During the summer of 1909, he authored a new work for that tour—his Third Piano Concerto. In October, Rachmaninoff began his voyage to the United States. -
APRIL 10, 2021 Virtual Concert
CINCINNATI MEN’S CHORUS Sponsored by APRIL 10, 2021 Virtual Concert CINCINNATI MEN’S CHORUS CELEBRATING 30 SEASONS OF CHANGING LIVES THROUGH SONG PRESENTS Steve Milloy Artistic Director CONCERT SPONSORED BY: The use of audio and/or video recording devices is strictly prohibited by U.S. Copyright Law Cincinnati Men’s Chorus | PO Box 3061 | Cincinnati, OH 45201 | 513-542-2626 CINCINNATIMENSCHORUS.ORG LETTER FROM THE PRESIDENT A little over 30 years ago, a handful of people envisioned a chorus for gay men and their supporters not only to make music but to make a community. That community provided a safe haven from a not so accepting world for members to be themselves as well as to nurture and support one another as they dealt with the HIV/AIDS epidemic. On December 19, 1991, approximately 60 men performed in front of an audience of mostly family and friends the premiere concert Tidings of Pride and Joy. Some of those same gentlemen who performed in that premiere concert are still active today either as volunteers or singers and/or members of the Board of Directors. The CMC continues to nurture and support its members with virtual rehearsals and social events that keep us connected. At the same time, the CMC continues to serve the community by presenting virtual concerts as we once again deal with another virus affecting not just our community but the world at large. The pearl is a symbol of longevity and is the traditional 30th anniversary gift. We celebrate our 30th anniversary with our aptly named Spring concert String of Pearls. -
February 1931
Ir• february 1931 Je~nelle Vol. 2 . No.4. M'Donold WAVE-LENGTH GUIDE .,. d NATIOIIAL a: WHAT'S ON THE AIR COLUMBIA .,. z ... .... BIAl RWIN8 ! 8ROABCASTIN8 8ROABCASTIN8 <.:> t:; (Registered in U . S. Patent Office) .. SYSTtl( COMpm t: =- 1 WKRO WGR-ltSD 660 645 .- Vol. II. MAGAZINE FOR THE RADIO USTENER No.4 2 KLZ·WQAM WFI-WmO 660 636 .- ffi 670 626 =r- 3 WWNC-WKBN .- r- J;'UBLISHED MONTHLY AT NINTH AND CUTTER STS., CINOINNATI, 0., 4 WIBW-WNAX WTAG 680 617 .- r----- BY WHAT'S ON THE AIR CO. PRINTED IN U. S. A. 6 WMT WOW-WEEI 690 608 I-- .- r- EDITORIAL AND OIROULATION OFI'IOES: Box 6, STATION N, CINOIN 6 WCAO-WREC 600 600 .- NATI, O. 7 WDAF 610 492 f---- WFAN .- ADVERTISING OFJ'IOES: 11 W. FORTY-SEOOND ST., NEW YORK CITY. 8 WLBZ WTMJ-WFLA 620 484 .- r- PRIOE, 150. PER OOPY; $1.50 PER YEAR . 9 WMAL 630 476 .- I--- 10 WAIU 640 468 .- m (COPYRIGHT, 1930, BY WHAT' ~ ON THE Am CO.) - 11 WSM 660 461 .- - PATENTS APPLIED I'OR OOVER BASIO J'EATURES 01' PROGRAM-I'INDING 12 WEAF 660 464 .- - SERVIOE OI'FERED IN THIS MAGAZINE. 670 447 13 WMAQ .- "ENTERED AS SEOOND-OLASS MATTER APR. 19, 1930, AT THE POST 14 WPTF-CKGW 680 441 .- OI'I'IOE AT CINOINNATI, 0., UNDER THE AOT 01' M.A&oH 3, 1879." 16 WLW 700 428 .- 17 710 422 .- m~ 18 CKAC WGN 720 416 .- r- f--- 20 WSB 740 406 .- r- HOW TO FIND THE The program-finding service covers the 21 760 400 hours of 6 to 12 P. -
Christine Walevska
Dépliant 4 pages / 4 page Folder Design #21002 Christine Walevska Artist bio will be going here. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Aenean commodo ligula eget dolor. Aenean massa. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Donec quam felis, ultricies nec, pellentesque eu, pretium quis, sem. Nulla consequat massa quis enim. Donec pede justo, fringilla vel, aliquet nec, vulputate eget, arcu. In enim justo, rhoncus ut, imperdiet a, venenatis vitae, justo. Nullam dictum felis eu pede mollis pretium. Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque Christine rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus. Maecenas tempus, tellus eget condimentum rhoncus, sem quam semper libero, sit amet adipiscing sem neque sed ipsum. Nam quam nunc, blandit vel, luctus pulvinar, hendrerit id, lorem. Maecenas nec odio et ante tincidunt tempus. Donec vitae sapien ut libero Walevska venenatis faucibus. Nullam quis ante. Etiam sit amet orci eget eros faucibus tincidunt. Duis leo. Sed fringilla mauris sit amet nibh. Donec sodales sagittis magna. Sed consequat, leo eget bibendum sodales, augue velit cursus nunc, quis gravida magna mi a libero. Fusce vulputate eleifend sapien. Vestibulum purus quam, scelerisque ut, mollis sed, nonummy id, metus. Nullam accumsan lorem in dui. Cras ultricies mi eu turpis hendrerit fringilla. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; In ac dui quis mi Goddess of Album Credits the Cello Christine Walevska, Cello Akimi Fukuhara, Piano Recording Producer - Martha De Francisco Recording Engineer - Padraig Buttner-Schnirer Recorded at Pollack Concert Hall, Montreal, Quebec, Canada, June 2014.