Alvino Ite J New Capitol Disc Artist
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BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S
IN THIS ISSUE: ir An interview with KAY STARR, Pt. 2 ir Reviews of BOOKS AND RECORDS to consider BIG ☆ A new KEY RECORDINGS BAND SINGER BIG BAND TRIVIA QUIZ JUMP ★ LETTERS TO THE EDITOR about HARRY JAMES, ANITA O’DAY, MICHEL NEWSLETTER LEGRAND, PBS STATIONS and others BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE PAID A£hnta,GA 30355 Atlanta, GA Permit No. 2022 BIG BAND JUMP N EWSLETTER VOLUME 94 BIG BAND JUMP NEWSLETTER SEPTEMBER-OCTOBER 2004 INTERVIEW WITH KAY STARR (Part Two) The Background In the last issue, we had Kay Starr’s comments about her early start in the singing business; her penchant for singing at age nine for the neighbors and her family. At first, Kay’s mother was hesitant, but her aunt had a business sense and saw that there was a future for Kay, insisting that she enter a number of amateur contests, leading to her performances at radio stations in Dallas and Memphis and finally being hired by famous violin ist and bandleader Joe Venuti whose guidance helped her achieve fame. She told us about her work with the Bob Crosby Band, her one week stint subbing for Marion Hutton with Glenn Miller at Glen Island Casino and her years with the Charlie Barnet Band, where she recalled pressing Kay Starr Capitol CD cover the band ’ s uniforms as well as being a featured vocalist. Jimmy Dorsey’s band. That why they didn’t have her. The Scene But they had every other girl singer. A girl singer they did not need. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Vocal Jazz in the Choral Classroom: a Pedagogical Study
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2019 Vocal Jazz in the Choral Classroom: A Pedagogical Study Lara Marie Moline Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Moline, Lara Marie, "Vocal Jazz in the Choral Classroom: A Pedagogical Study" (2019). Dissertations. 576. https://digscholarship.unco.edu/dissertations/576 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LARA MARIE MOLINE ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School VOCAL JAZZ IN THE CHORAL CLASSROOM: A PEDAGOGICAL STUDY A DIssertatIon SubMItted In PartIal FulfIllment Of the RequIrements for the Degree of Doctor of Arts Lara Marie MolIne College of Visual and Performing Arts School of Music May 2019 ThIs DIssertatIon by: Lara Marie MolIne EntItled: Vocal Jazz in the Choral Classroom: A Pedagogical Study has been approved as meetIng the requIrement for the Degree of Doctor of Arts in College of VIsual and Performing Arts In School of Music, Program of Choral ConductIng Accepted by the Doctoral CoMMIttee _________________________________________________ Galen Darrough D.M.A., ChaIr _________________________________________________ Jill Burgett D.A., CoMMIttee Member _________________________________________________ Michael Oravitz Ph.D., CoMMIttee Member _________________________________________________ Michael Welsh Ph.D., Faculty RepresentatIve Date of DIssertatIon Defense________________________________________ Accepted by the Graduate School ________________________________________________________ LInda L. Black, Ed.D. Associate Provost and Dean Graduate School and InternatIonal AdMIssions Research and Sponsored Projects ABSTRACT MolIne, Lara Marie. -
Was Ist Der FRH? HHTW001 FRH 001 - Was Ist Der FRH? HHTW001
FRH 001 - Was ist der FRH? HHTW001 FRH 001 - Was ist der FRH? HHTW001 Nr Titel Label MasterNr. Jahr Nr Titel Jahr CW RB USA GB BRD 03 HELLO STRANGER (BARBARA LEWIS) ATLANTIC 2148 1963 03 HELLO STRANGER (BARBARA LEWIS) 1963- 1 3 - - 05 A QUIET PLACE (GARNETT MIMMS & THE ENCHANTERS) UA 715 1964 05 A QUIET PLACE (GARNETT MIMMS & THE ENCHANTERS) 1964- 78 78 - - C 07 ON BROADWAY (DRIFTERS) ATLANTIC 2182 1963 07 ON BROADWAY (DRIFTERS) 1963- 7 9 - - D 08 STAND BY ME (N) (SPYDER TURNER) MGM 13617 1967 08 STAND BY ME (N) (SPYDER TURNER) 1967- 3 12 - - 10 HELLO (MIT JINGLE)* (PAUL WILLIAMS) CAPITOL 3205 1955 10 HELLO (MIT JINGLE)* (PAUL WILLIAMS) 1955- - - - - - 11 CRAZY CRAZY PARTY (CUES) PREP 104 1957 11 CRAZY CRAZY PARTY (CUES) 1957- - - - - L 13 TIPPETY TOP (RAYS) CHESS 1613 1956 13 TIPPETY TOP (RAYS) 1956- - - - - a 15 HEY BOY HEY GIRL (OSCAR MC LOLLIE & JEANETTE BAKER CLASS 228 1958 15 HEY BOY HEY GIRL (OSCAR MC LOLLIE & JEANETTE BAKER) 1958- - - - - y 17 WHEN I FOUND YOU (JERRY REED) CAPITOL 3429 1956 17 WHEN I FOUND YOU (JERRY REED) 1956- - - - - o 18 THREE ALLEY CATS (ROY HALL) DECCA 30060 1956 18 THREE ALLEY CATS (ROY HALL) 1956- - - - - u 20 TEENAGE QUEEN (LONNIE BARRON) SAGE 45-230 1956 20 TEENAGE QUEEN (LONNIE BARRON) 1956- - - - - t 21 SAY YEAH (SAMMY SALVO) RCA 47-7097 1958 21 SAY YEAH (SAMMY SALVO) 1958- - - - - 23 DEEP SEA BALL (CLYDE MC PHATTER) ATLANTIC 2060 1958 23 DEEP SEA BALL (CLYDE MC PHATTER) 1958- - - - - - 24 SHE LOVES TO ROCK (FLAIRS) ABC-PARAM. -
King Sister Yvonne Burch Dies at 89
King Sister Yvonne Burch dies at 89 (AP) – 4 hours ago SACRAMENTO, Calif. — Yvonne King Burch, who gained early fame as one of the singing King Sisters during the big band era before launching her entire extended musical clan into show business as the King Family, has died. She was 89. Burch died in a Santa Barbara hospital Sunday, where she was taken for injuries she suffered in a fall last week, said her daughter, Tina Cole. Burch was the matriarch of the King Family, a popular and enduring show business dynasty. She spent three decades singing and recording with the King Sisters, one of the most popular vocal groups of the 1930s and 1940s. A Grammy nomination for their Capitol Records album "Imagination" capped the group's career in 1959. In 1963, Burch conceived and produced a benefit concert with her sisters and three dozen relatives including brothers, husbands, wives, aunts, uncles and children that marked the debut of the King Family. The King Family appeared on "The Hollywood Palace" before headlining their own TV special. Strong fan response led to two variety series and 17 specials during the 1960s and 1970s. The family appeared on "The Ed Sullivan Show" and performed with entertainment legends, including Bing Crosby and Dean Martin. Besides landing a national concert tour, the clan recorded five albums for Warner Brothers. The family showcased its multigenerational talent with performances by the King Cousins and the King Kiddies. The King Sisters performed and toured with big bands led by Horace Heidt and Artie Shaw before starting their own orchestra with Luise King's husband, Alvino Rey. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
PROTEST POP MUSIC ATTACK! Musicians Not Hearings on Leaders Wire Scarce—Pollack Tea Charges Senators Who Start Feb
CHICAGO. FEBRUARY IS, PROTEST POP MUSIC ATTACK! Musicians Not Hearings on Leaders Wire Scarce—Pollack Tea Charges Senators Who Start Feb. 16 Sidemen Themselves Took Fast Rap Have Wrong Picture New York—Trial of Pvta. Mike Bryan and George Auld on nar Of True Situation cotic charges, originally scheduled "Good Thing If Ban On for February 4, was «witched to Chicago "Im rearing induction« February 16 by joint agreement Records Wipes Out All nay alter the situation, but there of the government and defense at Jive and Jazz," They Say hat- been no serious snortagi of torneys Bryan ha» already been good musicians up to this point,” given u sentence of a year in jail ■aid Ben Pollack, manager of the y a military court on charges of Chicago—Indignant pro | Chieo Marx orchestra, during their desertion, this because of his ab tests from America’s nam recent engagement at the Oriental sence from a military stockade in theater here. Miami last month. bandleaders flooded the U. S. Two other defendants, Teddy Senate in U aahington last Reig and Rose Reynolds, will prob “If you’re talking about the week as a mult of ihe rurtitin- ‘name’ sidemen, chaps who have ably plead guilty to chargee of built reputations with big bandx, evasion of the marijuana tax law. wide publicity drriding popu Andrew Weinberger, Auld’a at that’s something else again,” add lar American mnide stirred up ed the chubby discoverer of more torney, said he thought he would real musical talent than any lead fight the ease pointing out that by the senate's investigate« Auld was merely charged with con er in the field. -
APRIL 10, 2021 Virtual Concert
CINCINNATI MEN’S CHORUS Sponsored by APRIL 10, 2021 Virtual Concert CINCINNATI MEN’S CHORUS CELEBRATING 30 SEASONS OF CHANGING LIVES THROUGH SONG PRESENTS Steve Milloy Artistic Director CONCERT SPONSORED BY: The use of audio and/or video recording devices is strictly prohibited by U.S. Copyright Law Cincinnati Men’s Chorus | PO Box 3061 | Cincinnati, OH 45201 | 513-542-2626 CINCINNATIMENSCHORUS.ORG LETTER FROM THE PRESIDENT A little over 30 years ago, a handful of people envisioned a chorus for gay men and their supporters not only to make music but to make a community. That community provided a safe haven from a not so accepting world for members to be themselves as well as to nurture and support one another as they dealt with the HIV/AIDS epidemic. On December 19, 1991, approximately 60 men performed in front of an audience of mostly family and friends the premiere concert Tidings of Pride and Joy. Some of those same gentlemen who performed in that premiere concert are still active today either as volunteers or singers and/or members of the Board of Directors. The CMC continues to nurture and support its members with virtual rehearsals and social events that keep us connected. At the same time, the CMC continues to serve the community by presenting virtual concerts as we once again deal with another virus affecting not just our community but the world at large. The pearl is a symbol of longevity and is the traditional 30th anniversary gift. We celebrate our 30th anniversary with our aptly named Spring concert String of Pearls. -
Jazzletter 93023 March 1987 Vol
P.O. Box 240 Ojai, Calif. Jazzletter 93023 March 1987 Vol. 6 N0. 3 LfiflfifS It deals not so much with society (or does one call this sociology now?) as with “mother earth”, the soil, food, public-milking Before getting into records and radio as a conductor, I did schemes due to government promotion of pseudo-foods and some arranging for motion pictures, and got to spend some pseudo-drugs from irradiated grains to fluoridated water. The time with two famous songwriters. The Bob Crosby band was A bsolute Sound is the third pillar of integrity and wisdom among hired to do some off-camera recording for Holiday Inn, and I theperiodicals. It deals with music and art and engineering, not arranged most of Fred Astaire’s dance numbers as well as duets nuclear or war engineering, but engineering for thejoy of it, aural with Astaire and Bing Crosby. In doing so, l spent some o . unforgettable moments with Irving Berlin. Victor Young told J ilfthe Jazzletter were to fold, only two magazines would be left me then, “Stay away from the motion Picture busines5, it’lI to hold up the spirit and we, mankind, would be much closer to . break your heart.” extinction. But the most interesting day was spent with Jerome Kern Maybe we need to go, however. The earth’s spirit may need or after I received a call to arrange a number for Cover Girl, for want to clean house. Who knows? which Kern was writing the songs. Kern, Gene Kelly, Morris Frank Uhlig, Auburn, Alabama Stoloff — then music head of Columbia Pictures — and I were in a meeting. -
Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception. -
Artie Shaw 1938-1939
Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................ -
The King Sisters
THE KING SISTERS : A CHAPTER FROM THE HISTORY OF HARMONY By David W. McCain The recent death of Yvonne King of the King Sisters prompted me once again to observe that when you trace “the history of harmony” back to its roots, those roots more often than not end with the names of Martha, Connie and Vet Boswell. Like the Andrews Sisters, the King Sisters admired and were inspired by the Boswells and went on to develop their own particular blend and style which carried them to well-deserved fame and fortune. The rich harmonies of the King Sisters are a delight to experience, and to me they are the most musically interesting female harmony group after the Boswells. A quartette, the King Sisters had a full-bodied blend reminiscent of the Boswells. (The Boswells always sound like more than three voices to me because of the heaviness and depth of both Martha and Connie’s contralto lines). It’s interesting to note that in 1944 Connie (by then she was “Connee”) told John Lucas for a Downbeat cover story that originally the Boswells had wanted to form a quartette, and how they had searched for someone to take the fourth part! Lucas rather understatedly surmised, “Fortunately, I think, they found no one who satisfied their requirements.” Maybe their search for a fourth voice was because they had been raised on the barbershop quartette singing of Mama and Papa Boswell with their Uncle Charlie and Aunt Mattie (two brothers who had married two sisters), so the thought of creating a vocal trio was at first rather foreign to them.