February 1931
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THE INGHAM COUNTY Lng- Fot' Uny Cut, Ll'or Ol11o1' Good Lluolnes:L Oppot•Tunlliph LUI N to L'ag-Ch O, 7 Nnd 8
CJATI'i WANTF.D-D, Ii', Whltt~tker, Annl!l ) ITiir!e,murl, llo illtHr~nHIIA, illHIII'Iori filtH 1111ion ilrllllltll;Y lu l'lnr] tiiiH HOIJHl· lllld · ono with Inn lllltll,Y t•ulH, It'll hn good illtnl· THE INGHAM COUNTY lng- fot' uny cut, ll'or ol11o1' good lluolnes:l oppot•tunlliPH LUI n to l'ag-cH o, 7 nnd 8, N incty.fil'nt Y caa· No.24 MASON, MICHIGAN, THURSDAY, JUNE. 14, 1951 3 Sections - 24 Pages Detectives Nab ;~::;~:wEATHER Jury Convicts Monkeying in Mason New City Charter Three to Solve t•lnl'll"'"""" to lw1•p ... even '""'"' with ~.~~~.~~,their flll'lll rninR. ~.~~,.~~~'"' Fourth Man of • R bb • worlc The hu:v, crop In hen ',Y fi'ntmCIH lYe 0 erleS A cold wet Hpring deln,ycd fitting who have urloplctl the ni'W [11HC• F or tlclrln nnrl the planting of outs ll!m of grnss silag-e hc[l'un cutting Attack on Girl unrl r•nr·n With t•nntlnucd molalurc nncl chopj11ng last weal,, l•'l<'ld hal· Wins by 81 Votes, Dansville Boys Confcsn, I hi' In I e-plnn I crJ ct·opn ovct·cnmc crs will be sent In lu adlon next Alibi Defense Man their rlcluycrl Rtdrl Nnw foa·mct·s woclt Fails Implicate Ex-Convict in flnrl lhcnmclvrH ctowdcri with hn;v 'rher·c will lw c•ompntrrllvely Ill· facing Court on Chm·gc Series of Bold Brcaii-Ins I hal twr•rls In lw Pill, 101'0 r•t•ylnr; ilo hlly mnrln the nld·fa~hlnncrl way Of Raping Baby-Sitter rHtt t n he r·rtlllvulerl ancl berms yet on big f, 1rms 1 hrs ye11 t·. -
559288 Bk Wuorinen US
559373-74 bk Lincoln US 12/12/08 12:58 PM Page 16 Also available: AMERICAN CLASSICS ABRAHAM LINCOLN PORTRAITS Ives • Persichetti • Harris • Bacon Gould • McKay • Turok • Copland Nashville Symphony • Leonard Slatkin 8.559328 2 CDs 8.559373-74 16 559373-74 bk Lincoln US 12/12/08 12:58 PM Page 2 ABRAHAM LINCOLN PORTRAITS Also available: CD 1 60:54 1 Charles Ives (1874-1954): Lincoln, the Great Commoner 3:39 2 Vincent Persichetti (1915-1987): A Lincoln Address, Op. 124 13:22 3 Roy Harris (1898-1979): Abraham Lincoln Walks at Midnight 14:10 Ernst Bacon (1898-1990): Ford’s Theatre: A Few Glimpses of Easter Week, 1865 29:43 4 Preamble 1:43 5 Walt Whitman and the Dying Soldier 2:42 6 Passing Troops 2:42 7 The Telegraph Fugue (an Etude for Strings - with Timpani) 5:07 8 Moonlight on the Savannah 2:03 9 The Theatre 1:26 0 The River Queen 2:26 ! Premonitions (a duett with a hall clock) 1:51 @ Pennsylvania Avenue, April 9, 1865 3:35 # Good Friday, 1865 3:15 $ The Long Rain 1:17 % Conclusion 1:35 CD 2 51:43 1 Morton Gould (1913-1996): Lincoln Legend 16:36 George Frederick McKay (1899-1970): To a Liberator (A Lincoln Tribute) 11:18 2 Evocation 3:10 3 Choral Scene 2:49 4 March 2:06 5 Declaration 0:43 6 Epilogue 2:30 7 Paul Turok (b. 1929): Variations on an American Song: Aspects of Lincoln and Liberty, Op. 20 9:18 8 Aaron Copland (1900-1990): Lincoln Portrait 14:31 Publishers: Edwin F. -
Identidade Latino-Americana Na Obra Para Violoncelo De José Bragato
Universidade Federal da Paraíba Centro de Comunicação, Turismo e Artes Programa de Pós-Graduação em Música Identidade latino-americana na obra para violoncelo de José Bragato Leonardo Medina João Pessoa 2018 Universidade Federal da Paraíba Centro de Comunicação, Turismo e Artes Programa de Pós-Graduação em Música Identidade latino-americana na obra para violoncelo de José Bragato Dissertação apresentada ao Programa de Pós- Graduação em Música da Universidade Federal da Paraíba como requisito parcial para a obtenção do título de Mestre em Música, área de concentração Etnomusicologia, linha de pesquisa Música, Cultura e Performance. Leonardo Medina Orientadora: Dra. Alice Lumi Satomi João Pessoa 2018 Un arco capataz sube la cuesta, el arco que dictó, después y antes. Un arco iris bravo y ondulante, sabido de preguntas y respuestas. La gloria enamoró a tu violonchelo, El monumento tuyo es ser tanguista, Y el mío, ser tu hermano, mi Bragato. Horacio Ferrer, Soneto para el mejor en violonchelo y amor. Y así termina el relato de este músico de Udinese Que se escuda en su modestia y es más de lo que parece […] Maestro usted lo merece –y no me haga usted un desaire- Una calle con su nombre necesita Buenos Aires Alberto Francisco Lande, Del piano al chelo Dedicado a José Bragato (in memoriam) e a sua esposa, Gina Lotufo, por tudo o carinho e compreensão para realizar este trabalho. Para meus pais, Suad e Orlando; meus irmãos Sebastián e Federico; meus sobrinhos Valentín, Juan Bautista e Sol; e Inaê; por todo o amor e apoio recebido neste tempo, fazendo possível chegar a cumprir esta meta tão desejada. -
THE BALDWIN PIANO COMPANY * Singing Boys of Norway Springfield (Mo.) Civic Symphony Orchestra St
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org Each artist has his own reason for choosing Baldwin as the piano which most nearly approaches the ever-elusive goal of perfection. As new names appear on the musical horizon, an ever-increasing number of them are joining their distinguished colleagues in their use of the Baldwin. Kurt Adler Cloe Elmo Robert Lawrence Joseph Rosenstock Albuquerque Civic Symphony Orchestra Victor Alessandro Daniel Ericourt Theodore Lettvin Aaron Rosand Atlanta Symphony Orchestra Ernest Ansermet Arthur Fiedler Ray Lev Manuel Rosenthal Baton Rouge Symphony Orchestra Claudio Arrau Kirsten Flagstad Rosina Lhevinne Jesus Maria Sanroma Beaumont Symphony Orchestra Wilhelm Bachaus Lukas Foss Arthur Bennett Lipkin Maxim Schapiro Berkshire Music Center and Festival Vladimir Bakaleinikoff Pierre Fournier Joan Lloyd George Schick Birmingham Civic Symphony Stefan Bardas Zino Francescatti Luboshutz and Nemenoff Hans Schwieger Boston "Pops" Orchestra Joseph Battista Samson Francois Ruby Mercer Rafael Sebastia Boston Symphony Orchestra Sir Thomas Beecham Walter Gieseking Oian Marsh Leonard Seeber Brevard Music Foundation Patricia Benkman Boris Goldovsky Nino Martini Harry Shub Burbank Symphony Orchestra Erna Berger Robert Goldsand Edwin McArthur Leo Sirota Central Florida Symphony Orchestra Mervin Berger Eugene Goossens Josefina Megret Leonard Shure Chicago Symphony Orchestra Ralph Berkowitz William Haaker Darius Milhaud David Smith Pierre Bernac Cincinnati May Festival Theodor Haig -
Locally Manufactured Super-Heroes
Ikani’s Homestead Short Stories SHADES Locally manufactured super-heroes ISMAILA IKANI SULE Starring: Pat Ibrahim Uche www.ikanihomestead.com Kaduna SHADES by Ismaila Ikani Sule Starring Ibrahim Isah as Isah ()click here for Ibrahim’s website Pat Jan as Lami ()click here for Pat’s website Uche Udeh as Kanayo ()click here for Uche’s website COPYRIGHT I. I. Sule 2004. While all rights remain reserved, the copyright holder grants his permission to individuals or organizations wishing to reproduce this work in hard copy form and sell for profit, provided there are no alterations or modifications (including the addition or reduction of material) to the written material content, images and illustrations, and/or any advertisements included. Such intending publishers must include their names and contact details for purposes of identification on the published work. This book is to be reproduced exactly as it is with EXCEPTION to alterations or modifications made only to text type-face or page dimensions to fit the individual or organization’s taste. Advertisements and images or illustrations must be maintained in the same positions relative to the text. Printing may be in colour or black and white. Neither the authors nor Ikanihomestead.com shall be held liable for any individual or organization’s action with respect to any laws governing publication in their respective countries. All characters, distinctive names and likenesses thereof, persons and/or institutions in this book are fictional and any similarity between them and those of any existing living or dead person, or organization/institution are, thus, purely coincidental and not intended. -
Christine Walevska
Dépliant 4 pages / 4 page Folder Design #21002 Christine Walevska Artist bio will be going here. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Aenean commodo ligula eget dolor. Aenean massa. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Donec quam felis, ultricies nec, pellentesque eu, pretium quis, sem. Nulla consequat massa quis enim. Donec pede justo, fringilla vel, aliquet nec, vulputate eget, arcu. In enim justo, rhoncus ut, imperdiet a, venenatis vitae, justo. Nullam dictum felis eu pede mollis pretium. Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque Christine rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus. Maecenas tempus, tellus eget condimentum rhoncus, sem quam semper libero, sit amet adipiscing sem neque sed ipsum. Nam quam nunc, blandit vel, luctus pulvinar, hendrerit id, lorem. Maecenas nec odio et ante tincidunt tempus. Donec vitae sapien ut libero Walevska venenatis faucibus. Nullam quis ante. Etiam sit amet orci eget eros faucibus tincidunt. Duis leo. Sed fringilla mauris sit amet nibh. Donec sodales sagittis magna. Sed consequat, leo eget bibendum sodales, augue velit cursus nunc, quis gravida magna mi a libero. Fusce vulputate eleifend sapien. Vestibulum purus quam, scelerisque ut, mollis sed, nonummy id, metus. Nullam accumsan lorem in dui. Cras ultricies mi eu turpis hendrerit fringilla. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; In ac dui quis mi Goddess of Album Credits the Cello Christine Walevska, Cello Akimi Fukuhara, Piano Recording Producer - Martha De Francisco Recording Engineer - Padraig Buttner-Schnirer Recorded at Pollack Concert Hall, Montreal, Quebec, Canada, June 2014. -
Special Issue on Film Criticism
semi-annual peer-reviewed international online journal VOL. 93 • NO. 1 • MAY 2020 of advanced research in literature, culture, and society UNITAS SPECIAL ISSUE ON FILM CRITICISM ISSN: 0041-7149 Indexed in the International Bibliography of the ISSN: 2619-7987 Modern Language Association of America About the Issue Cover From top to bottom: 1. Baconaua - One Big Fight Productions & Waning Crescent Arts (2017); 2. Respeto - Dogzilla, Arkeofilms, Cinemalaya, CMB Film Services, & This Side Up (2017); 3. Ebolusyon ng Isang Pamilyang Pilipino - Sine Olivia, Paul Tañedo Inc., & Ebolusyon Productions (2004); 4. Himala - Experimental Cinema of the Philippines (1982); and 5. That Thing Called Tadhana - Cinema One Originals, Epicmedia, Monoxide Works, & One Dash Zero Cinetools (2014). UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowl- edge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. Although downloading and printing of the articles are allowed, users are urged to contact UNITAS if reproduction is intended for non-individual and non-commercial purposes. Reproduction of copies for fair use, i.e., for instruction in schools, colleges and universities, is allowed as long as only the exact number of copies needed for class use is reproduced. -
Norsk Dalmatiner Klubb, Letohallen - Fordeling I Soner, Inne Og Ute
NORSK DALMATINER KLUBB ØNSKER VELKOMMEN TIL UTSTILLING MED VALPESHOW LETOHALLEN 9. AUGUST 2020 Velkommen til Norsk Dalmatiner klubbs utstillinger i Letohallen. Utstillingen omfatter flere atskilte arrangementer som går i tre soner, to soner inne og en sone ute. På grunn av koronapandemien er arrangementene ikke åpne for publikum. Du kan kun delta om du er frisk, ikke har luftveissymtomer, er i karantene eller i isolat ifm. COVID- 19. Er du usikker – bli hjemme slik at du ikke risikerer å smitte andre! Husk god håndhygiene og hold minst 1 meters avstand til øvrige deltakere. Skulle du bli syk og få påvist COVID-19 etter at du har deltatt på et av våre arrangementer på Leto ber vi deg umiddelbart gi NDK beskjed til arrangementsansvarlig Siri Follaug på tlf. 901 61 815 eller på epost [email protected] slik at vi får varslet andre deltakere. Oppmøtetid er tidspunkt du slipper inn i din sone. Bedømming starter ca 30 minutter senere. NB. HUSK Å TA MED DITT STARTNUMMER, DA DETTE ER DIN INNGANGSBILLETT. Som deltager har du kun anledning til å være til stede på det arrangementet som din hund/hunder er påmeldt. Se oversikt under: Sone 1 – INNE, inngang på nord siden av hallen (baksiden) Sone 2 – INNE, Inngang vestre side av hallen (langsiden,ikke mot E6) Sone 3 – UTE på grusplass ved hotellet For ikke å få for mange utstillere inne samtidig, må vi be om at du kjører fra stedet når din/dine hund er ferdig bedømt. Se www.dalmatinerklubben.no for utfyllende informasjon om arrangementet. Vi håper alle får en fin dag, lykke til! SLIK LESER DU KATALOGEN: Først kommer hundens katalognr, navn, registreringsnummer og fødselsdato, så kommer eiers navn og adresse, oppdretters navn og adresse, og til slutt (i parantes) navn på hundens foreldre, først fars navn og deretter mors. -
Mainstream Or Marginal?
Mainstream or marginal? A study of the musical practices of three African immigrant performers in Norway Tormod Wallem Anundsen Dissertation for the degree of Philosophiae Doctor (Ph.D.) Faculty of Humanities Department of Musicology University of Oslo 2014 © Tormod Wallem Anundsen, 2014 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission. Printed in Norway: 07 Media AS, Oslo, 2014 CONTENTS Contents ...................................................................................................... i Acknowledgements ............................................................................... ix Chapter 1: Constructing the field ..................................................... 1 Purpose and implications ........................................................................... 1 Perspectives .................................................................................................... 2 Three combinations of ‘world’ and ‘music’ ........................................... 2 Searching for the ‘diverse’ .................................................................................... 3 Discourses of difference or sameness ............................................................. 8 From observation to research design ............................................................. 9 Theoretical sampling of research participants ................................ 10 Research participants selected ...................................................................... -
CI ILUA 11)Ljl1kiero (I) I-T Iast` I S (.1
TA__A,_ IL) I Co II' 1=1_ Co S CI ILUA 11)LJL1kIEro (I) I-t iAST` I S (.1 9 :30-Walter Winchell molmic-Symphony Oreh., 7:00-Court of Human EelS-6 :30-Genealogy-K. Minot 9 :45-Gould and Shefter, Hans Lange, Conductor; tions-Sketch Pitma,n Piano Duo Poldi Mlldner, Piano 7:45-Wendell Hall, Songs 6:45-Red Lacguer and Jade 5:00-Roses and Drums; SUNDAY, JAN. 14 TODAY, JAN. 7 8:00-Eddie Cantor. Come- 7 :15-News-Gabriel Heatter10 :00-Tiger Ghost-Sketch 1 ductor; Roth String Quartet; Joseph dim ; Rubinoff Orch. 7:30-Johnston Orcil. ; Veron-10 :30-Carlos Gardel. Bert- Road Around Richmond- Szigeti, Violin-WOR. 9:00-Rodemich Orcb. ;Da- ica Wiggins, Contralto; tone; Macian-i Orch. Sketch LEADING EVENTS 3:30-4:00-From London:"Whither Brit- vid Percy,Songs; Male Fred Vettel, Tenor 11 :00-Master Singers 5 :30-Frank Cmumlt and WEAF-660 ho WJZ-'760 Xc Eastern Standard Time Is Used in All Cases; Trio; Tamara, Songs S :00-Vera Brodsky and 11 :15-Ennio Bolognini. Cello Julia Sanderson, Songs 10 :00 A. 51,-The Inward 10 :30 A. M.-Samovar Sere- am?" H. G. Wells, Author-WABC, Stations Arranged in Accordance Frank Harold Trigga, Piano Duo11 :30-Vallee Oreh. 6:00-Muriel Wilson, So- Change-Dr. S. Parkes nade WEAF. 9 :30-Concert Orcb. ; 8:15-Rita Gould, Songs 12 :00-LuncefOrd Orcb. prano;Oliver Smith, (Jan. 7-13.) 9 :30-10 :30-Providence Symphony Orchestra With Dial Locations- Munn, Tenor;Virginia 1.2 :30 A. -
Siddur B'chol L'vav'cha with All Your Heart
סדור בכל לבבך SIDDUR B’CHOL L’VAV’CHA WITH ALL YOUR HEART Congregation Beit Simchat Torah New York, New York An LGBT Synagogue for People of All Sexual Orientations and Gender Identities 0011 0001-075.indd01-075.indd 1 112/28/152/28/15 99:00:00 AAMM הכנת הלב ַמה טֹּבוּ אֹ ָהלֶי יַ ֲעקֹב ִמשְׁכְּ ֶנוֹתי יִשְׂ ֵָראל. ַמה טֹּבוּ אֹ ָהלַיִ לֵ ָאה ִמשְׁכְּ ַנוֹתיִ ֵָרחל. וַ ֲאנִי בְֹּרב ַחסְ ְדּ ָאבוֹא בֵ ֶית, ֶאשְׁ ַתּ ֲחוֶה ֶאל ֵהיכַל ָק ְדשְׁ בְּיִ ְָרא ֶת. יהוה ָא ַהבְ ִתּי ְמעוֹן בֵּ ֶית ְוּמקוֹם ִמשְׁכַּן כְּ ֶבוֹד. וַ ֲאנִי ֶאשְׁ ַתּ ֲחוֶה וְ ֶאכְ ָָרעה ֶאבְְרכָה לִפְנֵי יהוה עֹשִׂי. וַ ֲאנִי ְתפִלָּ ִתי לְ יהוה ֵעת ָרצוֹן. ֱא ִהים בְָּרב ַחסְ ֶדּ ַענֵנִי בֶּ ֱא ֶמת יִשְׁ ֶע. במדבר כד:ה‚ תהלים ה:ח, צה:ו, סט:יד Mah tovu ohalecha Ya’akov mishk’notecha Yisra’el. Mah tovu ohalayich Le’ah mishk’notayich Rachel. Va’ani b’rov chasd’cha avo veitecha, Eshtachaveh el heichal kodsh’cha b’yiratecha. Adonai ahavti m’on beitecha umkom mishkan k’vodecha. Va’ani eshtachaveh v’echra’ah evr’chah lifnei Adonai osi. Va’ani t’filati l’cha Adonai et ratson. Elohim b’rov chasdecha aneini be’emet yishecha. The biblical Bil’am, overcome by the divine spirit as he looked upon the encamp- ments of the Children of Israel, spoke the first words of mah tovu as a blessing on their households even though he had been commanded to curse them. We include the names of our matriarchs Leah and Rachel in our description of the households of Israel both as feminists and because we know that all kinds of families are deserving of blessing. -
CRSQ Volume 18
Creation Research Society Quarterly Haec credimus: For in six days the Lord made heaven and earth, the sea, and all that in them is and rested on the seventh. — Exodus 20:11 VOLUME 18 JUNE, 1981 NUMBER 1 CREATION RESEARCH SOCIETY QUARTERLY Copyright 1981 © by Creation Research Society VOLUME 18 JUNE, 1981 NUMBER 1 TABLE OF CONTENTS Page EDITORIAL BOARD Dedication to Wilbert Henry Rusch, Sr. 3 Wayne Frair Harold L. Armstrong, Editor Design in Nature: the Fiery Skipper Butterfly 4 Couper Street Hylephila Phyleus (Drury) as an Efficient Feeder on Kingston, Ontario, Canada Flowers of Lantana Camara L. 4 Walter E. Lammerts, Research Editor Joseph M. Rea The Episteme is the Theory . 8 Thomas G. Barnes ......................... University of Texas at El Paso, Texas Randall Hedtke Duane T. Gish ................................... Institute for Creation Research, San Diego, Calif. A Physicist Looks at Evolution . 14 H. S. Lipson George F. Howe ........................... Los Angeles Baptist College, Newhall, Calif. A Pre-Main-Sequence Stellar Model John W. Klotz. ............................ Concordia Seminary, St. Louis, MO. Applied to Close Binary Star Systems . 15 Jon K. West John N. Moore ...................................... Michigan State University East Lansing, Michigan Alleged Evolution of the order Primates, Henry M. Morris ........................ Institute for Creation Research, Including Monkeys and Apes. 20 San Diego, Calif. W. Mehlert William J. Tinkle ................................ Anderson College (retired) “Punctuated Equilibrium” and the North Manchester, Indiana Macro-Micromutation Controversy . 22 John C. Whitcomb ......................... Grace Theological Seminary, A. James Melnick Winona Lake, Ind. Let Us Reason Together . 25 Emmett Williams ....................... Continental Telephone Laboratories, William J. Tinkle Norcross, Georgia The Sun’s Luminosity and Age .