Franco Battiato
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Iikbillboard
CANADA (Courtesy The Record) As of 6/13/85 AUSTRALIA (Courtesy Kent Music Report) As of 6/17/85 lir SINGLES 1 5 SINGLESUSSUDIO PHIL COLLINS ATLANTIC /WEA 1 1 WOULD I LIE TO YOU EURYTHMICS RCA 2 1 EVERYBODY WANTS TO RULE THE WORLD TEARS FOR FEARS 2 7 ANGEL MADONNA SIRE VERTIGO/POLYGRAM 3 3 WE ARE THE WORLD USA FOR AFRICA CBS 3 2 DON'T YOU (FORGET ABOUT ME) SIMPLE MINDS VIRGIN / POLYGRAM 4 9 50 YEARS UNCANNY X -MEN MUSHRO OM 4 3 NIGHT DEBARGE GORDY /QUALITY RHYTHM OF THE 5 17 LIVE IT UP MENTAL AS ANYTHING REGULAR 5 6 COLUMBIA /CBS EVERYTHING SHE WANTS WHAM! 6 5 RHYTHM OF THE NIGHT DEBARGE ORDr 6 11 WOULD I RCA - LIE TO YOU EURYTHMICS 7 6 DON'T YOU (FORGET ABOUT ME) SIMPLE MINDS VIRGIN NEW 7 NEVER SURRENDER COREY HART AQUARIUS /CAPITOL 8 4 EVERYBODY WANTS TO RULE THE WORLD TEARS FOR FEARS 8 17 BLACK CARS GINO VANNELLI POLYDOR/POLYGRAM MERCURY 9 12 A VIEW TO A KILL DURAN DURAN CAPITOL 9 8 WE CLOSE OUR EYES GO WEST CHRYSALIS 10 7 WALKING ON SUNSHINE KATRINA & THE WAVES ATTIC /A &M 10 10 19 PAUL HARDCASTLE CHRYSALIS 11 4 CRAZY FOR YOU MADONNA SIRE /WEA 11 2 CAN'T FIGHT THIS FEELING REO SPEEDWAGON EPIC 12 8 SMOOTH OPERATOR SADE PORTRAIT /CBS 12 NEW WALKING ON SUNSHINE KATRINA &WAVES CAPITOL 13 15 AXEL F HAROLD FALTERMEYER MCA 13 NEW A VIEW TO A KILL DURAN DURAN EMI 14 13 OBSESSION ANIMOTION MERCURY / POLYGRAM 14 18 WE WILL TOGETHER EUROGLIDERS CBS 15 NEW RASPBERRY BERET PRINCE & THE REVOLUTION PAISLEY PARK /WEA 15 14 WIDE BOY NIK KERSHAW MCA 16 16 HEAVEN BRYAN ADAMS A &M 16 12 NIGHTSHIFT COMMODORES MOTOWN 17 10 TEARS ARE NOT ENOUGH NORTHERN LIGHTS COLUMBIA /CBS 17 13 JUST A GIGOLO DAVID LEE ROTH WARNER 18 14 WE ARE THE WORLD USA FOR AFRICA COLUMBIA /CBS 18 11 THE HEAT IS ON GLENN FREY MCA 19 18 TOKYO ROSE IDLE EYES WEA 19 15 ONE MORE NIGHT PHIL COLLINS WEA Wi's: POWER STATION PARLOPHONE 20 20 THINGS CAN ONLY GET BETTER HOWARD JONES WEA 20 16 SOME LIKE IT HOT %..Copyright 1985, Billboard Publications, Inc. -
Discovery Marche.Pdf
the MARCHE region Discovering VADEMECUM FOR THE TOURIST OF THE THIRD MILLENNIUM Discovering THE MARCHE REGION MARCHE Italy’s Land of Infinite Discovery the MARCHE region “...For me the Marche is the East, the Orient, the sun that comes at dawn, the light in Urbino in Summer...” Discovering Mario Luzi (Poet, 1914-2005) Overlooking the Adriatic Sea in the centre of Italy, with slightly more than a million and a half inhabitants spread among its five provinces of Ancona, the regional seat, Pesaro and Urbino, Macerata, Fermo and Ascoli Piceno, with just one in four of its municipalities containing more than five thousand residents, the Marche, which has always been Italyʼs “Gateway to the East”, is the countryʼs only region with a plural name. Featuring the mountains of the Apennine chain, which gently slope towards the sea along parallel val- leys, the region is set apart by its rare beauty and noteworthy figures such as Giacomo Leopardi, Raphael, Giovan Battista Pergolesi, Gioachino Rossini, Gaspare Spontini, Father Matteo Ricci and Frederick II, all of whom were born here. This guidebook is meant to acquaint tourists of the third millennium with the most important features of our terri- tory, convincing them to come and visit Marche. Discovering the Marche means taking a path in search of beauty; discovering the Marche means getting to know a land of excellence, close at hand and just waiting to be enjoyed. Discovering the Marche means discovering a region where both culture and the environment are very much a part of the Made in Marche brand. 3 GEOGRAPHY On one side the Apen nines, THE CLIMATE od for beach tourism is July on the other the Adriatic The regionʼs climate is as and August. -
Sgalambro, Il Filosofo Che Amava La Canzone
Quotidiano Data 28-12-2019 IAcAZZETfApHMEZzoGIoR.vo Pagina 15 Foglio 1 RICORRENZE A 5 ANNI DALLA SCOMPARSA, ESCE UN SAGGIO CON UN CONTRIBUTO DEL BARESE ANTONIO CARULLI Sgalambro, il filosofo che amava la canzone Daí trattati aí testi per Alice, Battiato, Celentano e Mílva dr LE0 LESTINGI consapevolezza del dolore e della morte si sarebbe in- trecciata indissolubilmente con la consapevolezza della uò darsi pessimismo senza voltare le spalle pienezza della vita, andando a costituire un binomio all'essere e alla filosofia tradizionalmente in- inscindibile che sarà costante in tutte le sue opere. tesi? Manlio Sgalambro fu veramente un fi- L'imperativo sarà, allora, quello di restare con la schie- losofo intellettualmente isolato? Come amare na diritta nel faccia a faccia col dolore e con la morte, Spinoza e allo stesso tempo capovolgerlo radicalmente? come ha provato afare personalmente lui, già da sempre Come considerare l'attenzione di Sgalambro alla mu- catturato dalle carte e dai libri, che si muoveva inquieto sica, il suo sodalizio con Franco Battiato e i suoi testi fra le mitra delle stanze della sua grande casa catanese, sulla teoria della canzone? quasi cercando scampo in una distrazione che, però, A5 anni dalla morte di questo pensatore «irregolare», malediceva qualora essa fosse realmente arrivata. lontano dal mondo dell'accademia, l'unico «caso serio» «Pratico il pensiero non per amore, ma per necessità; della filosofia italiana dell'ultimo cinquantennio, se- definisco, giudico. Non m'inchino come una canna,non condo Massimo Cacciari, esce un prezioso volume(La soddisfo attese», scrisse in un suo libro provocatorio, piccola verità. -
Giovanni Allevi: Undefined & Unfettered. One Night….One Place
news release Italian Cultural Institute 686 Park Avenue, New York, NY 10012 Tel. 212.879.4242 Fax 212.861.4018 email: [email protected] New York, April 21, 2006 Giovanni Allevi: Undefined & Unfettered. One Night….One Place The Blue Note—Monday, May 15, 2006, 8:00 pm & 10:30 pm In his first New York performance since two sold out shows at The Blue Note in March 2005, Italian composer/pianist Giovanni Allevi returns to the city that was the inspiration for his latest CD, No Concept (Sony BMG). Written over the course of a steamy New York summer, No Concept is as much the embodiment of a musical journey and philosophy as it is a visceral ode to the melting pot of culture, style and sound that we call New York. In the thirteen original compositions which make up No Concept, Allevi challenges himself and the listener to embrace tradition but not to be encumbered by it. The past is a base coat in the quest for a contemporary interpretation of our common human experience. As an artist, Allevi’s palette is rich and audible in the sounds and rhythms of classical, avant-garde, jazz, pop and rock traditions, but the canvas is set on end with every touch of the key. Claudia Di Meo of ANSA wrote, “his music strikes your heart, a witchcraft which leads the listener to a borderline, over a precipice made of accents….complicated metrics without ever being presumptuous….sometimes it is only a sweet caress which touches your body like the red velvet of a theatre.” Allevi’s musical journey began by stealing time, literally, at the piano. -
Marina Serpagli - Biography
Mezzo-Soprano Jack Price Founding Partner / Managing Director Marc Parella Partner / Director of Operations Mailing Address: 520 Geary Street Suite 605 San Francisco CA 94102 Telephone: Toll-Free 1-866-PRI-RUBI (774-7824) 310-254-7149 / Los Angeles 415-504-3654 / San Francisco Email: [email protected] [email protected] Website: Contents: http://www.pricerubin.com Biography Yahoo!Messenger Resume pricerubin Reviews Repertoire Complete artist information including video, audio and interviews are available at www.pricerubin.com Marina Serpagli - Biography Marina Serpagli was born in Pavia (Italy), in a family dealing with business and trade, totally outside of the Art World. Nevertheless, when she was offered the opportunity to get a musical education, she accepted with enthusiasm and dedication. As a child she studied piano and choir singing. Some years later her music teachers encouraged her to approach Lyrical Singing. Since then she’s been constantly improving and taking care of her vocal talent, that was also incentive for her personal growth. She deeply believes in the uniqueness and fulfillment of every artistic journey, beyond common sense and standard rules. She obtained her Lyrical Singing Diploma - mezzosoprano - at the Conservatory of Music “G.Nicolini” in Piacenza. She graduated in foreign languages from the University of Pavia and obtained one Deutsch Institute Diploma and two Cambridge Certificates (PET, FCE). She speaks English, French and German, in addition to her native Italian. At the beginning of her career she sang in important philharmonic choirs: Verdi Choir in Milan, Maghini Choir and RAI National Orchestra in Turin, having the opportunity to work with R. -
Orchestra Kentucky Personnel | 24 David Jones Artwork | 26-27
2018–2019 SEASON 18-19 Sponsors | 5 Music Director | 8 Songs and Stories of Neil Diamond | 10 The Fiedler Tradition | 14 Ghostbusters | 19 Let’s Hang On! | 21 Orchestra Kentucky Personnel | 24 David Jones Artwork | 26-27 Orchestra Kentucky 3 4 www.orchestrakentucky.com Orchestra Kentucky 7 JEFFREY REED MUSIC DIRECTOR “A melody, a lyric, or a certain harmony can trigger memories,” says conductor Jeffrey Reed. 8 www.orchestrakentucky.com JEFFREY REED MUSIC DIRECTOR Reed has been bringing back the memories as music director of Orchestra Kentucky since he founded it in 2000. Sometimes combining classical and popular music, his concert presentations are singularly authentic, recreating the soundtracks of music’s greatest decades. From the 17th century to our time, his concerts celebrate anniversaries and music milestones, from Beethoven, Mahler and Stravinsky, to Elvis, The Beatles and The Carpenters, drawing on some of the nation’s brightest musical talent. Reed has worked with BJ Thomas, Larry Gatlin, Paul Williams, Peter Tork, Glen Campbell, Keith Emerson, Neil Sedaka, Marilyn McCoo and Billy Davis, Jr., Mary Wilson, Melissa Manchester, Chris Young, and many others in appearances with his own orchestra and orchestras in Milan (Italy), St. Petersburg (Russia), and South Korea. Reed has twice appeared with the Royal Philharmonic at London’s Royal Albert Hall at the specific request of Neil Sedaka. In the United States, Jeffrey Reed has conducted the orchestras of Alabama, Augusta, Charleston, Detroit, Knoxville, Louisville, Memphis, Nashville, Omaha, Phoenix, Portland (ME), Quad Cities (IA), Sacramento, South Bend and Winston-Salem. This season he will return to the Quad Cities and will appear for the first time with the Greensboro (NC) Symphony Orchestra. -
2021 Streaming JEFFREY BIEGEL, Piano
2021 Streaming Thursday, February 11, 2021 8:00 PM An interactive live online performance streaming FREE online on YouTube: https://youtu.be/88qjdR5ib7g Jeffrey Biegel, piano Klassical Klavier Konversations Classical Masters of the Piano W.A.Mozart Sonata No. 13 in B-flat Major K333 (1783) (1756-1791) Beethoven Sonata No. 23 in F minor, Op. 57 “Appassionata” (1770-1827) Jeffrey Biegel will respond to comments posted in the chat section following the performance. Learn more about Jeffrey Biegel, his career, recordings, performances and more at jeffreybiegel.com. www.troychromaticconcerts.org All programs, dates and times are subject to change. Streaming concerts are supported in part by your voluntary contributions. ©2021 Troy Chromatic Concerts Inc. www.troychromaticconcerts.org Jeffrey Biegel Since 1999, Jeffrey Biegel has commissioned ten composers to bring new music for piano and orchestra to the repertoire. On February 10, 2019, Kenneth Fuchs's "Piano Concerto: 'Spiritualist'" with the London Symphony Orchestra led by JoAnn Falletta garnered a Grammy win in the Best Classical Compendium category, featuring Mr. Biegel as its soloist. Considered the most prolific artist of his generation, Moravian College in Bethlehem, PA, conferred the Honorary Degree of Doctor of Humane Letters upon Mr. Biegel, for his achievements in performance, recordings, chamber music, champion of new music, composer, arranger and educator. Among his recent recordings and performances, Mr. Biegel performed the World Premiere of Giovanni Allevi's 'Concerto for Piano and Orchestra' with Orchestra Kentucky and in Milan's Teatro dal Vermes, recording with Orchestra Sinfonica Italiana. During 2018, Naxos released Kenneth Fuchs's Grammy- winning recording, "Piano Concerto: Spiritualist" and, he performed the World Premiere of Christopher Theofanidis's "Concerto no. -
PANO RAMI QUES VALLE D’AOSTA – Vallée D’AOSTE Periodico Semestrale – Sped
PANO RAMI QUES VALLE d’AOSTA – VALLéE d’AOSTE Periodico semestrale – Sped. in a.p. – art. comma 20/c legge 662/96 – Filiale di Aosta – Tassa riscossa / Taxe perçue / Taxe riscossa – Tassa legge 662/96 – Filiale di Aosta – Sped. in a.p. art. comma 20/c Periodico semestrale ALEkSAndr SOkurov •DAN SAID il PeggioR GAbrIel AbrANteS • ErAn natale kOLirin • ÉrIC bAUDelAIre della mia vita Al CAStellO 53 MArTÍn BOuLOCQ • Jet leYCO SAvOIA ArnAud dES PALLiÈrES DI GressoneY I semestre 2012 Rivista di cinema edita dall’assessoRato istRuzione e cultuRa della Regione autonoma valle d’aosta E éDITORIAL Il Castel Savoia di Gressoney-Saint-Jean sul grande schermo Grazie ad un’operazione condotta in del film precedente: Fabio De Lui- smontaggio, a queste vanno ag- sinergia tra l’Assessorato Istruzione gi, sfortunato protagonista di mille giunte varie professionalità locali: e Cultura della Regione autonoma buffi contrattempi, e la sua sposa, oltre a figuranti, manovali e aiuto- Valle d’Aosta e la Film Commission Cristiana Capotondi, sono la coppia sarte, la Colorado Film ha richiesto Vallée d’Aoste il grande cinema ri- al centro delle vicende che vedo- aiuto scenografi, runner, un opera- torna nella nostra regione per am- no, fra gli altri interpreti, Antonio tore backstage e capo gruppo. bientarvi una pellicola che ha tutte Catania e Diego Abatantuono, in Abbinando promozione culturale ad le caratteristiche per ottenere un un divertente ruolo a sorpresa cu- occupazione e qualificazione delle ottimo riscontro di pubblico e al cito sulle sue corde. Questa prima risorse professionali valdostane, è contempo valorizzare uno dei tanti importante produzione cinemato- un progetto che bene esemplifica beni culturali di proprietà regionale. -
Încărcați Conectați-Vă Căutați Muzică Clasică
Încărcați Conectați-vă Căutați Muzică clasică - Subiect Videoclipuri Playlisturi Canale Despre Abonați-vă 106.812 Muzică clasică - Subiect Pagina de pornire Videoclipuri Playlisturi Canale Despre Top Classical Music Tracks de la Classical Music - Topic• 500 de videoclipuri• 1.826.356 de vizionări Redaţi-le pe toate Distribuiți Salvați 1 プッチーニ: 歌劇「トゥーランドット」:誰も寝てはならない(第 3 幕)[ナクソス・ク ラシック・キュレーション #特別編:サッカー W 杯] naxos japan 3:00 2 Mozart-String Serenade no. 13 in G, K. 525 (Eine Kleine Nachtmusik), Mov. 2 aaron8895 6:01 3 Symphony No. 9 ~ Beethoven AnAmericanComposer 1:05:39 4 Four Seasons ~ Vivaldi AnAmericanComposer 42:00 5 Schubert - Ave Maria (Opera) Daishi001 6:17 6 Beethoven - Für Elise Matthew J Vasquez 3:39 7 Christmas Food Court Flash Mob, Hallelujah Chorus - Must See! Alphabet Photography 4:57 8 Beethoven - Moonlight Sonata (FULL) andrea romano 15:01 9 The Best of Mozart HALIDONMUSIC 1:56:02 10 Beethoven - Piano Sonata No. 14 in C-Sharp Minor, "Moonlight": I. Adagio sostenuto - Earl Wild Ardee Music 5:24 11 Beethoven's 5th Symphony castout888 7:05 12 "The Imperial March" by the Vienna Philharmonic Orchestra (HQ) DarthPlagueis1990 3:45 13 MICHAEL CRAWFORD in Concert 5/9:Phantom of the Opera zjuly1947 5:15 14 Tchaikovsky -Dance Of The Sugarplum Fairy christmasman2400v 2:22 15 Amira Willighagen - O Mio Babbino Caro - for English-speaking viewers Talented Young Musicians 6:32 16 FREDERIC CHOPIN - NOCTURNES complete nonsonocretino1 1:30:44 17 Tchaikovsky - The Nutcracker - Mariinsky Theatre Gergiev Vedanta Home 1:43:30 18 Mozart - Requiem -
Scheda Battiato
Franco Battiato è nato a Jonia (CT) nel 1945. Sin dai primi anni '70 partecipa attivamente alle correnti di ricerca e sperimentazione europee. Le sue prime incisioni discografiche organiche escono per l'etichetta sperimentale Bla Bla, dal 1971 al 1975: Fetus (1971), Pollution (1972), Sulle corde di Aries (1973), Clic (1974), M.elle le "Gladiator" (1975). L'artista passa poi a Ricordi, che pubblica Feedback (1975, un album doppio che riassume la sua precedente produzione per Bla Bla), Battiato (1976), Juke Box (1977) e L'Egitto prima delle sabbie (1978). Con quest'ultimo brano per pianoforte Battiato vince nel 1978 il Premio Karlheinz Stockhausen. Nel 1979 pubblica L'Era del Cinghiale Bianco , primo lavoro con la Emi Italiana. Seguono Patriots ( 1980) e, nel 1981, La voce del Padrone , che staziona al vertice della classifica italiana per un anno vendendo oltre un milione di copie. Battiato diventa un "caso", materia di studio per gli intellettuali e fonte d' ispirazione per i musicisti. Gli album successivi sono: L'arca di Noè (1982), Orizzonti perduti (1983), Mondi lontanissimi (1985), Echoes of sufi dances (1985). Nel 1985 avvia le edizioni L'Ottava in collaborazione con Longanesi e nel 1989 l'omonima etichetta discografica dedicata a musica "di frontiera" fra la composizione colta, la canzone e la musica etnica, pubblicando sei titoli tra il 1988 e il 1989. Ma sin dal 1984 Franco Battiato è al lavoro per Genesi . L'opera debutta al Teatro Regio di Parma il 26 aprile 1987, accolta con trionfale consenso. Per la Emi escono ancora: Nomadas (1987, Emi Spagnola), Fisiognomica (1988) e nel 1989 il doppio album dal vivo Giubbe rosse . -
Pesaro and Urbino Unveiled in New York Published on Iitaly.Org (
Pesaro and Urbino Unveiled in New York Published on iItaly.org (http://ftp.iitaly.org) Pesaro and Urbino Unveiled in New York Antonella Iovino (April 20, 2011) A presentation of the Marche region was hosted last Monday for to the American audience: peaceful natural landscapes, good cuisine, historical heritage will meet all the tourists' expectations p { margin-bottom: 0.08in; } The Italian Government Touristic Board [2] has been recognized for the 2nd consecutive year as the Page 1 of 3 Pesaro and Urbino Unveiled in New York Published on iItaly.org (http://ftp.iitaly.org) first National European touristic board based in North America. Last Monday it hosted a presentation of the territories of Pesaro and Urbino [3] in the Marche region. The conference was opened by Riccardo Strano [4], director of the board, who introduced the Marche region giving some details about its geographic area, the non-stop flights from the United States to Italy and the statistic trend of American tourists visiting the cities of Ancona, Pesaro and Urbino every year; afterwards he presented the official Italian guide that includes some images of the city of Urbino. The central image of the cover depicts a family in front of a natural landscape: the idea is to educate families in being closer to Italian culture through tourist tours. AARP [5] Magazine says that Marche is one of the 5 must sees in the world. Other newspapers such as The New York Times [6], the Financial Times [7], The Orlando Times [8] talked about the Marche as the second Tuscany. -
Deutsche Nationalbibliografie 2017 T 11
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2017 T 11 Stand: 22. November 2017 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2017 ISSN 1613-8945 urn:nbn:de:101-201612065652 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.