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Activities Overview 2018,2019 Success of Rohm Music Friends
Activities overview 2019 1 Nishinakamizu-cho, Saiin, Ukyo-ku, Kyoto 615-0044, Japan +81-75-331-7710 +81-75-331-0089 https://micro.rohm.com/en/rmf/ INDEX Objective, Detail of Operation, and Outline of the Foundation ………… 1 Directors, Trustees, Advisors and Members of Selection Committee … 2 Activities 2018 …………………………………………………………………………… 3 2019 …………………………………………………………………………… 9 Success of ROHM Music Friends …………………………………………… 15 (In chronological or alphabetical order.) 2019.9 Objective Directors Our foundation aims to contribute to the dissemination and development of the Japanese musical Chairman Ken Sato Chairman Emeritus ROHM CO., LTD. culture through the implementation of and financial support for music activities, and the provision of Managing Director Akitaka Idei Former Director, Member of the Board ROHM CO., LTD. scholarships for music students. Director Nobuhiro Doi President, Chairman of the Board The Bank of Kyoto, Ltd. Tadanobu Fujiwara President, Detail of Operation Chief Executive Officer ROHM CO., LTD. Yukitoshi Kimura Former Commissioner of the National Tax Agency Board Chairman, Zaikyo 1. Organizing music concerts and providing financial support for music activities Koichi Nishioka Journalist Director, Member of the Board ROHM CO., LTD. 2. Providing scholarships for both Japanese music students studying in Japan or abroad and overseas Seiji Ozawa Conductor music students studying in Japan Yasuhito Tamaki Lawyer Midosuji Legal Profession Corporation 3. Collecting, investigating and analyzing material related to music Mazumi Tanamura Guest Professor Tokyo College of Music Specially Appointed Principal Violist Tokyo Metropolitan Symphony Orchestra 4. Supporting overseas music research Shunichi Uchida Former Commissioner of the Consumer Affairs Agency President Kyoto International Conference Center Yasunori Yamauchi President and Editor in Chief The Kyoto Shimbun Newspaper Co., Ltd. -
BUS TRANSFER SERVICES to TEATRO DEL SILENZIO with ANDREA BOCELLI Saturday 24Th 2021 – Second Date – Lajatico, Tuscany
ARIANNA & FRIENDS S.r.l. Via Salaiola, 50/10&50/11, loc. La Rosa 56030 Terricciola (PI) ITALY Tel. +39 0587 635440 - Tel. & Fax +39 0587 672088 [email protected] / www.ariannandfriends.com BUS TRANSFER SERVICES TO TEATRO DEL SILENZIO with ANDREA BOCELLI Saturday 24th 2021 – Second date – Lajatico, Tuscany On July 24th 2021 Maestro Andrea Bocelli is performing at Teatro del Silenzio in Lajatico, Tuscany, on the second date of the 15th edition of his yearly show. WE ARE A TOUR OPERATOR BASED VERY CLOSE TO LAJATICO AND WE ARRANGE RETURN TRANSFER SERVICES ON COACHES /BUSES FROM MANY MAJOR TUSCAN TOWNS TO LAJATICO ON THE DAY OF THE SHOW. Bus transfers are from: Pisa, Florence, Pontedera, Volterra, Lucca, San Gimignano, Terricciola, Castelfalfi On each bus there are up to 50- 54 seats Guide will be on board only on large buses with at least 30 passengers BUSES DEPARTING Rate per Meeting time Meeting point FROM person Pisa 70 € 16:00 (4:00 pm) In front of hotel NH Cavalieri in Pisa, you will meet the guide. Then you will walk 5 minutes to the bus. Volterra 90 € 16:30 (4:30 pm) in Piazza Martiri della Libertà in Volterra. Pontedera 90 € 16:30 (4:30 pm) in Via della Misericordia in Pontedera, in front of Hotel Armonia Florence/Firenze 70 € 15:15 (3:15 pm) In front of Hotel Montebello Splendid, Via Garibaldi, Florence. San Gimignano 70 € 16:00 (4:00 pm) at Bus checkpoint , Via Baccanella in San Gimignano, in front of Coop Supermarket. Lucca 90 € 16:00 (4:00 pm) Just outside the walls at one of the gates called Porta San Pietro in Lucca -
1) 3Tjcj COUNCIL DISTRICT NO. 13
COUNCIL FILE NO. /{) -1) 3tJCJ COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1 075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _ } B. Quitclaim of Easement(s). _ } C. Dedication of Easement(s). _} D. Release of Restriction(s). _x} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _ } G. Resolution to Vacate or Ordinance submitted in response to Council action. _ } H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____J Other: PLEASE DO NOT DETACH THIS APPROVAL SHEETFROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles fEB 1:8 2010 Honorable Members: C. -
Discovery Marche.Pdf
the MARCHE region Discovering VADEMECUM FOR THE TOURIST OF THE THIRD MILLENNIUM Discovering THE MARCHE REGION MARCHE Italy’s Land of Infinite Discovery the MARCHE region “...For me the Marche is the East, the Orient, the sun that comes at dawn, the light in Urbino in Summer...” Discovering Mario Luzi (Poet, 1914-2005) Overlooking the Adriatic Sea in the centre of Italy, with slightly more than a million and a half inhabitants spread among its five provinces of Ancona, the regional seat, Pesaro and Urbino, Macerata, Fermo and Ascoli Piceno, with just one in four of its municipalities containing more than five thousand residents, the Marche, which has always been Italyʼs “Gateway to the East”, is the countryʼs only region with a plural name. Featuring the mountains of the Apennine chain, which gently slope towards the sea along parallel val- leys, the region is set apart by its rare beauty and noteworthy figures such as Giacomo Leopardi, Raphael, Giovan Battista Pergolesi, Gioachino Rossini, Gaspare Spontini, Father Matteo Ricci and Frederick II, all of whom were born here. This guidebook is meant to acquaint tourists of the third millennium with the most important features of our terri- tory, convincing them to come and visit Marche. Discovering the Marche means taking a path in search of beauty; discovering the Marche means getting to know a land of excellence, close at hand and just waiting to be enjoyed. Discovering the Marche means discovering a region where both culture and the environment are very much a part of the Made in Marche brand. 3 GEOGRAPHY On one side the Apen nines, THE CLIMATE od for beach tourism is July on the other the Adriatic The regionʼs climate is as and August. -
Separate and Consolidated Interim Financial Statements As at 30 June 2020
Separate and Consolidated Interim Financial Statements as at 30 June 2020 Separate and Consolidated Interim Financial Statements as at 30 June 2020 Contents 7 Introduction 17 Report on Operations 171 Interim Separate Financial Statements as at 30 June 2020 239 Interim Consolidated Financial Statements as at 30 June 2020 303 Corporate Directory 4 Contents Introduction 7 Corporate Officers 8 Organisational Structure 9 Introduction from the Chairman of the Board of Directors 11 Financial Highlights 12 Report on Operations 17 Mission 18 Market scenario 18 The Rai Group 24 Television 41 Radio 97 RaiPlay and Digital 107 Public broadcasting service function 116 TV production 119 Technological activities 120 Transmission and distribution activities 129 Sales activities 130 Other activities 135 Changes in the regulatory framework 143 Corporate governance 148 Corporate Governance Report - the Rai Control Governance Model and the Internal Control and Risk Management System (SCIGR) 150 Other information 155 Human Resources and Organisation 155 Safety & Security 159 Intercompany Relations 161 Significant events occurring after 30 June 2020 168 Outlook of operations 168 5 Interim Separate Financial Statements as at 30 June 2020 171 Analysis of the results and performance of operating results, financial position and cash flows for the first half of 2020 172 Financial Statements of Rai SpA 186 Notes to the Interim Separate Financial Statements as at 30 June 2020 191 Certification pursuant to article 154-bis of Italian Legislative Decree 58/98 235 Independent -
CHAN 3160 Gioachino Rossini (1792 –1868 ) The
CHAN 3160 Gioachino Rossini (1792 –1868 ) THE © Lebrecht Music & Arts Photo Library Photo & Arts Music © Lebrecht ItaliaN GIRL IN AlgiERS Highlights Dramma giocoso in two acts to a libretto substantially derived from Angelo Anelli’s libretto for Luigi Mosca’s L’italiana in Algeri English translation by David Parry Mustafà, Bey of Algiers Alastair Miles bass Elvira, Mustafà’s wife Sarah Tynan soprano Zulma, slave, and Elvira’s confidante Anne Marie Gibbons mezzo-soprano Haly, Captain of the Algerian Corsairs David Soar bass Lindoro, Mustafà’s favourite slave Barry Banks tenor Isabella, Italian lady Jennifer Larmore mezzo-soprano Taddeo, Isabella’s companion Alan Opie baritone Geoffrey Mitchell Choir Philharmonia Orchestra Martin Fitzpatrick assistant conductor Brad Cohen Gioachino Rossini 3 Time Page Time Page 1 Overture 8:13 [p. 32] 9 ‘Please tell me where my niece is’ – 2:08 [p. 36] Taddeo, Haly, Mustafà, Isabella Act I 10 from ‘Though we must part from you’ – 3:47 [p. 37] 2 No 2, Cavatina: ‘In dreams of endless pleasure’ 7:16 [p. 32] Elvira, Zulma, Lindoro, Isabella, Haly, Taddeo Lindoro 11 ‘Tell me, who is this woman?’ 5:27 [p. 38] 3 No 3, Duet: ‘When I choose a girl to marry’ 4:13 [p. 32] Isabella, Mustafà, Elvira, Zulma, Lindoro, Taddeo, Haly, Chorus Lindoro, Mustafà 4 from No 4, Cavatina: ‘Fate is cruel!’ 4:46 [p. 33] from Act II Isabella, Chorus 12 No 10, Aria: ‘All this shouting makes my head ache’ 3:45 [p. 39] 5 No 5, Duet: ‘From the buffets of misfortune’ 7:34 [p. 34] Taddeo, Chorus Isabella, Taddeo 13 No 11a, Cavatina: ‘Sweetest treasure, dearest pleasure’ 7:27 [p. -
Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
Premieren der Oper Frankfurt ab September 1945 bis heute Musikalische Leitung der Titel (Title) Komponist (Composer) Premiere (Conductor) Regie (Director) Premierendatum (Date) Spielzeit (Season) 1945/1946 Tosca Giacomo Puccini Ljubomir Romansky Walter Jokisch 29. September 1945 Das Land des Lächelns Franz Lehár Ljubomir Romansky Paul Kötter 3. Oktober 1945 Le nozze di Figaro W.A. Mozart Dr. Karl Schubert Dominik Hartmann 21. Oktober 1945 Wiener Blut Johann Strauß Horst-Dietrich Schoch Walter Jokisch 11. November 1945 Fidelio Ludwig van Beethoven Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Margarethe Charles Gounod Ljubomir Romansky Walter Jokisch 10. Januar 1946 Otto und Theophano Georg Friedrich Händel Bruno Vondenhoff Walter Jokisch 22. Februar 1946 Die Fledermaus Johann Strauß Ljubomir Romansky Paul Kötter 24. März 1946 Zar und Zimmermann Albert Lortzing Ljubomir Romansky Heinrich Altmann 12. Mai 1946 Jenufa Leoš Janáček Bruno Vondenhoff Heinrich Altmann 19. Juni 1946 Spielzeit 1946/1947 Ein Maskenball Giuseppe Verdi Bruno Vondenhoff Hans Strohbach 29. September 1946 Così fan tutte W.A. Mozart Bruno Vondenhoff Hans Strohbach 10. November 1946 Gräfin Mariza Emmerich Kálmán Georg Uhlig Heinrich Altmann 15. Dezember 1946 Hoffmanns Erzählungen Jacques Offenbach Werner Bitter Karl Puhlmann 2. Februar 1947 Die Geschichte vom Soldaten Igor Strawinsky Werner Bitter Walter Jokisch 30. April 1947 Mathis der Maler Paul Hindemith Bruno Vondenhoff Hans Strohbach 8. Mai 1947 Cavalleria rusticana / Pietro Mascagni / Werner Bitter Heinrich Altmann 1. Juni 1947 Der Bajazzo Ruggero Leoncavallo Spielzeit 1947/1948 Ariadne auf Naxos Richard Strauss Bruno Vondenhoff Hans Strohbach 12. September 1947 La Bohème Giacomo Puccini Werner Bitter Hanns Friederici 2. November 1947 Die Entführung aus dem W.A. -
1. Early Years: Maria Before La Callas 2. Metamorphosis
! 1. EARLY YEARS: MARIA BEFORE LA CALLAS Maria Callas was born in New York on 2nd December 1923, the daughter of Greek parents. Her name at birth was Maria Kalogeropoulou. When she was 13 years old, her parents separated. Her mother, who was ambitious for her daughter’s musical talent, took Maria and her elder sister to live in Athens. There Maria made her operatic debut at the age of just 15 and studied with Elvira de Hidalgo, a Spanish soprano who had sung with Enrico Caruso. Maria, an intensely dedicated student, began to develop her extraordinary potential. During the War years in Athens the young soprano sang such demanding operatic roles as Tosca and Leonore in Beethoven’s Fidelio. In 1945, Maria returned to the USA. She was chosen to sing Turandot for the inauguration of a prestigious new opera company in Chicago, but it went bankrupt before the opening night. Yet fate turned out to be on Maria’s side: she had been spotted by the veteran Italian tenor, Giovanni Zenatello, a talent scout for the opera festival at the Verona Arena. Callas made her Italian debut there in 1947, starring in La Gioconda by Ponchielli. Her conductor, Tullio Serafin, was to become a decisive force in her career. 2. METAMORPHOSIS After Callas’ debut at the Verona Arena, she settled in Italy and married a wealthy businessman, Giovanni Battista Meneghini. Her influential conductor from Verona, Tullio Serafin, became her musical mentor. She began to make her name in grand roles such as Turandot, Aida, Norma – and even Wagner’s Isolde and Brünnhilde – but new doors opened for her in 1949 when, at La Fenice opera house in Venice, she replaced a famous soprano in the delicate, florid role of Elvira in Bellini’s I puritani. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
In Toscana Per Il Concerto Di Bocelli
IN TOSCANA PER IL CONCERTO DI BOCELLI Scegliere di viaggiare con AcliViaggi-Cta Trento significa avere sempre la certezza di essere seguiti con attenzione. Potrete godere del vostro viaggio in totale tranquillità nella consapevolezza che tutte le norme previste verranno scrupolosamente seguite. GRUPPI MASSIMO 30/35 PERSONE per garantirvi la massima sicurezza. PULLMAN-TRENO: sanificati in conformità ai protocolli previsti dal Ministero della Salute. Utilizzo della mascherina. HOTEL: selezionati con misure sanitarie previste a norma di legge. RISTORANTI: distanziamento fisico di 1 metro durante i pasti. VISITE GUIDATE: utilizzo auricolari per mantenere il distanziamento fisico. 22-23 luglio 2021 IL VIAGGIO IN BREVE: Trento, Prato, Lajatico, Montecatini Terme, Pistoia, Trento DURATA DEL VIAGGIO: 2 giorni/1 notte TRASPORTO: Pullman privato G.T. SISTEMAZIONE: Hotel 3 stelle PASTI: Come da programma QUOTA DI PARTECIPAZIONE BASE 25 PERSONE € 360 BASE 20 PERSONE € 380 Supplemento camera singola € 25 ASSICURAZIONE ANNULLAMENTO FACOLTATIVA: € 25 Copertura per cause medico-certificabili (non copre patologie pre-esistenti) IL PROGRAMMA di Viaggio 1° GIORNO: TRENTO – PRATO – LAJATICO – MONTECATINI TERME Ore 08.00: partenza in pullman Gran Turismo da Trento, Piazza Dante-Palazzo della Regione o parcheggio ex area zuffo. Ore 08.30: partenza in pullman da Rovereto, Stazione ferroviaria o Casello autostradale di Rovereto sud. Orari e luoghi definitivi saranno comunicati con circolare informativa 5 giorni prima della partenza. Partenza per Prato. Arrivo a Prato e pranzo libero. Nel primo pomeriggio incontro con la guida e visita guidata di circa due ore della città. Si potranno ammirare i principali monumenti: il Duomo, (cattedrale di Santo Stefano, con la sua grande piazza, il pulpito esterno di Donatello e Michelozzo e, all’interno, la reliquia della Sacra Cintola della Madonna e gli splendidi affreschi di Filippo Lippi). -
Giovanni Allevi: Undefined & Unfettered. One Night….One Place
news release Italian Cultural Institute 686 Park Avenue, New York, NY 10012 Tel. 212.879.4242 Fax 212.861.4018 email: [email protected] New York, April 21, 2006 Giovanni Allevi: Undefined & Unfettered. One Night….One Place The Blue Note—Monday, May 15, 2006, 8:00 pm & 10:30 pm In his first New York performance since two sold out shows at The Blue Note in March 2005, Italian composer/pianist Giovanni Allevi returns to the city that was the inspiration for his latest CD, No Concept (Sony BMG). Written over the course of a steamy New York summer, No Concept is as much the embodiment of a musical journey and philosophy as it is a visceral ode to the melting pot of culture, style and sound that we call New York. In the thirteen original compositions which make up No Concept, Allevi challenges himself and the listener to embrace tradition but not to be encumbered by it. The past is a base coat in the quest for a contemporary interpretation of our common human experience. As an artist, Allevi’s palette is rich and audible in the sounds and rhythms of classical, avant-garde, jazz, pop and rock traditions, but the canvas is set on end with every touch of the key. Claudia Di Meo of ANSA wrote, “his music strikes your heart, a witchcraft which leads the listener to a borderline, over a precipice made of accents….complicated metrics without ever being presumptuous….sometimes it is only a sweet caress which touches your body like the red velvet of a theatre.” Allevi’s musical journey began by stealing time, literally, at the piano.