The History of the Dulwich Almshouse 1616-2016
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Eccentric Dulwich Walk Eccentric and Exit Via the Old College Gate
Explore Dulwich and its unusual 3 Dulwich College writer; Sir Edward George (known as “Steady Eddie”, Governor architecture and characters including Founded in 1619, the school was built by of the Bank of England from 1993 to 2003); C S Forester, writer Dulwich College, Dulwich Picture Gallery - successful Elizabethan actor Edward Alleyn. of the Hornblower novels; the comedian, Bob Monkhouse, who the oldest purpose-built art gallery in the Playwright Christopher Marlowe wrote him was expelled, and the humorous writer PG Wodehouse, best world, and Herne Hill Velodrome. some of his most famous roles. Originally known for Jeeves & Wooster. meant to educate 12 “poor scholars” and named “The College of God’s Gift,” the school On the opposite side of the road lies The Mill Pond. This was now has over 1,500 boys, as well as colleges originally a clay pit where the raw materials to make tiles were in China & South Korea. Old boys of Dulwich dug. The picturesque cottages you can see were probably part College are called “Old Alleynians”, after the of the tile kiln buildings that stood here until the late 1700s. In founder of the school, and include: Sir Ernest 1870 the French painter Camille Pissarro (1830-1903) fled the Shackleton, the Antarctic explorer; Ed Simons war in Europe and briefly settled in the area. Considered one of Edward Alleyn, of the Chemical Brothers; the actor, Chiwetel the founders of Impressionism, he painted a famous view of the photograph by Sara Moiola Ejiofor; Raymond Chandler, detective story college from here (now held in a private collection). -
The Edward Alleyn Golf Society, It Was for Me Immensely Enjoyable in My Own 49Th Year
T he Edward Alleyn G olf Society (Established 1968) Hon. Secretary: President: Dr Gary Savage MA PhD George Thorne Past Presidents: Sir Henry Cotton KCMG MBE 4 Bell Meadow Derek Fenner MA London Dr Colin Niven OBE SE19 1HP Dr Colin Diggory MA EdD [email protected] Tel: 0208 488 7828 The Society Christmas Dinner and Annual General Meeting will be held on Friday 8th December 2017 at Dulwich & Sydenham Hill GC, commencing with a drinks reception at 19:00. Present: Vince Abel, Steve Bargeron, Peter Battle, James Bridgeman, Tracy Bridgeman, Dave Britton, Roger Brunner, Andre Cutress, Roger Dollimore, Neil Hardwick, Perry Harley, Bob Joyce, John Knight, Dennis Lomas, Alan Miles, Roger Parkinson, Ted Pearce, Steve Poole, Jack Roberts, Keith Rodwell, John Smith, Ray Stiles, Justin Sutton, George Thorne, Tim Wareham, Alan Williams, Anton Williams; Guests: John Battle, Roy Croft, Neil French, Chris Nelson. Apologies: Mikael Berglund, Chris Briere-Edney, Trevor Cain, Dave Cleveland, Dom Cleveland, Len Cleveland, John Coleman, John Dunley, Dr Colin Diggory MA,EdD, John Etches, Ray Eyre, David Foulds, Mike Froggatt, Mark Gardner, David Hankin, Peter Holland, Bruce Leary, Dave McEvoy, Dave Sandars, Andrew Saunders, Paul Selwyn, Dave Slaney, Chris Shirtcliffe, Dr Gary Savage MA,PhD. In Memoriam A minute’s silence in memory of Society Members and other Alumni who have passed away this year : Kit Miller, attended 10 meetings between 1976 and 1991; Jim Calvo, attended 11 meetings and many tours between 2001 and 2015; Steve Crosby, attended 2 meetings in 1993-4; Brian Romilly non-golfer, but a great friend of many of our members. -
History (Maternity Cover) JD 20-21.Indd
AAlleyn’slleyn’s AAppointmentppointment ooff TTeachereacher ooff HHistoryistory ((MaternityMaternity CCover)over) ffromrom AAprilpril 22021021 ttoo MMarcharch 22022022 IInformationnformation fforor AApplicantspplicants JJanuaryanuary 22021021 Teacher of History (Maternity Cover) From April 2021to April 2022 Alleyn’s is one of the country’s leading co-educa onal independent day schools, commi ed to developing excellence within an ethos of strong pastoral care and a vibrant co-curriculum. Our holis c approach aims to nurture every pupil, enabling them to develop their poten al while making friendships and enjoying life to the full. We believe that learning together in a suppor ve environment provides the best framework for boys and girls to excel at school, to discover new ideas, skills and enthusiasms and to prepare for university and the mul -gendered world of work and life in general. Links with local and overseas schools, universi es and chari es provide further opportuni es to enrich that learning in diff erent contexts and to make new and las ng friends. Our community is warm, caring and inclusive and we are very proud of our pupils, who leave us with excellent examina on results, places at some of the world’s top universi es and specialist centres of higher educa on, and with a sense of confi dence, mutual respect and social responsibility. We greatly value our commi ed and hard-working staff , whose dedica on makes possible the achievements of our pupils. Our Vision Alleyn’s is a happy and successful co-educa onal and academically -
Newsletter #104 (Spring 1995)
The Dulwich Society - Newsletter 104 Spring - 1995 Contents What's on 1 Dulwich Park 13 Annual General Meeting 3 Wildlife 14 Obituary: Ronnie Reed 4 The Watchman Tree 16 Conservation Trust 7 Edward Alleyn Mystery 20 Transport 8 Letters 35 Chairman Joint Membership Secretaries Reg Collins Robin and Wilfrid Taylor 6 Eastlands Crescent, SE21 7EG 30 Walkerscroft Mead, SE21 81J Tel: 0181-693 1223 Tel: 0181-670 0890 Vice Chairman Editor W.P. Higman Brian McConnell 170 Burbage Road, SE21 7AG 9 Frank Dixon W1y, SE2 I 7ET Tel: 0171-274 6921 Tel & Fax: 0181-693 4423 Secretary Patrick Spencer Features Editor 7 Pond Cottages, Jane Furnival College Road, SE21 7LE 28 Little Bornes, SE21 SSE Tel: 0181-693 2043 Tel: 0181-670 6819 Treasurer Advertising Manager Russell Lloyd Anne-Maree Sheehan 138 Woodwarde Road, SE22 SUR 58 Cooper Close, SE! 7QU Tel: 0181-693 2452 Tel: 0171-928 4075 Registered under the Charities Act 1960 Reg. No. 234192 Registered with the Civic Trust Typesetting and Printing: Postal Publicity Press (S.J. Heady & Co. Ltd.) 0171-622 2411 1 DULWICH SOCIETY EVENTS NOTICE is hereby given that the 32nd Annual General Meeting of The 1995 Dulwich Society will be held at 8 p.m. on Friday March 10 1995 at St Faith's Friday, March 10. Annual General Meeting, St Faith's Centre, Red Post Hill, Community and Youth Centre, Red Post Hill, SE24 9JQ. 8p.m. Friday, March 24. Illustrated lecture, "Shrubs and herbaceous perennials for AGENDA the spring" by Aubrey Barker of Hopley's Nurseries. St Faith's Centre. -
"A Sharers' Repertory." Rethinking Theatrical
Syme, Holger Schott. "A Sharers’ Repertory." Rethinking Theatrical Documents in Shakespeare’s England. Ed. Tiffany Stern. London: The Arden Shakespeare, 2020. 33–51. Bloomsbury Collections. Web. 26 Sep. 2021. <http://dx.doi.org/10.5040/9781350051379.ch-002>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 26 September 2021, 08:28 UTC. Copyright © Tiffany Stern and contributors 2020. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 2 A Sharers’ Repertory Holger Schott Syme Without Philip Henslowe, we would know next to nothing about the kinds of repertories early modern London’s resident theatre companies offered to their audiences. As things stand, thanks to the existence of the manuscript commonly known as Henslowe’s Diary , scholars have been able to contemplate the long lists of receipts and expenses that record the titles of well over 200 plays, most of them now lost. The Diary gives us some sense of the richness and diversity of this repertory, of the rapid turnover of plays, and of the kinds of investments theatre companies made to mount new shows. It also names a plethora of actors and other professionals associated with the troupes at the Rose. But, because the records are a fi nancier’s and theatre owner’s, not those of a sharer in an acting company, they do not document how a group of actors decided which plays to stage, how they chose to alternate successful shows, or what they, as actors, were looking for in new commissions. -
The Elizabethan Age
The Elizabethan Age This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands,- This blessed plot, this earth, this realm, this England. – Richard II, William Shakespeare DRAMA TEACHER ACADEMY © 2015 LINDSAY PRICE 1 INDEX THE ELIZABETHAN AGE What was going on during this time period? THE ELIZABETHAN THEATRE The theatres, the companies, the audiences. STAGING THE ELIZABETHAN PLAY How does it differ from modern staging? DRAMA TEACHER ACADEMY © 2015 LINDSAY PRICE 2 Facts About Elizabethan England • The population rose from 3 to 4 million. • This increase lead to widespread poverty. • Average life expectancy was 40 years of age. • Country largely rural, though there is growth in towns and cities. • The principal industry still largely agricultural with wool as its main export. But industries such as weaving started to take hold. • Society strongly divided along class lines. • People had to dress according to their class. • The colour purple was reserved for royalty. • The religion was Protestant-Anglican – the Church of England. • There was a fine if you didn’t attend church. • Only males went to school. • The school day could run from 6 am to 5 pm. • The middle class ate a diet of grains and vegetables – meat was a luxury saved for the rich, who surprisingly ate few vegetables. -
INDEX to DULWICH SOCIETY NEWSLETTERS 1989-2014 a Key to Newsletter Numbers Can Be at Found After the Index Below
INDEX TO DULWICH SOCIETY NEWSLETTERS 1989-2014 A key to newsletter numbers can be at found after the index below. Abbeyfield 152.31 The Abbeyfield Society 119.29, 160.8 Abbott, George 1562-1633 166.27–28, 27 Able, Graham, Vice-President [1998-2000] 117.9, 138.8, 140.3 Abrahams, Adam 85.3–4 Acacia Grove 169.25–31, 26–27 extension 93.8–9, 94.47–48 Accounts Dulwich Estate 116.7, 120.30–32 Estates Governors 92.21–23, 97.30–32, 99.18 Accounts [1989] 85.33–34 Accounts [1990] 88.42–43, 92.11–13 Accounts [1991] 95.10–13 Accounts [1992] 98.6–7 Accounts [1994] 101.18–19 Accounts [2000] 125.11 Ackrill, Marion 123.30 Ackroyd, Norman 132.19, 19 Adam, Susan 93.31 Adie, Don, sub-ctee member [1994-] 101.20 Adult education centres 93.5 Advertising 88.8, 127.33–35, 129.29, 132.40 Advisory Committee for Scheme of Management 85.3, 20, 87.26, 88.5–6, 12, 90.8, 92.14–17, 94.35–38, 97.29–39, 98.8–9, 99.18–20, 102.32, 114.5–6, 120.8–11, 32, 130.13–14, 134.11–12, 145.13, 165.3 Agent Zigzag, Ben MacIntyre 159.30–31 AGM [1990] 88.9–11, 89.6 AGM [1991] 90.9, 91.2, 5 AGM [1992] 94.5, 95.6–13 AGM [1993] 97.4, 98.6–7 AGM [1994] 100.5, 101.16–19 AGM [1995]. 104.3, 105.5–6 AGM [1996] 108.5, 109.6–8 AGM [1997] 112.5 AGM [1998] 116.5, 117.7–10 AGM [1999] 120.5 AGM [2000] 124.9 AGM [2001] 128.5, 130.7–8 AGM [2002] 132.6 AGM [2003] 136.8 AGM [2004] 140.16 AGM [2005] 143.33, 144.3 AGM [2006] 147.33, 148.17 AGM [2007] 152.2, 9 AGM [2008] 156.21 AGM [2009] 160.6 AGM [2010] 164.12 AGM [2011] 168.5 AGM [2012] 172.6 AGM [2013] 176.5 Air Training Corps Squadron 153.6–7 Aircraft -
Pembroke's Men in 1592–3, Their Repertory and Touring Schedule
Issues in Review 129 22 Leland H. Carlson, Martin Marprelate, Gentleman: Master Job Throckmorton Laid Open in his Colours (San Marino: Huntington Library, 1981), 72–81; Donald J. McGinn, John Penry and the Marprelate Controversy (New Bruns- wick, NJ, 1966), 134. 23 John Laurence, A History of Capital Punishment (New York, 1963), 9; see also Naish, Death Comes to the Maiden, 9, and Frances E. Dolan, ‘“Gentlemen, I have one more thing to say”: Women on Scaffolds in England, 1563–1680’, Modern Philology 92 (1994), 166. Pembroke’s Men in 1592–3, Their Repertory and Touring Schedule Some years ago, during a seminar on theatre history at the annual meeting of the Shakespeare Association of America, someone asked plaintively, ‘What did bad companies play in the provinces?’ and Leeds Barroll quipped, ‘Bad quartos’. The belief behind the joke – that ‘bad’ quartos and failing companies went together – has seemed specifically true of the earl of Pembroke’s players in 1592–3. Pembroke’s Men played in the provinces, and plays later published that advertised their ownership have been assigned to the category of texts known as ‘bad’ quartos. Even so, the company had reasons to be considered ‘good’. They enjoyed the patronage of Henry Herbert, the earl of Pembroke, and gave two of the five performances at court during Christmas, 1592–3 (26 December, 6 January). Their players, though probably young, were talented and committed to the profession: Richard Burbage, who would become a star with the Chamberlain’s/King’s Men, was still acting within a year of his death in 1619; William Sly acted with the Chamberlain’s/King’s Men until his death in 1608; Humphrey Jeffes acted with the Admiral’s/Prince’s/Palsgrave’s Men, 1597–1615; Robert Pallant and Robert Lee, who played with Worcester’s/ Queen Anne’s Men, were still active in the 1610s. -
Was Robert Greene's “Upstart Crow” the Actor Edward Alleyn?
The Marlowe Society Was Robert Greene’s “Upstart Crow” Research Journal - Volume 06 - 2009 the actor Edward Alleyn? Online Research Journal Article Daryl Pinksen Was Robert Greene’s “Upstart Crow” the actor Edward Alleyn? "The first mention of William Shakespeare as a writer occurred in 1592 when Robert Greene singled him out as an actor-turned-playwright who had grown too big for his britches." Such is the claim made by all Shakespeare biographers. However, a closer look at the evidence reveals what appears to be an unfortunate case of mistaken identity. Near the end of Greene's Groatsworth of Wit (September 1592) 1, Robert Greene, in an address to three fellow playwrights widely agreed to be Christopher Marlowe, Thomas Nashe and George Peele, says that an actor he calls an "upstart Crow" has become so full of himself that he now believes he is the only "Shake-scene" in the country. This puffed-up actor even dares to write blank verse and imagines himself the equal of professional playwrights. In his address to Marlowe, Nashe, and Peele, Greene reminds them that actors owe their entire careers to writers. He warns his fellow playwrights that just as he has been abandoned by these actors, it could just as easily happen to them. He urges them not to trust the actors, especially the one he calls an "upstart Crow." Finally, he pleads with them to stop writing plays for the actors, whom he variously calls "Apes," "Antics," and "Puppets." Here is Greene's warning to his fellow playwrights [following immediately from Appendix B]: Base minded men all three of you, if by my misery you be not warned: for unto none of you (like me) sought those burres to cleave: those Puppets (I mean) that spake from our mouths, those Anticks garnished in our colours. -
1 Introduction by Grace Ioppolo in 1619, the Celebrated Actor Edward
Introduction by Grace Ioppolo In 1619, the celebrated actor Edward Alleyn founded Dulwich College, a boys’ school originally called ‘God’s Gift of Dulwich College’, as part of his charitable foundation, which also included a chapel and twelve almshouses.1 As part of his estate, Alleyn left thousands of pages of his personal professional papers as well as those of his father-in-law and business partner, the entrepreneur Philip Henslowe, to the College in perpetuity. Some of the papers, including the invaluable account book of theatrical expenses now known as Henslowe’s Diary, suffered minor damage over the centuries. Yet these papers recording playhouse construction, theatre company management, the relationships of actors and dramatists with their employers, and the interaction of royal and local officials in theatre performance and production remained largely intact. Although Henslowe’s Diary and other original volumes such as the play-text of The Telltale retained their original bindings, thousands of loose documents, including muniments, deeds, leases, indentures, contracts, letters, and receipts remained uncatalogued and in their original state (included folded into packets, as in the case of letters). Scholars and theatre professionals such as David Garrick, Edmond Malone, John Payne Collier and J. O. Halliwell made use of Dulwich College’s library in the 18th and 19th centuries, sometimes borrowing and then not returning bound volumes and loose manuscripts to use in their research on the theatre history of Shakespeare and his contemporaries. In the 1870s, the governors of Dulwich College accepted the offer of George F. Warner, a keeper of manuscripts at the British Museum, to conserve and catalogue this collection of the single most important archive of documents relating to 16th and 17th century performance and production. -
Soane's Favourite Subject: the Story of Dulwich Picture Gallery #210 Pages #2000 #Dulwich Picture Gallery, 2000 #Francesco Nevola, Dulwich Picture Gallery
Soane's favourite subject: the story of Dulwich Picture Gallery #210 pages #2000 #Dulwich Picture Gallery, 2000 #Francesco Nevola, Dulwich Picture Gallery Dulwich Picture Gallery is an art gallery in Dulwich, South London. The gallery, designed by Regency architect Sir John Soane using an innovative and influential method of illumination, opened to the public in 1817. It is the oldest public art gallery in England and was made an independent charitable trust in 1994. Until this time the gallery was part of Alleyn's College of God's Gift, a charitable foundation established by the actor, entrepreneur and philanthropist Edward Alleyn in the early-17th Dulwich Picture Gallery is an art gallery in Dulwich , South London. The gallery, designed by Regency architect Sir John Soane using an innovative and influential method of illumination, opened to the public in 1817. It is the oldest public art gallery in England and was made an independent charitable trust in 1994. Until this time the gallery was part of Alleyn's College of God's Gift , a charitable foundation established by the actor, entrepreneur and philanthropist Edward Alleyn in the early-17th century. The art gallery was designed in 1811 by British architect John Soane and claims to be the world's first purpose-built public art gallery. It features facades of London stock brick with Portland stone detailing. The pavilion was commissioned by the Dulwich Picture Gallery and property development firm Almacantar for the London Festival of Architecture, which kicks off on 1 June and will continue all month. IF_DO worked with engineers StructureMode and fabricators Weber Industries on the 192-square-metre structure, which was completed in just one month and cost £110,000. -
Affordable Housing Statement Proposed Development at 68 Half
Affordable Housing Statement Proposed development at 68 Half Moon Lane, London, SE24 Prepared for The Dulwich Estate January 2017 Contents 1 Introduction 3 2 Background 4 3 The Site 5 4 Planning Policy Considerations 6 5 The Proposed Development and Approach to Affordable Housing 9 6 Conclusion 11 2 1 Introduction BNP Paribas Real Estate has been commissioned by The Dulwich Estate (“the Applicant”) and in conjunction with the Dulwich Almshouse Charity, to prepare an Affordable Housing Statement (‘AHS’) in accordance with local and strategic planning policy in support of the planning application for the proposed Almshouse development (“the Proposed Development”) at 68 Half Moon Lane, London, SE24.The Site is located within the jurisdiction of the London Borough of Southwark (“the Council”). The planning application seeks permission for: “Construction of a new almshouse comprising twenty flats and communal areas.” The Council’s Validation Checklist for major applications document sets out the Council’s requirement for the submission of ‘an executive summary which outlines the key conclusions being drawn from the appraisal for the lay reader’. This AHS has been prepared in accordance with this requirement to assist the Council in the determination of the planning application. This AHS is structured as follows: ■ Section two provides background information on the Applicant; ■ Section three sets out a description of the site and its location; ■ Section four outlines the planning policy considerations; ■ Section five sets out details of the proposed development and the approach to addressing affordable housing policies and delivery; and ■ Section six outlines our key conclusions being drawn. This AHS should be considered alongside the other documents submitted in support of the planning application, including but not limited to Daniel Watney’s Planning Statement, BNP Paribas Real Estate’s Financial Viability Assessment and Pollard Thomas Edwards’ Design and Access Statement.