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EU Brochure Digital EN.Indd
WHERE ITALIAN FIDENZA VILLAGE CONNECT STYLE REIGNS Add style to your holiday with a day of shopping at Fidenza Village. Located in the heart of Italy in the beautiful Emilia Download the free Village app. Romagna region just one hour drive from Milan, Bologna and the Lake Garda, Fidenza Village is home to more than Connect with us on Facebook, Twitter and Instagram. 100 boutiques of Italian and international brands offering savings of up to 70% on the recommended retail price. Free Wi-Fi. THE BOUTIQUES Alviero Martini 1A Classe · Angelico · Armani Asics · Aspesi · Baldinini · Barlumeria · Belstaff Beretta · Blumarine · Boggi · Braccialini Brooks Brothers · Ca’ Puccino · Calef · Calvin Klein Calvin Klein Collection · Calvin Klein Underwear Camper · Carlo Pazolini · Cesare Paciotti Class Roberto Cavalli · Coach · Coccinelle · Columbia Colombo · Corso Roma · Desigual · Diesel Dirk Bikkembergs · Dolce & Gabbana · Duvetica Elena Mirò · Elisabetta Franchi · Ermenegildo Zegna SHOP & EARN Etro · Facis · Ferrari Store · Fossil · Fratelli Rossetti Frette · Furla · Gallo · Guess · Gutteridge · Hackett Earn miles whenever you shop at Fidenza Village with our airline Lagostina - Home & Cook · Hostaria Delle Terre Verdiane partners. Ask the Fidenza Village Tourist Information Centre for more information and to convert your shopping into miles. Hugo Boss · Illy · Hour Passion · Ixos Malloni · Jeckerson La Perla · Lacoste · Les Copains · Levi’s · Lindt · Loewe For every Euro you spend while shopping Malìparmi · Marni · Massimo Rebecchi · Michael Kors in Fidenza Village, one award mile will Missoni · Modus Profumerie · Napapijri · Ottica Avanzi be credited to your Miles & More mileage account. You can also spend your Miles & More award miles on the Fidenza Village O bag · Pal Zileri · Patrizia Pepe · Paul Smith · Pinko Gift Card. -
Directory – English
SOUTHERN CALIFORNIA’S PREMIER SHOPPING DESTINATION SOUTH COAST PLAZA South Coast Plaza’s unparalleled collection of boutiques, department stores and award-winning restaurants, many of which are exclusive to California, attract visitors from around the world. South Coast Plaza’s reputation as one of the nation’s premier shopping destinations for fashion, design and dining grows stronger every year. Valentino ©2021 South Coast Plaza Considered one of Southern California’s most distinguished cultural, social and retail centers, South Coast Plaza is located within walking distance of the world-renowned Segerstrom Center for the Arts. NEW STORES & RESTAURANTS Baccarat 714.435.9600 CXI Currency Exchange International 714.957.5802 Dripp Coffee Bar 714.406.2118 Isabel Marant 714.708.2690 Louis Vuitton California Dream 866.884.8866 Loewe 714.464.7420 Monique Lhuillier 714.241.4432 Mulberry 949.508.2166 Orange County Museum of Art 714.780.2130 Psycho Bunny 714.462.4667 Reiss London 650.540.2054 Robin’s Jean 714.957.5799 Sunglass Hut 714.979.9139 Tag Heuer 714.435.2000 Tempur-Pedic 657.655.2703 Thom Browne 714.410.8485 Tiffany & Co. 714.540.5330 UNTUCKit 714.975.9250 Universal Appliance 949.284.1811 YellowKorner 714.435.2000 Zimmermann 949.274.7514 COMING SOON Audemars Piguet Fall 2021 Canada Goose Fall 2021 Pressed Juicery Fall 2021 Spring 2021 SOUTH COAST PLAZA AREA MAP The Bridge of Gardens The Bridge of Gardens crosses Bear Street, offering a spectacular view as it connects the two sides of South Coast Plaza. W MAGGIANO’S LITTLE ITALY PHILZ -
Date Production Name Venue / Production Designer / Stylist Design
Date ProductionVenue Name / Production Designer / Stylist Design Talent 2015 Opera Komachi atOpera Sekidrera America Camilla Huey Designer 3 dresses, 3 wigs 2014 Opera Concert Alice Tully Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Sara Jakubiak 2013 Opera Concert Bard University Opera Camilla Huey Designer 1 Gown Rebecca Ringle 1996 Opera Carmen Metropolitan Opera Leather Costumes 1996 Opera Midsummer'sMetropolitan Night's Dream Opera Leslie Weston / Izquierdo Human Pillar Set Piece 1997 Opera Samson & MetropolitanDelilah Opera Leslie Weston / Izquierdo Dyeing Costumes 1997 Opera Cerentola Metropolitan Opera Leslie Weston / Izquierdo Mechanical Wings 1997 Opera Madame ButterflyHouston Grand Opera Anita Yavich / Izquierdo Kimonos Hand Painted 1997 Opera Lillith Tisch Center for the Arts OperaCatherine Heraty / Izquierdo Costumes 1996 Opera Bartered BrideMetropolitan Opera Sylvia Nolan / Izquierdo Dancing Couple + Muscle Shirt 1996 Opera Four SaintsMetropolitan In Three Acts Opera Francesco Clemente/ Izquierdo FC Asssitant 1996 Opera Atilla New York City Opera Hal George / Izquierdo Refurbishment 1995 Opera Four SaintsHouston In Three Grand Acts Opera Francesco Clemente / Izquierdo FC Assistant 1994 Opera Requiem VariationsOpera Omaha Izquierdo 1994 Opera Countess MaritzaSanta Fe Opera Allison Chitty / Izquierdo 1994 Opera Street SceneHouston Grand Opera Francesca Zambello/ Izquierdo -
What Not to Wear: Policing the Body Through Fashion Criticism
What Not to Wear 1 What Not to Wear: Policing the Body through Fashion Criticism By Kate Rothschild A Major Research Project The Ryerson School of Fashion Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts Supervisor: Dr. Lu Ann Lafrenz Second Reader: Dr. Irene Gammel Ryerson University Toronto, Ontario, Canada April 2018 © Kate Rothschild, 2018 What Not to Wear 2 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MRP I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. What Not to Wear 3 Acknowledgements The completion of this Major Research Project would not have been possible without the guidance, encouragement, and patience I received from my advisor, Dr. Lu Ann Lafrenz, and my second reader Dr. Irene Gammel, who both went out of their way to help me shape and edit this essay, for which I am most grateful. I also thank the other professors I worked with at Ryerson, notably Jill Andrew whose course on diversity in fashion opened my mind and changed my outlook on clothing and clothing wearers forever. -
“New Scenarios in the Fashion Industries for Start-Uppers: the Case of Three Italian Start-Ups.”
Department of Economics and Finance Chair in Management “New scenarios in the fashion industries for start-uppers: The case of three Italian start-ups.” SUPERVISOR Francesca Vicentini CANDIDATE Federica Cozzolino Student ID: 215251 ACADEMIC YEAR 2018/2019 INDEX Introduction..........................................................................................................................................3 Chapter 1 1.1 Business model literature.........................................................................................................4 Focus: the nine blocks of the Canvas’ Model................................................................................12 Chapter 2 2.1 Fashion industry analysis........................................................................................................17 2.2 Start-ups in the industry..........................................................................................................37 Chapter 3 3.1 Analysis of the start-ups' business models...............................................................................40 3.2 SBBruce..................................................................................................................................42 3.3 Rifò.........................................................................................................................................46 3.4 DressYouCan..........................................................................................................................51 Chapter 4 4.1 A comparison -
They Called the Men Elite. This Year, They'll Call
Game on. They called the men elite. This year, they’ll call them champions. The women will continue their dominance as they defend and repeat. Game on. They called the men elite. This year, they’ll call them champions. The women will continue their dominance as they defend and repeat. FRIDAY | NOVEMBER 2, 2012 | the Sports B2 Baylor Lariat www.baylorlariat.com Whoop Baylor students have option of There it is front row hoops By Lindsey Miner The Bear Pit would typically Sports Reporter stand all game while yelling and How ready is Baylor Nation? distracting Baylor’s opponent with This basketball season, Baylor feisty cheers. The Bear Pit also put students better be prepared to lose on pep rallies before big games. their voices from excessive cheer- “If people get rid of the Bear Q ing, paint their bodies green and Pit, I hope they get rid of it be- gold. And earn some camera time cause it becomes too big to man- with Alexa Brackin and Lindsey Miner at the men’s and women’s basket- age,” Friedman said. A ball games at the Ferrell Center. The bill passed by Baylor Sen- The sections behind the bas- ate last semester recommended The Lariat sports reporters went around the Baylor campus and asked kets, typically reserved for mem- that anyone in the student body bers of the Bear Pit, will be open should be privy to those court students questions about the upcoming basketball season. to all students on a first-come, seats. After last season’s excite- first-served basis. -
The Demise and Transfiguration of Haute Couture
008-021_INDUMENTA_01 29/1/09 14:19 Página 8 The demise Pablo Pena González Doctor of Art History. Professor of Design History and transfiguration for the Region of Madrid [email protected] of Haute Couture ABSTRACT: Contrary to the prediction prêt-à-porter is an industry. This article of Yves Saint-Laurent, Haute Couture does not address the necessary, eternal has not died. After two decades of death and universal profession of tailoring, throes, breathing tubes still pump life but rather the Parisian institution that, through its veins to ensure that it contin- one day in its youth, looked in the mir- ues to lead luxury market advertising. ror and said, “I am haute.” And since Of course, this is not the state we fash- this article may be of interest to people ion professionals, whether designers or outside the industry, I will begin by ex- writers, would wish for, nor do we ap- plaining what “haute” means as applied prove of the postmodern direction that to couture. recent Haute Couture has taken, which a. “Haute” means “expensive.” Haute is progressively sullying rather than glo- literally means “high” and, if we analyse rifying the profession of fashion design- it semantically, couture cannot be high ers. This article offers numbers, state- any more than it could be fat. The epi- 1 As quoted by the journalist Corinne Jeammet. ments and reflections made by the thet “high” was appended in a Unless otherwise indicated, all quotes protagonists of Parisian couture, enough metaphorical sense, and I think this was appearing in the article are taken from the to certify the debacle of the last aristo- done to mask its gory significance: high cratic art in history. -
CP Résultats
LLeess FFrriiimmoouusssseess ddee CCrrééaatteeuurrss oonntt ccoolllllleeccttéé ppllluuss ddee 227700 000000 eeuurrooss ppoouurr llleess pprrooggrraammmmeess ddee lll’’’UUNNIIICCEEFF eenn ffaavveeuurr ddeess eennffaannttss dduu DDaarrffoouurr Paris, le 20 novembre 2009 - Les enchères Frimousses de Créateurs , qui se sont tenues hier à Drouot-Montaigne, sous le marteau de Maître Georges Delletrez, Président de Drouot Holding et de Maître Pierre Cornette de Saint-Cyr, en présence de nombreuses personnalités, dont Laeticia Hallyday, marraine de l’opération, Delphine Arnault-Gancia, Présidente du Comité d’honneur, Natalie Dessay qui a confectionné une poupée ou encore Alain Delon, ont permis de récolter plus de 270 000 euros. La totalité des fonds collectés ira directement soutenir les programmes de vaccination de l’UNICEF au Darfour. Pour cette 7 ème édition, l’UNICEF France a mobilisé près d’une centaine de créateurs, d’artistes et pour la première fois cette année des personnalités, qui ont mis leur imagination et leur savoir-faire au service des enfants du Darfour, en réalisant des poupées et des œuvres, toutes uniques. Parmi celles surenchéries qui ont remporté un grand succès, citons celles de Jeff Koons (26 000 euros), Damien Hirst (25 000 euros), Christian Dior (16 000 euros), Louis Vuitton (12 000 euros), Jean-Michel Othoniel (11 000 euros) ou encore celle de Cartier (10 000 euros). Pour mémoire, l’édition 2008 avait permis de collecter 219 130 euros. L’UNICEF tient à remercier chaleureusement les créateurs, les artistes et les personnalités, ayant participé à cette édition(*), ainsi que l’ensemble de ses partenaires (**) qui ont largement contribué au succès de cet événement et bien sûr ses généreux donateurs pour leur soutien. -
Made in Italy 2.0
MADE IN ITALY 2.0 Searching for the Characteristics of Contemporary Italian Fashion in the Context of Fashion Design Education in Italy Marina Holma Centre for Fashion Studies Master's Thesis 30 ECTS Master's Programme in Fashion Studies (120 ECTS) Spring term 2014 Supervisor: Louise Wallenberg Abstract “Made in Italy” is a phenomenon widely researched in economic, historical and cultural studies (including fashion studies). The research about this topic mostly refers to the fast economic development in post-WWII Italy, in which fashion played a major role. My thesis, however, analyzes the “Made in Italy” concept in contemporary Italian fashion, which I refer to as “Made in Italy 2.0.” In order to understand how Italian style can be characterized today, I conducted interviews in five design schools in Italy located in the different fashion cities of the country: IED and Politecnico (Milan), IUAV (Venice), Polimoda and IED (Florence). I then analyzed my collected data and compared it to the characteristics of the “Made in Italy” fashion of the second half of the twentieth century discussed by various scholars, thus discovering what are the truly contemporary features of Italian fashion. Keywords: contemporary Italian fashion, fashion design education in Italy, Made in Italy. 2 Table of Contents Chapter 1. Introduction.........................................................................................................................4 1.1 Literary Review........................................................................................................................ -
WBC Bios Small
WOM EN’S DRC BUSINESS CONFERENCE PRESENTED BY KEYNOTE Stacy London STYLIST/TV PERSONALITY Stacy London is one of America's foremost fashion experts. She is best known as the co-host of TLC's hugely popular show, “What Not To Wear,” as well as the natural gray streak in her hair, which appeared at age 11. Her first book, “Dress Your Best,” concentrates on style by body type and was published to stellar reviews. Her second book, “The Truth About Style,” a New York Times bestseller, is both a memoir and a style guide. In “The Truth About Style,” London shares her story and focuses on the healing power of personal style and using that expertise to overcome past problems. A native Manhattanite, London graduated Phi Beta Kappa from Vassar College with an independent degree in philosophy and German literature. From 2005-10, London joined “The Today Show” on NBC as a style correspondent and has regularly appeared on “Access Hollywood.” Prior to her career in television, she started at Vogue as a fashion assistant and later returned to Conde Nast as the Senior Fashion Editor at Mademoiselle. London has styled fashion photos for publications such as Italian D, Nylon, and Contents, and has dressed many celebrities, including Kate Winslet, Katie Holmes, and Liv Tyler. Rebecca Taylor, Vivienne Tam, and Ghost have all used her as a consultant on their fashion shows. London was recently made a Style Contributor to “The View.” London has appeared on numerous national talk and news shows including “Oprah,” CNN, CBS' “The Early Show,” and MSNBC. -
The Politics of Vision, Visibility, and Visuality in Vogue
Race as Aesthetic: The Politics of Vision, Visibility, and Visuality in Vogue Italia’s “A Black Issue” Character count (with spaces): 66,505 Character count (without spaces): 56,391 Introduction In July 2008, Vogue Italia, the least commercial of all Vogue editions, released “A Black Issue” (ABI) exclusively featuring black models as well as commentary on topics that would seemingly interest a black American audience (e.g., profiles of First Lady Michelle Obama, Spike Lee’s film Miracle at St. Anna, and pieces about Ebony and Essence magazines). All of the images were photographed in the United States yet represented a global production of black beauty, using models from the United States, Europe, and Latin America; American and European photographers; and an Italian magazine using English headings and Italian text. ABI quickly became the highest grossing issue of Vogue Italia. The first run of the July 2008 issue sold out in the United States and Britain, which led Vogue Italia to reprint several thousand copies for American and British audiences–it did not sell particularly well in Italy. This was the first time a Condé Nast magazine was reprinted to satisfy high demand. The issue provoked multiple conversations online and in print on the topic of race and racism in the fashion industry. Those who celebrated the issue praised its focus on positive representations in a world that so easily attaches to negative and stereotypical depictions of black women. In particular, the 1 magazine was heralded for shining a spotlight on the notion that beauty comes in various colors, shapes, and sizes.1 ABI also sparked controversy among detractors who spoke against the issue’s tokenism, which could be seen as a way to overlook the lack of diversity in the high fashion industry. -
Dior Już W Łodzi. Projekty Światowego Wizjonera Mody Zobaczysz W CMW
Dior już w Łodzi. Projekty światowego 02-10-21 1/3 wizjonera mody zobaczysz w CMW Dior już w Łodzi. Projekty światowego wizjonera mody zobaczysz w CMW 20.04.2018 13:50 Marlena Kamińska / BPKSiT kategoria: Aktualności kulturalne Kreacje, biżuteria, buty, kapelusze marek: Dior, Coco Chanel, Yves Saint Laurent, Givenchy dotarły do Centralnego Muzeum Włókiennictwa w Łodzi. Wernisaż wystawy w czwartek, 26 kwietnia. Część wystawy poświęcona jest kreacjom spod znaku domu mody Dior , fot. Radosław Żydowicz / UMŁ Polska premiera ponad 300 eksponatów zaprojektowanych przez znanych na całym świecie projektantów mody odbędzie się 26 kwietnia o godz. 18. Jednak już dziś w łódzkim muzeum zaprezentowano osiem sylwetek z wystawy "Christian Dior i ikony paryskiej mody z kolekcji Adama Leja". Były oryginalne stroje, kapelusze, torebka z latarką oraz perfumy z 1947 roku w słynnym flakonie przypominającym amforę. - Dlaczego akurat osiem manekinów? Otóż Christian Dior uwielbiał symbolikę i "8" jest taką jego szczęśliwą liczbą. Ósemka jest nieskończonością oraz przypomina sylwetkę kobiecą i do niej też nawiązuje styl "New Look"oraz prezentowane perfumy Miss Dior - podkreślał właściciel kolekcji Adam Leja, dzięki któremu Centralne Muzeum Włókiennictwa w Łodzi ma niezwykłą okazję przypomnieć dokonania Christiana Diora, a także powojennych paryskich mistrzów haute couture. Wystawa składa się z dwóch części. Pierwsza ma być poświęcona wyłącznie kreacjom spod znaku domu mody Dior. Prezentowane będą oryginalne stroje, ale także uzupełniające je akcesoria - kapelusze, buty, jak również biżuteria. Będzie to swoista podróż przez całą historię tego domu mody, ukazująca, jak interpretował on w swoich strojach tendencje pojawiające się w nieustannie zmieniającej się rzeczywistości kolejnych dziesięcioleci. Ciekawostką będzie oryginalny autograf Christiana Diora i pierwsze perfumy oraz projekty Diora.