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The Community They Build and Live In: Emergence of Transnational Solidarity of Women Through K-Pop Fandom Focused on K-Pop Idol/Singer/Actor Kim Jaejoong Fandom
저작자표시-비영리-변경금지 2.0 대한민국 이용자는 아래의 조건을 따르는 경우에 한하여 자유롭게 l 이 저작물을 복제, 배포, 전송, 전시, 공연 및 방송할 수 있습니다. 다음과 같은 조건을 따라야 합니다: 저작자표시. 귀하는 원저작자를 표시하여야 합니다. 비영리. 귀하는 이 저작물을 영리 목적으로 이용할 수 없습니다. 변경금지. 귀하는 이 저작물을 개작, 변형 또는 가공할 수 없습니다. l 귀하는, 이 저작물의 재이용이나 배포의 경우, 이 저작물에 적용된 이용허락조건 을 명확하게 나타내어야 합니다. l 저작권자로부터 별도의 허가를 받으면 이러한 조건들은 적용되지 않습니다. 저작권법에 따른 이용자의 권리는 위의 내용에 의하여 영향을 받지 않습니다. 이것은 이용허락규약(Legal Code)을 이해하기 쉽게 요약한 것입니다. Disclaimer 국제학석사학위논문 The Community They Build and Live in: Emergence of Transnational Solidarity of Women through K-Pop Fandom Focused on K-Pop Idol/Singer/Actor Kim Jaejoong Fandom 그들이 만들어 살아가는 공동체: 케이팝 팬덤을 통한 초국적 여성연대의 출현 가수 겸 배우 김재중 팬덤을 중심으로 2017년 2월 서울대학교 국제대학원 국제학과 한국학전공 지 정 민 The Community They Build and Live in: Emergence of Transnational Solidarity of Women through K-Pop Fandom Focused on K-Pop Idol/Singer/Actor Kim Jaejoong Fandom A thesis presented by Chi, Jungmin to Graduate Program in International Studies In partial fulfillment of the requirements For the degree of Master In the subject of Korean Studies Graduate School of International Studies Seoul National University Seoul, Korea February 2017 ○c Copyrights by Jungmin Chi 2017 All rights Reseerved ABSTRACT The Community They Build and Live in: Emergence of Transnational Solidarity of Women through K-Pop Fandom Focused on K-Pop Idol/Singer/Actor Kim Jaejoong Fandom Jungmin Chi Graduate School of International Studies Korean Studies Seoul National University This research is an attempt to examine a global K-pop idol fandom pertaining to its function as a vehicle in the emergence of transnational solidarity and empowerment of women. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
27 BAB II Hallyu & Bisnis Hiburan Korea Selatan 2.1 MNC Dalam
BAB II Hallyu & Bisnis Hiburan Korea Selatan 2.1 MNC Dalam Industri Hiburan Korea Selatan MNC menjadi salah satu aktor terpenting dalam perdagangan global. Mulanya, MNC didominasi oleh perusahaan-perusahaan dari negara maju seperti Amerika Serikat, Eropa, dan Jepang sehingga ekpansi ke luar negeri berguna untuk menghindari pajak yang tinggi, upah buruh yang tinggi, dan persaingan di negara home country.25 Kegiatan ekonomi setiap negara ditopang oleh berbagai jenis industri yang dijalankan perusahaan-perusahaan dengan tujuan untuk memaksimalkan kekayaan pemegang saham. Tujuan ini tidak hanya dimiliki oleh perusahaan yang menjalankan bisnis domestik, tetapi juga perusahaan yang mengembangkan bisnis internasional sebagai sarana untuk menambah nilai perusahaan. Karena pasar asing dapat sangat berbeda dengan pasar domestik, pasar ini memberikan peluang untuk memperbaiki arus kas perusahaan. Dewasa ini pula hambatan untuk masuk ke pasar asing sudah berkurang, karena mendorong perusahaan untuk meraih peluang bisnis internasional. akibatnya, banyak perusahaan telah berubah menjadi perusahaan multi nasional. MNC didefinisikan sebagai perusahaan yang terlibat dalam berbagai bentuk bisnis internasional. Pada mulanya, perusahaan hanya mengekspor produknya ke negara tertentu atau mengimpor barang dari produsen asing. Namun, seiring 25 Riva Djohar, Peran Pemerintah India Dalam Transformasi HCL Technologies Menjadi EMNCs, Skrpsi, Kota: Yogyakarta, Universitas Gadjah Mada, hal.2. 27 berjalannya waktu, beberapa perusahaan melihat peluang asing baru dan akhirnya membentuk anak perusahaan di negara asing. MNC setidaknya memiliki paling sedikit satu anak perusahaan di luar negara asalnya. Anak perusahaan dengan tujuan untuk memaksimalkan nilai pada perusahaan secara keseluruhan.26 Bentuk perusahaan multinasional terdiri atas beberapa bagian yang sangat diperlukan untuk menentukan dan membedakan hubungan hukum diantara bagian- bagian tersebut berkaitan dengan kegiatan perusahaan multinasional. -
Transformative Works and Cultures, Special Issues: Transformative Works and Fan Activism, No
Transformative Works and Cultures, special issues: Transformative Works and Fan Activism, No. 10 (June 15, 2012) Editorial Henry Jenkins & Sangita Shresthova, Up, up, and away! The power and potential of fan activism Theory Melissa M. Brough & Sangita Shresthova, Fandom meets activism: Rethinking civic and political participation Henry Jenkins, "Cultural acupuncture": Fan activism and the Harry Potter Alliance Neta Kligler-Vilenchik, Joshua McVeigh-Schultz, Christine Weitbrecht, & Chris Tokuhama, Experiencing fan activism: Understanding the power of fan activist organizations through members' narratives Ashley Hinck, Theorizing a public engagement keystone: Seeing fandom's integral connection to civic engagement through the case of the Harry Potter Alliance Andreas Jungherr, The German federal election of 2009: The challenge of participatory cultures in political campaigns Matt Yockey, Wonder Woman for a day: Affect, agency, and Amazons Praxis Sun Jung, Fan activism, cybervigilantism, and Othering mechanisms in K-pop fandom Bethan Jones, Being of service: "X-Files" fans and social engagement Marcus Schulzke, Fan action and political participation on "The Colbert Report" Alex Leavitt, Andrea Horbinski, Even a monkey can understand fan activism: Political speech, artistic expression, and a public for the Japanese dôjin community Tanya R. Cochran, "Past the brink of tacit support": Fan activism and the Whedonverses Lili Wilkinson, Nerdfighters, "Paper Towns," and heterotopia Cheuk Yin Li, The absence of fan activism in the queer fandom of -
การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment, PERCEIVED
การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment โดย นางสาวภัทรมน จันทร์คงช่วย การค้นคว้าอิสระนี้เป็นส่วนหนึ่งของการศึกษาตามหลักสูตร วารสารมหาบัณฑิต สาขาวิชาการจัดการการสื่อสารองค์กร คณะวารสารศาสตร์และสื่อสารมวลชน มหาวิทยาลัยธรรมศาสตร์ ปีการศึกษา 2560 ลิขสิทธิ์ของมหาวิทยาลัยธรรมศาสตร์ Ref. code: 25605907011539ZOX การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment โดย นางสาวภัทรมน จันทร์คงช่วย การค้นคว้าอิสระนี้เป็นส่วนหนึ่งของการศึกษาตามหลักสูตร วารสารมหาบัณฑิต สาขาวิชาการจัดการการสื่อสารองค์กร คณะวารสารศาสตร์และสื่อสารมวลชน มหาวิทยาลัยธรรมศาสตร์ ปีการศึกษา 2560 ลิขสิทธิ์ของมหาวิทยาลัยธรรมศาสตร์ Ref. code: 25605907011539ZOX PERCEIVED BRAND QUITY OF SM ENTERTAINMENT BY MISS PATTARAMON CHANKONGCHUOY AN INDEPENDENT STUDY SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS PROGRAM IN MASS COMMUNOCATION ADMINISTRATION FACULTY OF JOURNALISM AND MASS COMMUNICATION THAMMASAT UNIVERSITY ACADEMIC YEAR 2017 COPYRIGHT OF THAMMASAT UNIVERSITY Ref. code: 25605907011539ZOX (1) หัวข้อการค้นคว้าอิสระ การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment ชื่อผู้เขียน นางสาวภัทรมน จันทร์คงช่วย ชื่อปริญญา วารสารศาสตร์มหาบัณฑิต สาขาวิชา/คณะ/มหาวิทยาลัย สาขาวิชาการจัดการการสื่อสารองค์กร วารสารศาสตร์และสื่อสารมวลชน มหาวิทยาลัยธรรมศาสตร์ อาจารย์ที่ปรึกษาการค้นคว้าอิสระ รองศาสตราจารย์ แอนนา จุมพลเสถียร ปีการศึกษา 2560 บทคัดย่อ การศึกษาเรื่อง “การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment” มีวัตถุประสงค์ เพื่อศึกษาการเปิดรับสื่อเกี่ยวกับ SM Entertainment ของผู้บริโภค การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment ของผู้บริโภค -
62 BAB III Strategi Bisnis SME Terhadap Kesuksesan Hallyu 3.1
BAB III Strategi Bisnis SME Terhadap Kesuksesan Hallyu 3.1 Bisnis Global SME Menggunakan Marketing Mix Strategy Untuk menjadi yang terdepan dalam bisnis hiburan berskala global, SME menerapkan marketing mix strategy yang terdiri dari segmenting, targeting, dan positioning (STP) pada proses pembuat konten lalu mendistribusikannya. Industri hiburan di Korea Selatan kian menjamur sehingga persaingan semakin ketat. Meningkatkan kualitas dan kreatifitas konten merupakan cara untuk tetap bisa bersaing. SME senantiasa melakukan inovasi terhadap produksi dan distribusi konten menggunakan strategi yang telah dijelaskan pada bab sebelumnya yaitu Culture Technology dan New Culture Technology yang sebenarnya saling berkaitan. Semakin beratnya persaingan menuntut SME memiliki ciri khas konten dan strategi pemasaran melalui model segmenting, targeting, dan positioning. Untuk meningkatkan kualitas dan kreatifitas konten merupakan cara untuk tetap bisa bersaing. 3.1.1 Segmenting Segmentasi merupakan elemen pertama dan penting karena memungkinkan SME fokus dalam mengelola sumber daya yang dimilikinya. Pembagian pasar menjadi segmen-segmen memberikan bayangan bagi SME untuk menentukan segmen mana yang akan menjadi fokus utama. Pembagian segmen ini dilakukan SME berdasarkan lokasi geografis, membagi pasar berdasar negara dan regional 62 karena secara umum setiap lokasi memiliki selera musik yang berbeda sehingga pendistribusian konten dapat di fokuskan di negara atau kawasan tertentu sesuai dengan keinginan pasar.64 Segmentasi dapat melalui audisi global adalah salah satu cara dalam melakukannya. Jepang, Tiongkok, Vietnam, Thailand, Indonesia, Taiwan, Amerika Serikat, Kanada, dan Argentina merupakan negara-negara yang memiliki pandangan baik mengenai Hallyu dilihat dari antusiasme konsumen dan penggemar (peserta audisi, penjualan album, viewers YouTube, dan penonton konser). Oleh karena itu, dewasa ini SME mengadakan audisi global dan fokus untuk menciptakan konten untuk di distribusikan ke negara-negara tersebut sebagai implementasi Hallyu localization. -
Regulating the Idol: the Life and Death of a South Korean Popular Music Star
Volume 16 | Issue 13 | Number 3 | Article ID 5169 | Jul 01, 2018 The Asia-Pacific Journal | Japan Focus Regulating the Idol: The Life and Death of a South Korean Popular Music Star CedarBough T. Saeji, Gina Choi, Darby Selinger, Guy Shababo, Elliott Y.N. Cheung, Ali Khalaf, Tessa Owens and Kyle Tang1 Abstract: The Note3 For many people outside the South Korean popular music (K-pop) world, the December 2017 death of pop star Kim Jonghyun was a sad, but abstract event. Jonghyun, and dozens more like him, is a type of Korean celebrity known as an "idol." In addition to being popular within Korea, idols are the public face of K-pop, which has become a worldwide phenomenon. This has made idols into incarnations of Korea and Korean culture, and brought the public’s powerful disciplining gaze to bear on these young performers. In this paper, we explore how characteristics of life in contemporary Korea—including a high suicide rate, and intense pressures in education and employment—compound with idols’ years of intense training in singing and dancing without adequate attention to physical, much less mental, health. Although this is the first incident of an A-list K-pop idol committing suicide, we propose that the nature of contemporary Korean celebrity, together with specific factors defining the lives of Korean youth, create an environment where suicide may become even more prevalent, escalating Korea’s suicide rate, which is already among the world’s highest. Finally, we discuss the Introduction: potential impact of Jonghyun's suicide on K-pop fans. -
Media/Entertainment the Golden Age of Video Content
Media/Entertainment The golden age of video content The increasing search for content Overweight (Maintain) In just a short period of time, over-the-top (OTT) services have emerged as a key platform for the global media industry. In response, both traditional media companies, Industry Report such as Walt Disney (NYSE: DIS, CP: US$97.06) and Time Warner (NYSE: TWX, CP : US$100.47), and new media companies, such as Netflix (NASDAQ: NFLX, CP : September 5, 2017 US$179.00) and Amazon (NASDAQ: AMZN, CP: US$979.47), are now battling to source large amounts of content from outside providers. As media companies broaden their geographical footprint and turn to content to differentiate their platforms, licensed content, in addition to self-produc ed content, are becoming increasingly important. For example, Netflix is planning to spend W8tr on content alone next year. In our view, Mirae Asset Daewoo Co., Ltd. global competition to license content will play out for quite some time. [Media /Entertainment/Leisure ] We believe the battle for content will benefit video content producers. The proliferation of accessible OTT platforms has created new sources of content demand, Jeong -yeob Park presenting opportunities across different formats, sizes, and targets. We expect +822 -3774 -1652 content licensing to grow and a more diverse range of conten t to attract traffic. We [email protected] view this as another positive change for Korean content producers, which saw increased bargaining power following the introduction of general programming cable channels and the beginning of content exports. We believe some paralle ls can be drawn between the current situation and the 1990s, when the programming of externally-produced dramas was institutionalized in Korea. -
4PKSS Proceedings
i This proceedings is a collection of papers presented at the 2015 Philippine Korean Studies Symposium (PKSS) held on November 10-11, 2015 at National Institute for Science and Mathematics Education Development (NISMED), University of the Philippines, Diliman, Quezon City. This event was organized by the UP Department of Linguistics and the Korea Foundation. Copyright © 2015 by the UP Department of Linguistics Copyright © 2015 All Speakers and Contributors ALL RIGHTS RESERVED 2015 Philippine Korean Studies Symposium Committee Members: Kyungmin Bae (Department of Linguistics) Farah C. Cunanan (Department of Linguistics) Mark Rae C. De Chavez (Department of Linguistics) Jay-ar M. Igno (Department of Linguistics) Ronel Laranjo (Department of Filipino and Philippine Literature) Aldrin P. Lee (Department of Linguistics) Jiyeon Lee (Department of Linguistics) Michael S. Manahan (Department of Linguistics) Victoria Vidal (Department of Linguistics) Managing Editor : Aldrin P. Lee Copy Editor : Kyungmin Bae Assistant Editor : Jellah M. Jimenez Cover design : Mark R. De Chavez ii CONTENTS MESSAGE ALFREDO E. PASCUAL vi President, University of the Philippines GRACE C. RAMOS viii Program Development Associate for International Likages, Office of Vice-Chancellor for Academic Affaris, University of the Philippines H.E. JAESHIN KIM x Ambassador,Embassy of the Republic of Korea in the Philippines ABSTRACTS 1 SELECTED PAPERS Plenary Papers INTRIGUES, MANEUVERS, INTERVENTIONS: SCREEN IMAGES OF THE 25 KOREAN WAR AND ITS AFTERMATH Prof. Jose Hernani Segovia David BRIDGING THE TECHNOLOGICAL GAP: THE PHILIPPINE-KOREAN 53 EXPERIENCE AND THE ROLE OF THE ACADEME IN ASEAN INTEGRATION Hon. Luis T. Cruz AN INITIATIVE KOREAN STUDIES PROGRAM AT UA&P 61 Prof. Djunkil Kim iii Parallel Session HALMEONI, LOLA: 73 THE MILITARY COMFORT WOMEN OF KOREA AND THE PHILIPPINES Alyzza Mae D. -
November 24, 2014
November 24, 2014 KOREA Company News & Analysis Major Indices Close Chg Chg (%) SM Entertainment (041510/Buy/TP: W46,000) Lower TP KOSPI 1,978.54 13.70 0.70 Leaving the worst behind KOSPI 200 252.34 2.44 0.98 KOSDAQ 541.93 -2.05 -0.38 Sector News & Analysis Turnover ('000 shares, Wbn) Securities (Overweight) Volume Value KOSPI 322,592 5,477 Investing in brokerages from an ROIC perspective KOSPI 200 94,084 4,227 Steel/Non-ferrous metals (Overweight/Neutral) KOSDAQ 350,825 2,082 China's rate cuts offer nothing more than short-term relief Market Cap (Wbn) Value KOSPI 1,212,362 KOSDAQ 140,488 KOSPI Turnover (Wbn) Buy Sell Net Foreign 1,659 1,314 345 Institutional 1,349 1,258 91 Retail 2,420 2,863 -443 KOSDAQ Turnover (Wbn) Buy Sell Net Foreign 131 153 -23 Institutional 88 134 -46 Retail 1,859 1,789 70 Program Buy / Sell (Wbn) Buy Sell Net KOSPI 1,212 875 338 KOSDAQ 25 22 3 Advances & Declines Advances Declines Unchanged KOSPI 430 388 67 KOSDAQ 406 541 75 KOSPI Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value SAMSUNG SDS 404,000 4,000 374 KODEX LEVERAGE 10,875 215 312 Samsung Electronics 1,220,000 -3,000 251 Halla Climate Control 42,000 -5,500 209 SK Energy 98,500 9,600 182 KOSDAQ Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value Com2us 147,100 4,500 174 Gamevil 164,200 21,400 112 Daum Communications 144,400 2,000 92 Bosung Power Tec 4,940 65 82 PATI Games 34,350 4,450 39 Note: As of November 24, 2014 This document is a summary of a report prepared by Daewoo Securities Co., Ltd.