November 24, 2014

Total Page:16

File Type:pdf, Size:1020Kb

November 24, 2014 November 24, 2014 KOREA Company News & Analysis Major Indices Close Chg Chg (%) SM Entertainment (041510/Buy/TP: W46,000) Lower TP KOSPI 1,978.54 13.70 0.70 Leaving the worst behind KOSPI 200 252.34 2.44 0.98 KOSDAQ 541.93 -2.05 -0.38 Sector News & Analysis Turnover ('000 shares, Wbn) Securities (Overweight) Volume Value KOSPI 322,592 5,477 Investing in brokerages from an ROIC perspective KOSPI 200 94,084 4,227 Steel/Non-ferrous metals (Overweight/Neutral) KOSDAQ 350,825 2,082 China's rate cuts offer nothing more than short-term relief Market Cap (Wbn) Value KOSPI 1,212,362 KOSDAQ 140,488 KOSPI Turnover (Wbn) Buy Sell Net Foreign 1,659 1,314 345 Institutional 1,349 1,258 91 Retail 2,420 2,863 -443 KOSDAQ Turnover (Wbn) Buy Sell Net Foreign 131 153 -23 Institutional 88 134 -46 Retail 1,859 1,789 70 Program Buy / Sell (Wbn) Buy Sell Net KOSPI 1,212 875 338 KOSDAQ 25 22 3 Advances & Declines Advances Declines Unchanged KOSPI 430 388 67 KOSDAQ 406 541 75 KOSPI Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value SAMSUNG SDS 404,000 4,000 374 KODEX LEVERAGE 10,875 215 312 Samsung Electronics 1,220,000 -3,000 251 Halla Climate Control 42,000 -5,500 209 SK Energy 98,500 9,600 182 KOSDAQ Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value Com2us 147,100 4,500 174 Gamevil 164,200 21,400 112 Daum Communications 144,400 2,000 92 Bosung Power Tec 4,940 65 82 PATI Games 34,350 4,450 39 Note: As of November 24, 2014 This document is a summary of a report prepared by Daewoo Securities Co., Ltd. (“Daewoo”) and published on our website. Please review the compliance notices contained in the original report. Information and opinions contained herein have been compiled in good faith from sources deemed to be reliable. However, the information has not been independently verified. Daewoo makes no guarantee, representation or warranty, express or implied, as to the fairness, accuracy or completeness of the information and opinions contained in this document. Daewoo accepts no responsibility or liability whatsoever for any loss arising from the use of this document or its contents or otherwise arising in connection therewith. Information and opinions contained herein are subject to change without notice. This document is for informational purposes only. It is not and should not be construed as an offer or solicitation of an offer to purchase or sell any securities or other financial instruments. This document may not be reproduced, further distributed or published in whole or in part for any purpose. SM Entertainment (041510 KQ) Leaving the worst behind Entertainment 3Q review: OP of W14.2bn, hurt by 18% YoY fall in yen SM Entertainment reported 3Q consolidated revenue and operating profit of W78.6bn Results Comment (-4.3% YoY) and W14.2bn (-4.7% YoY), respectively. November 24, 2014 Japan revenue contribution fell materially due to 1) yen depreciation and 2) royalty income from TVXQ’s concert performances being deferred to 4Q. From 1Q14 to 3Q14, Japan accounted for 21.7% of non-consolidated revenue, down sharply from 46.7% in (Maintain) Buy 2012. Target Price (12M, W) 46,000 TVXQ’s Japan concert royalties to be recognized in 4Q Despite worries, SM Entertainment artists are c ontinuing to expand their presence in Share Price (11/21/14, W) 33,150 Japan. We expect the company to book royalties from TVXQ’s Japan concerts ( held in April with 650,000 attendees) in 4Q. For the full year, we estimate S M Entertainment Expected Return 39% artists to attract 1.82mn concertgoers in Japan, u p from 1.56mn in 2013 and 900,000 in 2012. For 4Q, we forecast consolidated revenue of W73.6bn and operating profit of OP (14F, Wbn) 36 W11.9bn. Consensus OP (14F, Wbn) 46 Retain Buy, but Cut TP to W46,000 EPS Growth (14F, %) -18.8 2014 is shaping up to be one of SM Entertainment’s worst years, marred by the exit of Market EPS Growth (14F, %) 1.4 two EXO members, the scandal involving Girls’ Generation member Jessica, P/E (14F, x) 44.7 unprecedented yen depreciation, and a huge tax fine. Market P/E (14F, x) 12.9 KOSDAQ 543.98 Despite these negative events, the 3Q earnings report showed that 1) domestic and overseas concerts, album releases, and management activities remain on track, and 2) Market Cap (Wbn) 684 EXO, despite having no prior presence in Japan, has already had three sold-out concerts Shares Outstanding (mn) 21 in the country (a total of nine are scheduled by year-end). Free Float (%) 78.2 Foreign Ownership (%) 10.6 Although the entertainment industry by nature is highly unpredictable, we could see Beta (12M) 1.73 several positive catalysts in 2015, including a potential strategic partnership (similar to 52-Week Low 24,450 YG Entertainment’s alliance with LVMH) that could take SM’s global business to the next 52-Week High 53,200 level. It is widely believed the company has already received a number of offers from (%)(%)(%) 1M1M1M 6M6M6M 12M12M12M global media, telecom, and internet companies. We also think the company’s China Absolute 6.8 -27.5 -19.6 business could gather steam in 2015, as a drama coproduction is set for early in the Relative 9.4 -27.2 -26.0 year, and more detailed schedules for artist ventures are emerging. Furthermore, the company’s new business initiatives, such as the mobile game SuperStar SMTOWN and 150 SM Entertainment KOSDAQ the musical theater COEX Artium (which opens on December 20th) could do surprisingly 130 well. 110 90 That said, we reduced our 2014F-15F EPS by 19.1% and 20.3%, resp ectively, in light of 70 1) the impact of yen depreciation confirmed in the 3Q earnings report, and 2) delays in the company’s expansion in China. As such, we lower our target price by 20% to 50 11.13 3.14 7.14 11.14 W46,000 (from W58,000), but keep our Buy rating intact. Daewoo Securities CCo.,o., Ltd. FY (Dec.) 12/11 12/12 12/13 12/14F 12/15F 12/16F Revenue (Wbn) 143 241 269 281 309 338 [Internet/Game/Entertainment] OP (Wbn) 26 61 41 36 47 53 Chang-kwean Kim OP margin (%) 18.2 25.3 15.2 12.8 15.2 15.7 +822-768-4321 NP (Wbn) 23 40 19 15 42 46 [email protected] EPS (W) 1,228 1,994 913 741 2,043 2,214 ROE (%) 20.6 24.7 8.5 6.4 15.8 14.7 Jeong-yeob Park +822-768-4124 P/E (x) 33.2 22.8 48.4 44.7 16.2 15.0 [email protected] P/B (x) 6.9 4.4 3.9 2.7 2.3 2.0 Notes: All figures are based on consolidated K-IFRS; NP refers to net profit attributable to controlling interests Source: Company data, KDB Daewoo Securities Research estimates Analysts who prepared this report are registered as research analysts in Korea but not in any other jurisdiction, including t he U.S. PLEASEPLEASEPLEASE SEE ANALYST CERTIFICATIONS AND IMPORTANT DISCLOSUREDISCLOSURESS & DISCLAIMERS IN APPENDIX 1 AT THE END OF REPORT.REPORT. Securities Investing in brokerages from an ROIC perspective ROIC down cycle comes to an end Overweight (Maintain) Although the state of the securities sector is still far from ideal, positive changes are unfolding rapidly. For years, brokerage stocks have declined in line with the fall in the Outlook Report industry’s return on invested capital (ROIC). However, as firms began reduci ng their invested capital (equity and human capital), ROIC has been picking up since 2014, and November 20, 2014 should continue to do so in 2015. We expect profit growth of around 20% in 2015, although our figure could change depending on the IPO of Korea Exchange (KRX). Daewoo Securities Co.,Co., Ltd. Daewoo Securities CCo., Ltd. () = [Securities/Insurance] () + () Gil-won Jeong +822-768-3256 Based on the simple formula above, we believe that once the reduction of human capital [email protected] has been fully exhausted, the only way for brokerage firms to raise their ROIC will be to Ju-hyun Kim either scale back their equity capital or increase their net revenue. The former depends on +822-768-4149 whether the firm can repurchase shares or increase its dividend payout, while the latter [email protected] dep ends on whether the firm can improve its traditional businesses, or find new opportunities by leveraging its equity. In the end, capitalizing on low interest rates and policy trends is key Encouragingly, the industry environment is becoming increasingly favorable to brokerages’ net revenue. Here, we highlight an example to illustrate our point. An investor can currently get a loan from a commercial bank at an interest rate of 4%. If the investor were to invest the money in an ELS with Samsung Life and Sam sung F&M as its underlying assets, the investor could expect an 8% rate of return. Samsung Life and Samsung F&M both have equity capital two to three times the regulatory requirement. With industry growth stalling, the insurers are likely to spend their ca pital on dividends and share repurchases, which should support their share prices. If share prices were to plummet 50% within the next three years, the investor would suffer a capital loss, but we believe the risk/reward tradeoff is still attractive.
Recommended publications
  • The Community They Build and Live In: Emergence of Transnational Solidarity of Women Through K-Pop Fandom Focused on K-Pop Idol/Singer/Actor Kim Jaejoong Fandom
    저작자표시-비영리-변경금지 2.0 대한민국 이용자는 아래의 조건을 따르는 경우에 한하여 자유롭게 l 이 저작물을 복제, 배포, 전송, 전시, 공연 및 방송할 수 있습니다. 다음과 같은 조건을 따라야 합니다: 저작자표시. 귀하는 원저작자를 표시하여야 합니다. 비영리. 귀하는 이 저작물을 영리 목적으로 이용할 수 없습니다. 변경금지. 귀하는 이 저작물을 개작, 변형 또는 가공할 수 없습니다. l 귀하는, 이 저작물의 재이용이나 배포의 경우, 이 저작물에 적용된 이용허락조건 을 명확하게 나타내어야 합니다. l 저작권자로부터 별도의 허가를 받으면 이러한 조건들은 적용되지 않습니다. 저작권법에 따른 이용자의 권리는 위의 내용에 의하여 영향을 받지 않습니다. 이것은 이용허락규약(Legal Code)을 이해하기 쉽게 요약한 것입니다. Disclaimer 국제학석사학위논문 The Community They Build and Live in: Emergence of Transnational Solidarity of Women through K-Pop Fandom Focused on K-Pop Idol/Singer/Actor Kim Jaejoong Fandom 그들이 만들어 살아가는 공동체: 케이팝 팬덤을 통한 초국적 여성연대의 출현 가수 겸 배우 김재중 팬덤을 중심으로 2017년 2월 서울대학교 국제대학원 국제학과 한국학전공 지 정 민 The Community They Build and Live in: Emergence of Transnational Solidarity of Women through K-Pop Fandom Focused on K-Pop Idol/Singer/Actor Kim Jaejoong Fandom A thesis presented by Chi, Jungmin to Graduate Program in International Studies In partial fulfillment of the requirements For the degree of Master In the subject of Korean Studies Graduate School of International Studies Seoul National University Seoul, Korea February 2017 ○c Copyrights by Jungmin Chi 2017 All rights Reseerved ABSTRACT The Community They Build and Live in: Emergence of Transnational Solidarity of Women through K-Pop Fandom Focused on K-Pop Idol/Singer/Actor Kim Jaejoong Fandom Jungmin Chi Graduate School of International Studies Korean Studies Seoul National University This research is an attempt to examine a global K-pop idol fandom pertaining to its function as a vehicle in the emergence of transnational solidarity and empowerment of women.
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology.
    [Show full text]
  • 27 BAB II Hallyu & Bisnis Hiburan Korea Selatan 2.1 MNC Dalam
    BAB II Hallyu & Bisnis Hiburan Korea Selatan 2.1 MNC Dalam Industri Hiburan Korea Selatan MNC menjadi salah satu aktor terpenting dalam perdagangan global. Mulanya, MNC didominasi oleh perusahaan-perusahaan dari negara maju seperti Amerika Serikat, Eropa, dan Jepang sehingga ekpansi ke luar negeri berguna untuk menghindari pajak yang tinggi, upah buruh yang tinggi, dan persaingan di negara home country.25 Kegiatan ekonomi setiap negara ditopang oleh berbagai jenis industri yang dijalankan perusahaan-perusahaan dengan tujuan untuk memaksimalkan kekayaan pemegang saham. Tujuan ini tidak hanya dimiliki oleh perusahaan yang menjalankan bisnis domestik, tetapi juga perusahaan yang mengembangkan bisnis internasional sebagai sarana untuk menambah nilai perusahaan. Karena pasar asing dapat sangat berbeda dengan pasar domestik, pasar ini memberikan peluang untuk memperbaiki arus kas perusahaan. Dewasa ini pula hambatan untuk masuk ke pasar asing sudah berkurang, karena mendorong perusahaan untuk meraih peluang bisnis internasional. akibatnya, banyak perusahaan telah berubah menjadi perusahaan multi nasional. MNC didefinisikan sebagai perusahaan yang terlibat dalam berbagai bentuk bisnis internasional. Pada mulanya, perusahaan hanya mengekspor produknya ke negara tertentu atau mengimpor barang dari produsen asing. Namun, seiring 25 Riva Djohar, Peran Pemerintah India Dalam Transformasi HCL Technologies Menjadi EMNCs, Skrpsi, Kota: Yogyakarta, Universitas Gadjah Mada, hal.2. 27 berjalannya waktu, beberapa perusahaan melihat peluang asing baru dan akhirnya membentuk anak perusahaan di negara asing. MNC setidaknya memiliki paling sedikit satu anak perusahaan di luar negara asalnya. Anak perusahaan dengan tujuan untuk memaksimalkan nilai pada perusahaan secara keseluruhan.26 Bentuk perusahaan multinasional terdiri atas beberapa bagian yang sangat diperlukan untuk menentukan dan membedakan hubungan hukum diantara bagian- bagian tersebut berkaitan dengan kegiatan perusahaan multinasional.
    [Show full text]
  • Transformative Works and Cultures, Special Issues: Transformative Works and Fan Activism, No
    Transformative Works and Cultures, special issues: Transformative Works and Fan Activism, No. 10 (June 15, 2012) Editorial Henry Jenkins & Sangita Shresthova, Up, up, and away! The power and potential of fan activism Theory Melissa M. Brough & Sangita Shresthova, Fandom meets activism: Rethinking civic and political participation Henry Jenkins, "Cultural acupuncture": Fan activism and the Harry Potter Alliance Neta Kligler-Vilenchik, Joshua McVeigh-Schultz, Christine Weitbrecht, & Chris Tokuhama, Experiencing fan activism: Understanding the power of fan activist organizations through members' narratives Ashley Hinck, Theorizing a public engagement keystone: Seeing fandom's integral connection to civic engagement through the case of the Harry Potter Alliance Andreas Jungherr, The German federal election of 2009: The challenge of participatory cultures in political campaigns Matt Yockey, Wonder Woman for a day: Affect, agency, and Amazons Praxis Sun Jung, Fan activism, cybervigilantism, and Othering mechanisms in K-pop fandom Bethan Jones, Being of service: "X-Files" fans and social engagement Marcus Schulzke, Fan action and political participation on "The Colbert Report" Alex Leavitt, Andrea Horbinski, Even a monkey can understand fan activism: Political speech, artistic expression, and a public for the Japanese dôjin community Tanya R. Cochran, "Past the brink of tacit support": Fan activism and the Whedonverses Lili Wilkinson, Nerdfighters, "Paper Towns," and heterotopia Cheuk Yin Li, The absence of fan activism in the queer fandom of
    [Show full text]
  • การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment, PERCEIVED
    การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment โดย นางสาวภัทรมน จันทร์คงช่วย การค้นคว้าอิสระนี้เป็นส่วนหนึ่งของการศึกษาตามหลักสูตร วารสารมหาบัณฑิต สาขาวิชาการจัดการการสื่อสารองค์กร คณะวารสารศาสตร์และสื่อสารมวลชน มหาวิทยาลัยธรรมศาสตร์ ปีการศึกษา 2560 ลิขสิทธิ์ของมหาวิทยาลัยธรรมศาสตร์ Ref. code: 25605907011539ZOX การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment โดย นางสาวภัทรมน จันทร์คงช่วย การค้นคว้าอิสระนี้เป็นส่วนหนึ่งของการศึกษาตามหลักสูตร วารสารมหาบัณฑิต สาขาวิชาการจัดการการสื่อสารองค์กร คณะวารสารศาสตร์และสื่อสารมวลชน มหาวิทยาลัยธรรมศาสตร์ ปีการศึกษา 2560 ลิขสิทธิ์ของมหาวิทยาลัยธรรมศาสตร์ Ref. code: 25605907011539ZOX PERCEIVED BRAND QUITY OF SM ENTERTAINMENT BY MISS PATTARAMON CHANKONGCHUOY AN INDEPENDENT STUDY SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS PROGRAM IN MASS COMMUNOCATION ADMINISTRATION FACULTY OF JOURNALISM AND MASS COMMUNICATION THAMMASAT UNIVERSITY ACADEMIC YEAR 2017 COPYRIGHT OF THAMMASAT UNIVERSITY Ref. code: 25605907011539ZOX (1) หัวข้อการค้นคว้าอิสระ การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment ชื่อผู้เขียน นางสาวภัทรมน จันทร์คงช่วย ชื่อปริญญา วารสารศาสตร์มหาบัณฑิต สาขาวิชา/คณะ/มหาวิทยาลัย สาขาวิชาการจัดการการสื่อสารองค์กร วารสารศาสตร์และสื่อสารมวลชน มหาวิทยาลัยธรรมศาสตร์ อาจารย์ที่ปรึกษาการค้นคว้าอิสระ รองศาสตราจารย์ แอนนา จุมพลเสถียร ปีการศึกษา 2560 บทคัดย่อ การศึกษาเรื่อง “การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment” มีวัตถุประสงค์ เพื่อศึกษาการเปิดรับสื่อเกี่ยวกับ SM Entertainment ของผู้บริโภค การรับรู้คุณค่าตราสินค้าที่มีต่อ SM Entertainment ของผู้บริโภค
    [Show full text]
  • 62 BAB III Strategi Bisnis SME Terhadap Kesuksesan Hallyu 3.1
    BAB III Strategi Bisnis SME Terhadap Kesuksesan Hallyu 3.1 Bisnis Global SME Menggunakan Marketing Mix Strategy Untuk menjadi yang terdepan dalam bisnis hiburan berskala global, SME menerapkan marketing mix strategy yang terdiri dari segmenting, targeting, dan positioning (STP) pada proses pembuat konten lalu mendistribusikannya. Industri hiburan di Korea Selatan kian menjamur sehingga persaingan semakin ketat. Meningkatkan kualitas dan kreatifitas konten merupakan cara untuk tetap bisa bersaing. SME senantiasa melakukan inovasi terhadap produksi dan distribusi konten menggunakan strategi yang telah dijelaskan pada bab sebelumnya yaitu Culture Technology dan New Culture Technology yang sebenarnya saling berkaitan. Semakin beratnya persaingan menuntut SME memiliki ciri khas konten dan strategi pemasaran melalui model segmenting, targeting, dan positioning. Untuk meningkatkan kualitas dan kreatifitas konten merupakan cara untuk tetap bisa bersaing. 3.1.1 Segmenting Segmentasi merupakan elemen pertama dan penting karena memungkinkan SME fokus dalam mengelola sumber daya yang dimilikinya. Pembagian pasar menjadi segmen-segmen memberikan bayangan bagi SME untuk menentukan segmen mana yang akan menjadi fokus utama. Pembagian segmen ini dilakukan SME berdasarkan lokasi geografis, membagi pasar berdasar negara dan regional 62 karena secara umum setiap lokasi memiliki selera musik yang berbeda sehingga pendistribusian konten dapat di fokuskan di negara atau kawasan tertentu sesuai dengan keinginan pasar.64 Segmentasi dapat melalui audisi global adalah salah satu cara dalam melakukannya. Jepang, Tiongkok, Vietnam, Thailand, Indonesia, Taiwan, Amerika Serikat, Kanada, dan Argentina merupakan negara-negara yang memiliki pandangan baik mengenai Hallyu dilihat dari antusiasme konsumen dan penggemar (peserta audisi, penjualan album, viewers YouTube, dan penonton konser). Oleh karena itu, dewasa ini SME mengadakan audisi global dan fokus untuk menciptakan konten untuk di distribusikan ke negara-negara tersebut sebagai implementasi Hallyu localization.
    [Show full text]
  • Download Smtown Now
    Download smtown now LINK TO DOWNLOAD 23/11/ · Download SMTOWN NOW and enjoy it on your iPhone, iPad, and iPod touch. ​This is the official application of SM Entertainment. News on SM Entertainment artists are provided in real-time.4,7/5(17). Download SMTOWN NOW App for iPad & iPhone free online at AppPure. Get SMTOWN NOW for iOS latest version. This is the official application of SM Entertainment. Downloads 1. Release Date Rating Counts 0. Publisher S.M renuzap.podarokideal.ru,Ltd. Previous Versions. Here you can find the changelog of SMTOWN NOW since it was posted on our website on The latest version is and it was updated on See below the changes in each version. SMTOWN NOW version Release Date: . 21/03/ · Using APKPure App to upgrade NOW, fast, free and save your internet data. You can check the latest news on SM Artists through this application anytime, anywhere. Enjoy SMTOWN, SM official Facebook, Twitter, Youtube, and artist SNS quickly and easily. Show More. NOW Update. Bug fixes. NOW Tags. Entertainment; Add Tags. By adding tag words that describe for 10/10(1). Download for Android SMTOWN NOW Official Magazine website This is a magazine to find out all the news and content of SMTOWN artists in real time, any time, anywhere. Download for Android Download . Rhythm games have been making us happily tap our fingers to the beat for a while now, Download SuperStar SMTown without any geographic restrictions. Musical rhythm videogames are having their moment in the sun on Android lately, thanks in part to the games being churned out by SuperStar.
    [Show full text]
  • Regulating the Idol: the Life and Death of a South Korean Popular Music Star
    Volume 16 | Issue 13 | Number 3 | Article ID 5169 | Jul 01, 2018 The Asia-Pacific Journal | Japan Focus Regulating the Idol: The Life and Death of a South Korean Popular Music Star CedarBough T. Saeji, Gina Choi, Darby Selinger, Guy Shababo, Elliott Y.N. Cheung, Ali Khalaf, Tessa Owens and Kyle Tang1 Abstract: The Note3 For many people outside the South Korean popular music (K-pop) world, the December 2017 death of pop star Kim Jonghyun was a sad, but abstract event. Jonghyun, and dozens more like him, is a type of Korean celebrity known as an "idol." In addition to being popular within Korea, idols are the public face of K-pop, which has become a worldwide phenomenon. This has made idols into incarnations of Korea and Korean culture, and brought the public’s powerful disciplining gaze to bear on these young performers. In this paper, we explore how characteristics of life in contemporary Korea—including a high suicide rate, and intense pressures in education and employment—compound with idols’ years of intense training in singing and dancing without adequate attention to physical, much less mental, health. Although this is the first incident of an A-list K-pop idol committing suicide, we propose that the nature of contemporary Korean celebrity, together with specific factors defining the lives of Korean youth, create an environment where suicide may become even more prevalent, escalating Korea’s suicide rate, which is already among the world’s highest. Finally, we discuss the Introduction: potential impact of Jonghyun's suicide on K-pop fans.
    [Show full text]
  • Media/Entertainment the Golden Age of Video Content
    Media/Entertainment The golden age of video content The increasing search for content Overweight (Maintain) In just a short period of time, over-the-top (OTT) services have emerged as a key platform for the global media industry. In response, both traditional media companies, Industry Report such as Walt Disney (NYSE: DIS, CP: US$97.06) and Time Warner (NYSE: TWX, CP : US$100.47), and new media companies, such as Netflix (NASDAQ: NFLX, CP : September 5, 2017 US$179.00) and Amazon (NASDAQ: AMZN, CP: US$979.47), are now battling to source large amounts of content from outside providers. As media companies broaden their geographical footprint and turn to content to differentiate their platforms, licensed content, in addition to self-produc ed content, are becoming increasingly important. For example, Netflix is planning to spend W8tr on content alone next year. In our view, Mirae Asset Daewoo Co., Ltd. global competition to license content will play out for quite some time. [Media /Entertainment/Leisure ] We believe the battle for content will benefit video content producers. The proliferation of accessible OTT platforms has created new sources of content demand, Jeong -yeob Park presenting opportunities across different formats, sizes, and targets. We expect +822 -3774 -1652 content licensing to grow and a more diverse range of conten t to attract traffic. We [email protected] view this as another positive change for Korean content producers, which saw increased bargaining power following the introduction of general programming cable channels and the beginning of content exports. We believe some paralle ls can be drawn between the current situation and the 1990s, when the programming of externally-produced dramas was institutionalized in Korea.
    [Show full text]
  • 4PKSS Proceedings
    i This proceedings is a collection of papers presented at the 2015 Philippine Korean Studies Symposium (PKSS) held on November 10-11, 2015 at National Institute for Science and Mathematics Education Development (NISMED), University of the Philippines, Diliman, Quezon City. This event was organized by the UP Department of Linguistics and the Korea Foundation. Copyright © 2015 by the UP Department of Linguistics Copyright © 2015 All Speakers and Contributors ALL RIGHTS RESERVED 2015 Philippine Korean Studies Symposium Committee Members: Kyungmin Bae (Department of Linguistics) Farah C. Cunanan (Department of Linguistics) Mark Rae C. De Chavez (Department of Linguistics) Jay-ar M. Igno (Department of Linguistics) Ronel Laranjo (Department of Filipino and Philippine Literature) Aldrin P. Lee (Department of Linguistics) Jiyeon Lee (Department of Linguistics) Michael S. Manahan (Department of Linguistics) Victoria Vidal (Department of Linguistics) Managing Editor : Aldrin P. Lee Copy Editor : Kyungmin Bae Assistant Editor : Jellah M. Jimenez Cover design : Mark R. De Chavez ii CONTENTS MESSAGE ALFREDO E. PASCUAL vi President, University of the Philippines GRACE C. RAMOS viii Program Development Associate for International Likages, Office of Vice-Chancellor for Academic Affaris, University of the Philippines H.E. JAESHIN KIM x Ambassador,Embassy of the Republic of Korea in the Philippines ABSTRACTS 1 SELECTED PAPERS Plenary Papers INTRIGUES, MANEUVERS, INTERVENTIONS: SCREEN IMAGES OF THE 25 KOREAN WAR AND ITS AFTERMATH Prof. Jose Hernani Segovia David BRIDGING THE TECHNOLOGICAL GAP: THE PHILIPPINE-KOREAN 53 EXPERIENCE AND THE ROLE OF THE ACADEME IN ASEAN INTEGRATION Hon. Luis T. Cruz AN INITIATIVE KOREAN STUDIES PROGRAM AT UA&P 61 Prof. Djunkil Kim iii Parallel Session HALMEONI, LOLA: 73 THE MILITARY COMFORT WOMEN OF KOREA AND THE PHILIPPINES Alyzza Mae D.
    [Show full text]