DOCSLIB.ORG

Sala 1 Self-Portrait 2001-2002 Spray E Schizzo Di Smalto, Acrilico Su Tavola

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sala 1 Self-Portrait 2001-2002 Spray E Schizzo Di Smalto, Acrilico Su Tavola Sala 1 Sala 3 Self-Portrait Virgin Mary (Toxic Mary) 2001-2002 2003 spray e schizzo di smalto, acrilico su tavola, serigrafia su carta, 76x56 cm 74x55 cm Collezione privata London (UK), Ali Keshavji collection, inv. 9236 Bomb Love (Bomb Hugger) 2003 serigrafia su carta, 70x50 cm Sala 2 Collezione privata Radar Rat Nola 2008 2008 stampa offset su copertina per vinili, 31x62 serigrafia su carta, 76x56 cm cm Genova, Collezione privata Stefano Agnese Brentwood (UK), Brandler Galleries, BGi/25 Jack & Jill (Police Kids) Get Out While You Can 2005 2004 serigrafia su carta, 50x70 cm serigrafia su carta, 50x33 cm Collezione privata Collezione privata Grannies Love Rat 2006 2004 serigrafia su carta, 56x76 cm serigrafia su carta, 50x35 cm Collezione privata Collezione privata Gangsta Rat Sala 4 2004 serigrafia su carta, 50x35 cm CND Soldiers Collezione privata 2005 serigrafia su carta, 70x50 cm Lab Rat Collezione privata 2000 spray e acrilici su compensato marino e Happy Choppers cornice in metallo, 220x240x12 cm 2003 Brentwood (UK), Brandler Galleries, BGi/03 serigrafia su carta, 70x50 cm Collezione privata Bunny in Armoured Car CCTV Britannia 2002 2009 spray su tela, 60x60 cm spray su acciaio forato, 130x90 cm Brentwood (UK), Brandler Galleries, BGi/01 Brentwood (UK), Brandler Galleries, BGi/31 Rude Copper Grenade 2002 1999 serigrafia su carta, 57x41 cm spray su pannello, 18x15 cm Collezione privata Londra, Collezione privata Flying Copper Lying to the Police is Never Wrong 2003 2007 serigrafia su carta, 100x70 cm spray e mixed media su tavola, 35x41 cm Collezione privata (UK), Brandler Galleries, BGi/13 I Fought the Law 2004 Sala 6 serigrafia su carta, 70x70 cm Collezione privata Sale Ends Today 2007 Precision Bombing serigrafia su carta, 56x76 cm 2000 Collezione privata spray su tela, 43x47 cm Brentwood (UK), Brandler Galleries, BGi/04 Napalm (Can‘t beat that feeling) 2004 Family Target serigrafia su carta, 56x76 cm 2003 Collezione privata spray su tavola, 90x90 cm Brentwood (UK), Brandler Galleries, BGi/32 Rubber Ducky 2006 Precision Bombing (t-shirt) acrilici su tela, 91x91 cm 1999 Brentwood (UK), Brandler Galleries, BGi/07 serigrafia su t-shirt, 60x45 cm London (UK), Andipa collection Napalm. Serpentine edition 2006 serigrafia su carta, 29,7x41,6 cm Sala 5 Brentwood (UK), Brandler Galleries, BGi/16 Weston Super Mare Festival (Destroy Capitalism) 2003 2006 serigrafia su carta, 30x100 cm serigrafia su carta, 56x76 cm Collezione privata Collezione privata Love Is In The Air (Flower Thrower) Leopard from Barcode 2003 1999 serigrafia su carta, 50x70 cm spray su archivio in metallo, 133x46x62 cm Collezione privata London (UK), Ali Keshavji collection, inv. 9238 Bomb Middle England 2002 Barcode serigrafia su carta, 30x100 cm 2004 Collezione privata serigrafia su carta, 50x70 cm Collezione privata spray e acrilici su legno, 55x74x2,5 cm London (UK), Ali Keshavji collection, inv. Pulp Fiction 9235 2004 serigrafia su carta, 50x70 cm Soup Can Collezione privata 2005 serigrafia su carta, 50x35 cm Di-Faced Tenners Collezione privata 2004 Collezione privata Soup Can (Quad) 2006 serigrafia su carta, 70x50 cm Sala 7 Genova, Collezione privata Dismaland print Laugh Now 2015 2003 serigrafia su carta, 18x25 cm serigrafia su carta, 70x48,5 cm Brentwood (UK), Brandler Galleries, BGi/14 Collezione privata Golf Sale Monkey Queen 2003 2003 serigrafia su carta, 35x50 cm serigrafia su carta, 50x35 cm Collezione privata Collezione privata Cloud DJ Queen Vic 1998-1999 2003 spray e acrilici su tavola, 71x74 cm serigrafia su carta, 70x50 cm Brentwood (UK), Brandler Galleries, BGi/09 Collezione privata HMV (His Master Voice) Turf War 2003 2003 serigrafia su carta, 35x49 cm serigrafia su carta, 56x41 cm Collezione privata Collezione privata Mickey Snake Sala 8 2015 fibra di vetro, poliestere, resina, acrilici, Girl with Balloon 72x82x262 cm 2004-2005 Brentwood (UK), Brandler Galleries, BGi/30 serigrafia su carta, 76x56 cm Collezione privata Sala 10 Paranoid Pictures 2004 Visit Historic Palestine spray su tela, 30x30 cm 2017-2018 Brentwood (UK), Brandler Galleries, BGi/25 stampa offset su carta, 60x42 cm Brentwood (UK), Brandler Galleries, BGi/34 Sala 9 Walled Off Hotel Box Set 2017 Football Terrorist stampa digitale su carta e pezzo di muro, 2001 23x23 cm Collezione privata Banksy Vs. Bristol museum poster 2009 Rodeo Girl Poster stampa offset su carta 2008 Collezione privata stampa offset su carta, 70x50 cm Brentwood (UK), Brandler Galleries, BGi/26 Self-Portrait 2010 Rodeo Girl stampa offset su carta, 66x51 cm 2008 Brentwood (UK), Brandler Galleries, BGi/28 giclee print su carta, 30x39 cm Brentwood (UK), Brandler Galleries, BGi/15 Er… 2015 stampa su tovaglia da tè, 40x60 cm Sala 11 Brentwood (UK), Brandler Galleries, BGi/29 Ghetto Superstore Senza Titolo 1999 1999 serigrafia su t-shirt, 60x45 cm stampa lenticolare su materiale plastico, Brentwood (UK), Brandler Galleries, BGi/17 36x55,5 cm London (UK), Ali Keshavji collection, inv. Heavy Weaponry 9237 1999 serigrafia su t-shirt, 60x45 cm Peckham Trolley, Postcard Brentwood (UK), Brandler Galleries, BGi/19 2016-2017 stampa offset su legno sagomato, 12x18 cm Keep Back Brentwood (UK), Brandler Galleries, BGi/27 1999 serigrafia su t-shirt, 60x45 cm Brentwood (UK), Brandler Galleries, BGi/18 Sala 12 T-shirt Dismaland Illustrazioni per dischi 2015 46 copertine per vinili da 12” / 3 copertine per Collezione privata vinili da 7” / 12 copertine per cd Stockholm (Sweden), Richard Forrest T-shirt Catalog Collection of Record cover art 1999 stampa offset su carta, rilegato, 21x14,8 cm Pokemon Brentwood (UK), Brandler Galleries, BGi/08 2005 spray su copertina per vinili, 31x31 cm Black Books Brentwood (UK), Brandler Galleries, BGi/23 2001-2004 Collezione privata Pokemon character 2005 Banksy Vs. Bristol museum poster spray su copertina per vinili, 31x31 cm 2009 Brentwood (UK), Brandler Galleries, BGi/24 stampa offset su carta Collezione privata Banksy Vs. Bristol museum poster 2009 stampa offset su carta Collezione privata .
Load more

Recommended publications
  • Catalogue Banksy.Pdf
    2 BANKSY Prints and Originals Prints and Originals BANKSY 3 “I don’t know why people are so keen to put the details of their private life in public: they forget that invisibility is a superpower.” 4 BANKSY Prints and Originals Prints and Originals BANKSY 5 While the career of a street artist usually ends at the age of 25, sim- so. When you see the graffiti film “Exit through the gift shop”, it be- ply because they need to find a job, Banksy decided that he could comes very clear that there are heroes in this exciting anonymous also make a living by just being a street artist. People would wait world. There is a set hierarchy, and Banksy is at the top. outside his publisher for nights on end when it was announced that Banksy is now called the king of Street Art, like Andy Warhol was he was going to release a new print. Banksy’s works are in such of Pop Art. In the past ten months he has taken first place on the high demand, that people will cut them out of walls and offer them world’s largest art search engine, leaving famous artists like at auctions. By doing so, they actually make his outdoor work Rembrandt, Picasso, Warhol and Van Gogh far behind. suitable for indoors. Local authorities, that are usually very busy Banksy’s politically engaged and satirical Street Art combines hu- with the removal of graffiti, are now protecting his work with mour with graffiti, executed in a distinctive stencilling technique.
    [Show full text]
  • 1. These Particles Exist in Kogut-Susskind Varieties. One Type
    1. These particles exist in Kogut-Susskind varieties. One type of this particle can emerge as a Bogoliubov quasiparticle in superconducting materials and is named for Ettore Majorana. An atomic “condensate” version of these particles was created by a team led by Deborah S. Jin in 2003. The nucleus of a carbon-13 atom ​ and baryons and leptons are these types of particles that follow Fermi-Dirac statistics and obey the Pauli Exclusion Principle. For ten points, name these particles that differ from bosons because of their half-odd integer spin. Answer = Fermions ​ ​ 2. One sect of these people that lived above the “Wild Fields” were known as the Zaporozhians. These people signed the Pereyaslav Agreement as well as a treaty with Emperor Rudolf II in the 1590s. Stenka Razin led an army of them. A five-year siege of Orenburg was done by one of these people named Yemelyan ​ Pugachev. Their leaders were known as “atamans” and “hetmans” and these Orthodox Christian people commonly lived near the Dnieper and Don rivers. For ten points, name these Slavic nomadic warriors who lived in 19th century Russia. Answer = Cossacks ​ ​ 3. One novel by this author that takes place in Tarbox, Massachusetts includes the nuclear physicist John Ong. Another novel by this author sees Tristão Raposo give a stolen ring from an American tourist to Isabel Leme. This author of Couples and Brazil also wrote a novel that sees a 26-year-old former high school ​ ​ ​ basketball star who’s married to Janice have an affair with Ruth Leonard and sell MagiPeelers.
    [Show full text]
  • Résultats De Vente - 05 Mai 2018
    résultats de vente - 05 mai 2018 vente Vente pas courante de mai 1 05 mai 2018 FauveParis 49 rue Saint-Sabin 75011 Paris résultats N° de lot DESCRIPTION Adjudication Montants commissions incluses 1 Lot de verrerie 10,00 € 12,70 € > 5 verres dont une coupe signée Daum > 4 oiseaux en verre - 2 Ensemble de verres Invendu Carafes, coupes, verres à pied... - 3 Manette de verrerie Invendu Comprenant carafes, verres... - 4 4 carafes 10,00 € 12,70 € En verre blanc et avec leurs bouchons On y joint 24 couteaux dans leur étui - 5 Lot en métal argenté 60,00 € 76,20 € Comprenant : > des couverts dans un écrin > 4 dessous de bouteilles > 1 sucrier > 1 rond de serviette > 1 pelle et balayette > 1 coupe ajourée > 1 salière > 1 coupelle > 1 boîte en laiton > 1 huilier vinaigrier en verre > 1 plateau style art déco > 1 chauffe-plat > 1 écrin comprenant 1 saleron, 1 poivrier et 1 moutardier - 6 Ensemble de 15 pièces 30,00 € 38,10 € En métal argenté, dont 3 pièces Cristofle - 7 Important ensemble en métal argenté 170,00 € 215,90 € Dont couverts, plateaux et gobelets - 8 2 roussettes naturalisées - Invendu 9 2 empreintes de poissons fossilisés - H. 3 cm L. 58 cm P. 14 cm Invendu 10 Plat à offrande avec Adam et Eve Invendu En laiton repoussé et estampé avec un motif central représentant Adam et Eve entourant l'arbre de la connaissance autour duquel le serpent est enroulé XVI-XVIIe siècle, Malines - D. 49,5 cm 11 Maternité Invendu En stuc peint et doré représentant la Vierge à l’Enfant entourés d’angelots Italie, XVIe siècle - 24,5 x 20 cm 12 Saint Matthieu Invendu En chêne sculpté tenant un livre dans sa main, un Ange, symbole de l’Évangéliste, à ses pieds, socle orné d’un cartouche portant l’inscription S.
    [Show full text]
  • Banksy. Urban Art in a Material World
    Ulrich Blanché BANKSY Ulrich Blanché Banksy Urban Art in a Material World Translated from German by Rebekah Jonas and Ulrich Blanché Tectum Ulrich Blanché Banksy. Urban Art in a Material World Translated by Rebekah Jonas and Ulrich Blanché Proofread by Rebekah Jonas Tectum Verlag Marburg, 2016 ISBN 978-3-8288-6357-6 (Dieser Titel ist zugleich als gedrucktes Buch unter der ISBN 978-3-8288-3541-2 im Tectum Verlag erschienen.) Umschlagabbildung: Food Art made in 2008 by Prudence Emma Staite. Reprinted by kind permission of Nestlé and Prudence Emma Staite. Besuchen Sie uns im Internet www.tectum-verlag.de www.facebook.com/tectum.verlag Bibliografische Informationen der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.ddb.de abrufbar. Table of Content 1) Introduction 11 a) How Does Banksy Depict Consumerism? 11 b) How is the Term Consumer Culture Used in this Study? 15 c) Sources 17 2) Terms and Definitions 19 a) Consumerism and Consumption 19 i) The Term Consumption 19 ii) The Concept of Consumerism 20 b) Cultural Critique, Critique of Authority and Environmental Criticism 23 c) Consumer Society 23 i) Narrowing Down »Consumer Society« 24 ii) Emergence of Consumer Societies 25 d) Consumption and Religion 28 e) Consumption in Art History 31 i) Marcel Duchamp 32 ii) Andy Warhol 35 iii) Jeff Koons 39 f) Graffiti, Street Art, and Urban Art 43 i) Graffiti 43 ii) The Term Street Art 44 iii) Definition
    [Show full text]
  • Banksy ¿Una Marca O Una Estrategia De Branding?
    ÁREA DE CIENCIAS SOCIALES Y JURÍDICAS Grado de Comunicación TRABAJO DE FINAL DE GRADO BANKSY ¿UNA MARCA O UNA ESTRATEGIA DE BRANDING? Presentado por Olga García Marín Tutelado por Aura P. Pérez Tutelado por Amalia Creus Wicklow, 9 de enero 2020 A Aura P. Pérez, imposible hacer esta disertación sin tu ayuda, gracias por tu ilusión desde el inicio en este trabajo, tu implicación, tu compromiso y por tu lucha. A Amalia Creus, gracias por ayudarme a finalizar este TFG. A mis hermans, Ascen y Pilar, y mis sobrinos Dani, Laura, Verónica y Enrique, por su siempre incondicional apoyo. A mis diferentes grupos de amigos y amigas; por esos viajecitos entre semestre y semestre, esas cañitas los martes o miércoles en la calle Guareña, y esas cenitas chachis por diferentes restaurantes de Madrid que hacían la semana mucho más llevadera. En especial a Isabel, por tu insistencia en la matriculación en este Grado ¡Gracias mami! Y a Leire, por animarme a llevar a cabo esta disertación. ¡Lo que dio de sí aquella exposición en Madrid…! To Patrick, thank you for your patience. 1 Resumen: Esta disertación se centra en la definición de los conceptos Marca y Branding, exponiendo y desarrollando el proceso que necesita una marca para su creación. Se enumeran el conjunto de elementos que formará la identidad de una marca, los valores y la esencia que desembocará en la construcción de su imagen e identidad, para alcanzar finalmente un buen posicionamiento en el mercado. Esta investigación examina el desarrollo y la evolución del arte callejero en general y del artista Banksy en particular, definiendo y analizando su marca, su imagen y reputación, así como, las posibles estrategias de posicionamiento que este artista ha creado para llevar su obra a un reconocimiento mundial.
    [Show full text]
  • Paul Gough Prankster, Polemicist, Painter, Banksy Is Arguably the World
    Gough, Paul, “Bansky: What’s the fuss and why does it matter?” in Joseph M. Siracusa (ed.) Humanities, Arts and Social Sciences: It’s everyone’s business, Routledge. 2016, pp. 1-13. ISBN 978-1-138-20555-0 [email protected] http://www.paulgough.org “Bansky: What’s the fuss and why does it matter?” Paul Gough Prankster, polemicist, painter, Banksy is arguably the world’s most famous unknown street artist. To the press and public, the question of Banksy’s identity is more intriguing than the legitimacy of his work and the price that celebrities, dealers and other wealthy patrons are prepared to pay for it. His greatest triumph has been his ability to keep that identity swathed in mystery, even though the artist’s name is said to be in the public domain beyond all reasonable doubt, readily available on Wikipedia and subject to myriad press revelations in the past five years. Anonymity is less important than the impact of his art, which is more than likely created, fabricated and situated by a group of collaborators. For this reason alone Banksy might best be 1 understood as a ‘he’, ‘she’ or even ‘they’, but for all intents and purposes Banksy is widely-held to be a white male, now in his early to mid-forties, born in Bristol, western England and brought up in a stable middle class family, a pupil from a private cathedral school and a one-time goalkeeper in the infamous Sunday soccer team The Easton Cowboys. At least that is what we think we know.
    [Show full text]
  • Exit Through the Gift Shop (2010)
    Jesse van Winden | Destabilising Critique: Personae in between self and enactment Research master dissertation, VU University Amsterdam, 2014 5. Enter the Performance Street Art: The staged and constructed persona Banksy | Exit Through the Gift Shop (2010) Exit Through the Gift Shop is a commercial feature film that for the first time publically displays the British genre-defining street artist Banksy in person. It is intended for a wider audience than Enjoy Poverty and, since it is produced by the ostentatiously non-academic artist that Banksy is, less configured to theoretical and critical discourses than both Schlingensief’s and Martens’ or Fraser’s work.1 The ways its most prominent theme – the notion of authenticity – is dealt with hardly meet the expectations of a scholarly art historical assessment.2 However, a number of the film’s aspects speak in favour of including it in a research on the use of personae in critical performance, and as a work of popular culture it underlines the use of personae in critique as a wider cultural phenomenon. Those aspects, as introduced below, correspond to the sections of this chapter, and allow for a chronological discussion of the film. Firstly, the real star of the film, Banksy ‘himself’ is a constructed persona, both within the confines of Exit Through the Gift Shop as aesthetic object as well as beyond that, part of everyday reality. Still they are generally taken at face value. Banksy’s anonymity barely provokes the assumption that there may be no ‘Banksy’. On the contrary, the relentless curiosity about his identity only indicates the firm common belief that there exists a “man behind the wall”, to echo the subtitle of Will Ellsworth-Jones’ independent monograph.
    [Show full text]
  • Contents Issue 2460
    Follow us on Twitter Antiques Trade Gazette is published and originated by Metropress Ltd, Contents@ATG_Editorial Issue 2460 trading as Auction Technology Group Ltd Read top stories every day on our website antiquestradegazette.com auctiontechnologygroup.com Find us on: Follow us on Twitter Chief Executive Officer John-Paul Savant Chief Operating Officer Richard Lewis @ATG_Editorial Find us on: Publishing Director Matt Ball Editor-at-Large Noelle McElhatton Deputy Editor, News Laura Chesters Deputy Editor, Features & Supplements Roland Arkell In The News page 4-5 Hardstone is Commissioning Editor Anne Crane Chief Production Editor Tom Derbyshire Una and the Lion proof set returns easy sell Digital & Art Market Editor Alex Capon Planning change threat to Portobello A pietra dura clock Reporter Frances Allitt and other gems Marketing Manager Beverley Marshall Iraq veteran’s Military Cross sold from a Fife house Print & ProduCtion Director Justin Massie-Taylor page 16 SUBSCRIPTIONS ENQUIRIES News Digest page 8-9 Polly Stevens +44 (0)20 3725 5507 Includes our pick of the week [email protected] picture by Gail McGuffie EDITORIAL +44 (0)20 3725 5520 Previews page 12-13 [email protected] ADVERTISING +44 (0)20 3725 5604 Auction Reports [email protected] AUCTION ADVERTISING HAMMER HIGHLIGHTS Charlotte Scott-Smith +44 (0)20 3725 5602 Contents from Balcarres House page 16-17 [email protected] NON-AUCTION ADVERTISING BOOKS AND WORKS ON PAPER Dan Connor +44 (0)20 3725 5605
    [Show full text]
  • Artist Resources – Banksy (British, B. Ca. 1974)
    Artist Resources – Banksy (British, b. ca. 1974) Banksy website run by Pest Control Banksy official Instagram Given his sacred anonymous status, reputable interviews with Banksy are rare, appearing at intervals throughout the years as the artist allows filming of his work and submits to conversations following happenings around his public works and private auction dealings. From a lost 2003 video interview to a phone call with NPR in 2005 , to interviews with The Guardian , reporters and scholars attempt to reckon with figures who claim to be the artist. “The worth of the work is not about the money,” a hooded Banksy remarked in a rare film of the artist at work from 1995. “I don’t paint for anybody else. I don’t paint for critics.” 2002’s Existenticilism in Los Angeles marked the first official exhibition produced by Banksy and his team, followed by London premiers of Turf War in 2003 and Crude Oils in 2005, in which the artist set live rats free among paintings commenting on environmental distress. Banksy returned to LA in 2006 with Barely Legal, his largest U.S. showing to date, which featured a live, painted elephant. In 2009, Banksy took over the Bristol Museum & Art Gallery with a surreal, immersive, and quintessentially twisted exhibition. 2013 saw Banksy establish an “artist residency” on the streets of New York, in which he produced an artwork every day in a different location during the month of October, providing clues for a scavenger hunt of sorts on Instagram. Beginning with his work on the Segregation Wall in 2005, Banksy has developed close ties to the artistic community in Palestine, culminating with 2017’s immersive and collaborative The Walled Off Hotel, which still functions as genuine tourist accommodation.
    [Show full text]
  • A Rare White Bird Worth Waiting
    To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide:https://atg.news/2zaGmwp 7 1 -2 0 2 1 9 1 ISSUE 2486 | antiquestradegazette.com | 3 April 2021 | UK £4.99 | USA $7.95 | Europe €5.50 S E E R 50years D koopman rare art V A I R N T antiques trade G T H E KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Masterpiece A rare white bird worth cancelled but Petworth fair waiting for takes June slot Having postponed the sale in November and by Laura Chesters again in January, Chorley’s finally got to sell an exceptional private collection of early English Masterpiece London has cancelled the porcelain in Prinknash Abbey, Gloucestershire, physical edition of its 2021 event on March 24. because of coronavirus restrictions – The 18 pieces, chosen by the vendor’s late husband but the Petworth fair will go ahead this for rarity, early dates and condition, had been acquired summer. in London between 1984-93, predominantly through The next Masterpiece has been rescheduled the dealership Albert Amor. to run from June 22, 2022, with the Foremost was a Chelsea owl from the Triangle- management now planning online Raised Anchor period c.1745-49. alternatives and small live events for 2021 This 8in (20.5cm) high model, long admired for its should restrictions allow them. remarkable ornithological accuracy, is thought to be Lucie Kitchener, managing director of based on the plate of The Great Hawk or Horned Owl the fair, and Philip Hewat-Jaboor, chairman, that appears in George Edwards’ A Natural History said: “We had hoped that it would be of Uncommon Birds, and of Some Other Rare and possible to come together with our Undescribed Animals published between 1743-51.
    [Show full text]
  • Banksy: Artist, Prankster, Or Both?
    NYLS Law Review Vols. 22-63 (1976-2019) Volume 65 Issue 1 Spotlight on Student Scholarship Article 5 January 2021 Banksy: Artist, Prankster, or Both? Anna Tichy New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/nyls_law_review Part of the Intellectual Property Law Commons, Judges Commons, and the Torts Commons Recommended Citation Anna Tichy, Banksy: Artist, Prankster, or Both?, 65 N.Y.L. SCH. L. REV. 81 (2020-2021). This Note is brought to you for free and open access by DigitalCommons@NYLS. It has been accepted for inclusion in NYLS Law Review by an authorized editor of DigitalCommons@NYLS. NEW YORK LAW SCHOOL LAW REVIEW VOLUME 65 | 2020/21 VOLUME 65 | 2020/21 ANNA TICHY Banksy: Artist, Prankster, or Both? 65 N.Y.L. Sch. L. Rev. [•] (2020–2021) ABOUT THE AUTHOR: Anna Tichy was the Editor-in-Chief of the 2019–2020 New York Law School Law Review. She received her J.D. from New York Law School in 2020. https://digitalcommons.nyls.edu/nyls_law_review 81 BANKSY: ARTIST, PRANKSTER, OR BOTH? “It appears we just got Banksy-ed.”1 -Alex Branczik2 I. INTRODUCTION The notion of pranks, or committing mischievous acts, has been around for centuries—Leonardo da Vinci, Abraham Lincoln, and Thomas Edison were all pranksters.3 Committing or falling victim to a mischievous act is something that nearly everyone can relate to. The artist Banksy, who started his career with street graffiti and is now a world-renowned artist, owes the magnitude of his career to his ability to prank the public.4 He has formed his own definition of what it means to be an artist—a definition that encompasses not only the work he creates, but also the way in which he presents it.
    [Show full text]
  • A Uc Tion • P Aris • 1 Juin 15
    DIGARD - 4 ART CONTEMPORAIN URBAIN - URBAN CONTEMPORARY ART DROUOT - LUNDI 1ER JUIN 2015 AUCTION • PARIS • 1er JUIN 15 En couverture / Cover n° 22 NICK WALKER (Britannique, né en 1969) Vandal V The Arc, 2015 Peinture aérosol et pochoir sur toile, signée au dos Spray paint and stencil on canvas Signed with black marker verso 50.8 x 50.8 cm – 20 x 20 in En 2e de couverture / Second cover n° 70 BANKSY (Britannique, né en 1975) Flying Copper, 2003 Peinture aérosol et acrylique sur carton double face, signé au pochoir au centre Double sided spray paint on cardboard Part stencil signature throughout center 205,8 x 122 cm - 81 x 48 in frame size 144 x 228 cm - 56.7 x 89.7 in Un certifi cat d’authenticité de Pest Control Offi ce sera remis à l’acquéreur Accompanied by a certifi cate of authenticity from Pest Control Offi ce En 3e de couverture / Third cover n° 35 SHEPARD FAIREY (Américain, né en 1970) Andre Hendrix, 2006, unique Peinture aérosol et pochoir sur papier, daté et signé en bas à droite Spray paint and stencil on wall paper Signed and dated in black ink lower right 58.5 x 50.8 cm – 23 x 20 in En dos de couverture / Back cover n°134 LEVALET (Français, né en 1988) Mise en boite, 2013 Encre sur bois découpé signé et daté vers la droite, contresigné daté au dos Ink on wood, signed en dated 105 x 75 cm – 41.3 x 29.5 in 61 x 46 cm – 24 x 18.1 in PARTENAIRES Traductrices Jocelyn Brainard + 33 (0) 6 74 56 35 36 Interprètes [email protected] Henriette Helleboid +33 (0) 6 84 49 93 70 [email protected] Le magazine de l’art contemporain urbain +33 (0) 5 34 56 35 60 Photographe (FR) : Jérôme Prebois + 33 (0) 6 86 55 90 12 - [email protected] Photographe (UK): Ewelina Karbowiak [email protected] Marin Beaux Arts 70, avenue Gabriel Péri - 94110 Arcueil - 01.47.40.04.20 Cadres anciens Cadres Lapoli - 45,Rue Vaneau - 75007 et mordernes Paris - 01 42 22 57 96 DIGARD AUCTION MAISON DE VENTES VOLONTAIRES 17, rue Drouot - 75009 Paris T.
    [Show full text]