Résultats De Vente - 05 Mai 2018
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1. These Particles Exist in Kogut-Susskind Varieties. One Type
1. These particles exist in Kogut-Susskind varieties. One type of this particle can emerge as a Bogoliubov quasiparticle in superconducting materials and is named for Ettore Majorana. An atomic “condensate” version of these particles was created by a team led by Deborah S. Jin in 2003. The nucleus of a carbon-13 atom and baryons and leptons are these types of particles that follow Fermi-Dirac statistics and obey the Pauli Exclusion Principle. For ten points, name these particles that differ from bosons because of their half-odd integer spin. Answer = Fermions 2. One sect of these people that lived above the “Wild Fields” were known as the Zaporozhians. These people signed the Pereyaslav Agreement as well as a treaty with Emperor Rudolf II in the 1590s. Stenka Razin led an army of them. A five-year siege of Orenburg was done by one of these people named Yemelyan Pugachev. Their leaders were known as “atamans” and “hetmans” and these Orthodox Christian people commonly lived near the Dnieper and Don rivers. For ten points, name these Slavic nomadic warriors who lived in 19th century Russia. Answer = Cossacks 3. One novel by this author that takes place in Tarbox, Massachusetts includes the nuclear physicist John Ong. Another novel by this author sees Tristão Raposo give a stolen ring from an American tourist to Isabel Leme. This author of Couples and Brazil also wrote a novel that sees a 26-year-old former high school basketball star who’s married to Janice have an affair with Ruth Leonard and sell MagiPeelers. -
Contents Issue 2460
Follow us on Twitter Antiques Trade Gazette is published and originated by Metropress Ltd, Contents@ATG_Editorial Issue 2460 trading as Auction Technology Group Ltd Read top stories every day on our website antiquestradegazette.com auctiontechnologygroup.com Find us on: Follow us on Twitter Chief Executive Officer John-Paul Savant Chief Operating Officer Richard Lewis @ATG_Editorial Find us on: Publishing Director Matt Ball Editor-at-Large Noelle McElhatton Deputy Editor, News Laura Chesters Deputy Editor, Features & Supplements Roland Arkell In The News page 4-5 Hardstone is Commissioning Editor Anne Crane Chief Production Editor Tom Derbyshire Una and the Lion proof set returns easy sell Digital & Art Market Editor Alex Capon Planning change threat to Portobello A pietra dura clock Reporter Frances Allitt and other gems Marketing Manager Beverley Marshall Iraq veteran’s Military Cross sold from a Fife house Print & ProduCtion Director Justin Massie-Taylor page 16 SUBSCRIPTIONS ENQUIRIES News Digest page 8-9 Polly Stevens +44 (0)20 3725 5507 Includes our pick of the week [email protected] picture by Gail McGuffie EDITORIAL +44 (0)20 3725 5520 Previews page 12-13 [email protected] ADVERTISING +44 (0)20 3725 5604 Auction Reports [email protected] AUCTION ADVERTISING HAMMER HIGHLIGHTS Charlotte Scott-Smith +44 (0)20 3725 5602 Contents from Balcarres House page 16-17 [email protected] NON-AUCTION ADVERTISING BOOKS AND WORKS ON PAPER Dan Connor +44 (0)20 3725 5605 -
Sala 1 Self-Portrait 2001-2002 Spray E Schizzo Di Smalto, Acrilico Su Tavola
Sala 1 Sala 3 Self-Portrait Virgin Mary (Toxic Mary) 2001-2002 2003 spray e schizzo di smalto, acrilico su tavola, serigrafia su carta, 76x56 cm 74x55 cm Collezione privata London (UK), Ali Keshavji collection, inv. 9236 Bomb Love (Bomb Hugger) 2003 serigrafia su carta, 70x50 cm Sala 2 Collezione privata Radar Rat Nola 2008 2008 stampa offset su copertina per vinili, 31x62 serigrafia su carta, 76x56 cm cm Genova, Collezione privata Stefano Agnese Brentwood (UK), Brandler Galleries, BGi/25 Jack & Jill (Police Kids) Get Out While You Can 2005 2004 serigrafia su carta, 50x70 cm serigrafia su carta, 50x33 cm Collezione privata Collezione privata Grannies Love Rat 2006 2004 serigrafia su carta, 56x76 cm serigrafia su carta, 50x35 cm Collezione privata Collezione privata Gangsta Rat Sala 4 2004 serigrafia su carta, 50x35 cm CND Soldiers Collezione privata 2005 serigrafia su carta, 70x50 cm Lab Rat Collezione privata 2000 spray e acrilici su compensato marino e Happy Choppers cornice in metallo, 220x240x12 cm 2003 Brentwood (UK), Brandler Galleries, BGi/03 serigrafia su carta, 70x50 cm Collezione privata Bunny in Armoured Car CCTV Britannia 2002 2009 spray su tela, 60x60 cm spray su acciaio forato, 130x90 cm Brentwood (UK), Brandler Galleries, BGi/01 Brentwood (UK), Brandler Galleries, BGi/31 Rude Copper Grenade 2002 1999 serigrafia su carta, 57x41 cm spray su pannello, 18x15 cm Collezione privata Londra, Collezione privata Flying Copper Lying to the Police is Never Wrong 2003 2007 serigrafia su carta, 100x70 cm spray e mixed media su tavola, -
A Uc Tion • P Aris • 1 Juin 15
DIGARD - 4 ART CONTEMPORAIN URBAIN - URBAN CONTEMPORARY ART DROUOT - LUNDI 1ER JUIN 2015 AUCTION • PARIS • 1er JUIN 15 En couverture / Cover n° 22 NICK WALKER (Britannique, né en 1969) Vandal V The Arc, 2015 Peinture aérosol et pochoir sur toile, signée au dos Spray paint and stencil on canvas Signed with black marker verso 50.8 x 50.8 cm – 20 x 20 in En 2e de couverture / Second cover n° 70 BANKSY (Britannique, né en 1975) Flying Copper, 2003 Peinture aérosol et acrylique sur carton double face, signé au pochoir au centre Double sided spray paint on cardboard Part stencil signature throughout center 205,8 x 122 cm - 81 x 48 in frame size 144 x 228 cm - 56.7 x 89.7 in Un certifi cat d’authenticité de Pest Control Offi ce sera remis à l’acquéreur Accompanied by a certifi cate of authenticity from Pest Control Offi ce En 3e de couverture / Third cover n° 35 SHEPARD FAIREY (Américain, né en 1970) Andre Hendrix, 2006, unique Peinture aérosol et pochoir sur papier, daté et signé en bas à droite Spray paint and stencil on wall paper Signed and dated in black ink lower right 58.5 x 50.8 cm – 23 x 20 in En dos de couverture / Back cover n°134 LEVALET (Français, né en 1988) Mise en boite, 2013 Encre sur bois découpé signé et daté vers la droite, contresigné daté au dos Ink on wood, signed en dated 105 x 75 cm – 41.3 x 29.5 in 61 x 46 cm – 24 x 18.1 in PARTENAIRES Traductrices Jocelyn Brainard + 33 (0) 6 74 56 35 36 Interprètes [email protected] Henriette Helleboid +33 (0) 6 84 49 93 70 [email protected] Le magazine de l’art contemporain urbain +33 (0) 5 34 56 35 60 Photographe (FR) : Jérôme Prebois + 33 (0) 6 86 55 90 12 - [email protected] Photographe (UK): Ewelina Karbowiak [email protected] Marin Beaux Arts 70, avenue Gabriel Péri - 94110 Arcueil - 01.47.40.04.20 Cadres anciens Cadres Lapoli - 45,Rue Vaneau - 75007 et mordernes Paris - 01 42 22 57 96 DIGARD AUCTION MAISON DE VENTES VOLONTAIRES 17, rue Drouot - 75009 Paris T. -
Lionelgallery Banksy Keep It Real
LIONELGALLERY BANKSY KEEP IT REAL PRINTS AND ORIGINALS 2 BANKSY Prints and Originals Prints and Originals BANKSY 3 “I don’t know why people are so keen to put the details of their private life in public: they forget that invisibility is a superpower.” 4 BANKSY Prints and Originals Prints and Originals BANKSY 5 While the career of a street artist usually ends at the age of 25, sim- so. When you see the graffiti film “Exit through the gift shop”, it be- ply because they need to find a job, Banksy decided that he could comes very clear that there are heroes in this exciting anonymous also make a living by just being a street artist. People would wait world. There is a set hierarchy, and Banksy is at the top. outside his publisher for nights on end when it was announced that Banksy is now called the king of Street Art, like Andy Warhol was he was going to release a new print. Banksy’s works are in such of Pop Art. In the past ten months he has taken first place on the high demand, that people will cut them out of walls and offer them world’s largest art search engine, leaving famous artists like at auctions. By doing so, they actually make his outdoor work Rembrandt, Picasso, Warhol and Van Gogh far behind. suitable for indoors. Local authorities, that are usually very busy Banksy’s politically engaged and satirical Street Art combines hu- with the removal of graffiti, are now protecting his work with mour with graffiti, executed in a distinctive stencilling technique. -
Cena Upora: Fenomen Banksy in Komodifikacija Street Arta
UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Gašper Milkovič Biloslav Cena upora: fenomen Banksy in komodifikacija street arta Diplomsko delo Ljubljana, 2016 UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Gašper Milkovič Biloslav Mentor: red. prof. dr. Mitja Velikonja Cena upora: fenomen Banksy in komodifikacija street arta Diplomsko delo Ljubljana, 2016 Mami za podporo skozi vsa ta leta in Kaji, ker je ob meni, ko odpiram novo poglavje. Cena upora: fenomen Banksy in komodifikacija street arta Cilj pričujočega dela je skozi raziskovanje fenomena street artista Banksya odkriti širšo sliko mehanizmov, preko katerih prihaja do inkorporacije družbenih odklonov v dominatno kulturo. S kritično analizo najpomembnejših mejnikov v Banksyjevi karieri in z razkrivanjem družbenega konteksta, v katerem so se dogajali, bo prikazano razmerje street arta in dominantne kulture predvsem skozi pozicioniranje tega umetniškega gibanja v polje institucionalne umetnosti. Odnos dominantne kulture do street arta je namreč dvoumen. Po eni strani ga zaradi ilegalnih elementov tretira kot vandalizem, po drugi pa ga na vse mogoče načine sprejema, predeluje in konzumira. Banksy je ekstremen primer te dvojnosti, saj je hkrati najbolj znan street artist na svetu, čigar dela na dražbah dosegajo neverjetne cene, obenem pa skriva svojo pravo identiteto in še vedno izvaja svoje tako legalne kot ilegalne projekte. V zaključku bo predstavljeno, kako Banksy ravno z izkoriščanjem te ednistvene pozicije dokazuje, da je kljub delovanju znotraj sistema do njega mogoče ohraniti neodvisen in kritičen odnos. Ključne besede: grafiti, street art, Banksy, komodifikacija. The price of rebellion: The Banksy phenomenon and the commodification of street art The purpose of the thesis is researching the phenomenon of street artist Banksy as a means to uncover a broader picture of the mechanisms through which the incorporation of social deviations by the dominant culture occurs.