Bhagavad Gita for the First Time Reader
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
An Introduction to Sanskrit Chanda
[VOLUME 5 I ISSUE 3 I JULY – SEPT 2018] e ISSN 2348 –1269, Print ISSN 2349-5138 http://ijrar.com/ Cosmos Impact Factor 4.236 An Introduction to Sanskrit Chanda MITHUN HOWLADAR Ph. D Scholar, Department of Sanskrit, Sidho-Kanho-Birsha University, Purulia, West Bengal Received: May 22, 2018 Accepted: July 11, 2018 ABSTRACT We can generally say, any composition which has a musical sound, is called chanda. Chanda has been one of the Vedāṅgas since Vedic period. Vedic verses are composed in several chandas. The number of Vedic chandas is 21, out of which 7 are mainly used. Earliest poetic composition in public language (laukika Sanskrit) started from Valmiki, later it became a fashion and then a discipline for composition (kāvya). But here has been a difference in Vedic and laukika chandas. Where Vedic chnadas are identified by the number of syllables (varṇa or akṣara) in a line of verse or whole verse and the number of lines in the verse, laukika chanda is identified by the order of the laghu-guru syllables. The number of the laukika chandas is not yet finally defined but many texts have been composed describing the different number of chandas. Each chanda of laukika Sanskrit (post Vedic Sanskrit) consists of four pādas or caraṇas, that is, the fourth part of the chanda. Keywords: Chanda, Vedāṅgas, Chandaśāstra, pāda, Chandomañjarī. Introduction: Veda, the oldest literature in the world, is also called Chandas because the Vedic mantras (compositions) are all metric compositions (Chandobaddha). All the four Saṁhitās (with some exceptions in Yajurveda and Atharvaveda) are of this nature. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Philosophy of Bhagavad-Gita
PHILOSOPHY OF BHAGAVAD-GITA T. SUBBA BOW THE PHILOSOPHY OF THE BHAGAVAD-GITA Copyright Registered All Rights Reserved Permission for translations will be given BY THEOSOPHICAL PUBLISHING HOUSE Adyar, Madras, India THE PHILOSOPHY OF THE BHAGAVAD-GITA BY T. STJBBA ROW Four Lectures delivered at the Eleventh Annual Convention of the Theosophical Society, held at Adyar, on December 27, 28, 29 and 30, 1886 (Second Edition") THEOSOPHICAL PUBLISHING HOUSE ADYAR, MADRAS, INDIA 1921 T. SUBBA ROW AN APPRECIATION MY acquaintance with T. Subba Row began at the end of 1884, when I came here to Madras and settled down with the intention of practising in the High Court. It was at the Theosophical Convention of 1884 that I first met him, and from the very first moment became so deeply attracted to him as to make it difficult for me to understand why it was so. My admiration of his ability was so great that I began to look upon him almost from that time as a great man. He was a very well-made robust man, and strikingly intellectual. When H. P. B. was here, he was known to be a great favourite of hers. It was said that he first attracted " her attention by a paper called The Twelve Signs of the Zodiao ", which was afterwards published. At the Convention, there was much talk on various topics, and he always spoke with decision, and his views carried great weight. But he spoke little and only what was necessary. There was then a small committee of which Colonel Olcott was the Presi- dent. -
Evolution of Sarasvati in Sanskrit Literature
EVOLUTION OF SARASVATI IN SANSKRIT LITERATURE ABSTRACT SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN SANSKRIT BY MOHD. iSRAIL KHAN UNDER THE SUPERVISDN OF Dr. R. S. TRIPATHI PROF. & HEAD OF THE DEPARTMENT OF SANSKRIT ALTGARH MUSLIM UNIVERSITY A L I G A R H FACULTY OF ARTS ALIGARH MUSLIM UNIVERSITY ALIGARH 1969 ABSTRACT The Hindu mythology is predominontly polytheistic. Gods are numerous and each god or goddess shows very often mutually irreconcilable traits within him or her. This is equally true of Sarasvati, too. She is one of female deities of the Rgvedic times. She has got many peculiarities of her own resulting in complexity of her various conceptions through the ages. In the Rgvedic pantheon, among female deities, Usas, the daughter of the heaven is (divo duhita)/given an exalted place and has been highly extolled as a symbol of poetic beauty. Sarasvati comes next to her in comparison to other Rgvedic goddesses. But in the later period, Usas has lost her superiority and Sarasvati has excelled her. The superiority of Sarasvati is also obvious from another instance. In the Vedic pantheon, many ideitiet s arose and later on merged into others. If any one of them survived,/was mostly in an sterio- typed form. But with Sarasvati, there has been a gradual process of change and development. In her earliest stage, she was a spacious stream having rythmic flow and congenial waters. It was, therefore, but natural that it arrested the attention of seers dwelling along with its banks. They showed their heart-felt reverence to her. -
Bhagavad Gita-Chapter 02
Bhagavad Gita - 2 Contents of Gita Summarized Based on the teachings of His Divine Grace A.C. Bhaktivedanta Swami Prabhupada ~Founder Acharya~ International Society for Krishna Consciousness Chapter 2 - Sections Section Verse Description A 2.1 to 2.10 Arjuna's further doubts & his surrender B 2.11 to 2.30 Jnana -- fight! there is no death for the soul C 2.31 to 2.38 Karmakanda -- fight! for gains come from dutifully fighting and losses come from not fighting D 2.39 to 2.53 Buddhi-yoga (Niskama Karma) --fight! but without any reaction E 2.54 to 2.72 Sthita Prajna -- fight! become fixed in krsna consciousness Summary - Section - A Verse 2.1 to 2.10 Arjuna's further doubts & his surrender 1-10 After Arjuna continues to express his doubts about fighting, he surrenders to Krsna for instruction. Text – 1 Seeing Arjuna depressed Lord Krsna thus spoke…. Analogy – Saving Dress of Drowning Man Material Material Compassion Compassion Real Self signs of Self Lamentation Compassion ignorance (Eternal Realization Soul) Tears • Compassion for the dress of a drowning man is senseless (Sudra) • Real Compassion means Compassion for the Eternal Soul, (Self Realization) • Madhusudana : Killer of Demon Madhu. • Lord Krsna is addressed as Madhusudana, expected to kill Arjuna doubts(demons) Chapter 2 discusses : Soul Explained by Self Analytical Lord Realization Study Krsna Material Body Text – 2 Lord Krsna (Sri-Bhagavan) spoke, where from impurities Analogy - Sun come upon you(Arjuna)? Sunshine-Brahman impersonal all- Absolute Brahman pervasive Truth Spirit. (Sun shine) Lord Krsna The Supreme localized aspect, in heart of all Personality of Paramatma Sun Surface living entities. -
The Upanishads Page
TThhee UUppaanniisshhaaddss Table of Content The Upanishads Page 1. Katha Upanishad 3 2. Isa Upanishad 20 3 Kena Upanishad 23 4. Mundaka Upanishad 28 5. Svetasvatara Upanishad 39 6. Prasna Upanishad 56 7. Mandukya Upanishad 67 8. Aitareya Upanishad 99 9. Brihadaranyaka Upanishad 105 10. Taittiriya Upanishad 203 11. Chhandogya Upanishad 218 Source: "The Upanishads - A New Translation" by Swami Nikhilananda in four volumes 2 Invocation Om. May Brahman protect us both! May Brahman bestow upon us both the fruit of Knowledge! May we both obtain the energy to acquire Knowledge! May what we both study reveal the Truth! May we cherish no ill feeling toward each other! Om. Peace! Peace! Peace! Katha Upanishad Part One Chapter I 1 Vajasravasa, desiring rewards, performed the Visvajit sacrifice, in which he gave away all his property. He had a son named Nachiketa. 2—3 When the gifts were being distributed, faith entered into the heart of Nachiketa, who was still a boy. He said to himself: Joyless, surely, are the worlds to which he goes who gives away cows no longer able to drink, to eat, to give milk, or to calve. 4 He said to his father: Father! To whom will you give me? He said this a second and a third time. Then his father replied: Unto death I will give you. 5 Among many I am the first; or among many I am the middlemost. But certainly I am never the last. What purpose of the King of Death will my father serve today by thus giving me away to him? 6 Nachiketa said: Look back and see how it was with those who came before us and observe how it is with those who are now with us. -
Introductiontotheniruktaandthelit
I n t ro du c t i o n t o t he N i r u kt a . a n d t h e L i te r at u r e re l at e d t o i t WTH TR T S E I A E A I O N The : E lement s o f the I ndi an A ccent RUDOLP H ROTH n Tr a s a t ed b the Rev CKI n . D . M A CHA N l y , D . D . , L L D P r i n ci a Wi s n Co e e o a B b s o me p l, l o ll g , m y, ' ‘ t i me Vi ce- Cha n cello r of the Umvemi i y of Pub l i s he d b y the Un i v ers ity o f Bo mb ay I 9 1 9 PRE FATORY N OTE . ’ FO R m any ye ars Yas k a s Nirukta has been regul arly prescribed by the University o f Bomb ay as a text fo a a a f r o . book r its ex min tion in S nskrit the degree of M A . ’ I n order t o render Roth s v alua ble Introduction to this w ork accessible to advanced students of S anskrit in Wil son College I prep ared long ago a transl ation of th is Intro duction which in m anuscript form did service to a succession O f College students some o f whom h ave since become w ell known a s S anskrit scholars . -
Hinduism in Time and Space
Introduction: Hinduism in Time and Space Preview as a phenomenon of human culture, hinduism occupies a particular place in time and space. To begin our study of this phenomenon, it is essential to situate it temporally and spatially. We begin by considering how the concept of hinduism arose in the modern era as a way to designate a purportedly coherent system of beliefs and practices. since this initial construction has proven inadequate to the realities of the hindu religious terrain, we adopt “the hindu traditions” as a more satisfactory alternative to "hinduism." The phrase “hindu traditions” calls attention to the great diversity of practices and beliefs that can be described as “hindu.” Those traditions are deeply rooted in history and have flourished almost exclusively on the indian subcontinent within a rich cultural and religious matrix. As strange as it may seem, most Hindus do The Temporal Context not think of themselves as practicing a reli- gion called Hinduism. Only within the last Through most of the millennia of its history, two centuries has it even been possible for the religion we know today as Hinduism has them to think in this way. And although that not been called by that name. The word Hin- possibility now exists, many Hindus—if they duism (or Hindooism, as it was first spelled) even think of themselves as Hindus—do not did not exist until the late eighteenth or early regard “Hinduism” as their “religion.” This irony nineteenth century, when it began to appear relates directly to the history of the concept of sporadically in the discourse of the British Hinduism. -
Component-I (A) – Personal Details
Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. Korada Subrahmanyam Center for ALTS, University of Hyderabad. Dr. N. Siva Senani Hyderabad. Prof. Korada Subrahmanyam Center for ALTS, University of Hyderabad. Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Vedic, Epic and Puranic Culture of India Module Name/Title Encyclopedic Nature of Mahabharata Module Id IC / VEPC / 18 Pre-requisites Familiarity with Rāmāyaṇa Objectives To introduce Mahabharata, its contents and give an idea of its encyclopedic nature. To demonstrate that Mahabharata is a Smriti. Keywords Mahābhārata / Pāṇḍavas / Kauravas/Śāntiparva / Anuśāsanaparva/ Bhīṣma / Droṇa / Great war of ancient India / Dharma E-text (Quadrant-I): 1. Introduction Literature is an important aspect of the culture of a period and needs to be read and understood in a sympathetic way, i.e. it must be approached as it was designed to be, or as it was approached by the people of the society that one is trying to understand. Mahabharata, one of the two epics of India, is indeed familiar to all in India, but two aspects make this module necessary. Much as Mahabharata is well known, only a few would have read it fully or know it fully. The second aspect is that over the years people have approached it in their own way and continue to do so resulting in a wide variety in the ways it is understood. That Mahabharata is a huge epic and is amenable to multiple interpretations has only increased this. In such a situation, it would be useful to introduce the text as a whole and introduce the traditional way of understanding the text – both in understanding the culture of the Mahabharata period and in appreciating the epic. -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560. -
Nirukta and A∑†Ådhyåy¥: Their Shared Presuppositions (Published In: Indo-Iranian Journal 23 (1981), Pp
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Serveur académique lausannois NIRUKTA AND A›ÈÓDHYÓYÁ 1 JOHANNES BRONKHORST Nirukta and A∑†ådhyåy¥: their shared presuppositions (Published in: Indo-Iranian Journal 23 (1981), pp. 1-14) 1. The aim of this article is to contribute to an understanding of the A∑†ådhyåy¥ on the basis of certain presuppositions which it may share with the Nirukta. In order to find out what presuppositions underlie the Nirukta, the aims and methods of that book have to be discovered. This in its turn requires the prior refutation of a misconception which has been connected with the Nirukta for more than a century, the misconception namely that the Nirukta, wholly or partly, deals with the history of words. As a result, most of this article will be concerned with the Nirukta. Apart from some short remarks in Section 2, the A∑†ådhyåy¥ will not come into the picture until Section 4, below. 2.1. The nineteenth century say the birth of Historical Linguistics, or Comparative Philology. As a result, for about a hundred years linguistics "has been completely absorbed in diachrony" (Saussure, 1915: 82). This did not fail to influence the way scholars looked at the work of the native grammarians of India. Påˆini's grammar does not easily lend itself to a historical interpretation. None the less, August Wilhelm von Schlegel opined in 1832 that the work of Påˆini, Kåtyåyana and Patañjali contained speculative etymologies, because it was not based on a knowledge of languages other than Sanskrit (Staal, 1972: 55-56).