Philosophy of Bhagavad-Gita
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Notes on the Bhagavad Gita to Help Students in Studying Its Philosophy T
Theosophical University Press Online Edition Notes on the Bhagavad Gita To help students in studying its philosophy T. Subba Row, B.A., B.L., F.T.S. First printing 1934, second printing 1978, by Theosophical University Press. Electronic ISBN 1-55700-126-x (print version available). All rights reserved. This edition may be downloaded for off-line viewing without charge. No part of this publication may be reproduced for commercial or other use in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior permission of Theosophical University Press. For ease in searching, no diacritical marks appear in this electronic version of the text. Contents Preface Introductory Section 1 Section 2 Section 3 Section 4 Preface NOTES ON THE BHAGAVAD-GITA, by T. Subba Row, B.A., B.L., was first published in The Theosophist — the magazine founded by H. P. Blavatsky and Col. H. S. Olcott, at Madras, India. The first lecture, entitled 'Introductory,' was delivered at the Convention of the Theosophical Society held in Madras in 1885, and was published in the February, 1886, issue of The Theosophist, Volume VII, No. 77, page 281, with an editorial note stating that it was the introduction to a series of lectures on the Bhagavad-Gita which Subba Row promised to deliver at the next Convention of the Theosophical Society, scheduled for 1886. Thus the four lectures themselves were delivered and published a year later, namely in Volume VIII of The Theosophist, and the discourses were delivered to the delegates attending the Convention of the Theosophical Society, December 27-31, 1886. -
The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
Research Paper Sociology Vamana–Trivikrama in Badami Chalukya Sculpture
Volume : 2 | Issue : 9 | Sept 2013 • ISSN No 2277 - 8160 Research Paper Sociology Vamana–Trivikrama In Badami Chalukya Sculpture Smt. Veena Muddi Research Scholar,Dept of Ancient Indian History and Epigraphy, Karnatak University, Dharwad Introduction Padma Purana Until the time of Vikramaditya I the rulers of the Chalukya dynasty of Vishnu was born as a son of Aditi. Knowing about sacrifice being per- Badami (543-757 CE) were the inclined towards Vaishnavism. The re- formed by Bali, Vishnu went to the place of sacrifice along with eight cords of Mangalesa (Padigar:2010:9-11,12-15) and Polekesi II (Padi- sages. Vamana told the reason for his arrival and asked for a piece of gar:2010:42-45) are vocal in describing them as parama-bhagavatas, land measured by his three steps. Sukracharya advised Bali not to grant ‘great devotees of Vishnu’. The fact that two of the four caves excavated Vamana’s request. But Bali would not listen to his guru. He washed the by them at their capital Badami, all of them dating from pre-620 CE feet of Lord and granted Vamana’s wish. After that Lord abandoned his period, are dedicated to god Vishnu is further evidence of the situation. dwarfish form, took the body of Vishnu, covered the whole universe In 659 CE Virkamaditya I was initiated into Mahesvara brand of Saivism and sent Bali to netherworld.(Bhatt:1991:3211-3215) through a ritual called Sivamandala-diksha. (Padigar:2010:67-70) Henceforth he came to be called a parama-Mahesvara, ‘a great devo- Narada Purana tee of Mahesvara or Siva’. -
Šrî Sâi Leela
ŠRÎ SÂI LEELA Šrî Shirdi Sai Bâbâ Temple 1449 & 1451 Abers Creek Road, Monroeville, PA 15146 Mailing: PO Box 507 , Monroeville, PA 15146-0507 Phone: 412-374-9244 Fax: 412-374-0940 Website: http://www.baba.org “Help Ever, Hurt Never” Like us - www.facebook.com/pittsburghbabatemple August 2017 Spend money in charity; be generous and munificent but not extravagant - Šrî Sâi Bâbâ. Kshetrapalaka Sanjeevani Veera HANUMAN PRATISHTA(CONSECRATION) Thursday August 10th - Saturday 12th Dear Sai Family, With at most enthusiasm we are very happy to announce that an 8 feet Kshetrapalaka SANJEEVANI VEERA HANUMAN is on its way from Maha Balipuram, INDIA personally hand picked by Founder President Saint Sri Panduranga. Concecration is set for August 10th - 12th . The Temple is getting ready for concecration, your attendence and financial support is needed to make this event successful. For further details call temple at 412 374 9244 or visit our website baba.org. Jai Sairam! Sri Hanuman Pratishta Program Thursday Aug 10th - 6.00 pm - 9.00 pm Hanuman Pratishta Sankalpam $1008 Deeksha vastralu & Gold pendent Ksheera , Jala Adhivasa Cultural Program Theertham & Prasadam Friday Aug 11th - 9am – 12noon Sukta , Adivasa , Mula Mantra Homam - $126 Sponsorship Form for Sri Hanuman ji 6.00 pm Anjaneya Moola Mantra Homam – $126 Consecration Pushpadhivasa & Cultural Program Theertham & Prasadam Sri Hanuman Ji Statue - $15000 th Names on Plaque & Photo(4.25'’ x 5.5'’) on Wall of Devotees Saturday Aug 12 - 8 am – 12noon Vayu Pratishta Karyakramam (Custom made) Gazebo -
Jnana, Bhakti and Karma Yoga in the Bhagavad Gita
Jnana, Bhakti and Karma Yoga in the Bhagavad Gita The Bhagavad Gita - written between 600 -500 BCE is sometimes referred to as the last Upanishad. As with many Yoga texts and great literature there are many possible layers of meaning. In essence it is grounded by the meditative understanding of the underlying unity of life presented in the Upanishads, and then extends this into how yoga practice, insight and living life can become one and the same. Ultimately it is a text that describes how yoga can clarify our perception of life, its purpose and its challenges, and offers guidance as to how we might understand and negotiate them. It encourages full engagement with life, and its difficulties and dilemmas are turned into the manure for potential liberation and freedom. The Bhagavad-Gita is actually a sub story contained within a huge poem/story called the Mahabharata, one of the ‘Puranas’ or epics that make up much of early Indian literature. It emphasises the importance of engagement in the world, perhaps a reaction to the tendency developing at the time in Buddhism and Vedanta to renounce worldly life in favour of personal liberation. The yoga of the Bhagavad-Gita essentially suggests that fully engaging in all aspects of life and its challenges with a clear perspective is a valid yogic path and possibly superior to meditative realisation alone. There is an implication in this emphasis that there is a potential danger for some people of using yoga practice and lifestyle to avoid difficulties in life and not engage with the world and the culture and time we find ourselves in; and/or perhaps to misunderstand that yoga practice is partly practice for something – to re-evaluate and hopefully enrich our relationship to the rest of life. -
TEACHING HATHA YOGA Teaching Hatha Yoga
TEACHING HATHA YOGA Teaching Hatha Yoga ii Teaching Hatha Yoga TEACHING HATHA YOGA ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Daniel Clement with Naomi Clement Illustrations by Naomi Clement 2007 – Open Source Yoga – Gabriola Island, British Columbia, Canada iii Teaching Hatha Yoga Copyright © 2007 Daniel Clement All rights reserved. Without limiting the rights under copyright, no part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written consent of the copyright owner, except for brief reviews. First printing October 2007, second printing 2008, third printing 2009, fourth printing 2010, fifth printing 2011. Contact the publisher on the web at www.opensourceyoga.ca ISBN: 978-0-9735820-9-3 iv Teaching Hatha Yoga Table of Contents · Preface: My Story................................................................................................viii · Acknowledgments...................................................................................................ix · About This Manual.................................................................................................ix · About Owning Yoga................................................................................................xi · Reading/Resources................................................................................................xii PHILOSOPHY, LIFESTYLE & ETHICS.........................................................................xiii -
Three Minutes ______
Three Minutes ________________________________________________________________ Three Minutes - 17 tradition (sampradAyam). He is the epitome of knowledge (j~nAana), Say it with Less detachment (vairAghya), devotion (bhakti), and adherence to the shrI icChA mIna vihAra kacChapa vaiShNava scripts (shAstra mahA anusanTAnam). He has contributed potrin yadR^icChA hare enormously in multiple languages. rakShA vAmana roSha rAma This dashAvatAtra stotra is one of the gems, which describes a karuNA salutation to each of the ten kAkutstha helA halin | incarnations (avatAra-s) of the Lord. krIDA vallava kalka vAhana svAmi deshika composed this while dashA he was worshiping in the kalkin iti pratyahaM dashAvatAra sanctum (sannidhi) in jalpantaH puruShA punanti shrIra~Ngam. bhuvanaM In this verse (shloka), svAmi puNyaugha paNyApaNAH || deshikan precisely puts all ten (svAmi deshikan, dashAvatAra storam) avatAra-s in less than a single verse. For each avatAra, he gives exactly one adjective that best describes icChA mIna = Self-willed fish vihAra kacChapa = playful tortoise that incarnation. mahA potrin = gigantic wild boar yadR^icChA hare = Spontaneously, lion Lord's incarnations have been rakShA vAmana = protecting vAmana enumerated as ten by AzhvAr-s. He roSha rAma = indignant rAma appeared as a 1. Fish in his first karuNA kAkutstha = rAma, of the mercy avatAra, 2. Tortoise to have fun 3. and kindness filled kAkustha clan Huge wild boar 4. nR^isimha helA halin = plough-wielder (man-lion form) when no one krIDA vallava = executor of impossible (including Himself) expected. 5. tasks vAmana, whose only objective is to kalka vAhana dashA kalkin = kalki protect (rakShA) those who perumAn, who is going to ride on a surrender to Him. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
What You Will Learn Core Competencies
Yoga Teacher Training Outcomes Yoga Alliance requires all Registered Yoga Schools to spend hours on specific core competencies. Here’s what that looks like in our teacher training program. Techniques, Training, Practice Asana You’ll learn 80+ basic yoga postures and variations of the Hatha Yoga tradition with an emphasis on the vinyasa style of practicing. Pranayama and Subtle Body You will learn breathing techniques, including energy regulation and how subtle energies influence your overall physiology. Learn how breathing is a whole body experience via the major systems: musculoskeletal, cardiovascular, and respiratory systems, and less-often emphasized fluid, facia, organs, and glandular systems of the body. Taking an embodied approach, we use basic human development and embryology as models for class development. With an emphasis on experiential teaching, learn how to effectively guide students through their experience as a sensory exploration. Meditation-We’ll discuss historical and foundational elements of meditation and mudra as understood through the 8 limbs of yoga and the yoga sutras. We’ll explore how basic meditation techniques and modern approaches of mindfulness and neuroscience intersect. The Radiance Sutras translation of the Vijnana Bhairva Tantra will be our practice guide for meditation and mantra. Anatomy and Physiology Anatomy, Physiology and Biomechanics in yoga Utilizing an online anatomy course, gain the foundation for understanding anatomy, physiology, and biomechanics as it relates to yoga. We will take these concepts into the classroom for hands-on inquiry of how and why yoga postures feel the way they do in the body. Look closely at the anatomical principles that will help you feel postures from the inside out, visualizing muscles, bones, connective tissues and organs at work. -
Modern-Baby-Names.Pdf
All about the best things on Hindu Names. BABY NAMES 2016 INDIAN HINDU BABY NAMES Share on Teweet on FACEBOOK TWITTER www.indianhindubaby.com Indian Hindu Baby Names 2016 www.indianhindubaby.com Table of Contents Baby boy names starting with A ............................................................................................................................... 4 Baby boy names starting with B ............................................................................................................................. 10 Baby boy names starting with C ............................................................................................................................. 12 Baby boy names starting with D ............................................................................................................................. 14 Baby boy names starting with E ............................................................................................................................. 18 Baby boy names starting with F .............................................................................................................................. 19 Baby boy names starting with G ............................................................................................................................. 19 Baby boy names starting with H ............................................................................................................................. 22 Baby boy names starting with I .............................................................................................................................. -
Evolution of Sarasvati in Sanskrit Literature
EVOLUTION OF SARASVATI IN SANSKRIT LITERATURE ABSTRACT SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN SANSKRIT BY MOHD. iSRAIL KHAN UNDER THE SUPERVISDN OF Dr. R. S. TRIPATHI PROF. & HEAD OF THE DEPARTMENT OF SANSKRIT ALTGARH MUSLIM UNIVERSITY A L I G A R H FACULTY OF ARTS ALIGARH MUSLIM UNIVERSITY ALIGARH 1969 ABSTRACT The Hindu mythology is predominontly polytheistic. Gods are numerous and each god or goddess shows very often mutually irreconcilable traits within him or her. This is equally true of Sarasvati, too. She is one of female deities of the Rgvedic times. She has got many peculiarities of her own resulting in complexity of her various conceptions through the ages. In the Rgvedic pantheon, among female deities, Usas, the daughter of the heaven is (divo duhita)/given an exalted place and has been highly extolled as a symbol of poetic beauty. Sarasvati comes next to her in comparison to other Rgvedic goddesses. But in the later period, Usas has lost her superiority and Sarasvati has excelled her. The superiority of Sarasvati is also obvious from another instance. In the Vedic pantheon, many ideitiet s arose and later on merged into others. If any one of them survived,/was mostly in an sterio- typed form. But with Sarasvati, there has been a gradual process of change and development. In her earliest stage, she was a spacious stream having rythmic flow and congenial waters. It was, therefore, but natural that it arrested the attention of seers dwelling along with its banks. They showed their heart-felt reverence to her. -
Gita : Chapter 3 – Verse 5
Chapter 18 INDEX S. No. Title Page No. XIX Chapter 18 1. Summary 1 2. Verse 1 2 3. Verse 2 6 4. Verse 3 11 5. Verse 4 14 6. Verse 5 17 7. Verse 6 19 8. Verse 7 21 9. Verse 8 22 10. Verse 9 24 11. Verse 10 26 12. Verse 11 28 13. Verse 12 30 S. No. Title Page No. 14. Verse 13 32 15. Verse 14 35 16. Verse 15 39 17. Verse 16 41 18. Verse 17 45 19. Verse 18 49 20. Verse 19 52 21. Verse 20 54 22. Verse 21 57 23. Verse 22 59 24. Verse 23 61 25. Verse 24 64 26. Verse 25 66 27. Verse 26 68 28. Verse 27 72 S. No. Title Page No. 29. Verse 28 75 30. Verse 29 78 31. Verse 30 81 32. Verse 31 86 33. Verse 32 90 34. Verse 33 93 35. Verse 34 95 36. Verse 35 98 37. Verse 36 100 38. Verse 37 102 39. Verse 38 105 40. Verse 39 108 41. Verse 40 111 42. Verse 41 114 43. Verse 42 117 S. No. Title Page No. 44. Verse 43 120 45. Verse 44 123 46. Verse 45 126 47. Verse 46 129 48. Verse 47 134 49. Verse 48 138 50. Verse 49 141 51. Verse 50 144 52. Verse 51 147 53. Verse 52 152 54. Verse 53 155 55. Verse 54 159 56. Verse 55 162 57. Verse 56 165 58. Verse 57 167 S. No. Title Page No.