Index to Academy Oral Histories Saul Bass

Saul Bass (Graphic designer, Filmmaker) Call number: OH158 ad campaigns, 18-19, 20, 26, 28, 57-58, 64 AFTERNOON OF A FAUN (short), 24 Aldrich, Robert, 40 Anger, Kenneth, 39 Art Directors Club (New York), 17 Art Students League (New York), 14 Artkino Theatre (New York), 23 Astaire, Fred, 25 ATTACK!, 40 Bass, Aaron (father), 13 Bass, Elaine Makatura (wife), 74-76 Bass, Pauline Feldman (mother), 18, 21 Bass, Sylvia (sister), 13 THE BATTLE OF SAN PIETRO (short), 51 BATTLESHIP POTEMKIN, 23 Bauhaus, 38-40 Baur, Harry, 23-24 Bayer, Herbert, 38-39 Bessarabia, 13 THE BIG KNIFE, 55 THE BIG SKY, 59 Binder, Joseph, 51 The Blaine Thompson Agency, 21, 26-27, 39 Bosch, Hieronymous, 68 Bradbury, Ray, 74-76 Brando, Marlon, 30 Bronston, Samuel, 73 Bronx (New York), 13, 17 Brooklyn College, 16-17 Buchanan and Company, 26-27, 58, 61-62 Burtin, Will, 39 CASINO, 68 CHAMPION, 26, 30-31, 39, 53-54 Chaplin, Charles, 35-36 A CHILD IS WAITING, 65 children's books, 46 Civilian Conservation Corps (CCC), 21 Clark, Ramsey, 58, 65 Cocteau, Jean, 39 Collins, Richard, 72-73 constructivism, 38, 40-41 Container Corporation of America, 44 Cooper, Gary, 57 Crotona Park (New York), 13 CYRANO DE BERGERAC (1950), 53-54, 65 Da Vinci, Leonardo, 22 Dante Alighieri, 72 DEATH OF A SALESMAN (1951), 48, 54-56 DECISION BEFORE DAWN, 41 THE DEFIANT ONES, 39, 41 The Deluge, (painting), 22 Deren, Maya, 39 Doesberg, Theo von, 39 Domergue, Faith, 33, 59 Douglas, Kirk, 30-31 Dovzhenko, Alesandr, 22 drawing, 15 Eady Plan, 45 EARTH (1930), 22 Enterprise Productions, 52-53 expressionist films, 23-24 FAHRENHEIT 451, 74-75 THE FALL OF THE HOUSE OF USHER (1928), 39 FELLINI ROMA, 48-49 Fifth Amendment (U.S. Constitution), 66 55th Street Playhouse (New York), 23 Foote, Cone and Belding, 27, 58, 60-63 Foreman, Carl, 30, 65 THE FOUR POSTER, 65 Freberg, Stan, 42-44 Fregonese, Hugo, 57 Gaines, Abram, 52 Gavlick, Tony, 37 George Braziller, Inc., 22 Glass, George, 30, 39, 65 THE GOLEM, 23-24 Gossage, Howard, 42 Gottlieb, Alex, 58, 65 Grable, Betty, 20 THE HAPPY TIME, 57, 65 Hayden, Sterling, 66 Henri's Walk to Paris (book), 45 Henrion, Henri Kay, 52 Hertz, John D. Jr., 27-29, 32, 62 HIGH NOON, 39, 54, 57, 65 HOME OF THE BRAVE (1949), 30, 39, 53-54, 65 HOT BLOOD, 60 House Un-American Activities Committee (HUAC), 66 Hughes, Howard, 27, 33, 58-63 THE HUMAN FACTOR (1979), 48 Huston, John, 51 The Inferno (poem), 72 International Speedway Corporation, 42 INVITATION TO A GUNFIGHTER, 65 IT'S A MAD, MAD, MAD, MAD WORLD, 65 Jarrico, Paul, 72-73 JET PILOT, 59, 63 Kauffer, Edward McKnight, 52 Kelly, Gene, 25 Kepes, György, 15-16, 20-22, 31, 39 KLH Audio Systems, 43 Konica Minolta, 43 Kramer, Stanley, 26, 30, 39, 52-54, 56, 61, 65, 68 LA MER (short), 24 Language of Vision (book), 16, 22, 31 Le Corbusier, 49 Leigh, Janet, 59 Life (magazine), 27-28, 30-31, 54 Lightcraft of California, 42, 65 Lissitzky, El, 38, 40 Lloyd, Harold, 33 Look (magazine), 27, 31 LOVE IN THE AFTERNOON, 48 Malevich, Kazimir, 38 Man Ray, 39, 44 THE MASK OF DIMITRIOS, 37 Matter, Herbert, 39 Maxwell, Marilyn, 31 McCarthyism, 65 THE MEMBER OF THE WEDDING, 65 THE MEN, 39, 53-54, 65 THE MESHES OF THE AFTERNOON (short), 39 METROPOLIS, 24 Metro-Goldwyn-Mayer (MGM), 24-25, 38 Mill, John Stuart, 44 Milton, John, 74 THE MIRACLE OF MORGAN'S CREEK, 32 Moholy-Nagy, László, 38 Mondrian, Piet, 16, 38, 49 MONSIEUR VERDOUX, 35-36 montage, 21-25 THE MOON IS BLUE, 70 Morganstern, Joe, 70 MOTHER (1926), 23 Motion Picture Association of America (MPAA), 70 MY SIX CONVICTS, 57 Nagler and Nagler, 14 National Committee for a Sane Nuclear Policy (SANE), 44 Negulesco, John, 37 New York World's Fair (1939), 44 THE NIGHT OF THE HUNTER, 41 NIGHT OF STARS, 41 NO WAY OUT (1950), 40, 56 Norma pencil, 33 NOT AS A STRANGER, 39 Office of War Information (OWI), 51 Pabco Paints, 42 painters and paintings, 14-16, 22, 68 Palance, Jack, 40-41, 55 Panaview Door and Window Copany, 42, 65 Pantages Theatre (Los Angeles), 61 Paradise Lost (poem), 72, 75 Paramount Pictures, 14, 26, 45-46 Parkchester (Bronx, New York), 17 PHASE IV (1974), 45-46, 66 Picasso, Pablo, 15 PIN UP GIRL, 20 Players Restaurant (Los Angeles), 32-33 pornography, 67 posters, 40, 41, 46-56 "Posters for Defense"• (booklet), 52 Preminger, Otto, 70 PRESSURE POINT (1962), 65 Production code, 70 Pudovkin, Vsevlod, 23 QUEST (short), 74-76 RASHOMON, 75 RETURN TO PARADISE (1953), 40 RKO Radio Pictures, 27, 33, 58-62 Robson, Mark, 54 Rose Marie Reed (swimwear company), 44 Rosenfield, Jonas, 20 Russell, Jane, 59-60 The Saturday Evening Post (magazine), 27-28, 42 THE SAVAGE EYE, 41 Scorsese, Martin, 68 Screen Plays Inc., 30, 52 Shawn, Ben, 43 Shell Oil Company, 43 THE SHRIKE, 55 THE SIN OF HAROLD DIDDLEBOCK, 32 Sinatra, Frank, 40 THE SNIPER (1952), 56, 65, 68 SO THIS IS NEW YORK, 30, 39, 53 SOMETHING WICKED THIS WAY COMES (1972), 75 spatial dynamics and imagery, 14, 16-17, 31 Stoumen, Louis, 41 Sturges, Preston, 32-34 THAT'S ENTERTAINMENT, PART II, 25 Thomas, J. Parnell, 66 Tiepolo, Giovanni, 14-15 trade ads, 19-20, 26, 36-37, 39-40 Trafton, Howard, 14-16 Truffaut, François, 74-75 Twentieth Century-Fox, 20, 26, 39 UFA Studios (Germany), 25 United Artists, 18-19, 53, 58, 70 Variety (trade publication), 25, 37 VENDETTA, 33, 59 violence in films, 67-68 Vorkapich, Slavko, 24-25 Wald, Jerry, 62-63 Warner Bros., 19-21, 26, 36-37 Westinghouse Electric Corporation, 43 Wilde, Cornel, 60 Zinnemann, Fred, 30, 39, 54