Video Ing:Maquetación 3.Qxd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
County Theater ART HOUSE
A NONPROFIT County Theater ART HOUSE Previews108C JUNE – SEPTEMBER 2019 Gordon MacRae and Shirley Jones in Rodgers & Hammerstein’s OKLAHOMA! & Hammerstein’s in Rodgers Gordon MacRae and Shirley Jones INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS C OUNTYT HEATER.ORG 215 345 6789 Welcome to the nonprofit County Theater The County Theater is a nonprofit, tax-exempt 501(c)(3) organization. Policies ADMISSION Children under 6 – Children under age 6 will not be admitted to our films or programs unless specifically indicated. General ............................................................$11.25 Late Arrivals – The Theater reserves the right to stop selling Members ...........................................................$6.75 tickets (and/or seating patrons) 10 minutes after a film has Seniors (62+) & Students ..................................$9.00 started. Matinees Outside Food and Drink – Patrons are not permitted to bring Mon, Tues, Thurs & Fri before 4:30 outside food and drink into the theater. Sat & Sun before 2:30 .....................................$9.00 Wed Early Matinee before 2:30 ........................$8.00 Accessibility & Hearing Assistance – The County Theater has wheelchair-accessible auditoriums and restrooms, and is Affiliated Theater Members* ...............................$6.75 equipped with hearing enhancement headsets and closed cap- You must present your membership card to obtain membership discounts. tion devices. (Please inquire at the concession stand.) The above ticket prices are subject to change. Parking Check our website for parking information. THANK YOU MEMBERS! Your membership is the foundation of the theater’s success. Without your membership support, we would not exist. Thank you for being a member. Contact us with your feedback How can you support or questions at 215 348 1878 x115 or email us at COUNTY THEATER the County Theater? MEMBER [email protected]. -
Film Noir - Danger, Darkness and Dames
Online Course: Film Noir - Danger, Darkness and Dames WRITTEN BY CHRIS GARCIA Welcome to Film Noir: Danger, Darkness and Dames! This online course was written by Chris Garcia, an Austin American-Statesman Film Critic. The course was originally offered through Barnes & Noble's online education program and is now available on The Midnight Palace with permission. There are a few ways to get the most out of this class. We certainly recommend registering on our message boards if you aren't currently a member. This will allow you to discuss Film Noir with the other members; we have a category specifically dedicated to noir. Secondly, we also recommend that you purchase the following books. They will serve as a companion to the knowledge offered in this course. You can click each cover to purchase directly. Both of these books are very well written and provide incredible insight in to Film Noir, its many faces, themes and undertones. This course is structured in a way that makes it easy for students to follow along and pick up where they leave off. There are a total of FIVE lessons. Each lesson contains lectures, summaries and an assignment. Note: this course is not graded. The sole purpose is to give students a greater understanding of Dark City, or, Film Noir to the novice gumshoe. Having said that, the assignments are optional but highly recommended. The most important thing is to have fun! Enjoy the course! Jump to a Lesson: Lesson 1, Lesson 2, Lesson 3, Lesson 4, Lesson 5 Lesson 1: The Seeds of Film Noir, and What Noir Means Social and artistic developments forged a new genre. -
Member Calendar MAR
Member Calendar MAR APR Mar–Apr 2019 “I never get over wondering at your prodigiousness,” MoMA founding director Alfred H. Barr Jr. mused admiringly to Lincoln Kirstein in 1945. Indeed, the extent of Kirstein’s influence on American culture in the 1930s and ’40s is hard to overstate. Best known for having cofounded, with the Russian choreographer George Balanchine, the School of American Ballet and the New York City Ballet, Kirstein was also a key figure in MoMA’s early history. Organizing exhibitions, writing catalogue essays, donating works to the Museum, and making acquisitions on its behalf, Kirstein championed a vision of modernism that favored figuration over abstraction and argued for an interdisciplinary marriage between the arts. Lincoln Kirstein’s Modern (Member Previews start March 13) invites you to rediscover rich areas of MoMA’s collection through the eyes of this impresario and tastemaker. The nearly 300 works on view include set and costume designs for the ballet; photography that explores American themes; sculpture that finds inspiration in folk art and classicism; finely rendered realist and magic-realist paintings; and the Latin American works that Kirstein purchased for the Museum in 1942. Some of these works might be old favorites, while others may represent new discoveries. The same is true for the Museum’s wide-ranging offerings this spring: the objects in The Value of Good Design may be things you use in your daily life; the paintings in Joan Miró: The Birth of the World may be familiar friends; while the recent acquisitions in New Order: Art and Technology in the Twenty-First Century have mostly not been seen before. -
Thequadrangletimes FEBRUARY 2015 ISSUE Written and Produced by Quadrangle Residents
TheQuadrangleTimes FEBRUARY 2015 ISSUE Written and Produced by Quadrangle Residents OUR FOURTH ANNUAL OBSERVANCE OF MARTIN LUTHER KING JR. DAY THE CALVARY BAPTIST CHURCH CHOIR AND THE AMW MUSIC GROUP PRESENTED MUSICAL ENTERTAINMENT, AND THE QUADRANGLE AUDIENCE JOINED IN FOR A SPIRITED FINALE, SINGING, “WE SHALL OVERCOME.” NEW RESIDENTS . WELCOME NEW RESIDENT LINDA COHEN Linda grew up in Brooklyn and graduated from Brooklyn College, where she majored in English. She married after college, and as her husband completed graduate work in different cities she attended college programs that interested her. When Linda and her husband lived in Providence, Rhode Island, she completed a master’s degree in teaching at Rhode Island College. Many years later when they lived in Lower Merion, she earned a second master’s degree in library science at Villanova University. For 15 years Linda worked as the librarian in the lower school of Episcopal Academy. She expanded the library’s role to function as a class with projects and report card grades. She developed assembly programs, bringing authors to talk about their books. Many years ago one of Linda’s daughters had a pen pal in Norway. By the time she finished college this friendship had blossomed into marriage. The couple lives south of Oslo, and over the years Linda has made 34 trips there to visit with them and her two grandchildren. Linda has another daughter and one grandchild who live in a Philadelphia suburb. For exercise Linda swims every morning for an hour and water walks for another hour. She has always enjoyed reading. -
Towards a Comparative Montage of the Female Portrait
Gonzalo de Lucas Translated by Alejandra Rosenberg TOWARDS A COMPARATIVE MONTAGE OF THE FEMALE PORTRAIT. THE THEATRE OF THE BODY: FICTIONAL TEARS AND REAL TEARS One of the many ways of approach- a more realistic image, thereby eroding ing film history—and probably one the distant, ideal image constructed in of the most neglected— is to examine the studio: a transition from an iconic how filmmakers portray actresses: the image to an indexical image, in which distances, relationships, and stories the effects of reality and the passing of which, behind the main plot, are cap- time on the body are made visible. In tured between the one filming and the the 1960s, filmmakers such as Bergman one being filmed. In cinema, unlike lit- or Cassavetes would take these signs to erature or painting, a character is not the absolute extreme, stripping the ac- only an imaginary being, but also a real tress of all but her condition as a per- person who inscribes his or her voice, son or a mask. gestures and gazes into the experience An actress usually portrays cry- of the film; this occurs “in the world ing as a fictitious and depersonalised and with the world, with real creatures dramatic moment of her private life. as raw material, before the intervention However, when modern filmmakers of language” (BERGALA, 2006: 8). transformed the cinematic forms of In this article, I will explore this the female portrait, in an effort to ex- work with corporeal matter, the signs pand the limits of everyday realism, inscribed as real presences, through they sought to make tears evoke or the tears of actresses in performances reveal something that belonged to the filmed by D. -
The Night of the Hunter: Noirish Or Film Noir?
The Night of the Hunter Noirish or film noir? Sigurd Enge A Thesis presented to the Department of Literature, Area Studies and European Languages, the University of Oslo, in Partial Fulfillment to the Requirements for the MA degree in North American Studies ENG4970 Masterspesialisering i engelsk, LAP Thesis advisor: Mark Luccarelli Autumn 2009 Table of Contents Introduction 3 Chapter 1: The Novel and the Film 6 A Short Synopsis of the Book 6 The Film as a Critical Text 7 The Film as Work of Art 11 Reception 13 Chapter 2: What Is Film Noir Anyway? 18 A Short Synopsis of the Film Noir Debate 20 The Noirish Aspects of the Night of the Hunter 25 The Malaise and Social Criticism of The Night of the Hunter 33 “A Faith Deformed” 35 Chapter 3: Further Analysis 44 The Stylistics of The Night of the Hunter 44 The Mixture of Expressionism and Realism in Hunter 53 Harry Powell – Urban psychopath, Frontiersman or Demon? 57 Conclusion 61 Bibliography 64 2 Introduction The first time I saw Charles Laughton’s The Night of the Hunter was at Riverside Studios in London in 2004. It was on a double bill with Jacques Tourneur’s acknowledged film noir classic Out of the Past, which I liked a lot more than Hunter. The latter seemed over acted and strange to me, and I found it much easier to enjoy a film about a private detective who was lured into violence and crime by a beautiful femme fatale. Out of the Past seemed more realistic and cooler, because it had people smoking cigarettes in dimly lit rooms and because it was full of banter with sexual innuendo. -
THE STANLEY KRAMER COLLECTION at UCLA FILM & TELEVISION ARCHIVE As of July 2013
THE STANLEY KRAMER COLLECTION at UCLA FILM & TELEVISION ARCHIVE as of July 2013 For more information, please e-mail the Archive Research & Study Center [ARSC] at [email protected] TITLE YEAR INV # FORMAT TYPE 1989 SIMON WIESENTHAL CENTER ANNUAL BANQUET 1989 M160341 1/2 IN. VHS VIDEOCASSETTE #2: TWELVE (12) ORIGINAL COMMENTARIES SENT TO US BY KRAMER IN 1977 M159949 1/4 IN. AUDIO REEL EARLY OCTOBER 34TH ANNUAL ACADEMY AWARDS SHOW: STANLEY KRAMER RECEIVING M160350 1/2 IN. BETACAM SP THE THALBERG AWARD #4: TWO (2) ADDITIONAL COMMENTARIES RECEIVED BY NORMAN 1977 M160250 1/4 IN. AUDIO REEL GLADNEY ON DECEMBER 5, 1977 5,000 FINGERS OF DR. T. 1953 M14494 16 SAFETY 5000 FINGERS OF DR. T -- CLIP REEL M160356 1/2 IN. BETACAM SP A.M. AMERICA: LT. CALLEY SEGMENT, STANLEY KRAMER 1/8/1975 M159434 3/4 IN. VIDEOCASSETTE ABC LATE NIGHT: THE COMEDIANS 1974 M159426 3/4 IN. VIDEOCASSETTE AMERICAN MASTERS -- SIDNEY POITER: ONE BRIGHT LIGHT M160331 1/2 IN. VHS VIDEOCASSETTE BIRTHDAY SEGMENT: CNN 9/29/2000, SHOWBIZ TODAY, KCBS 2000 M160334 1/2 IN. VHS VIDEOCASSETTE ENTERTAINMENT TONIGHT BLESS THE BEASTS AND CHILDREN 1971 M6544 16 SAFETY BLESS THE BEASTS AND CHILDREN 1971 M6544 16 SAFETY BLESS THE BEASTS AND CHILDREN 1971 M19442 35 SAFETY [BLESS THE BEASTS AND CHILDREN -- EXCERPTS]. 1971 M14716 16 SAFETY [BLESS THE BEASTS AND CHILDREN -- TRAILER. TEASER NO. 2]. 1971 M48224 35 SAFETY CAINE MUTINY 1954 M6276 16 SAFETY CAMERA 4 REPORTS. STANLEY KRAMER, THE MOVIES, AND B.Y.U. 1972 T7412 2 IN. VIDEOREEL CARY GRANT: THE LEADING MAN M160347 1/2 IN. -
Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This
Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career. -
Film Stars Don't Die in Liverpool
FILM STARS DON'T DIE IN LIVERPOOL Written by Matt Greenhalgh 1. 1 INT. LEADING LADY’S DRESSING ROOM - NIGHT 1 Snug and serene. An illuminated vanity mirror takes centre stage emanating a welcoming glamorous glow. A SERIES OF C/UP’s: A TDK AUDIO TAPE inserted into a slim SONY CASSETTE PLAYER immediately placing us in the late 70’s/early 80’s. A CHIPPED VARNISHED FINGER NAIL presses play.. ‘Song For Guy’ by Elton John (Gloria’s favourite track) drifts in... OUR LEADING LADY sits in the dresser. Find her through shards of focus and reflections as she transforms.. warming her vocal chords as she goes: GLORIA (O.C.) ‘La Poo Boo Moo..’ Eye-line pencil; cherry-red lipstick; ‘Saks of Fifth Avenue’ COMPACT MIRROR, intricately engraved with “Love Bogie ’In A Lonely Place’ 1950”; Elnett hair laquer; Chanel perfume. A larger BROKEN HAND-MIRROR. A GOLDEN LOVE HEART PENDANT (opens with a sychronised tune). All Gloria’s ‘tools’ procured from a TATTY GREEN WASH-BAG, a trusted witness to her ‘process’ probably a thousand times or more. GLORIA (O.C.) (CONT’D) ‘Major Mickey’s Malt Makes Me Merry.’ Costume: Peek at pale flesh and slim limbs as she climbs into a black, pleated wrap around dress with a plunging neckline; black stockings and princess slippers.. the dress hangs loose, too loose.. the belt tightened as far as it can go. A KNOCK ON THE DOOR STAGE MANANGER (V.O.) Five minutes Miss Grahame. GLORIA (O.C.) Thanks honey. Gloria’s tongue CLUCKS the roof of her mouth in approval, it’s one of her things. -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
Click Here to Download The
$10 OFF $10 OFF WELLNESS MEMBERSHIP MICROCHIP New Clients Only All locations Must present coupon. Offers cannot be combined. Must present coupon. Offers cannot be combined. Expires 3/31/2020 Expires 3/31/2020 Free First Office Exams FREE EXAM Extended Hours Complete Physical Exam Included New Clients Only Multiple Locations Must present coupon. Offers cannot be combined. www.forevervets.com Expires 3/31/2020 4 x 2” ad Your Community Voice for 50 Years Your Community Voice for 50 Years RRecorPONTEPONTE VED VEDRARAdderer entertainmentEEXTRATRA!! Featuringentertainment TV listings, streaming information, sports schedules,X puzzles and more! has a new home at Here she comes, April 9 - 15, 2020 THE LINKS! 1361 S. 13th Ave., Ste. 140 ‘Mrs. America,’ Jacksonville Beach Ask about our Offering: 1/2 OFF in Cate Blanchett- · Hydrafacials All Services · RF Microneedling starring · Body Contouring · B12 Complex / Lipolean Injections FX on Hulu series · Botox & Fillers · Medical Weight Loss Cate Blanchett stars in VIRTUAL CONSULTATIONS “Mrs. America,” premiering Get Skinny with it! Wednesday on FX on Hulu. (904) 999-0977 www.SkinnyJax.com1 x 5” ad Now is a great time to It will provide your home: Kathleen Floryan List Your Home for Sale • Complimentary coverage while REALTOR® Broker Associate the home is listed • An edge in the local market LIST IT because buyers prefer to purchase a home that a seller stands behind • Reduced post-sale liability with WITH ME! ListSecure® I will provide you a FREE America’s Preferred 904-687-5146 Home Warranty for [email protected] your home when we put www.kathleenfloryan.com it on the market. -
Hollywood Studio Magazine (October 1972)
Collectors - Hobbyists cHollyw6od see pg.40 Coke Freaks 60 CENTS TV Actor collects Magazine OCTOBER 1972 rare books Clark Gable and the $50,000 punch in the mouth Gloria Graham-the best of the bad girls Wynne Gibson & Jack Oakie today The little Tramp and the Kid The Rolex. Daytona Isn’t For Timing 3-Minute Eggs so hot you see 'em sizzle! The Rolex daytona BUY NOW . Chronograph is for PRIlF LIMITED QUANTITY % pinning down your time to ROLEX a fifth of a second. It has second, minute and hour stop recorders as well asa BLAST! small continuous second DIAGONAL EQ405W hand and tachometer engraving on the bezel. “IQ" Color And beside all this its a 10 Portable regulär wristwatch for telling the time of day with only the precision Rolex can. The Daytona Chronograph: 14 kt gold case, 17 jewel move¬ ment, black/gold or gold/black dial combination with strap, $495.00. With matching bracelet, $690.00 LOWE ST PRICE EVER JEWELRY APPRAISING and ESTATE PURCHASES ALSOPRE-OWNED Appraisals made at your home by appointment. RCA COLOR TV... $95 Sales & Service Bank of America Easy Financing 4257 LANKERSHIM BLVD., NO. HOLLYWOOD Berggren cJewelers 763-9431 877-4692 Famous Jeweiers in the Valley for thirty-nine years. No. 25 Fashion Square, Sherman Oaks 788-4014, LA-872-2406 DON RAY MEMBER AMERICAN GEM SOCIETY AND APPLIANCES CREATIVE CUSTOM DESIGNING in our owri shops • certified gernologists 22 years at same location INE NEED cTVlagaziqe HELP! OCTOBER 1972 VOLUME 7 NO. 6 Experienced Advertising ON THE COVER REMEMBER WHEN? A casual shot of Clark Gable and Carol Salesman Lombard, super-stars who will long be remembered.