Thequadrangletimes FEBRUARY 2015 ISSUE Written and Produced by Quadrangle Residents
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School Calendars (18-19)
Date Schools::School Name Remarks Time Comments 12/07/2018 ACADEMY OF NOTRE DAMEEARLY DISMISSAL 12:00:00 12/24/2018 ACADEMY OF NOTRE DAMECLOSED 12/25/2018 ACADEMY OF NOTRE DAMECLOSED 12/26/2018 ACADEMY OF NOTRE DAMECLOSED 12/27/2018 ACADEMY OF NOTRE DAMECLOSED 12/28/2018 ACADEMY OF NOTRE DAMECLOSED 12/31/2018 ACADEMY OF NOTRE DAMECLOSED 01/01/2019 ACADEMY OF NOTRE DAMECLOSED 01/02/2019 ACADEMY OF NOTRE DAMECLOSED 01/03/2019 ACADEMY OF NOTRE DAMECLOSED 01/04/2019 ACADEMY OF NOTRE DAMECLOSED 01/18/2019 ACADEMY OF NOTRE DAMEEARLY DISMISSAL 12:00:00 02/18/2019 ACADEMY OF NOTRE DAMECLOSED 03/11/2019 ACADEMY OF NOTRE DAMECLOSED 04/15/2019 ACADEMY OF NOTRE DAMECLOSED 04/16/2019 ACADEMY OF NOTRE DAMECLOSED 04/17/2019 ACADEMY OF NOTRE DAMECLOSED 04/18/2019 ACADEMY OF NOTRE DAMECLOSED 04/19/2019 ACADEMY OF NOTRE DAMECLOSED 04/22/2019 ACADEMY OF NOTRE DAMECLOSED 04/23/2019 ACADEMY OF NOTRE DAMECLOSED 04/24/2019 ACADEMY OF NOTRE DAMECLOSED 05/20/2019 ACADEMY OF NOTRE DAMECLOSED 05/21/2019 ACADEMY OF NOTRE DAMEEARLY DISMISSAL 12:00:00 05/22/2019 ACADEMY OF NOTRE DAMEEARLY DISMISSAL 12:00:00 05/23/2019 ACADEMY OF NOTRE DAMEEARLY DISMISSAL 12:00:00 05/27/2019 ACADEMY OF NOTRE DAMECLOSED 05/29/2019 ACADEMY OF NOTRE DAMEEARLY DISMISSAL 12:00:00 05/29/2019 ACADEMY OF NOTRE DAMELAST DAY 12/21/2018 AGNES IRWIN EARLY DISMISSAL 12:00:00 12/24/2018 AGNES IRWIN CLOSED 12/25/2018 AGNES IRWIN CLOSED 12/26/2018 AGNES IRWIN CLOSED 12/27/2018 AGNES IRWIN CLOSED 12/28/2018 AGNES IRWIN CLOSED 12/31/2018 AGNES IRWIN CLOSED 01/01/2019 AGNES IRWIN CLOSED 01/02/2019 AGNES -
County Theater ART HOUSE
A NONPROFIT County Theater ART HOUSE Previews108C JUNE – SEPTEMBER 2019 Gordon MacRae and Shirley Jones in Rodgers & Hammerstein’s OKLAHOMA! & Hammerstein’s in Rodgers Gordon MacRae and Shirley Jones INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS C OUNTYT HEATER.ORG 215 345 6789 Welcome to the nonprofit County Theater The County Theater is a nonprofit, tax-exempt 501(c)(3) organization. Policies ADMISSION Children under 6 – Children under age 6 will not be admitted to our films or programs unless specifically indicated. General ............................................................$11.25 Late Arrivals – The Theater reserves the right to stop selling Members ...........................................................$6.75 tickets (and/or seating patrons) 10 minutes after a film has Seniors (62+) & Students ..................................$9.00 started. Matinees Outside Food and Drink – Patrons are not permitted to bring Mon, Tues, Thurs & Fri before 4:30 outside food and drink into the theater. Sat & Sun before 2:30 .....................................$9.00 Wed Early Matinee before 2:30 ........................$8.00 Accessibility & Hearing Assistance – The County Theater has wheelchair-accessible auditoriums and restrooms, and is Affiliated Theater Members* ...............................$6.75 equipped with hearing enhancement headsets and closed cap- You must present your membership card to obtain membership discounts. tion devices. (Please inquire at the concession stand.) The above ticket prices are subject to change. Parking Check our website for parking information. THANK YOU MEMBERS! Your membership is the foundation of the theater’s success. Without your membership support, we would not exist. Thank you for being a member. Contact us with your feedback How can you support or questions at 215 348 1878 x115 or email us at COUNTY THEATER the County Theater? MEMBER [email protected]. -
Premios De Oro – Level 3 2008 National Spanish Examination
Students who earned Premios de Oro – Level 3 2008 National Spanish Examination NOTE: The information in the columns below was extracted from the student information section which the students completed at the beginning of the National Spanish Examination. Consequently, NSE is unable to correct any errors in spelling or capitalization. FIRST LAST SCHOOL TEACHER 001 – Alabama James Barclay The Altamont School Leonard Rebecca Barr Indian Springs School Mange Stuart Bartmess Florence High School Perez Karen Baylon Homewood High School Parker Kevin Byrne Randolph School Delgado Juan Campos John Carroll Catholic High School Wickersham Kelly DeGuenther Mountain Brook High School Wint Laura Ezell Mountain Brook High School Wint Elizabeth Fix Mountain Brook High School Wint Tyler Goodwyn Mountain Brook High School Wint Sarah Hansen Mountain Brook High School Wint Samantha King Saparkman High Madison Madeline Morgan Mountain Brook High School Wint Catherine Prater Mountain Brook High School Wint Clay Riley Alabama School of Math and Science O'Farrill Carson Scott Mountain Brook High School Wint Allison Weaver Mountain Brook High School Wint Margaret Weaver Mountain Brook High School Wint David Yampolsky Alabama School of Mathematics and Science O'Farrill Mary Zeigler Mountain Brook High School Wint 002 – Arizona Ahmad Abdul-Quadir McClintock HS Zinke Jesus Aponte Brophy College Preparatory Garner Robert Carmody McClintock HS Zinke Matthew Carney McClintock HS Zinke Maggie Chung McClintock HS Zinke Kevin Coltin Brophy College Prep Garner Jessica -
Participating School List 2018-2019
School Name School City School State Abington Senior High School Abington PA Academy of Information Technology & Eng. Stamford CT Academy of Notre Dame de Namur Villanova PA Academy of the Holy Angels Demarest NJ Acton-Boxborough Regional High School Acton MA Advanced Math and Science Academy Marlborough MA Agawam High School Agawam MA Allendale Columbia School Rochester NY Alpharetta High School Alpharetta GA American International School A-1090 Vienna American Overseas School of Rome Rome Italy Amesbury High School Amesbury MA Amity Regional High School Woodbridge CT Antilles School St. Thomas VI Arcadia High School Arcadia CA Arcata High School Arcata CA Arlington Catholic High School Arlington MA Austin Preparatory School Reading MA Avon Old Farms Avon CT Baldwin Senior High School Baldwin NY Barnstable High School Hyannis MA Barnstable High School Hyannis MA Barrington High School Barrington RI Barron Collier High School Naples FL BASIS Scottsdale Scottsdale AZ Baxter Academy of Technology & Science Portland ME Bay Village High School Bay Village OH Bedford High School Bedford NH Bedford High School Bedford MA Belen Jesuit Preparatory School Miami FL Berkeley High School Berkeley CA Berkshire School Sheffield MA Bethel Park Senior High Bethel Park PA Bishop Brady High School Concord NH Bishop Feehan High School Attleboro MA Bishop Fenwick High School Peabody MA Bishop Guertin High School Nashua NH Bishop Hendricken High School Warwick RI Bishop Seabury Academy Lawrence KS Bishop Stang High School North Dartmouth MA Blind Brook High -
Film Noir - Danger, Darkness and Dames
Online Course: Film Noir - Danger, Darkness and Dames WRITTEN BY CHRIS GARCIA Welcome to Film Noir: Danger, Darkness and Dames! This online course was written by Chris Garcia, an Austin American-Statesman Film Critic. The course was originally offered through Barnes & Noble's online education program and is now available on The Midnight Palace with permission. There are a few ways to get the most out of this class. We certainly recommend registering on our message boards if you aren't currently a member. This will allow you to discuss Film Noir with the other members; we have a category specifically dedicated to noir. Secondly, we also recommend that you purchase the following books. They will serve as a companion to the knowledge offered in this course. You can click each cover to purchase directly. Both of these books are very well written and provide incredible insight in to Film Noir, its many faces, themes and undertones. This course is structured in a way that makes it easy for students to follow along and pick up where they leave off. There are a total of FIVE lessons. Each lesson contains lectures, summaries and an assignment. Note: this course is not graded. The sole purpose is to give students a greater understanding of Dark City, or, Film Noir to the novice gumshoe. Having said that, the assignments are optional but highly recommended. The most important thing is to have fun! Enjoy the course! Jump to a Lesson: Lesson 1, Lesson 2, Lesson 3, Lesson 4, Lesson 5 Lesson 1: The Seeds of Film Noir, and What Noir Means Social and artistic developments forged a new genre. -
Member Calendar MAR
Member Calendar MAR APR Mar–Apr 2019 “I never get over wondering at your prodigiousness,” MoMA founding director Alfred H. Barr Jr. mused admiringly to Lincoln Kirstein in 1945. Indeed, the extent of Kirstein’s influence on American culture in the 1930s and ’40s is hard to overstate. Best known for having cofounded, with the Russian choreographer George Balanchine, the School of American Ballet and the New York City Ballet, Kirstein was also a key figure in MoMA’s early history. Organizing exhibitions, writing catalogue essays, donating works to the Museum, and making acquisitions on its behalf, Kirstein championed a vision of modernism that favored figuration over abstraction and argued for an interdisciplinary marriage between the arts. Lincoln Kirstein’s Modern (Member Previews start March 13) invites you to rediscover rich areas of MoMA’s collection through the eyes of this impresario and tastemaker. The nearly 300 works on view include set and costume designs for the ballet; photography that explores American themes; sculpture that finds inspiration in folk art and classicism; finely rendered realist and magic-realist paintings; and the Latin American works that Kirstein purchased for the Museum in 1942. Some of these works might be old favorites, while others may represent new discoveries. The same is true for the Museum’s wide-ranging offerings this spring: the objects in The Value of Good Design may be things you use in your daily life; the paintings in Joan Miró: The Birth of the World may be familiar friends; while the recent acquisitions in New Order: Art and Technology in the Twenty-First Century have mostly not been seen before. -
Towards a Comparative Montage of the Female Portrait
Gonzalo de Lucas Translated by Alejandra Rosenberg TOWARDS A COMPARATIVE MONTAGE OF THE FEMALE PORTRAIT. THE THEATRE OF THE BODY: FICTIONAL TEARS AND REAL TEARS One of the many ways of approach- a more realistic image, thereby eroding ing film history—and probably one the distant, ideal image constructed in of the most neglected— is to examine the studio: a transition from an iconic how filmmakers portray actresses: the image to an indexical image, in which distances, relationships, and stories the effects of reality and the passing of which, behind the main plot, are cap- time on the body are made visible. In tured between the one filming and the the 1960s, filmmakers such as Bergman one being filmed. In cinema, unlike lit- or Cassavetes would take these signs to erature or painting, a character is not the absolute extreme, stripping the ac- only an imaginary being, but also a real tress of all but her condition as a per- person who inscribes his or her voice, son or a mask. gestures and gazes into the experience An actress usually portrays cry- of the film; this occurs “in the world ing as a fictitious and depersonalised and with the world, with real creatures dramatic moment of her private life. as raw material, before the intervention However, when modern filmmakers of language” (BERGALA, 2006: 8). transformed the cinematic forms of In this article, I will explore this the female portrait, in an effort to ex- work with corporeal matter, the signs pand the limits of everyday realism, inscribed as real presences, through they sought to make tears evoke or the tears of actresses in performances reveal something that belonged to the filmed by D. -
Navigating the Maze of Philly's Private Schools
PRIVATE SCHOOLS FROM THE PUBLISHERS OF PHILADELPHIA MAGAZINE 20 19 PRIVATE SCHOOLS REGIONAL GUIDE PRIVATE SCHOOLS 101 WITH SUCH A WEALTH OF OPTIONS, however, it can be hard to NAVIGATING THE MAZE OF know where to begin. Whether you’re looking for an elemen- tary school that will provide more support to your struggling child or a high school with exciting opportunities for your PHILLY’S PRIVATE SCHOOLS young adult, here’s a helpful guide to the Philadelphia With small class sizes, impressive facilities and region’s private schools. All it takes to ensure the best possible tight-knit communities, the appeal of a private fi t for your child is a bit of research, some careful planning, school education is clear. and an open mind to the innumerable opportunities private schools can aff ord. PHILLYMAG.COM/PRIVATESCHOOLGUIDE 55 Sponsor Content / PRIVATE SCHOOL GUIDE 20 19 PRIVATE SCHOOLS REGIONAL GUIDE ADMISSIONS 101 Acing the Application The application process can be rigorous, but with THE SEARCH Beyond that, there are also single- some preparation and sex, coeducational, boarding and organization, you’ll be well day options. on your way to a brand-new CHOOSING THE CONSIDER YOUR CHILD’S GOALS. educational experience E Is your child a budding musi- for your child. Here are a RIGHT SCHOOL cian? Do they want to be the next few things to keep in mind Jane Goodall? Or are they aiming throughout the process: “Private” is an umbrella term that for an athletic scholarship down encompasses a broad range of the line? Diff erent private schools schools that are not administered put an emphasis on research STAY ON TOP OF DEADLINES. -
Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This
Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career. -
Film Stars Don't Die in Liverpool
FILM STARS DON'T DIE IN LIVERPOOL Written by Matt Greenhalgh 1. 1 INT. LEADING LADY’S DRESSING ROOM - NIGHT 1 Snug and serene. An illuminated vanity mirror takes centre stage emanating a welcoming glamorous glow. A SERIES OF C/UP’s: A TDK AUDIO TAPE inserted into a slim SONY CASSETTE PLAYER immediately placing us in the late 70’s/early 80’s. A CHIPPED VARNISHED FINGER NAIL presses play.. ‘Song For Guy’ by Elton John (Gloria’s favourite track) drifts in... OUR LEADING LADY sits in the dresser. Find her through shards of focus and reflections as she transforms.. warming her vocal chords as she goes: GLORIA (O.C.) ‘La Poo Boo Moo..’ Eye-line pencil; cherry-red lipstick; ‘Saks of Fifth Avenue’ COMPACT MIRROR, intricately engraved with “Love Bogie ’In A Lonely Place’ 1950”; Elnett hair laquer; Chanel perfume. A larger BROKEN HAND-MIRROR. A GOLDEN LOVE HEART PENDANT (opens with a sychronised tune). All Gloria’s ‘tools’ procured from a TATTY GREEN WASH-BAG, a trusted witness to her ‘process’ probably a thousand times or more. GLORIA (O.C.) (CONT’D) ‘Major Mickey’s Malt Makes Me Merry.’ Costume: Peek at pale flesh and slim limbs as she climbs into a black, pleated wrap around dress with a plunging neckline; black stockings and princess slippers.. the dress hangs loose, too loose.. the belt tightened as far as it can go. A KNOCK ON THE DOOR STAGE MANANGER (V.O.) Five minutes Miss Grahame. GLORIA (O.C.) Thanks honey. Gloria’s tongue CLUCKS the roof of her mouth in approval, it’s one of her things. -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
MAGAZINE President’Smessage
FALL/WINTERRosemont 2009 MAGAZINE president’smessage Dear Alumni and Friends, This fall semester at the College has been nothing short of amazing! We worked so hard throughout last year, our first year of the Operational Plan, to put into place our six goals of the Strategic Plan – all at the same time. What we took on was, frankly, monumental – last year alone we had eleven separate task forces working to assure that we will, in fact, do what we said we would do. So imagine the joy on campus as so many of our plans began to take shape, with incredible success. You will recall that one of our plans was to make most of our graduate and professional degrees available (as an option) fully online. For many of our adult students, taking classes online is not only convenient for their busy schedules with work and families, but it is also at times their preferred way to learn. I am very proud to tell you that we re-designed all of our courses to deliver the best online classes, invested in new technology, ran workshops for all faculty who teach online, and received the proper approvals from the Pennsylvania Department of Education and Middle States, our regional accreditor, all in less than one year! We launched both the MBA and the BS in business as programs that could be taken totally online last April, and in July we did the same for our Master of Science in Management . We have been pleased to note that, indeed, many of our adult students are taking more of their courses online, and are reporting that these courses are rigorous, but also exciting.