NEWSPAPER ISSN 0034-1622

Ztilea...," 1.1(12,Lic:c. SEPTEMBER 20, 1980 $2.

Stephanie Mills

A Saluteto to Teddy Pendergrass

SINGLES ALBUMS DONNA SUMMER, "THE WANDERER" STEVIE WONDER, "MASTER BLASTER THE B -52's, "WILD PLANET." The (prod. by Moroder-Bellotte) (JAMMIN')" (prod. by Wonder) idiosyncratic Georgia quintet's de- (G M PC / Sweet Summer Night, (writer: Wonder) (Jobete/Black but LP was an AOR and club sleep- ASCAP) (3:44). One of Summer's Bull, ASCAP) (4:49). Blending er that wouldn't stop selling, and most eclectic outings. She draws topical urban street themes with their second album indicates that from numerous influences to cre- reggae -pop rhythms, Wonder the relentless, dance - crazed ate a seductive rocker. Vocal creates a compelling single from rhythms haven't stopped either. In- quivers & keyboard vamps do the his forthcoming "Hotter Than cludes "Private Idaho." Warner job. Geffen 49563 (WB). July" LP. Tamla 54317 (Motown). Bros. BSK 3471 (7.98). SUPERTRAMP, "DREAMER" (prod. by KANSAS, "HOLD ON" (prod. by group) GARY NUMAN, "TELEKON." Numan Henderson -Pope) (writers: Da- (writer: Livgren) (Don Kirshner/ may not have been the first prac- vies -Hodgson) (Almo/Delicate, Blackwood, BMI) (3:45). From titioner of techno-pop, but his sim- ASCAP) (3:15). This live cut from the new "Audio -Visions" LP plified approach and lilting lyric the forthcoming double -LP set comes this ballad with a recur- patterns seem to be the most ideally is a to get cinch immediate pop ring surge of power at the hook. suited to pop radio formats, as indi- reaction. The cute vocals and Steve Walsh's dynamic vocals are cated by his top -ten breakthrough swirling, pulsating keyboards are for multi -format radio. Kirshner single, "Cars." This third LP is cru- contagious. A&M 2269. 9-4291 (CBS). cial. Atco 32-103 (8.98). EARTH, WIND & FIRE, "LET ME TALK" KIM CARNES, "CRY LIKE A BABY" MELISSA MANCHESTER, "FOR (prod. by White) (writers: White - (prod. by Tobin) (writers: Penn - THE WORKING GIRL." Produced White -Dunn -McKay -Johnson -Bai- Oldham) (Screen Gems -EMI , by Steve Buckingham (Dionne War- ley) (Saggifire/Verdangel/Cher- BMI) (3:05). Fasten your seat wick), Melissa has achieved a ma- ubim/Sir & Trini/Steelchest, belts for this rollicking ride on turity that will enhance her pop -A/C ASCAP) (3:45). This colorful col- Carnes' follow-up to her top 10 appeal. Includes a cover of "With- lage of a world in crisis uses a "More Love." The blonde bomb- out You" (Nilsson's hit) and lyrics sharp hook to make its convinc- shell lets sparks fly with her by Bernie Taupin on the title. Arista ing point. ARC/Col 1-11366. throaty vocal cries. EMI -A 8058. AL 9533 (8.98). BONNIE RAITT, "DON'T IT MAKE YA DAVID BOWIE, "ASHES TO ASHES" ELLEN SHIPLEY, "BREAKING WANNA DANCE" (prod. by Wind- o(prod. by Bowie-Visconti) (writer: THROUGH THE ICE AGE." On her ing) (writer: Wier) (Prophecy, Bowie) (Bewlay Bros./Fleur, BMI) second LP, Shipley's band Numbers ASCAP) (3:29). Here's another (3:35). Bowie's at his sci-fi finest plays with precision, and her vocals reason why the "Urban Cowboy" on this hypnotic dance -rocker soar to new heights. "Lost Without soundtrack is #1. Raitt's vocal is from the new "Scary Monsters" Your Love" brims with emotion down-home, the pedal steel LP. Synthesizer rings, a bass while "Heart To Heart" is a hook for cooks & the rhythm makes ya drone & deep harmony vocals single and album -oriented stations. wanna. Full Moon/Asylum 47033. are trance -like. RCA 12078. RCA AFL -1-3626 (7.98).

www.americanradiohistory.comAmericanRadioHistory.Com A NEW FLIGHT

rGUINN-HILLMAN Ìuï

se.

4.,

' 1 e t The McGUINN-HILLMAN Album was produced by Jerry Wexler & Barry Beckett.

Ce.ie"?e c 1980 CAPITOL RECORDS, INC , www.americanradiohistory.comAmericanRadioHistory.Com -11..41LL- L-1 UL/L1

SEPTEMBER 20, 1980 Two Major N.Y. Stations Change Formats: Tucker Found Guilty of Perjury Charges By JEFFREY PEISCH WRVR Goes Country, WXLO to Black -A/C NEW YORK-George Tucker, stem from false statements he By KEN SMIKLE who pled guilty to copyright made before a grand jury last NEW YORK - WRVR, this NEW YORK-WXLO-FM, which infringement and wire fraud December. When asked about his over a ago, was city's only commercial jazz sta- had been considered an adult year found relationship with Norton Verner, tion, made an unannounced contemporary station, instituted guilty by a jury last week (9) of who the government believes false declarations before a grand was a middleman switch to country music at noon a predominantly black -A/C for- between and justice. Tucker on Monday (8). mat last Monday (8). The change jury obstruction of and the Sam Goody re- The five-day trial took place in tail chain in a counterfeiting The entire staff of the station occurred the same day as WRVR's was notified of the change only switch in format from jazz to U.S. District Court, Eastern Dis- scheme, Tucker replied that the trict of New York, in Brooklyn. two had no two hours before it occurred. country, though the personnel at business dealings. The station, which has come un- WXLO claim that they were un- Tucker faces a maximum of This testimony came after der public pressure in the past aware of that station's plans. five years imprisonment for Tucker had pledged cooperation to retain its jazz format, has not The only change in the on -air each of the charges. Sentencing with the government in its on- for his previous going investigations, asked any of its personnel to staff thus far has been the addi- convictions in return was a leave, though some have already tion of J.D. Holiday, who now delayed until the recent for lenient sentence on the made plans to do so. handles the morning drive time perjury trial was completed. copyright and fraud convictions. After the station ended its slot. Holiday previously worked Tucker faces up to five years for Verner, who was the govern- jazz format with Charles Min- at WBLS and WKTU. fraud by wire and one year for ment's chief witness in the case gus' "Good-bye Pork Pie Hat" New Playlist copyright infringement. Judge against Tucker, agreed to co- in and followed it with "Are You Programming staff at the RKO- John Platt, who oversaw both of operate exchange for im- Ready for the Country?" by Way - owned station disavow the no- Tucker's trials, will sentence munity. Verner will also be a Tucker on all four of his convic- (Continued on page 49) Ion Jennings, listeners began tion that they are trying to be a calling with complaints. black station. "We're playing tions on September 25. In explaining the change in New York type music," said Tucker's lawyer, Richard WCI Promotes Cornyn format, the station's general Kathy Tarner of the programming Abrahamson, would not return NEW YORK-Stan Cornyn has manager, Mark Olds, said: "Fun- staff. She did say that most of phone calls inquiring about a been promoted by Warner Com- damentally we're making a the playlist consists of black art - possible appeal of the decision. munications Inc. to the newly change to give listeners a choice (Continued on page 42) Tucker's perjury convictions created position of senior vice in the type of music that they president of WCI's Record Group, can listen to. We think that it Donna Summer Wins Two Rounds it was announced today by David (Continued on page 16) H. Horowitz, president of WCI. In his new role, Cornyn will su- Roshkind Exits Motown In Court Battle with Casablanca pervise planning, research, and By SAM SUTHERLAND By SAM SUTHERLAND development for WCI's three rec- LOS ANGELES-Michael Rosh - LOS ANGELES-Two Superior motion filed Monday (8) by ord companies (Atlantic, Elektra/ kind confirmed last week that he Court decisions here have gone attorneys for Casablanca seek- Asylum and Warner Bros.), its has resigned his post as vice against Casablanca Records in ing a preliminary injunction U.S. distribution organization chairman of Motown Industries. its efforts to block the release against release of Summer's first (WEA Corp.), and its foreign rec- At press time, no replacement of new single and album prod- Geffen album, "The Wanderer." ords group (WEA International), had been named for the veteran uct from Donna Summer via her That motion contended the and allied companies. executive, and the company's new contract with Geffen Rec- singer was in breach of her (Continued on page 49) founder and chairman, Berry ords, the Warner Bros. Records 1977 contractual agreement with Gordy, was reportedly planning affiliate which is making its Casablanca. to leave the post vacant. market debut through Sum- The title single from that When reached by RW for com- mer's new recordings. package shipped the previous ment, Roshkind said, "I really re - Los Angeles Superior Court Friday (5), following a Septem- (Continued on page 48) Judge Jerry Pacht denied a ber 3 decision by Pacht denying the Casablanca legal team's Record World Sales iintder motion for a temporary re- straining order blocking the single's release. In the wake of the second ruling, the album is Albums '79 II '80 Singles now expected to ship the first 220.0 (Continued page 48) 200.0 on Stan Cornyn 180.0 160.0 140.0 RW Revises Radio Station Sample 120.0 IF NEW YORK - In response to black -oriented stations. 100.0 recent and ongoing shifts in ma- RW's research department cites 80.0 jor market radio programming the more fragmented radio mar- 60.0 and their impact on record sales, ketplace 40.0 in such primary urban Record World is revising the ra- markets as Atlanta, Houston, Chi- 8/9 8/16 8/23 8/30 9/ 911 9 816 8l 3 8/ 0 9 91 3 dio station sample utilized in the cago, Detroit, Los Angeles, New The Record World Sales Index is based on a broad cross-section of quantitative sales mata reported Singles Chart to reflect the broad- York, Philadelphia and Seattle, to Record World from retailers, rack jobbers and one-stops across the country. The base figure for both the singles and album indices is a smoothed average of these quantitative reports during periods in er role played by AOR formats, among others, as leading to the June, 1979, with each weekly figure being a percentage increase or decrease on the base. The base as well as the wider playlist need for a figure for both singles and albums is 100.0. more comprehensive guidelines now in force at many (Continued on page 41)

3

www.americanradiohistory.comAmericanRadioHistory.Com Grace, Freed To Head , For A&M Publishing I'L , LOS ANGELES - Jerry Moss, l? l `? chairman of A&M Records, has Opposite page 24. As a member of Har- announced the appointments of old Melvin and the Blue Notes, Teddy Pen- Lance Freed to the post of presi- 1700 Broadway, New York, N.Y. 10019 dergrass won the respect of his peers for Phone: 1212) 765.5020 dent of Almo/Irving Publishing PUBLISHER EDITOR IN CHIEF a He has since his prowess as vocalist. and of Bob Grace to the post of BOB AUSTIN SID PARNES by going solo bolstered that reputation president of Rondor Music In- SR. VICE PRESIDENT/MANAGING EDITOR and becoming one of the top artists in the ternational Publishing. Freed will MIKE SIGMAN music industry. This week RW details Pen- SR. VICE PRESIDENT/WEST COAST MGR. head up A&M's publishing divi- SPENCE BERLAND dergrass' rise to stardom in a special issue. sion for North America while PETER KEEPNEWS/SENIOR EDITOR Grace's duties will cover the rest MIKE VALLONE/ RESEARCH DIRECTOR STEPHEN KLING/ART DIRECTOR of the world. Both will report DAVID McGEE/ASST. MANAGING EDITOR directly to Moss. Doree Berg/Associate Research Director Art Director -predicted popular had previously been David Skinner/Associate Page 13. The long Both posts Sophia Midas/Assistant Editor breakthrough of reggae music appears to held by Chuck Kaye, who left Joseph Ianello/Assistant Editor be imminent, given the number of artists recently to form a new publish- Jeffrey Pesch/Assistant Editor the likes Phil DiMauro/Assistant Editor currently paying a musical debt to ing company in partnership with Carl Skiba/Assistant Research Editor of Bob Marley et al. This week, in an ex- David Geffen. Greg Brodsky/Assistant Research Editor clusive interview with RW, newly -appointed Freed joined Almo/Irving in Ben Liemer/Assistant Editor Ken Smikle/Black Music Editor Island Records VP and general manager late 1972 as a professional man- Joyce Reitzar Panzer/Production Ron Goldstein discusses reggae's evolution ager and four years later was Speight Jenkins/Classical Editor and prospects for the future. activi- Brian Chin/Discotheque Editor made president of creative Bill Holland/Washington Correspondent ties. Prior to this promotion, Freed had been executive vice Stan Soifer/Advertising Sales president for two years. WEST COAST SAM SUTHERLAND JACK FORSYTHE Grace joined Rondor Music WEST COAST EDITOR MARKETING DIR. Graham/Associate Editor departments I (London) Ltd. in 1972 after sev- Samuel and Terry Droltz/Production eral years in the promotion Louisa Westerlund/Asst. Research Editor A/C Chart Page 42 Country Singles publishing ends of the English 6255 Sunset Boulevard Picks Page 60 music business. Hollywood, Calif. 90028 Phone: 465-6126 Album Airplay Los 12131 Cover Story Page 15 Freed will be based in An- Report Pages 22-23 NASHVILLE geles while Grace will continue TOM RODDEN Disco Page 24 to work out of London. Both ap- VICE PRESIDENT Album Chart Page 44 MANAGER Disco File Top 50 Page 24 SOUTHEASTERN pointments are effective immedi- Al Cunniff/Southeastern Editor Album Picks Page 14 Pages 56-57 ately. Marie Ratliff/Research Editor International Margie Barnett/Assistant Editor Page 56 Music Square West Black Oriented England 49 56 Nashville, Tenn. 37203 Pages 46-47 Germany Page Columbia Pictures Music 1 1 1 Japan Page 56 Phone: 16151 329.1 Page 46 Picks of the Week England's Top 25 Page 57 Reports No Gain LATIN AMERICAN OFFICE Black THOMAS FUNDORA Oriented PRESIDENT Jazz Page 49 SR. VICE Singles Chart Page 47 On Sale of Arista 3120 W. 8th Ave., Hialeah, Fla. 33012 Jazz LP Chart Page 49 Black Oriented NEW YORK - Columbia Pic- Phone: 1305) 821-7900 Page 46 ENGLAND Album Chart Latin American Pages 52-54 tures Industries, Inc., which sold VAL FALIOON Page 46 Manager Black Music Report Album Picks Page 52 Arista Records to the Ariola Suite 22/23, Langham House 308 Regent Street Hit Parade Page 53 Group a year ago, has stated, in Classical Page 55 London WI Nuestro Rincon Page 52 its report for the fourth quarter Phone: 01 580 1486 Radio Action Page 54 JAPAN 18 and fiscal year 1980, that the ORIGINAL CONFIDENCE Coast Page CBON Queen Building Nashville Report Page 58 sale of the label did not result in 18.12 Raopongi 7-chome Country Pages 58-62 a profit. Minato-ku, Tokyo New York, N.Y. Page 17 GERMANY Country Album "After reviewing Arista's re- JIM SAMPSON 61 the Liebherrstrasse 19 Chart Page Radio Marketplace Pages 50-51 sults of operations for period 8000 Muenchen 22, Germany Country Album Picks Page 60 from the closing through June 30, Phone: (0891 22 77 46 Radio World Page 16 Telex: 05-216622 Country Hot Line Page 59 1980, which reflected extremely AUSTRALIA poor operating results with sub- PETER CONYNOHAM Country Picks of the Retail Report Page 43 P.O. Box 678, Crows Nest, N.S.W. Australia Week Page 58 stantially lower sales than antici- Phone: 2-92-6045 Singles Picks Page 12 than expected FRANCE Country Singles pated and higher GILLES PETARD states, 8, Quai de Stalingrad, Boulogne 92, France Chart Page 62 Singles Chart Page 21 returns," the report "the Phone: 527-7190 company reassessed the possible SPAIN JAVIER ALONSO future effect of the various rep- Res. Madrid -Parala A resentations and warranties made Portal 2A-4to A Maladehonde L2LiL/L/L to the purchaser, net of certain Madrid, Spain t zLIL.!~ offsetting factors. Based upon a MEXICO L1- VILO ARIAS SILVA review of the current situation, Apartado Postal 94-281 Mexico 10, D.F. management believed it prudent Phone: (905) 294-1941 to no longer recognize a gain on CIRCULATION DEPT. (Due to airplay and sales in projectable markets, these records MICHAEL MIGNEMI this sale. Accordingly, a $4,017,- CIRCULATION MGR. exhibit top five potential) 1697 Broadway, New York, N.Y. 10019 000 or $.41 per share charge has Phone: (212) 586.0913 been in RECORD WORLD (ISSN 0034-1622) Is PUB- recorded the fourth LISHED WEEKLY, EXCEPT TWO ISSUES COM- quarter." BINED IN ONE AT YEAR-END. SUBSCRIP- Donna Summer (Geffen) "The Wanderer" TIONS: ONE YEAR U.S. AND CANADA-$110; The report went on to say: AIR MAIL-$175; FOREIGN AIR MAIL-$185. SECOND CLASS POSTAGE PAID AT NEW This artist's aggressive change in musical style has re- "There now has been no gain re- YORK, N.Y. AND AT ADDITIONAL MAILING OFFICES. DEADLINE: NEGATIVES AND COPY ceived a most positive acceptance at radio. Her single corded on the sale, but taking MUST BE IN NEW YORK BY 12 NOON FRIDAY. into Postmaster: Please send Form 3579 to Record debuts as this week's chartmaker. account Arista's extremely World, 1697 Broadway, New York, N.Y. 10019. poor results for the year, as well Copyright Oa 1980 by RECORD WORLD PUBLISHING CO., INC. as the interest we have earned, VOL. 37, NO. 1730 we remain convinced of the wis- dom of the sale."

4 RECORD WORLD SEPTEMBER 20, 1980

www.americanradiohistory.comAmericanRadioHistory.Com hat arbum lilCe a nothing -here 5 h e i ce a g¡g an t c st e p b reak the ep representsre5e ber c°ns¡d- as to second'LP highlights importantly, Shipley's release 'The lce Ellen veuf with a singerand. icrward.lnistalents womansealingby using eratle sor+terInere,¡ngThrghthe¡nrer word reveals the modern command. ac her ,;Shepley roll power ¡°urne. complexitiesrock emotional W.I.enormous us orea ¡ n S Sh¡pfteytakes cft¡Onsh¡psetheµeart+ tótclosp key tI¡en in eXPyOrinB th1etiesthe on "NeaT° lendess»lies For new record s. i nitiak of this entim- torvi rit. Nbe,rthan unityans herband,The rathertóO e to the W¡th group ,h¡p1efsrk this cohesive personality Elee+s -war Z °ne' Ydd`"r,gW¡thmee half session Icd and more p° Agea fh of sensitive ,n,rd1. haddoúeonrock

Run Music 1i. and for by av1dTickfe o ¿dced

www.americanradiohistory.comAmericanRadioHistory.Com Arista Appoints Two Senior VPs; City Hall, NARM Endorse Dobbis Heads Artist Devei, Palmese Promo New York Music Week York Daily News published in NEW YORK - Rick Dobbis has NEW YORK - Clive Davis, NEW YORK-A press confer- ence with Mayor Edward Koch conjunction with Music Week. been promoted to the position of President of Arista Records has senior vice president, artist devel- scheduled for Monday, Septem- Artists and industry spokespersons announced the promotion of appearing and on opment at Arista Records, it was ber 15 is set to herald City Hall's on television announced by Clive Davis, presi- Richard Palmese to the position of involvement in New York Music radio in support of Music Week dent of the company. senior vice president, promotion. Week, September 29 through Oc- will also touch on NARM's cam- tober 4. paign. Herbert Rickman, special assist- Commenting on NARM's efforts ant to the Mayor, is to issue a to coordinate with Music Week, proclamation to the Task Force Cohen stated: "The New York on behalf of the Mayor, who will music industry is of vital impor- address the press at the event. tance to us all and we support Also scheduled to speak are How- the efforts of the New York Mu- ard Beldock, president of the New sic Task Force to unite añd York Music Task Force, and New strengthen its diverse elements New York Music Week chairman through Music Week. NARM is Allan Steckler. pleased to pay tribute to the mul- The National Association of titude of musicians who will offer Recording Merchandisers (NARM) to the people of New York City will also participate in the press their greatest gift of music-their conference to highlight its partici- own talent communicated in a pation in Music Week. NARM fabulous celebration." Rick Dobbis Richard Palmese executive vice president Joe Co- The updated schedule of events Dobbis, who joined Arista in Palmese has been vice presi- hen will present Mayor Koch with for Music Week includes a "salute January, 1976, had been named dent of promotion for the label a special "Gift of Music" award- to songwriters" to be presented vice president of artist develop- since April, 1977. He joined Arista a gold record plaque with a Big on successive evenings at the ment in January, 1977. In his new Records in 1975 as midwest re- Apple logo-saluting him for his Citicorp Center by ASCAP, BMI. capacity he will continue to direct gional promotion manager. He support of the pre-recorded mu- SESAC and NARAS, with an added the areas of product management, was appointed director of national sic industry in New York. tribute by AGAC at Lincoln Cen- advertising, merchandising and promotion in September, 1976. NARM has announced plans to ter. There will also be a week- creative services. tie in Music Week with its "Give long songwriter salute at New Dobbis came to Arista from the Gift of Music" campaign, in- York department store Gimbel's Blue Sky Records, where he had NARM Names Bergman cluding the "gift -wrapping" of va- hosted by WNEW-AM air person- ality Allison Steele, and a midday been vice president and general Convention Chairman rious live concerts scheduled manager. He began his career at throughout the city for the week, series of mini -concerts sponsored CHERRY HILL, N. J. CBS Records, where he was a - Joseph utilizing "Give the Gift of Music" by the Songwriters Hall of Fame product manager. Simone, president of the National banners, bows and balloons. at 1 Times Square. Association of Recording Mer- The official poster commemo- The Task Force's Steckler also Chrysalis Records chandisers, has announced the rating New York Music Week will confirmed that this year's "Broad- appointment of Barrie Bergman also carry the "Give the Gift of way Spectacular" will take place Announces Promotions as chairman of the 1981 NARM Music" logo, as will advertise- in Schubert Alley, the afternoon Convention. The convention will of Thursday, LOS ANGELES - Sal Licata, ments placed by record and tape October 3. Other president of Chrysalis Records, be held April 11-15 at the Dip- retailers, wholesalers and mer- events in the updated schedule has announced the promotions of lomat Hotel in Hollywood, Flor- chandisers in special supplements include an "All -Star Jam" with Billy Bass to senior vice president ida. in Record World and the New drummer Lenny White, keyboard - ist of promotion and creative ser- Jan Hammer and friends at the vices and Paul Hutchinson to vice World Trade Center on Wednes- president of finance and admini- _./_L~. day, October 3, and free outdoor stration. concerts on the campuses of New York University in Manhattan, Wagner College in Staten Island Singles Albums and Queens College. The Manhattans' outdoor con- East: East: cert at Citicorp Center, already scheduled for Monday, September Pointer Sisters (Planet) B -52's (Warner Bros.) 29, will be broadcast live over ra- Doobie Bros. (Warner Bros.) Molly Hatchet (Epic) dio station WABC. Barbra Streisand (Columbia) Teena Marie (Gordy) Donna Summer (Geffen) Johnny Van Zant (Polydor) Shel Freund, Task Force Special Donna Summer (Casablanca) Zapp (Warner Bros.) Events Coordinator, should be contacted in reference to the South: songwriter salute, the Gimbel's South: concerts and the Songwriters Hall Barbra Streisand (Columbia) B Of Fame concert Billy Bass Carly Simon (Warner Bros.) -52's (Warner Bros.) series. For addi- Stacy Lattisaw (Cotillion) Molly Hatchet (Epic) tional information contact Allan Bass, who has been with Chry- Johnny Van Zant (Polydor) Steckler at (212) 399-0300. salis for more than four years, Barry Goudreau (Portrait/Epic) previously served as vice presi- Midwest: ITA Agency Bows dent of promotion and creative Doobie Bros: (Warner Bros.) Midwest: LOS ANGELES Doug services. Hutchinson began his Barbra Streisand (Columbia) - Issac, B formerly of ICM and Regency career with Chrysalis Ltd. in Eng- Larsen -Feiten Band (Warner Bros.) -52's (Warner Bros.) Molly Hatchet (Epic) Artists Ltd., has formed land seven years ago. He was the Johnny Van Zant (Polydor) Issac Talent Agency, previously vice president and a full - West: Van Morrison (Warner Bros.) service booking organization. controller. Barbra Streisand (Columbia) ITA is the exclusive booking At the same time, Bass an- Dionne Warwick (Arista) West: representative for Gary Myrick nounced the promotion of Janis Donna Summer (Geffen) and the Figures, The Orchids, Ross to national singles promo- Stacy Latisaw (Cotillion) B -52's (Warner Bros.) Devo (Warner Bros.) Romance, T -Bone Burnette tion director. Molly Hatchet (Epic) and Donna Summer (Casablanca) Van Morrison (Warner Bros.) The Plugz. b RECORD WORLD SEPTEMBER 26, 1980

www.americanradiohistory.comAmericanRadioHistory.Com R RD

9126 Sunset Blvd. Los Angeles, Calif. 90069 (213) 278-9010

75 Rockefeller Plaza New York, N.Y 10019 (212) 484-8000

Manufactured exclusively by Warner Bros. Records Inc a Warner Communications Company Q.

www.americanradiohistory.comAmericanRadioHistory.Com Compact Disc and Other Technologies Arista Signs Gino Vannelli Cited by Steinberg as Hope of Industry By JEFFREY PEISCH

NrW YORK- Irwin H. Stein- tion." berg, chairman and chief execu- The Compact Disc yields tive officer of PolyGram Record "true" digital sound because, un- Operations, USA, has pledged like currently -available digital that his company will be among discs that are recorded digitally the "first in the industry" to use and played back on analog sys- the still -developing, all -digital tems, the PolyGram disc will be Compact Disc system, once that played on a specially -designed system has attained technical digital turntable. When the turn- standardization. tables are marketed, probably be- Speaking before the Music and ginning in 1983, they will cost Clive Davis, president of Arista Records, has announced that the label has signed Gino an exclusive, label, "Black $300 and $400, accord- Vannelli to long-term contract. Vannelli's first album for the Performing Arts Lodge of B'nai between Keys," is scheduled for release in October. Vannelli's most recent album, last year's B'rith last week (8), Steinberg ing to Steinberg. The discs will "Brother To Brother," featuring the hit single "I Just Wanna Stop," went platinum. said that the system, which fea- sell for the same price that LPs Shown in the studio are (from left): Davis, Joe Vannelli, Gino Vannelli and Ross Vannelli. tures a two-hour, four -and -a -half - sell for at that time. inch disc played by a laser beam, PolyGram's parent company, Sherman Named Korvettes To Pare will "become the dominant for- N.V. Philips of the Netherlands, mat for pure music reproduction along with CBS -Sony of Japan, Boardwalk Senior VP Stores, Personnel in the foreseeable future." has pioneered the development LOS ANGELES-Boardwalk En- NEW YORK-The ever-chang- disc. Poly - Steinberg said that the industry of a compact digital tertainment Company president ing fortunes of Korvettes, Inc. a empha- must exploit advances in audio Gram is putting strong Neil Bogart has announced the took another unexpected turn industry -wide ac- and video technology in order to sis on gaining appointment of Richard Sherman last week with the announcement share of ceptance of the technical guide- gain its proportionate to the post of senior vice presi- of a 50 percent cutback in stores things as the consumers' dollar. Steinberg lines of the disc-such dent, director of sales and mar- and staff. Fifteen of the chain's had re- the record's speed and size- stated that the industry keting. The move marks a con- remaining 31 stores will be closed before introducing the new con- covered and learned from the re- tinuation of the working rela- and half of its 3,650 employees months. figuration into the marketplace. cession of the last 18 tionship begun six years ago will be laid off-the 1,800 people "We saw what happened with the More realistic returns and pricing when Sherman joined Bogart's working in the stores to be closed inde- different types of quad systems," structures, the growth of fledgling Casablanca Records. and 100 employees in the New said a spokesman for PolyGram, pendent labels and increased York headquarters. One year ago "we are "and we're seeing what's hap- store traffic indicate that Korvettes boasted 50 stores and Steinberg. pening with the competing vid- recovering," said some 1,000 employees. said, ques- eodisc systems; we don't want But, Steinberg "the The 16 remaining stores, most is the industry will that to happen with the Com- tion whether of which are in the New York return to the pact Disc. With such a great ad- ever be able to metropolitan area, will continue it once enjoyed vance in sound, it would be a robust full health to operate through the rest of the to obtain its shame if the system were killed ... Will it be able year, according to store manage- proportionate share of the dis- because of standardization prob- ment. All 31 stores will be closed leisure time lems." cretionary dollar and for inventory -taking soon, after of the consumer, in the future, which a mass sale will be held. in competition with Sgro To PolyGram especially Korvettes also announced plans the rapidly developing newer NEW YORK - Tom Sgro has to employ Value City of Colum- media of entertainment. or- joined the PolyGram Records bus, Ohio, a furniture chain, to "I feel confident that it can, local ganization as their Miami Richard Sherman help sell the goods in all its but simply learning from our promotion man, it was announced stores and attempt to raise funds mistakes of the past will not be Sherman most recently served by Jim Collins, vice president, na- through other means, including enough. We must use this time as Casablanca's senior vice presi- tional pop promotion, PolyGram the sale of the leases Korvettes of convalescence not only to get dent of product development. Records East. Sgro is a veteran of holds in stores in the New York back on our feet, but to carefully The 20 -year veteran of the music fifteen years in the music busi- metropolitan area, in the Wash- plan our way beyond the ways business has also held executive ness including nine years of ex- ington, D.C. area and in the De- in which we have traditionally posts at Motown, Warner Bros. perience in the Miami market. troit area. done business . . . Our hope lies PolyGram Rec- and Columbia Records, where he Before coming to Joseph A. Ris, chairman of Kor- in being able to offer more began his industry career as an ords, Sgro was southeast regional vettes, told the New York Times music, with better quality in attorney. promotion man for Columbia. last week that the chain plans to more exciting ways than we pres- pay its trade creditors in full via ently do and morever being able Backstage with Janis Ian payment of 30 to 40 cents on to market and sell that music in within 30 days and the many new ways. The new tech- the dollar balance over six or 12 months. nologies offer these opportuni- Value City ties." According to Ris, Korvettes goods valued Steinberg mentioned the video- will buy at $60 million at retail for $25 disc market, music programs on million and sell it to the public. cable television, advertising on Afterwards, both Korvettes and cable shows and, in the future Value City will purchase new "legal" home taping from master merchandise to restock the tape banks beamed via satellite, stores; the amount will be ap- as new areas of opportunity for proximately half of Korvettes' the industry. weekly needs. "Best of all the technological Ris also revealed that a number marvels and new media oppor- of other retailers, including Allied tunities," said Steinberg, "(is) Stores, Caldor, Vornado and Alex- true digital sound, especially as Columbia recording artist Janis Ian was recently visited backstage at New York's Bot- ander's, have expressed interest applied in the Compact Disc .. . Irwin Segelstein, tom Line by Walter Yetnikoff, president, CBS Records Group (right) and in acquiring some Korvettes It represents a true revolutionary (left). Columbia has just released a new single by Ian (who president, NBC Television store sites. breakthrough in sound reproduc- recently toured Israel, Holland, and the U.K.) entitled "The Other Side of the Sun."

RECORD WORLD SEPTEMBER 20, 1980 s

www.americanradiohistory.comAmericanRadioHistory.Com "LOVELY ONE."

THE FIRST SMASH SINGLE.... FROM AN ALBUM FULL OF HITS.

THE JACKSONS.THEIR NEW EPIC ALBUM, "TRIUMPH," IS COMING SOON.

Givethegift of musk. e Produced and Written by The Jacksons. Photography.=rancesco Scavullo. Management: Weisner/DeMann Entertainment, Inc. & Joe Jackson 'Also available on tape. "Epic:'efifb are trademarks of CBS Inc. t 1980 CBS Inc.

www.americanradiohistory.comAmericanRadioHistory.Com GRT Tape Plant Sold GEC Report Probes Consumers' Habits, NASHVILLE - Three Nashville businessmen and an Atlanta Finds Many Non -Buying Music Listeners broadcast executive have pur- chased the GRT tape duplicating By JEFFREY PEISCH finding a bit by stating that closest music store. But now, if plant in Nashville and have NEW YORK When the "people are addicted to music it's something I see in a grocery - formed National Tape Corp., spe- General Entertainment Corpora- in the sense that the absence of store, I'll say 'Gee, I like this cializing in the duplication of au- tion (GEC) announced plans to music would cause them real selection.' And I'll pick it up and and 8 -track tapes. market inexpensive cassettes in psychological pain-withdrawal buy it." diocassette Hutchinson, formerly grocery stores several months symptoms. It is the avoidance of The impulse element was Jerry Nashville plant manager for GRT, ago (RW, July 5, August 23), the such psychological discomfort, in mentioned by many of the shop- firm's strong commitment to the many cases, which outweighs pers interviewed. Going to a re- is president of the new company. is George idea was based on several positive pleasure in listening as cord store was seen as some- The vice president several radio theories about the public's the motivating force behind thing that needs planning, and Buck, an owner of Atlanta area. Na- music -listening and music -buy- turning on the radio or other many consumers just don't have stations in the is Charles ing habits. playback device." the time or interest anymore to tional tape secretary formerly vice president GEC believed that the tradi- If it were easy and affordable go "out of their way." One shop- Duncan, for GRT. Treas- tilonal record marketing chan- for a listener to buy music, the per said, "I saw (the display) as of manufacturing urer is Bill Denny, president of nels were missing a large seg- report says, he or she would soon as I walked into the store. Cedarwood Publishing Co. ment of music listeners. As rather listen to something favor- And I said, 'Oh my God! There's The company's business is di- GEC's chief executive officer able than play "anything" to some tapes!' I love music and I cassette and vice chairman of the board avoid withdrawal symptons. thought, 'That's great!' It's a real vided equally between and 8 duplication. The 8 - Samuel S. Attenberg said in GEC's goal was to give the non - colorful stand with red and gold. -track master transport drives July, "There are a lot of people, buying listeners an easy, afford- It spins around. And it has all track GRT ten slaves, and the two cassette particularly women over 30, that able way to broaden their listen- different sections . . . It's really drive 15 slaves, listen to music on the radio ing habits. nice. I was tempted to buy master transports - the plant the capacity to mostly - but for one reason or Several of the people quoted every time I go." giving another, they don't buy records in the report confirmed what Several of the shoppers inter- duplicate 12,000 tapes per shift. and and tapes." GEC believed that Attenberg had said several viewed said that music in a CRT, Custom Records and music could be marketed suc- months ago: It's a bother for grocery store was a welcome Tapes, Music Incorporated cessfully on television, and that many consumers to go to record. break from the chore of shop- Teddy Nelson, the top country if music were displayed in new stores. "To go into a music store ping. "Until they put (the cas- star in Norway, have been clients ways and sold at a reasonable in a mall," said one shopper, settes) in grocery stores, shop- at National Tape Corp. price, new listeners could be "you have to be really into mu- ping was very bleak," said one The new owners indicated that reached. sic. Most people just walk past shopper. the industry's increasing use of GEC's hunches have been the record store without going The report also discussed buy- cassettes rather than records pro- firmly documented by a recently- into it." And another consumer ers' attitudes on pricing, casset- vides an opportunity for future compreted study of grocery said, "I used to have to go all tes versus discs, and the youth growth and expansion while store shoppers in Binghamton, the way to the mall (to buy a market. These areas will be dis- maintaining their commitment to New York. Binghamton is one of record) and that's a long way for cussed next week in part two of quality and service of sound. three test markets. where GEC's me to go because that's the this story. Headquarters for the National "Magnetic Gold" cassettes have Tape Corporation are at 1110 been available for several Casablanca Signs Paul Waroff 48th Avenue North in Nashville. months. The report was prepared by Edward Simon, an inde- MCA Distributing, pendent researcher who was hired by Dancer, Fitzgerald and Unicorn Records Pact Sample, GEC's advertising LOS ANGELES-MCA Distribut- agency. Simon talked with four ing Corp. has signed a distribu- groups of people between the tion agreement with Unicorn Rec- ages of 25 and 54. Two of the ords, announced Al Bergamo, groups were made up of people president of MCA, and Daphna who had already bought the Edwards, president of Unicorn. tapes; the other two consisted The two-year agreement, with of people who had heard of the two one-year options, calls for tapes but had not purchased pressing and distribution. The one. first release scheduled is the sin- In the report's opening para- gle "Don't Want Nobody" by graph, Simon states that, based European recording artist J. D. on his study of the four groups Drews. Additional product will Paul Waroff. of shoppers, "the basic concept Bruce Bird, president of Casablanca Records, has announced the signing of be slated the first two months of of Magnetic Gold was over- His first album, "California Son," has just been released. Pictured from left are: Harlan Goodman, co -manager; Waroff; Bird; Paul Hartmann, co -manager. next year. whelmingly favorable. This Unicorn will retain all promo- favorable tone ran throughout Rocket Taps Corlett UA Music Names Yell tional and marketing responsibili- every session and in response ties. LOS ANGELES Elaine Corlett to every individual element of - London General Mgr. This is the second distribution the introduction price, has been named general manager - NEW YORK Harold Seider, deal announced by MCA Dis- packaging, display racks, ad- of Rocket Records for the United - president of United Artists Music, tributing Corp., which previously vertising." States, announced John Hall, the has announced the appointment signed an agreement with By surveying the public's managing director of the label. of Brian C. Yell to the post of jazz label Artists House. general music -listening habits, Previously, Corlett had been general manager, United Artists Simon's report garnered informa- with ABC Records as vice presi- Music Ltd. in London. According E/A Names Barton tion that will no doubt be of dent of artist development and to Seider, the appointment is the LOS ANGELES Peter Barton interest not only to GEC, but publicity and, before that, vice - worldwide music publishing com- has been named media concepts to the entire industry. "There is president of artist development, pany's initial step in a reorganiza- director at Elektra/Asylum Rec- hardly a waking moment when international. Prior to that, she tion of its UK operation. ords, it was announced by Randy (Americans) are not playing a had been administrative manager Edwards, E/A's consumer/trade radio, record or cassette," the for Dark Horse Records and di- Yell was formerly with United in Eng- advertising and merchandising di- report states. rector of artist relations for Capi- Artists motion pictures rector. The GEC report qualifies this tol. land.

RECORD WORLD SEPTEMBER 20, 1980 10

www.americanradiohistory.comAmericanRadioHistory.Com Alleged T-Shirt Counterfeiter Sherrill Slated to Write and Produce (Uncovered by Rogers Organization 'Take This Job & Shove II' Soundtrack NEW YORK-Armed with two and Walt Disney cartoon charac- By AL CUNNIFF federal court orders, attorneys for ters. Based on that information, NASHVILLE-Gregg Blackwell, then I'll view what they have and Kenny Rogers Productions, Inc. Kenny Rogers Productions, Inc. producer of the motion picture come up with the rest of the ma- and Liberty Records, accompanied and Liberty Records filed suit in "Take This Job and Shove It," has terial from there. There's a four - by a federal marshal, recently (5) the United States District Court announced that Billy Sherrill, vice wheeler that's kind of a 'Jaws' in carried out a successful search of for the Northern District of Illi- president and executive producer the film, and that may need a accused T-shirt bootlegger Grand nois (Chicago) for trademark and for CBS Records Nashville, will theme. Illusion Design, Inc. The search, copyright infringement and inva- write the musical score for the On Sherrill's Label which resulted after a month -long sion of the right to publicity. The film, and will produce the movie's "I think everything written investigation by attorneys repre- lawsuit will involve a claim for soundtrack album, to be released from here on in will be played senting Rogers' damages and an merchandising punitive injunc- from Nashville on the Columbia/ under the scenes, so I won't have company, uncovered what is be- tion against the manufacturing Sherrill, Inc. label. to get into synchronization or lieved to be one of the nation's and distribution of product. Blackwell is now filming the anything very technical in that largest T-shirt counterfeiting oper- Grand Illusion, a Schaumburg, movie in Dubuque, Iowa and sense," Sherrill said. He said the ations. Illinois -based operation owned Minneapolis for Cinema Group, soundtrack will be the second "We now have sufficient hard and operated by Lawrence and Inc. Avco Embassy Pictures will release on the Columbia/Sherrill evidence to conduct a successful Maxine Rice, first came under sus- distribute it next spring. The label (the first is Lacy J. Dalton's investigation and prosecution picion when a member of Rogers' soundtrack's release will coincide new album, "Hard Times"). "My against Grand Illusion," said Gor- road crew was given the wrong with the movie's premiere. Mar- contract still calls for two more don Bennett, vice president of shipment of T-shirts at a Kalama- shall Lieb, the film's music direc- albums under this label deal, so merchandising of Rogers' man- zoo, Michigan airport. The 17 tor, said several country artists I've got to find me some more hit agement firm, Kragen & Co. Rog- boxes of bootlegged T-shirts in- will be represented in the score acts!" ers' attorneys and federal court cluded an air freight bill to Grand and soundtrack album, including Rich, Paycheck, Coe, Dalton, reporters found and took inven- Illusion. "It was the first time we Johnny Paycheck, whose hit and George "Goober" Lindsey tory of more than 600 silkscreens were able to find out who the "Take This Job and Shove It" in- will play cameo roles in the film, and a large file of artwork films shipper was on these counterfeit spired the movie; David Allen which will star Robert Hays, Art believed to be used in the manu- shirts," said Eric Wurst of Niels - Coe, who wrote the song; Lacy Carney, Eddie Albert, Barbara facture of illegal T-shirts. The son, Robbins, Dalgarn, Beliner, J. Dalton, Charlie Rich, and Hershey, Martin Mull, David screens and films included over Carson, and Wurst, the firm han- others. Keith, Tim Thomerson, and 50 groups and entertainers as well dling the suit on behalf of the Music/Film Tie -In (Continued on page 58) as National Football League teams plaintiffs. "It had been plaguing Blackwell described the project the hell out of the tour because as an "unprecedented country Motown Exec Coleman Nautilus Announces even if we nabbed the sellers in music/Hollywood film industry the street they never could tell us collaboration deal," and "a first in Dies in L.A. at 64 Deals with Three Labels who the manufacturer was. It was the music business." LOS ANGELES-Veteran Mo - just plain luck that we discovered LOS ANGELES Nautilus Re- The film score, which will be town executive Robert T. Cole - - who the manufacturer was." cordings, manufacturers and the first written and produced by man has died here of a distributors of audiophile re- Information gained from inter- Sherrill, will be created in col- coronary arrest, suffered last views with of cordings that include direct -to - former employees laboration with Leib and with Al Thursday (4) at UCLA Medical disc, digital and half -speed Grand Illusion and affidavits from Kasha and Paul Baratta's Kasbar Center. Coleman, 64, was Del master configurations, has an- Ferano, president of Winter- Company. Kasha and Joel Hir- maternal grandfather to Hazel nounced new licensing and/or land Productions, a San Francisco - shorne, Oscar winners for their Gordy Jackson, Berry Gordy IV, distribution arrangements with based merchandising company title songs from "The Towering and Terry Gordy, and had been three major record labels. The also investigating the counterfeit- Inferno" and "Poseidon Adven- with Motown's purchasing de- labels in question, according to ing of its products, led to the is- ture," will collaborate in writing partment since 1968, where he Nautilus director of A&R/ suing of search orders by Federal tunes for "Take This Job and most recently served as director Court Justice James E. Moran. An licensing Jerry Luby, are Fan- Shove It." of purchasing and facilities. tasy / Prestige / Milestone / initial search of the Grand Illusion "This is the first time I have Born on July 31, 1916, in Stax, RSO and A&M. premises proved fruitless after written expressly for a film," Sher- Monroe, La., Coleman is sur- attorneys the The Fantasy -Nautilus agree- for defendents re- rill told Record World. "The first vived by his wife of 49 years, ceived a ment, called "the first of its temporary delay, during song I've finished is 'You Made It Hazel; his mother, Mrs. Annie which time one former employee Beautiful,' kind between a major record which Charlie Rich Coleman of Dallas; a daughter, testified that they label and an audiophile com- cleaned the sings. The way it will probably Thelma Coleman Gordy; three pany," includes the possibility place out. Rogers' attorneys then work is that I'll wait for them to great granchildren and various obtained a temporary restraining pretty that a recording session by much get the film together, nieces and nephews. order forbidding Grand Illusion bassist Ron Carter scheduled to from making take place in January of next and selling T-shirts (RW, Sept. 6). year will be recorded simul- Kim Carnes at the Roxy taneously on digital and analog equipment, with the former to Radio Records be distributed by Nautilus and the latter by Fantasy. If ac- Signs Badfinger complished, according to a FORT LAUDERDALE, FLA. - Ed Nautilus statement, this will be- McGlynn, President of Radio Rec- come "the first simultaneous ords, has announced the signing release of a title by both a of Badfinger, featuring two of the major label and an audiophile group's original members, Joey company." Molland on vocals and rhythm The Nautilus-A&M licensing g uitar and Tom Evans on vocals deal concerns, at this point, and bass guitar. Keyboardist Tony three already -existing A&M Kaye rounds out the group. titles: Rita Coolidge's "Any- Jack Richardson will co -produce EMI -America recording artist Kim Carnes recently finished a month -long tour with time ... Anywhere," due in late Badfinger's first Radio album with James Taylor and came home to L.A. to headline The Roxy. Pictured backstage are, September; Joan Baez's "Dia- Steve Wittmack, the label's vice from left: (standing) Dick Williams, vice president, promotion, EMI-America/Liberty Records; Dana Steele, assistant program monds and Rust," and Styx's president of A&R. The album is director, KRBE (Houston); Jack Satter, national singles promotion director, EMIA/Liberty; Chuck Rhodes, music director, KVIL "Pieces of Eight." slated release in (Dallas), for October. and Jim Mazza, President, EMIA/Liberty; (seated) Kenny Rogers and Kim Carnes.

RECORD WORLD SEPTEMBER 20, 1980 11

www.americanradiohistory.comAmericanRadioHistory.Com LLLL(L

DAVE DAVIES-RCA 12089 THE DIRT BAND-UA 1378 BOB WELCH-Capitol 4926 HAZEL O'CONNOR-A&M 2267 by BADLANDS (prod. by DON'T RUSH THE GOOD WILL YOU? (prod. IMAGINATIONS REAL Hanna- Edwa rds) THINGS (prod. by Visconti) (writer: (prod. by Davies) (writers: Hanna- Carter) (writer: O'Connor) (Albion c/o (writer: Davies) (Dabe, - Koppleman/ Carpenter-Hathaway Gammack) (130 DB, Bandier PRS) (3:03) Fadden) (Le -Bone -Aire/ ASCAP) (3:40) Famous, ASCAP) Vicious Circle, ASCAP) (2:57) (3:44) There's a whole lotta stompin' O'Connor debuts with this im- The opening guitar chords are The colorful sextet gets better and good-time rockin' going on pressive performance from the unmistakably Kinks, which should and wiser as it grows older. Firm- here as Welch takes somewhat of soundtrack LP for the forthcom- please their legions of fans as ly entrenched in that fertile area a new direction with this first ing "Breaking Glass" film in brother Dave issues this initial between pop -A/C and country, single from his new "Man Over- which she co-stars. Her vocal is cut from his first solo LP. His the group here offers some taste- board" LP. Welch's guitar smokes, both sensitive and powerful, but light soprano is pop -consumable, ful guitar/bass trades interspersed as does Norton Buffalo's harmo- just as noteworthy is her excellent as are the driving rock rhythms with melodic/hooks and rid- nica, and the hook pulses irre- lyrical talent. Here she tells of and pretty melody line. Keyboard ing over a shuffle beat. Jeff Han- sistibly. It's great for AOR-pop an evening encounter that starts finesse completes the package, na's guitar punctuations are re- while the "don't rush" message with nervousness and suspense - pointing at strong AOR-pop re- freshing and made for radio. will appeal to A/C listeners. fully builds toward romance. ception.

BLACKJACK-Polydor 2123 HUBERT LAWS-Col 1-11368 Pop MY WORLD IS EMPTY WITHOUT YOU B.O.S./Pop FAMILY (prod. by Laws) (writer: Ldws) (prod. by Offord) (writers: Holland - (Hulaws, BMI) (3:58) Dozier -Holland) (Stone Agate, BMI) Written, produced and arranged RANDY VANWARMER- (3:08) DAVID RUFFIN-WB 49577 by Laws, this title -cut from his The combination of Michael BearsVille 49567 (WB) I WANNA BE WITH YOU (prod. by Davis) forthcoming LP showcases sister ALL WE HAVE IS TONIGHT (prod. by Bolotin's fervent vocal growls and (writer: Adkins) (Groovesville/Beez Debra's exciting lead vocal and Holbrook-Kimmet) (writer: Vanwarmer) Weez, BMI) (3:34) an explosive rhythm section turns expert backing from Corea, Klugh, (Fourth Floor, ASCAP) (3:29) this top -five Supremes' classic The initial single from his new Randy's smooth tenor is sur- "Gentleman Ruffin" LP is a dra- and others. Laws adds a sparkling from '66 into a brash rocker. rounded by light carnival -key- matic ballad with a generous flute solo. boards on this attractive ballad HILLY MICHAELS-WB 49558 string arrangement that swirls THE INVISIBLE MAN'S BAND- from the "Terraform" LP. The GEMINI (prod. by Baker) (writers: around David's vocal interaction Mango 105 bouncy rhythm and upbeat, fan- Michaels-Saginor) (Chewable/Chappell, with Laverna Mason. X -COUNTRY (FLAMIN' HOT) (prod. by tasy lyrics are right for pop -A/C. ASCAP) (3:52) Culled from his latest, chock -full - CON FUNK SHUN-Mercury Seduction) (writers: group) (Island/ All In All, BMI) (3:59) LE of -singles LP, 76079 ROUX-Capitol 4928 "Calling All Girls" The Burkes have a unique pen- LET ME BE YOUR FANTASY (prod. by tune HAPPY FACE (prod. by Scarborough) this pretty pop borrows chant for funky dance hoedowns. Winding) (writer: Pollard) (Screen heavily from the sixties golden (writer: Cooper) (Val-ie-Joe, BMI) -EMI, BMI) (3:26) (3:51) This follow-up to their top 10 Gems era. Sugary vocals are adorned With a bold, hard -edged hook Falsettos float in harmony over a black and mid -chart pop "All with angelic chorus swells, key- and a brazen guitar assault, Le thick bass/percussion mix on this Night Thing" success is very board sparkles and a soaring gui- Roux should play its way into a spin from the "Spirit Of Love" LP. much in that vein. The bass lead tar fade. widespread AOR-pap audience. The sweet flute solo midway and loose vocals share the spot- Jeff Pollard's passionate vocals TOUCH-Atco 7311 through is icing on this dancers' light. border on desperation. KNOW LOVE IS (prod. cakewalk. DON'T YOU WHAT LENNY WHITE-Elektra 47043 by Friese -Greene -Mangold) (writer: Century - KID STUFF (prod. by Dunn -White) ENGELBERT-Epic 9-50933 Mangold) (Thames Talent, ASCAP) BETTY EVERETT-20th (writers: White -Miller Jr. -Anderson - DON'T TOUCH THAT DIAL (prod. by (3:20) Fox 2466 (RCA) Martinez) (Mchoma, BMI) (3:50) Diamond) (writers: Henry -Singer) (Silver The young quartet debuted with HUNGRY FOR YOU (prod. by Carter) is for the Blue, ASCAP) (2:42) (writers: Hall -Gore) (Top Pop/Papa This great medicine the charted ". . . When the with uptempo Leo/Daniel, ASCAP) (3:35) bump -and -grind crowd. White Engelbert dabbles Spirit Moves You." This follow-up pop on this latest from his This little pearl is one of those orchestrates a storm of synthe- is another formula-perfect AOR- Love" 'LP. The late -night companions that you sizer/guitar/bass/percussion tur- "Love's Only pop tune with sweltering guitar is for pop -A/C radio can always count on. Everett's bulence with funky street -corner theme great runs placed neatly between pol- Wachtel adds spirited vocal is as soulful as it is endear- vocal carousing to match. and Waddy ished lead vocal pleas and chorus slide colors. ing, and some warm harp shots harmonies. feel like fine whiskey. 7TH WONDER-Chocolate City FIREFALL-Atlantic 3763 3212 (Casablanca) MOUNTAIN ONLY TIME WILL TELL (prod. by group - OZARK SLICK-Fantasy 892 THE TILT (prod. by Solvers III) (writers: R. & H. Albert-Lehning) (Powder, DAREDEVILS-Col 1-11357 SUNRISE (prod. by Neale -Barry) (writers: Beard -Stokes) (Spectrum VII/ ASCAP) (3:11) OH DARLIN' (prod. by Boylan) (writer: Barry -Neale -Bernstein) (Parker/WMOT/ MYKINDAMUSIC, ASCAP) (3:45) Larry Burnett's message is one Lee) (Lost Cabin, BMI) (3:43) Across the Miles, BMI) (3:43) A rubbery bass leads the potent of hopeful yearning for a love The Daredevils opt for a smoke - The Philadelphia -based female rhythm strut and swinging strings that remains elusive. The mellow filled barroom ballad complete vocal trio reaches into the heav- on this dancers' delight. Multi - ballad spotlights a sad guitar line with pulsating piano. The roman- enly stratosphere on this gorge- vocal trades give pop possibili- back- for maximum pop -A/C appeal. tic lead vocals and soft ous ballad. Serene keyboards and ties. ground chorus cushion give pop - subtle percussion clicks augment LAWLER & COBB-Asylum A/C appeal. the peaceful mood. RANDY BROWN-Stax 3227 47035 4929 (Fantasy) READY OR NOT (prod. by Lawler -Cobb) TOBY BEAU-RCA 12098 THE McCRARYS-Capitol IF I HAD IT TO DO ALL OVER (prod. by ASCAP) AMERICAN DREAM (prod. by YOU ARE MY HAPPINESS (prod. by (writers: Lawler -Cobb) (Mi(ene, LITTLE MISS -Nixon) (writers: Hayes-Porter) McCann) Henderson) (writers: Henderson -Jones) Brown (2:58) Fuller-Moonchild) (writer: Memphis, BMI) (3:28) (2:50) (April/Monosteri/Teddy Jack, ASCAP/ (East This talented, up-and-coming (Blackwood/McCann, BMI) Isaac Hayes - to re- BMI( (3:25) Brown takes this team from Nashville have several The group always manages tunes Spirited percussion decorates po- David Porter chestnut and paints impressive writing / producing / lease consistent and crafty A/C and tent rhythm funk while Howard's it with amazing warmth and sen- playing credits under their belt. that regularly chart pop, This bouncy rocker tenor and Linda's soprano dance sitivity. Herb Jimmerson's ar- This single from their fine "Men often country. a with soulful enthusiasm. Ernie rangement brilliantly compli- LP is good-time is another polished effort with From Nowhere" Watts seasons with sax pepper. ments the vocal showcase. soul with a made -for -pop hook. smart hook.

RECORD WORLD SEPTEMBER 20, 1980 12

www.americanradiohistory.comAmericanRadioHistory.Com CBS Special Products U.S. Is Ready for Reggae, Says New Island VP Ron Goldstein Announces Releases By SOPHIA MIDAS largely ignored by the black stein stated that this genre of The American audience. "Marley's music has to be marketed musi- NEW YORK-The Special Prod- NEW YORK - influence of album sales can be mainly at- cally. "The reggae recordings of ucts Division of CBS Records has of reggae on the recordings a white, intellectual Tom Browne, the Police and announced the release of three such pop artists as Stevie Won- tributed to an AOR audience. Paul Simon are musically, and new entries in its Collectors' Ser- der and Paul Simon has led buying public; It's amazing to me that more not lyrically, reggae, and this ies, one new album in its Encore some industry observers to in this country is probably the best way to go series and four titles in its Com- speculate that this genre of black people not involved with for these artists. Realistically, modore reissue series. music may finally be on the have been say, as well as we can only expect reggae music The three new Collectors' Series brink of gaining mass accept- what he has to itself. Rastafarianism to take off musically in this releases are "Themes from The ance in America. Ron Goldstein, the music country, but it's a start. I think General Electric Theater," featur- newly appointed vice president is a black movement, but this that we're going to be seeing ing the music of Elmer Bernstein; of Island Records, agrees, noting is something which black now be- more American producers re- the original cast recording of the that reggae is establishing strong Americans are only questing a reggae rhythm when 1973 Broadway show "Seesaw;" roots in the U.S. and that its ginning to understand." they get into the studio. But, and "Big Bands Are Back!," a two - growing popularity may make it Although reggae music has will be record compilation of tracks from a significant trend in American been slow to break into the again, American lyrics the '40s and '50s. The Encore al- pop music. American marketplace, it has re- maintained." bum is "Gene Krupa Swings," Goldstein, who assumed his ceived international acclaim. Because reggae is "a natural" which highlights the drummer's position at Island Records four Marley has been lauded by the for the black marketplace, 1938-42 band and includes a num- weeks ago, feels optimistic about European press and attracted Island Records has launched an ber of previously unreleased cuts. his label's commitment to reg- record crowds in Milan, Paris extensive black marketing cam- The four new Commodore reis- gae music. "Although Island has and at the Crystal Garden in paign for Marley's latest album, sues, which were mastered under a diversified roster, with re- London. According to Goldstein, "Uprising." "Since we've estab- the supervision of Commodore cording artists such as Robert 100,000 fans showed up to see lished an AOR base for Marley," founder Milt Gabler, are "I'll Be Palmer, Grace Jones and the Marley at a stadium date in said Goldstein, "we've planned Seeing You" by Billie Holiday; Jags, we have always had a Milan. "The European press," a marketing campaign that is "Tin Roof Blues" by George Bru- deep commitment to reggae said Goldstein, "have compared geared to black radio. Marley's nis and Wild Bill Davison; and music," he told Record World Marley's musical stature to current single is picking up a "Jimmy Ryan's and the Cafe So- in an exclusive interview, his Jagger and Hendrix, and they lot of black radio airplay. That's ciety Uptown" and "Boogie first since assuming his new post. are saying that his music is the a result of our promotional Woogie and the Blues," both by "This commitment continues, first music to have an impact efforts, and also of Marley's various artists. and part of my job is to finally on American sounds since the performance at last year's Black break this music into the Ameri- blues. That's an awesome com- Music Association in Philadel- 'Pop Show' To Debut can marketplace. In the recent parison." phia. This was the first time that we were really able to get In Fall on Cable TV past, reggae has come close to Europeans, opined Goldstein, penetrating this market, and have a more prounounced politi- a lot of black programmers to- NEW YORK The "Pop - there's every indication that we cal consciousness than Ameri- gether and introduce them to a presentation Show," half-hour will finally see this happen. cans, and this factor is most reggae music and Bob Marley. featuring music, old movies, TV Marley's per- "For some reason there has responsible for creating the The success of ads from the 1950s, and other is been enormous resistance to discrepancy between American formance at the convention "pop culture memorabilia" will felt as more black reggae music in America," said and European acceptance of now being debut on Manhattan Cable stations play his music." In an Goldstein, "and I believe the reggae music. "I believe that September 27 at 7:00 p.m. on penetrate the main problem has been that music is always a reflection of attempt to further Channel J. The show is the pro- black marketplace, Marley is Americans have not taken a country and its culture," he totype for what its creators hope at Madsion Square reggae music musically; they've said, "and at the moment there appearing to turn into an entire "Pop of the taken the music of artists such is nothing happening at Garden in support Network" in the near future. Commodores. as Bob Marley religiously, or campuses throughout the United The "Pop Network's" founder culturally. It's an indication of States. Ever since Watergate, Goldstein heads the Ameri- and executive officer, Cliff American prejudice, because Americans have not wanted to can office of Island Records and Friedland, is now negotiating the Americans view the physical ap- become emotionally involved is responsible for maintaining a rights to leasing time on a pearance of Rastafarians as and because of this, it's been liaison with Island's offices in satellite that will enable the net- alien, and therefore unaccept- tougher to introduce reggae London and its studios in Nas- work to be broadcast into at able to them." music into this country." sau and Jamaica. Goldstein had least two million homes. "The Goldstein finds the resistance Since Americans are not been general manager of War- 'Pop Show' is just the tip of the to reggae puzzling, especially ready to embrace reggae music ner Bros. Records' progressive iceberg," said Friedland. since reggae artists have been politically or spiritually, Gold - music division for three years Among the artists to be prior to taking the Island job. featured on the "Pop Show" in He had been with Warners since the fall are the Pretenders, Backstage with Armatrading 1969, except for a two-year Michael Jackson, Charlie Daniels period when he ran Chrysalis Band, Cheap Trick, the Specials, Records, U.S. the Clash and Steve Forbert. The "Pop Show" will use both label - produced and self -produced Japanese Song Fest videotapes. Along with Fried- Announces Finalists land, the show's staff include Rick Blume, John Richard and David TOKYO - Finalists have been Glassman. announced för the 11th Annual World Song Festival to be held at CBS Records Int'l the Nippon Budokan Hall in To- kyo on November 14-16. The Promotes Phillips three-day festival will feature 22 songs performed by artists from NEW YORK - Joe Senkiewicz, c l 17 countries. The finalists, in- vice president, artist develop- at the Greek Theatre in Los Angeles, A&M recording Following a recent performance Cross, Mary ment, CBS Records International, artist Joan Armatrading was visited by three presidents, two vice presidents and a cluding Christopher John Holmes has announced the appointment managing director. From left: Bob Grace, president of Rondor Music International; MacGregor and Rupert Bromwell, managing director of Rondor, Australia; Gil Friesen, president of A&M from the United States, survived a of Mel Phillips to the position of Minor, Records; Armatrading; David Kershenbaum, A&M's vice president of A&R; Charlie five -stage screening of 1,860 en- director, promotion and import vice president and executive director of promotion for A&M; and Lance Freed, presi- sales. dent of Almo-Irving Publishing. tries from 52 countries.

RECORD WORLD SEPTEMBER 20, 1980 13

www.americanradiohistory.comAmericanRadioHistory.Com Record l!Ltt [----1-1(..--L

v[d-AD))LN WI il I t:HtAl9 AORRISON

COMMON ONE I HEARD IT IN A LOVE SONG BORROWED TIME B LLY BURNETTE Columbia NJC 36792 (7.98) VAN MORRISON-Warner Bros. BSK McFADDEN & WHITEHEAD-TSOP JOHNNY RIVERS-RSO RS -1-3082 (7.98) 3462 (7.98) JZ-36773 (CBS) (7.98) While Johnny and Dorsey Bur - Morrison's latest album suggests The two expert writer/producers Sporting such pop cuts as Moon nette were creating great music the pop artist as a solitary painter who put themselves on the map Martin's "Dreamer" and Rivers' in the 1950s, they were also busy with personal procreating future recording stars filling his canvasses as artists with "Ain't No Stoppin' own country -rocker "The Price," impressions without space or Us Now" are proving themselves of the 1980s, namely hitmaker - this album's underlying inspira- time limitations. "Haunts of An- unstoppable with their latest re- Rocky and his cousin Billy. This lease. The title cut is already a tional theme effectively reflects label debut serves up lots of cient Peace" is pure serenity bulleting single, and pungent Rivers' musical and spiritual di- twangy guitars, reverberant voices, (thanks to the reeds and musical frenetic numbers like "Rockin' funk numbers like "I Know What rection. The highlight of the LP, direction of Pee Wee Ellis), I'm Gonna Do" will keep people L.A." and a tribute to dad and is duet with Phil while "Summertime In England" dancing to their beat through the however, his uncle with an updated "Tear It stretches out over 15 minutes. fall. Everly on Everly's "Living Alone." Up." NINA HAGEN BAND I'M ONLY HUMAN TROUBLE IN PARADISE WASP Bros. BSK 3451 Columbia 3C 36817 (3.98) MICHAEL DES BARRES-Dreamland DL -1- DEBORAH ALLEN-Capitol ST -12104 SHAUN CASSIDY-Warner 5004 (RSO) (7.98) (7.98) (7.98) Had you been Produced by Singer/song- With the hanging out in Mike Chap- writer Deborah production of happening man, this effort Allen applies Todd Rundgren West Berlin features the her distinc- and the back- last year, Nina former lead tively pretty ing of the would have singer for voice to this group Utopia, been the one Detective. Des collection of Shaun Cassidy artist you couldn t miss. Her U.S. leap in Barres is both romantic ("Boy her songs. Two cuts that espe- has made an incredible debut on a 10 -inch disc includes Meets Car") and fashion - cially shine are the haunting song selection and interpretive her German lyrics to "White conscious ('I Don't Have a Thing "Bells" and "Next To You," a style. Punks On Dope." To Wear"). secular tune with a gospel feel. BA DDEST CLASSIC CLIFTON ANNE MURRAY'S GREATEST SERENADE FOR THE CITY GROVER WASHINGTON, JR.-Motown CLIF"ON CHENIER-Arhoolie 1082 (7.98) (9.98) HITS MICHAL URBANIAK-Motown M7 -944R1 M9-940 If you haven't Capital 500-12110 (8.98) (7.98) "Mr. Magic" been exposed Murray's im- Urbaniak's put saxophone to the New the pressive track instrumentals back on Orleans -origi- pop airwaves record is cata- are laid-back nated blues logued in this and jazzy, yet in the seven- hybrid music package with they retain an ties. It's on called zydeco, selections urban edge. this double this LP serves as an ideal intro. of favorities, which CURE.ATEST HITS ranging from O particular compilation Chenier is a master accordionist Bill Withers' "Ain't her 1970 hit single "Snowbird" interest on this effort is also includes who sings in both French and and "Circular Road," No Sunshine." English. up to "Could I Have This 'Vanessa" Dance," her recent release from which features his wife Urszula WHAT IT IS PARTY IN THE WAR ZONE Cowboy" soundtrack. Dudziak's vocals. the "Urban DAVE LIEBMAN-Columbia JC 36581 VIVABEAT-Charisma CL -1-3102 (7.98) (Phonogram) (7.98) BACK ON THE HUNT DOIN' IT MY WAY - This California - THE HLNT-Visa 7013 (JEM) (7.98) TRACY NELSON-Adelphi AD 4119 (7.98) The much heard based group's Armed with Tracy's new reedman's debut single, such hard- release in- newest solo "Man From hitting cuts as cludes the effort reflects China," was "Standing In uptempo jazz one that radio The Road" and "Going Back an eclectic outlook, with should not a cover of To Tennessee" "Paoli's Vision" have passed over. Pulsating, Har- and the bluesy everything from George creative synthesizer and keyboard self -penned "Down So Low," (an impressionistic piece rison's "It's All Too Much," this the entire album in are new treat- dedicated to Soleri, the artist - work put is one Canadian band that cer- both of which futurist) to a steamy cover of the league with the best new rock takes their heavy metal ments of well-known Mother tainly Rolling Stones' "Miss You." coming out of Europe today. very seriously. Earth selections.

RECORD WORLD SEPTEMBER 20, 1980 14

www.americanradiohistory.comAmericanRadioHistory.Com Cover Story: Boardwalk Signs Phil Seymour Stephanie Mills: A Veteran at 22 At the age of 22, Stephanie originated the role of Dorothy in Mills is already a seasoned and "The Wiz" on Broadway. She respected veteran of the Broad- stayed with the show for four way and concert stages. She is years; during this time she also also a recording star of the first developed a nightclub act. magnitude. Her first two 20th But Stephanie's career started Century -Fox albums, "Whatcha earlier than that. At 10, she won Gonna Do With My Lovin?" and the Apollo Theatre's amateur "Sweet Sensation," both went night contest, and the Apollo gold with ease. Her current sin- management immediately gave gle, "Never Knew Love Like This Stephanie her first professional Before," is skyrocketing up the booking-a week's engagement pop charts. Her concert appear- with the Isley Brothers. Shortly ances sell out in advance, she has afterward, she made her Broad- made numerous television ap- way debut in "Maggie Flynn," Neil Bogart, president of The Boardwalk Entertainment Company, has announced the signing of Phi! Seymour to an pearances, and she has fans all with Shirley Jones and Jack Cas- exclusive recording contract with the firm's music divi- sion. His first project for Boardwalk, currently being recorded in Los Angeles with pro- over the world. And her career sidy. ducer Richie Podolor, is slated for release at the beginning of 1981. Seymour, best is really just beginning. Stephanie has an uncommonly known for his partnership with Dwight Twilley in the Dwight Twilley Band, has also Stephanie first attracted atten- powerful voice and has always been featured as a vocalist on Tom Petty's recordings and as a drummer on LPs by Peter Noone, Moon tion at the age of 15 when she been immersed in music. While Martin and the group 20/20. Pictured from left are: Saul Davis, Seymour's manager; Seymour; Bogart; and Peter Paterno, Seymour's attorney. still in grammar school, she was honored for her artistic and vo- FBI Agents in Ohio cal ability with a prize that had U.K. Labels Pledge Bullish Promotion Raid Tape Operation only been given to one other stu- dent in the school's history- COLUMBUS, Ohio-FBI agents Barbra Streisand. In Announcing Fall Release Schedules from four bureaus raided what Since her success in "The By VAL FALLOON they believe to be the largest Wiz," and subsequently as a con- LONDON - Despite the soft tive view of the record industry tape pirating and counterfeiting cert and nightclub artist, Steph- market here, British record com- in recent months, reflected by operation in the midwest, doing anie has become an international panies launched their autumn the press, should be changed. business in more than 40 states, celebrity. She travels over 100,- sales campaigns with confidence, "It is not constructive to display last Tuesday (9). Cassette and 000 miles each year. Paris, Lon- optimism and a mood of egres- such lack of confidence," he eight -track masters, tapes, labels don, and Rome are now familiar sion. Though the possibility of stated. He added that CBS has and equipment were seized. The territory and are almost as much an even more difficult 1981 is continued to make a profit this FBI said the total enterprise was "home" as her native Mount making many executives nervous, year and that the new factory had worth over $20 million. Vernon, N.Y. the amount of money being spent delivered a million LPs, cassettes Search warrants were executed Stephanie recently added a new and the sheer weight of good and singles since it opened in at two locations in Ohio: Peo- dimension to her recording ca- product scheduled is a deter- June. Oberstein called for more ple's Stereo and Utopia Ultra reer when she recorded two mined bid to bring the customer optimism in the business. CBS Sound, both at 38-40 South First duets with Teddy Pendergrass for back into the record stores be- has a heavy schedule for the St., Newark, and the residence of his latest album "TP." And even tween now and Christmas. coming months with almost all Donald R. Shannon Jr., 286 Dog- as "Sweet Sensation" began CBS was probably the most op- its top artists and its new signings wood Dr., Dogwood Lake Estates, climbing the charts, she was back timistic of all companies at its represented. Product unveiled Thornville. in the studio with producers sales conference in Torquay, the included material by ABBA, the Materials seized included over James Mtume and Reggie Lucas, Devon resort. It is in any case Nolans, Earth Wind and Fire, 2,000 cassette and eight -track working on her third album for the least affected by takeovers, Cheap Trick, the Jacksons, Bruce masters; thousands of alleges y 20th Century -Fox Records, manu- shakeovers, redundancies and the Springsteen, Judas Priest, Johnny counterfeit and pirate tapes; sev- factured and distributed by RCA general slump. Along with WEA Mathis, Charlie Daniels, Kansas, eral hundred thousand labels; Records. it is the only major here not in- Crystal Gayle and Steve Forbert. mastering, labeling and packag- What's next for Stephanie volved in the mergers which one Among new signings are Gilbert ing equipment including a Treaco Mills? "Everything," says the way or another seem to have af- O'Sullivan, Adam and the Ants eight -track unit with two bin -loop young star confidently. "I'm on fected almost everyone else this and the Step, with more product duplicators and five slaves, one the yellow brick road and the year. Chairman Maurice Ober- from U.K. artists including After Otan and two Pentagon in -cas- sky's the Imit." stein pointed out that the nega - the Fire and Bruce Woolley. Vari- sette duplicators and a Besseler ous TV campaigns are planned shrink-wrap unit; and business ZZ Top Reels In An Award along with midprice and cassette - records. only special releases. The search warrants were is- CBS also announced a new li- sued by the U.S. District Court, censed label, Kaleidescope, to be Southern District of Ohio, Colum- headed up by Robin Blanch - flower, bus, as the result of a two-year former Ariola UK manag- ing investigation by the FBI's Colum- director. Blanchflower has bus bureau. Agents from Colum- been planning the joint venture for bus were assisted by the Cincin- some months. His responsi- nati, Cleveland and Pittsburgh bilities at Ariola will be shared between bureaus in the coordinated raids, Arista MD Charles Levi - son and marketing directed by case agent Mike director An- drew Pryor, Chretien and supervisor Tom "for the immediate Mitchell. future." EMI spearheaded its new prod- No charges have been brought uct with the Neil Diamond sound- against the operators and no ar- track LP for "The Jazz Singer" rests were made. The materials set for November. Also a top pri- seized are being reviewed by the The Ampex Corporation has awarded ZZ Top its "Golden Reel" award for the band's ority is the Stevie Wonder LP FBI and the U.S. Attorney's office RIAA-certified gold Warner Bros. debut LP "Deguello," which was recorded entirely on Ampex Shown "Hotter Than July," and a double to determine if indictments will tape. receiving the award at Lone Star Management's Houston head- quarters are, from left: manager Bill Ham and Dusty Hill, Frank Beard and Billy LP by Whitesnake. Various Mo - be sought. Gibbons of ZZ Top. (Continued on page 57)

RECORD WORLD SEPTEMBER 20, 1980 15

www.americanradiohistory.comAmericanRadioHistory.Com WRVR Goes Country (Continued from page 3) Radio Replay will add a lot of diversity to the than the music we haven't made market, and that there is a tre- any changes because we want By PHIL DIMAURO mendous need for it." time to develop it properly." -breaking The New York market is 20 OUT OF 33 AIN'T BAD: The much -heralded, record cur- WRVR was the only commercial WBBG, attempt to cross Lake Erie by canoe, made on August 30 by rently being offered country mu- jazz station in this market, and the all -pro tackle Cleveland's Jay Lawrence and former Cleveland Browns sic on WHN, an AM station with effects on the jazz record and disaster, Dick Schafrath, ended not quite in success, but not quite in a well -established listenership. concert industry are expected to got out either. Promotion director Christy Smutak reports, "They Viacom International Inc., which be serious. Vernon Slaughter, them up .. . about 20 miles, and we had to send the boat in to pick owns WRVR, is planning to vice president of jazz/progressive is Dick. let's face it, Jay is no spring chicken anymore, and neither spend close to $1 million to at- music marketing at CBS Records, did get lots They just couldn't row anymo'." The valiant duo's effort tract a competitive audience. "In said. "Obviously, with New York it served of live listener support and local TV coverage, however, and a sense," said Olds, "this is not being the jazz capital of the According a as a well -deserved prelude to Lawrence's island vacation. only a golden opportunity for world, this definitely has nega- from to the people at 'BBG, we can expect crazier stunts to come us, but we think it's a great op- tive impact. We are in the process used station Jay, who, as recently as two months ago, reportedly portunity for the general audi- of developing alternative plans to phones to call Saudi Arabia and declare war! ence to have another voice that get the music to the people. These weeks ago SAN JOSE SEX SURVEY PART TWO: It started a few will add to the diversity of the will include working with other results of when KSJO, San Jose news director Nancy Stevens read the programming. As to why the stations in the area, urging them Playgirl Magazine's "10 Sexiest Men" poll over the air one afternoon. change was made this way, we to incorporate jazz in their pro- heard "Lisa (Novak, the afternoon air personality) and I hadn't even just think that it was best done gramming, and developing print of half the people on the list," exclaimed Nancy, who suggested an very quickly." and in-store retail strategies in impromptu "10 sexiest men in rock 'n' roll" poll that had station Viacom's national program di- order to reach the consumer." Lisa phones lighting up constantly for well over an hour. Nancy and rector, Bill Figenshu, said that The other immediate effect made it clear that men were not eligible to vote, but now the guys the station has applied for new that the format will have is on in will have their chance. KSJO will sponsor a "10 sexiest women call letters, WKHK, and plans to personal appearances of jazz art- rock" poll, probably during the first week in October, partially as a call itself Kick 106 FM. "Person- ists. New Audiences, the primary rating strategy for attracting listeners during the first week of the ally I'm not into country music, promoter of jazz concerts in the pref- period. Men in the audiences will have a chance to state their but the popularity of this music area, is already being forced to Slick erences among the likes of Debbie Harry, Pat Benatar, Grace in this market has been shown to reconsider some concerts that Heart's Wilson sisters, Chrissie Hynde and any other of rock's growing be strong," Figenshu said. "Other (Continued on page 17) of contingent of frontwomen. Because KSJO's audience (like that extra most AORs) is predominantly male, the pollsters are installing that phones for an expected deluge of calls. Considering the success it's People Magazine and similar publications have with such polls, a great hardly surprising that a radio station would find them such way to encourage listener participation. "People really like to let you know where they stand on any question of taste," Lisa surmised. Both most ladies look forward to an enjoyable time, but Nancy is still pleased with the spontaniety of the first "poll." "It all happened within an hour," she said. "That's what really makes radio fun." NASTY RUMORS SQUELCHED: Dale Andrews, PD of WFBR, Balti- more, recently called in to clear the air regarding the whispered sup- position in the market that the A/C formatted station is contemplating I'm sure a change to news/talk: "I find it rather amusing, though there are some folks who would like to see us do it." Andrews ad- mitted that recent personnel changes at the station might have fired the rumors-for instance, the acquisition of Bob Bolton from WKIX, Raleigh, for afternoon drive and Bob Moke from WEMP, Milwaukee, for the midday slot. The station had also recently run ads for an after- noon newsperson and a "lifestyle reporter," but Andrews assured us that these additions are aimed at beefing up the format rather than changing it. And he brought up one important point: playing records Even if is cheap compared to making an all news/talk changeover. WFBR wanted to do it, such a switch, according to Andrews, would be prohibitively expensive. MOVES: Rob Sisco, former PD of WPEZ, Pittsburgh and MD of íi,...ïye u WXLO in New York has been named program director of K101 (KIOI) Kevin Metheney will be in New York as of Mon- in San Francisco ...... ,..,. ,ioiaioioaaaiOi day, September 15, as program director of station WNBC . . . / Sheldon Davis has been appointed general manager of KIKK AM and Texas . i. FM, Viacom -owned radio stations in Pasadena and Houston, .. Bob Burch, formerly national program director for Century Broadcast- of ing Corp., has joined Westwood One in Los Angeles as director network operations for the radio syndication firm ... Ray White has John been named music director of WLIR-FM in Long Island, while De Bella has been appointed morning man and production director in Jackson- at the AOR station ... Ed Rush is the new PD at WQIK-FM been filling in for Mark Goodman at ville ... John Stevens, who had "Sure . .. but an eight -record set?" WMMR-FM in Philly, sounded "so damned good" to the management that he's now doing the 6 to 10 P.M. shift full time. Tom Robinson is (Continued on page 48)

RECORD WORLD SEPTEMBER 20, 1980 16

www.americanradiohistory.comAmericanRadioHistory.Com W RV R (Continued from page 16) they have scheduled. "We think lawsuit to block the sale of the MY.! that it's a travesty that New station on the grounds that there NOW York no longer has a 24 -hour was a clear need for a 24 -hour jazz station. We were consider- jazz station in New York. The ing doing a Bob James concert committee dropped its suit after By DAVID McGEE in October and now we have to Sonderling signed a written agree- When her debut album was released last year, Ellen Shipley was reconsider that," said New Au- ment, that expired in October often compared to three other promising female artists who had diences' Steve Martin. 1978, to retain the jazz format. also released debut albums at about the same time. Of that group, At the time that the country After the expiration date, jazz Carolyne Mas may well turn out to be the most influential, both format was introduced, WRVR was kept on the airwaves, pre- as a writer and as a performer; but at the 'moment she is still in dropped all of its jazz -oriented sumably to avoid another con- the process of defining herself as she moves toward the inevitable advertising. Members of the sta - frontation with the jazz commu- major project. Pat Benatar, already an excellent performer, shows say ne- ton's staff that other adver- nity. Sonderling was by then little flair as a writer, but great talent for interpreting other's songs. tisers have cancelled spots. gotiating a sale to Viacom Inter- their Ellen Foley remains something of a question mark. Her first album The only other stations that national, and a protest would featured top -rate tunes (including the powerful "We Belong To The program primarily jazz in have the New probably complicated the Night," written by Foley and former RW staffer Fred Goodman), and York market are WKCR, which is transaction. word has it that she is a dynamic performer as well. However, she operated by Columbia University, New York's supporters of jazz failed to capitalize on the impact of her album by touring, primarily and WBGO, a public broadcasting are up in arms once again. A dem- because her band was in fact the Mick Ronson-lan Hunter band, station based in Newark, New Jer- onstration of some 200 people which had obligations of its own that took precedence over backing sey. Neither can accept paid ad- was staged in front of Viacom's Foley. Recently she's put a band together and has been successfully vertising. Both concentrate on corporate headquarters last touring Europe, where she has already become a major recording mainstream or avant garde jazz, Wednesday (10) and attracted lis- artist. 'But a second album is nowhere 'in sight. whereas WRVR emphasized fusion teners, musicians, and industry or so-called progressive music. figures. Trumpeter Woody Shaw Shipley's situation is closest to Foley's, 'but for different reasons. WBGO, which normally oper- commented at the rally that Although she has a fine band, she bowed at a time when labels ates on an 18 -hour day, extended "After all the support New Yorkers were severely curtailing tour support, and consequently her concert air time to 24 hours the day have given the station, this is very activity has 'been pretty much limited to the northeast. Her second WRVR switched. "Whether we disturbing. New York is supposed album was completed last spring, but management problems-since stay on 24 hours or not," said mu- to have a station like 'RVR." The resolved-delayed its release until this week. it was worth the wait. sic director Al Pryor, "will depend station was often accused of strad- A dramatic step forward for the artist, "Breaking Through the Ice on how many of those who are dling the fence between the tastes Age" 'builds on the best elements of Shipley's first LP-purposeful, listening to us support us." WBGO of mainstream and progressive intelligent lyrics; 'passionate vocals; energetic instrumental support; operates on grants and contribu- listeners, but the total elimination inventive arrangements; skillful use of dynamics-while largely strip- tions. "A lot of people have been of jazz brought the two sides to- ping away its excesses. This album is grandiose, but never over- calling us and asking if our format gether. Among those on the pick- blown; romantic, but never melodramatic; sentimental, 'but always is going to change," Pryor said. et line were musicians Lenny realistic. Most encouraging is the new sophistication 'and assurance "We don't know. Our inclination White, Sonny Fortune, Michal evident in Shipley's singing. Gone is the penchant for the bombastic is that while we now feel that we Urbaniak, and members of the that sometimes marred sensitive 'portions of 'her tunes. The vocals have a greater responsibility to groups Manhattan Transfer and here are as deeply -felt as ever, but also more subtle. In the album's the jazz community, we do want Spyro Gyra. "The issue is not what first cut, "Heart to Heart," she moves from a sensuous moan in the to stick with those people who kind of jazz 'RVR is playing," verses to a high-pitched, near -whisper in the chorus and into an supported us even when 'RVR was said White. "We need a jazz sta- ingratiating, declamatory style during the 'bridge. The song could on the air. Those are the people tion, and there's already a coun- be sung straight and still be a winner, it's so carefully constructed; who made the commitment from try station here." but the well-timed modulations in vocal timbre add great feeling the beginning." Further protests are planned. that otherwise would have been missing. This is not the first time a Supporters of the jazz format Shipley's special gift as a writer and singer-and what really sepa- switch has been attempted at were scheduled to meet with the rates 'her from the other artists mentioned an WRVR. When Sonderling Broad- WNCN Listeners Guild on Satur- here-is ability to cut to the quick of human feelings, casting purchased the station from day (13). The guild, which was particularly in affairs of the 'heart. its original owner, the Riverside organized several years ago to Ultimately, "Breaking Through the Ice Age" is what the title im- Church, in 1976, plans were an- return classical music to WNCN plies: a bold repudiation of all that is soulless, mechanistic and cynical is nounced for a switch to an R&B after it had switched to rock, also about techno-rock. This a record about people needing format. The Committee to Save assisted the Committee to Save people (pardon the expression, but it has rarely 'been so apt) and Jazz Radio was formed and filed a Jazz Radio in its first protest. going to extraordinary lengths to preserve what Dickens termed "the long chain of roses and thorns" that binds them together in love RCA Signs John Valenti and friendship. Everyone must bleed; everyone 'must reach out; everyone must

stand naked. Here I am, says Ellen Shipley. MUSIC FOR THE MIND AND BODY (OR, DON'T KNOCK THE ROCK, DDOC): Certainly any urban dweller-particularly one in New York City-knows about the dastardly effects of noise pollution on one's physical and psychic well-being. This columnist vividly re- calls his third day in New York City, way back in September of 1973, when she witnessed a fire truck-siren wailing, horn blaring- stuck in a Times Square traffic jam. Standing on the corner of 47th and Broadway watching this scene develop was a well -dressed, mid- dle-aged 'businessman of seemingly -serene countenance. But in all of about five or six seconds he had had enough: placing his hands over his ears, he screamed at the top of his lungs, "Turn that thing off! You don't go around blowing that thing in your living room, do ya?!" "'Aid 'Clearly this fellow was a victim of the fire truck's noise 'pollution. Ed DeJoy, division vice president, pop A&R, RCA Records, has announced th signing And what did he go 'home to? A nagging wife? Screaming children? of singer -songwriter John Valenti, a former member of Puzzle. His first album for the El a label is scheduled for release in October. Pictured during the signing session in Holly- An apartment in Barrio within earshot of salsa band that played wood are, from left: (seated) DeJoy, Valenti, and George Tobin, executive producer into the wee hours of the morning? Would that the latest issue of of the album; (standing) Marty Olinick, west coast director of business affairs, RCA NARM's Sounding Board newsletter had been available to him when Records; Bud Dain, division vice president, west coast pop A&R, RCA Records; and Mike Piccirillo, associate producer of the album. (Continued on page 24)

RECORD WORLD SEPTEMBER 20, 1980 17

www.americanradiohistory.comAmericanRadioHistory.Com Anytime Anyplace 'NEW The Coast geig

By SAMUEL GRAHAM and SAM SUTHERLAND AXE MURDERERS: With this summer's box office receipts notably paced by throat slashings, impalements, stranglings and assorted other R-rated methods of mayhem, it seemed appropriate to catch up with the members of Molly Hatchet, the tireless hard rockers whose image has been wittily underscored by the blood -and -guts graphics of Frank Frazetta and the withering cross -fire of its own three-man guitar assault unit. Drummer Bruce Crump filled us in on the latest battles for the Jacksonville -based sextet, beginning with the search for a new lead singer who could front the band and sustain the year-round touring pace that has been central to their platinum credentials. "Our original singer, Danny Joe Brown, was a diabetic," explained Crump, "but he didn't find out about it until last summer, and it was pretty emotional MCA recording artists the Rossington Collins Band recently made their New York debut at the Paladium, as part of a national tour in support of their album "Anytime Any- -he'd lost a sister to it three years ago." place Anywhere." While in town, band members Gary Rossington, Dale Krantz and The hard -driving road life consistent with metallized rocking made Allen Collins visited the studios of WNEW-FM and were interviewed on the air by that condition even more serious. "It was wearing him away emotion- program director Scott Muni. Shown seated (from left) are: Rossington, Krantz and ally and physically, and it got to the point where he had to leave or Collins. Standing are: Muni (left) and MCA New York promotion man Barry Goodman. we'd end up burying him." That crisis yielded good news for both Brown and Hatchet, however, 'Bomb Iran' Single Ships -Finally with the former said to be healthier and the latter pleased with their new front man, Jimmy Farrar. "He can really project," enthuses Crump. By JEFFREY PEISCH NEW months an "He's one of the strongest singers I've ever heard. He had a background YORK-After of version of "Bomb Iran" un- in gospel and they just don't let you sing that music unless you're legal wrangling, "Bomb Iran," authorized copy of an unauthor- really powerful." That kind of power made it appropriate for the band the pro -American song by Vince ized copy. to revive one of their old cover favorites from their club days, Creed- Vance and the Valiants sung to Thies and Actis finally joined ence Clearwater Revival's "Penthouse Pauper," which Crump notes is the tune of "Barbara Ann," was forces to try to gain an O.K. from perfect for Farrar because of CCR founder John Fogerty's own raucous officially released last Monday (8) "Barbara Ann's" publishers. Alan power on the original. on Paid Records of Nashville. Skiena of the Copyright Service Crump can display good humor over the combat zone mise en scene It is too early to tell how many Bureau said that he had received for the band's past arena triumphs ("Most of our audience is young stations will add the song, but "dozens" of requests to do simi- guys, duking it out with each other in front of the stage"), but feels the response to unauthorized lar songs during the past year and Molly Hatchet is ready to broaden its appeal and shake off the South- versions of the song distributed had turned them all down be- ern -boogie tag. One track on the new Tom Werman-produced LP, during the last several weeks in- cause they were in bad taste. Al- "Beatin' The Odds" (Epic), is a signal of things to come: "It's a first dicates that "Bomb Iran" could though Skiena wouldn't say that for the group, because it's actually a mellow song. After all that up - be a major hit. Actis' version is in good taste, tempo hard stuff, it's got a lot of acoustic guitars and because it's a "Bomb Iran" is the brainstorm he implied that the publishers new development for us, we think we can open some new markets." of Chet Actis, the Los Angeles - chose to finally accept a version FROM THE OVAL OFFICE: The big news is that Tommy Roe, who's based manager of Vince Vance of "Bomb Iran" so that they could now described as a country singer (Gad, Sheila would roll over in her and the Valiants. Actis and busi- control the market and end the grave), will be performing for President and Mrs. Carter at a Demo- ness associate Garren Walters dissemination of several unau- cratic fund raiser to be held September 15 at the Atlanta farm of wrote the revised lyrics to "Bar- thorized versions in the market- Charles Kirbo, Carter's chief adviser. We're told that Roe, who lives in bara Ann" over three months place. After three money offers Atlanta himself, will perform a series of his old and new hits (although ago. Actis sent the lyrics to his from Actis and Thies, Cousins we'd be hard pressed to name any of the latter). We can assume that band, based in Houston, and and Levy accepted a "very sub- "Shiela," "Dizzy" and "Sweet Pea" will be among the oldies; but will asked them to record a demo. stantial" sum, according to Thies. he also unearth the immortal "Jam Up and Jelly Tight"? Stay tuned for Not only did the band record a Actis said that people like . a years bulletins on this vital matter .. Remember few ago, when demo, they pressed a few hun- "Bomb Iran" because it's an "out- Grace Slick was invited to the White House to attend a reunion of the dred copies of the song to sell. let for their frustrations. The song alumnae Finch alma mater for Slick and Tricia Nixon? of College, both Disc jockeys in Texas and Loui- is a healthy catharsis." But al- It had turned out that the rock singer been invited by her maiden siana started playing the song in though the song was originally name, Grace Wing-they didn't know she'd become Grace Slick, dan- heavy rotation. It was also played conceived of as "light-hearted" gerous, drug -consuming heroine of the counter-culture-so when she on stations in Detroit, Chicago according to Actis, "Bomb Iran" showed up with Abbie Hoffman, a few eyebrows were raised. Well, and Washington, D.C. What no- has been taken very seriously. how times have changed. Now we can learn that when Jefferson Star - body knew was that Actis hadn't jocks at Houston's top country ship played in Wichita, Kansas not long ago it happened that Rosalyn gained the rights to record the station, KIKK, have been preced- Carter was in town as well, and her security force came to see the show new version of "Barbara Ann." ing the record with announce- and meet the band afterwards. Just last week, Starship equipment/stage After finding out the song was ments proclaiming their support manager Paul Dowell received a letter, on genuine White House sta- of the record. And New Orleans tionery, thanking him for the group's cordiality. And get this: the note being played by several stations, television station WWL has pre- was signed by one Bobby Hatfield, who, much to our dismay, turns out Actis furiously tried to secure the He pared a three -minute video col- not to be the former Righteous Brother. Anyway, Hatfield requested a rights. went to the Copyright lage they have aired signed photo of the Starship, which he said he plans to put on his wall Service Bureau, which adminis- that while "right next to my picture of the First Family." trates the copyrights for "Barbara "Bomb Iran" plays in the back- news WAX ATTACKS: CBS staffers here had a surprise late last week, Ann's" co -publishers, Cousins ground, including footage heralded by a mysterious command to meet at the hallowed Duke's Music and Adam R. Levy Music. of Khoemeni and various dem- Coffee Shop on Santa Monica Boulevard for an early afternoon Meanwhile, Ernie Thies of Paid onstrations in Iran followed by meeting. Records, who was originally ap- footage of U.S. military ventures When they arrived, the reason for the secrecy was soon made ap- proached by the Valiants to press from the past. Several stations, parent: personal manager and producer Jon Landau was on hand to the record, saw that "Bomb Iran" including WMZQ in Washington, preview the new Bruce Springsteen album, "The River," an event Lan- was a much -requested song on D.C., have received protests from dau admitted was indeed long-awaited by noting that Stephen King the radio but was unavailable in Iranians after playing "Bomb had managed to get three bloodcurdlers published since the last the stores. So he got together a Iran." Springsteen LP was released. group of Nashville musicians, Fred Fassert, the writer of "Bar- Columbia staffers were reportedly ecstatic at the two -disc set's 21 called them J.C. and the B-1 bara Ann," was unavailable for (Continued on page 54) Bombers, and released a second comment.

18 RECORD WORLD SEPTEMBER 20, 1980

www.americanradiohistory.comAmericanRadioHistory.Com Record World ELL Alphabetical Listing

Producer, Publisher, Licensee ALL OUT OF LOVE Porter (Careers/BRM, LIVE EVERY MINUTE Thomson -Kelly SEPTEMBER 20, 1980 BMI/Riva, PRS) 2 (Rondor/Almo, ASCAP) 70 SEPT. SEPT. ALL OVER THE WORLD Lynne (Jet/Unart, LOLA Davies (Rightsong/Abkco, SMI) 83 20 13 BMI) 11 LOOKIN' FOR LOVE Boylan (Southern 101 109 ONLY HIS NAME HOLLY PENFIELD/Dreamland ANGELINE Group -Lawler -Cobb (Careers/ Nights, ASCAP) 4 102 (RSO) (Ch Pangola/Milene, BMI) 77 LOOK WHAT YOU'VE DONE TO ME innichap/Careers, BMI) ANOTHER ONE BITES THE DUST Group Schnee-Foster (Boz Scaggs, ASCAP/ 102 107 IF YOU SHOULD SAIL NIELSEN/PEARSON/Capitol 4910 (Third Story/ (Queen/Beechwood, BMI) 5 Foster Frees/Irving, BMI) 28 Poorhouse, BMI) BOULEVARD Browne-Ladanyi (Swallow LOVE DON'T MAKE IT RIGHT Ashford - 103 108 THE REST OF THE NIGHT CLIFF NEWTON/Scotti Bros. 602 (At)) Turn, ASCAP) 81 35 Simpson (Nick -O -Val, ASCAP) (Flowering Stone, ASCAP) CAN'T WE TRY Pendergrass -Faith (Stone LOVE THE AWAY Butler (Southern WORLD 104 113 TURNING JAPANESE VAPORS/United ASCAP) Diamond, BMI) 40 Nights, ASCAP) 72 Artists 1364 (Glenwood, 105 IT COULD I HAVE THIS DANCE Norman MAGIC Farrar (John Farrar, BMI) 8 110 GIVIN' ALL PLAYER/Casablanca 2295 (Big Stick, 'BMI) (Vogue & Maple Hill c/o Welk/ MIDNIGHT ROCKS Stewart -Desmond 106 103 STARLIGHT RAY KENNEDY/ARC/Columbia 1 11298 (X-Ray/Darnoc, Onhisown, BMI) 67 (Frabjous/Approximate/Lobster, BMI) .. 43 BMI) CUPID/I'VE LOVED YOU FOR A LONG MISUNDERSTANDING Hentschel-Group 107 114 LEAVIN' TONIGHT BARRY GOURDEAU/Portrait/Epic 2 70041 TIME (MEDLEY) Zager (Kags/Sumac, (Hit Run/Pun, ASCAP) 79 I) 49 (Jessi Ann/Pure, ASCAP) MORE BOUNCE TO THE OUNCE (Part I) DON'T ASK ME Ramone 108 I BE WHY (Impulsive/ Troutman-Bootsey (Rubber Band, BMI) .. 90 -- COULD GOOD FOR YOU 707/Casablanca 2280 (Good For You, April, ASCAP) 17 MORE LOVE Tobin (Jobete, ASCAP) 53 ASCAP) DON'T YA WANNA PLAY THIS GAME NO 109 137 HERE WE GO MINNIE RIPERTON/Capitol 4902 (Dickie Bird/Art MORE Franks -John (Jodrell/Beechwood, MY GUY/MY GIRL Leng-May (Jobete, ASCAP/BMI) 58 ASCAP) 61 Phillips, BMI) DREAMER Henderson -Pope (Almo/Delicate, MY PRAYER Castellano (Shapiro, Bernstein 110 101 HOW GLAD I AM JOYCE COBB/Cream 8040 (Screen Gems -EMI, BMI) & Co./Peter Maurice, ASCAP) 60 ASCAP) 57 111 112 TAKE ME TO THE MOON MARGARET REYNOLDS & KC/Seventy First 5004 NEVER KNEW LOVE LIKE THIS BEFORE DREAMING Tarney (ATV/Rare Blue, BMI/ (TK) (Capraqua/Harrick, BMI) ASCAP) 55 Mtume-Lucas (Frozen Butterfly, BMI) .... 32 112 105 WANGO TANGO TED NUGENT/Epic 9 50907 (Magicland', ASCAP) DRIVIN' MY LIFE AWAY Malloy NO NIGHT SO LONG Buckingham (Irving, (DebDave/Briarpatch, BMI) 7 BMI) 27 113 104 TREASUlisted)RE BROTHERS JOHON/A&MNS 2254 (Rodsongs, no licensee EMOTIONAL RESCUE Glimmer Twins OLD FASHION LOVE Carmichael -Group ASCAP) 48 (Colgems-EMI, ASCAP) 13 (Jobete, 114 -- PECOS PROMENADE TANYA TUCKER/MCA 41305 (Peso/Dutchess, BMI/ EMPIRE STRIKES BACK Monardo-Bongiovi- ONE IN A MILLION YOU Graham Senor/Leeds, ASCAP) (Fox (Irving/Medad, BMI) 22 Quinn Fanfare/Bantha, BMI) 34 115 117 YOU COULD'VE BEEN THE ONE AMERICA/Capitol 4915 ON THE ROAD AGAIN Nelson (Willie FAME Gore (MGM, BMI) 3 Nelson, BMI) 52 (Koppelman-Bandier, BMI) FIRST ... BE A WOMAN M -L -P Sebastian OUT HERE MY 116 145 I TOUCHED A DREAM DELLS/20th Century Fox 2463 (RCA) (Angelshell/ (Seacoast, BMI) 99 ON OWN Gore (MGM, BMI/Variety, ASCAP) 54 Six Continents, BMI) FIRST TIME LOVE Baxter -Boylan (Bait & Beer/Songs of Bandier-Koppelman, REAL LOVE Templeman (Tauripin Tunes/ 117 120 HARDEN MY HEART SEAFOOD MAMA/Whitefire 804-60 (Marvross, Monosteri/April, 21 ASCAP) 41 ASCAP) no licensee) FOOL FOR YOUR LOVING Birch REBELS ARE WE Rodgers -Edwards (Chic, 118 115 SOME LOVIN' TONIGHT PELEKTRICS/Capitol 4905 (Android Pop/ BMI) 82 (Sun burst-W h itesnake/Dump-Eaton, Colgems-EMI, ASCAP) ASCAP) 93 RED LIGHT Gore-Askey (MGM, BMI) 51 119 119 (BABY) I CAN'T GET OVER LOSING YOU TTF/RSO/Curtom 1035 FUNKIN' FOR JAMAICA (N.Y.) Grusin - RUNNING BACK Nevison (B&C/ Rosen (Thomas Browne/Roaring Fork, Mooncrest/Davalex, ASCAP) 87 (Mayfield, BMI) 120 121 THE TRAVELLER ASCAP) SMI) 96 SAILING Omartian (Pop 'n' Roll, ASCAP) 12 CHRIS deBURGH/A&M 2259 (Crusty/Red Head, FUNKYTOWN Greenberg (Rick's/ SHAKE YOUR PANTS Blackman (Better 121 123 HOLD TIGHT JIMMY SPHEERIS/Warner/Curb 49527 (Blue Grass, BMI) Rightsong/Steven Greenberg, BMI) 38 Nights, ASCAP) 91 122 111 MAKE ME A STAR KC/TK 1038 (Sherlyn/Harrick & Fedora, BMI) GAMES WITHOUT FRONTIERS Lillywhite SHINING STAR Graham (Content, BMI) 30 (Cliofine/Hidden, BMI) 80 123 122 MAMA SEZ LOVE AFFAIR/Radio Records 421 (Solarium/Diode, ASCAP) SOMEONE THAT I USED TO LOVE Masser GIRL, DON'T LET IT GET YOU DOWN (Screen Gems -EMI, BMI/Prince Street/ 124 131 PERCOLATOR SPYRO GYRA/MCA 41275 (Harlem/Crosseyed Bear, BMI) Gamble -Huff (Mighty Three, BMI) 50 Arista, ASCAP) 33 125 132 RESCUE ME A TASTE OF HONEY/Capitol 4888 (Rhythm Planet/Conducive/ GIVE ME THE NIGHT Jones (Rodsongs, SOUTHERN GIRL Beverly (Amazement, BMI) 98 ASCAP) Big One, BMI/ASCAP) 6 STAND BY ME Norman (Rightsong/ GOOD MORNING GIRL/STAY AWHILE Trio/ADT, BMI) 46 126 124 I JUST WANNA DANCE WITH YOU STARPOINT/Chocolate City 3208 Workman-Elson (Weed High Nightmare, (Casablanca) (Harrindur, BMI) SWITCHIN' TO GLIDE Ezrin (Diamond - BMI) 59 Zero, BMI) 63 127 125 SPENDIN' CABBAGE BLACKFOOT/Atco 7303 (Bobnal, BMI) HEROES Carmichael -Group (Jobete/ TAKE YOUR TIME (DO IT RIGHT) PART I Commodores Entertainment, ASCAP) .... 128 127 DANGER MOTELS/Capitol 4896 (Clean Sheets/Clams Casino, BMI/ASCAP) 85 Sigidi (Avante Garde, ASCAP/Interior/ HE'S SO SHY Perry (ATV/Mann & Weill/ Sigidis, BMI) 15 129 126 DIFFERENT KINDA DIFFERENT JOHNNY MATHIS/Columbia 1 11313 Braintree & Snow, BMI) 20 THAT GIRL COULD SING Browne-Ladanyi (Jobete, ASCAP) HEY THERE LONELY GIRL Tobin (Swallow Turn, ASCAP) 71 130 118 OCEAN OF LOVE JOHN O'BANION/Arista 0531 (Sixty -Ninth Street, BMI) (Famous, ASCAP) 37 THE BREAKS (PART I) Ford (Neutral Gray/ 131 129 YOUR PRECIOUS LOVE STEPHEN BISHOP & YVONNE ELLIMAN/ HOLD ON Group (Don Kirshner/ Funkgroove, ASCAP) 73 Blackwood, BMI) Warner Bros. 49513 (Jobete, ASCAP) 89 THE LEGEND OF WOOLEY SWAMP Boylan HOT ROD HEARTS Chudacoff-Banetta (Hat Band, BMI) 42 132 130 FIRST LOVE SEALS & CROFTS/Warner Bros. 49522 (Dawnbreaker/ (Captain Crystal/Blackwood/Dar-Jan, THE WANDERER Moroder-Bellotte ((WPC/ Favor, BMI) BMI) 9 Sweet Summer Night, ASCAP) 36 133 136 TAKE A LOOK AT ME PORAZZO/Polydor 21 1 1 (Lolligagg/Razz/Boro, BMI) DOES HOW IT FEEL TO BE BACK Hall - THEME FROM Oates (Hot-Cha/Six THE DUKES OF HAZARD 134 GIVE IT ON UP (IF YOU WANT TO) MTUME/Epic 9 50917 (Frozen Continents, BMI) .... 47 (GOOD OL' BOYS) Albright (Warner- -- BMI) HOW DO I SURVIVE McDonald -Henderson Tamerlane/Rich Way, BMI) 97 Butterfly, (April/Paul Bliss, ASCAP) 39 135 128 JAILHOUSE BLUES THIS TIME Cropper (H.G., ASCAP) 88 ROCK THE BROTHERS/Atlantic 3758 (Gladys, ASCAP) I BELIEVE IN YOU Williams -Fundis (Roger AND LIGHTNING Dowd (Little 136 138 BACK IN MY ARMS NICOLETTE LARSON/Warner Bros. 49520 (Jobete, Cook/Cook House, BMI) 100 THUNDER Sacha/Street Sense, ASCAP) 76 ASCAP) I GOT YOU Tickle (Enz) 64 TOUCH AND GO Baker (Lido, BMI) 66 137 124 EVERYTHING IS ALRIGHT SPIDER/Dreamland 103 (RSO) (Land of Dreams/ I HEAR YOU NOW Vangelis (WB/ TRUE LOVE WAYS Norman (Wren, BMI/ Spheric B.V., ASCAP) 95 Arista, ASCAP) MPL, ASCAP) 86 I'M ALMOST READY Ryan 138 135 EVEN THE SCORE TORONTO/A&M 2255 (Solid Gold, ASCAP) (Kentucky TURN IN ON AGAIN Hentschel-Group Wonder/Vince Gill, BMI) 44 (Pun, ASCAP) 65 139 - CRAZY FOR YOUR LOVE DAKOTA/Columbia 1 11316 (Skidrow, ASCAP) I'M ALRIGHT - (THEME FROM CADDY UPSIDE DOWN Edwards -Rodgers (Chic, 140 -- POP IT ONE WAY FEATURING AL HUDSON/MCA 41298 (Perks/ SHACK) Loggins-Botnick (Milk Money, BMI) 1 ASCAP) 14 WALK AWAY Moroder-Bellote (Rick's, Dutchess, BMI) I'M COMING OUT Edwards -Rodgers BMI) ... 68 141 139 YOU MAY BE RIGHT CHIPMUNKS/Excelsior 1001 (Impulsive/April, ASCAP) IT Margouleff-Group (Devo/Nymph/ (Chic, BMI) 62 WHIP 142 -- I NEED YOUR LOVIN' TEENA MARIE/Gordy 7189 (Motown) Unichappell, BMI) 56 INTO THE NIGHT Maraz (Papa Jack, BMI) 18 WHO'LL BE THE FOOL TONIGHT Lipuma (Jobete, ASCAP) IT'S STILL ROCK AND ROLL TO ME (Buzz Feiten, BMI) 29 143 146 TASTE OF BITTER LOVE GLADYS KNIGHT & THE PIPS/Columbia 1 11330 Ramone (Impulsive/April, ASCAP) 24 WIDE RECEIVER Henderson (Electrocord, (Nick -O -Val, ASCAP) I'VE ASCAP) 94 JUST BEGUN TO LOVE YOU WITHOUT 144 147 THAT BURNING LOVE EDMUND SYLVERS/Casablanca 2270 (Algre/ Sylvers (Spectrum VII/Mykinda, YOUR LOVE Wayne (H. G., ASCAP) 78 Moore & Moore, BMI) ASCAP) 84 WOMAN IN LOVE Gibb-Galuten- 145 141 ON THE BEACH SOUTHSIDE JOHNNY & THE ASBURY JUKES/Mercury JESSE Mainieri (Quackenbush/Redeye, Richardson (Stigwood/Unichappell, BMI) 23 76074 (Armando/Dangerous, ASCAP) ASCAP) 25 XANADU Lynne (Jet/Unart, BMI) 16 LATE IN THE EVENING Ramone -Simon YOU BETTER RUN Olsen (Downtown, 146 144 ROCK 'N ROLL SOLDIER POINT BLANK/MCA 41 268 (Down 'n Dixie/ (Paul Simon, BMI) 10 ASCAP) 75 Irving, BMI) YOU'LL LET ME BE YOUR ANGEL Walden ACCOMP'NY ME Seger -Punch 147 142 HEART OF MINE OAK RIDGE BOYS/MCA 41 280 (Silvermine, BMI) (Gear, ASCAP) 19 (Walden/Gratitude Sky, ASCAP/ IF YOU WANT YOU'RE 148 143 DON'T MY LOVE J. D. SOUTHER/Columbia 1 11302 Cotillion/Brass Heart, BMI) 45 SUPPOSED TO KEEP YOUR LOVE FOR ME Wonder (Jobete/Black Bull, (Ice Age, ASCAP) LET ME TALK White (Saggifire/Verdangel/ ASCAP) 92 149 148 THE OTHER SIDE OF THE SUN JANIS IAN/Columbia 1 11327 (Mine/ Cherubim/Sir & Trini/Steelchest, YOU'RE THE ONLY WOMAN (YOU & I) Albert Hammond, ASCAP) ASCAP) 74 Piro -Group (Rubicon, BMI) 26 LET MY LOVE OPEN THE DOOR Thomas YOU SHOOK ME ALL NIGHT LONG Lange 150 149 LOVE MAKING MUSIC BARRY WHITE/Unlimited Gold 9 1418 (CBS) (Towser Tunes, BMI) 31 (J. Albert/Marks, BMI) 69 (Dandy Dittys/Me-Benish, ASCAP)

RECORD WORLD SEPTEMBER 20, 1980 19

www.americanradiohistory.comAmericanRadioHistory.Com COM 0 DO RES

THEIR RECORD SPEAKS FOR ITSELF

"HEROES." THE NEW SINGLE FROM "HEROES'_

e

ON MOTOWN RECORDS d2f3 Give the i.!ift of music.

www.americanradiohistory.comAmericanRadioHistory.Com Recordg World SEPTEMBER 20 1980

TITLE, ARTIST, Label Number, (Distributing Labels 52 LET ME BE YOUR ANGEL STACY SEPT. SEPT. WKS. ON ca LATTISAW/Cotillion 46001 20 13 CHART (Atl) 6 46 2 UPSIDE DOWN 38 STAND BY ME MICKEY GILLEY/Fuil Moon/Asylum 46640 19 0 47 39 HOW DOES IT FEEL TO BE BACK DARYL HALL & DIANA ROSS JOHN OATES/RCA 12048 10 48 40 OLD -FASHION LOVE COMMODORES/Motown 1489 14 Motown 1494 11 49 44 CUPID/I'VE LOVED YOU FOR A LONG TIME (MEDLEY) SPINNERS/Atlantic 3664 19 50 60 GIRL, DON'T LET IT GET YOU DOWN O'JAYS/TSOP 9 4790 2 1 ALL OUT OF LOVE AIR SUPPLY/Arista 0520 16 (CBS) 5 3 3 FAME IRENE CARA/RSO 1034 15 51 54 RED LIGHT LINDA CLIFFORD/RSO 1041 7 8 LOOKIN' FOR LOVE JOHNNY LEE/Full Moon/Asylum 47004 11 fl ® 64 ON THE ROAD AGAIN WILLIE NELSON/Columbia 1 11351 3 © 19 ANOTHER ONE BITES THE DUST QUEEN/Elektra 47031 6 53 41 MORE LOVE KIM CARNES/EMI-America 8045 17 6 6 GIVE ME THE NIGHT GEORGE BENSON/Qwest/WB 49505 13 m 61 OUT HERE ON MY OWN IRENE CARA/RSO 1048 5 11 DRIVIN' MY LIFE EDDIE El AWAY RABBITT/Elektra 46656 14 ® 76 DREAMING CLIFF RICHARD/EMI-America 8057 2 8 7 MAGIC OLIVIA NEWTON-JOHN/MCA 41247 18 68 WHIP IT DEVO/Warner Bros. 49550 4 12 HOT ROD HEARTS ROBBIE DUPREE/Elektra 47005 10 ICI - DREAMER SUPERTRAMP/A&M 2269 1 IO LATE IN THE EVENING PAUL SIMON/Warner Bros. 49511 7 58 59 DON'T YA WANNA PLAY THIS GAME NO MORE? 3 14 ALL OVER THE WORLD ELO/MCA 41289 8 ELTON JOHN/MCA 41293 6 59 63 GOOD MORNING 12 4 SAILING CHRISTOPHER CROSS/Warner Bros. 49507 15 GIRL/STAY AWHILE JOURNEY/ Columbia 1 11339 6 13 9 EMOTIONAL RESCUE ROLLING STONES/Rolling Stones 67 MY PRAYER RAY, GOODMAN 5 20001 (Atli 12 & BROWN/Polydor 2116 69 MY GIRL STEWART 20 I'M ALRIGHT (THEME FROM CADDYSHACK) GUY/MY AMII & JOHNNY BRISTOL/ Handshake 7 5300 (CBS) 4 KENNY LOGGINS/Columbia 1 1 1 31 7 10 70 15 5 TAKE YOUR TIME (DO IT RIGHT) PART I THE S.O.S. BAND/ En I'M COMING OUT DIANA ROSS/Motown 1491 3 Tabu 9 5522 (CBS) 18 63 65 SWITCHIN' TO GLIDE KINGS/Elektra 47006 5 64 66 I GOT YOU SPLIT ENZ/A&M 2252 5 22 XANADU OLIVIA NEWTON-JOHN/ELO/MCA 41285 7 18 111 71 TURN IT ON AGAIN GENESIS/Atlantic 3751 4 El DON'T ASK ME WHY BILLY JOEL/Columbia 1 11331 8 78 TOUCH AND GO CARS/Elektra 47039 3 18 13 INTO THE NIGHT BENNY MARDONES/Polydor 2091 16 m 67 73 COULD I HAVE THIS DANCE ANNE 3 19 21 YOU'LL ACCOMP'NY ME BOB SEGER/Capitol 4904 9 MURRAY/Capitol 4920 75 WALK AWAY DONNA SUMMER/Casablanca 20 23 HE'S SO SHY POINTER SISTERS/Planet 47916 2300 2 (Elektra/Asylum) 10 79 YOU SHOOK ME ALL NIGHT LONG AC/DC/Atlantic 3761 3 24 REAL LOVE DOOBIE BROTHERS/Warner Bros. 49503 3 77 LIVE EVERY MINUTE ALI THOMSON/A&M 2260 3 22 16 ONE IN A MILLION YOU LARRY GRAHAM/Warner Bros. - THAT GIRL COULD SING JACKSON BROWNE/Asylum 49221 14 47036 1 26 72 45 LOVE THE WORLD AWAY KENNY ROGERS/United Artists ® WOMAN IN LOVE BARBRA STREISAND/Columbia 1 11364 3 1359 15 24 15 IT'S STILL ROCK AND ROLL TO ME BILLY JOEL/ 73 58 THE BREAKS (PART I) KURTIS BLOW/Mercury 4010 9 Columbia 1 11276 18 LET - ME TALK EARTH, WIND & F'RE/ARC/Columbia 1 11366 1 28 JESSE CARLY SIMON/Warner Bros. 49518 8 m ® 75 55 YOU BETTER RUN PAT BENATAR/Chrysalis 2450 9 26 17 YOU'RE THE ONLY WOMAN (YOU & I) AMBROSIA/ 86 THUNDER AND LIGHTNING CHICAGO/Columbia 1 11345 3 Warner Bros. 49508 11 m - ANGELINE ALLMAN BROTHERS BAND/Arista 0555 1 En 30 NO NIGHT SO LONG DIONNE WARWICK/Arista 0527 9 89 WITHOUT YOUR LOVE ROGER DALTREY/Polydor 2121 2 31 LOOK WHAT YOU'VE DONE TO ME BOZ SCAGGS/ 79 51 MISUNDERSTANDING GENESIS/Atlantic 3662 19 Columbia 1 11349 5 80 56 GAMES WITHOUT FRONTIERS PETER GABRIEL/Mercury 32 WHO'LL BE THE m FOOL TONIGHT LARSEN-FEITEN BAND/ 76063 8 Warner Bros. 49282 9 81 82 LOVE DON'T MAKE IT RIGHT ASHFORD & SIMPSON/

30 1 25 SHINING STAR MANHATTANS/Columbia 11222 22 Warner Bros. 49269 5 31 27 LET MY LOVE OPEN THE DOOR PETE TOWNSHEND/ 82 74 REBELS ARE WE CHIC/Atlantic 3665 6 Atco 7217 15 83 84 LOLA KINKS/Arista 0541 4 ® 36 NEVER KNEW LOVE LIKE THIS BEFORE STEPHANIE MILLS/ 84 87 I'VE JUST BEGUN TO LOVE YOU DYNASTY/Solar 12021 20th Century Fox 2460 (RCA) 7 (RCA) 6 33 33 SOMEONE THAT I USED TO LOVE NATALIE COLE/Capitol HEROES - COMMODORES/Motown 1495 1 4869 12 86 88 TRUE LOVE WAYS MICKEY GILLEY/Epic 9 50876 6 34 29 EMPIRE STRIKES BACK (MEDLEY) MECO/RSO 1038 15 96 RUNNING BACK EDDIE MONEY/Columbia 1 11325 3 35 34 BOULEVARD JACKSON BROWNE/Asylum 47003 12 THIS - TIME JOHN COUGAR/Riva 205 (Polygram) 1 CHARTMAKER OF THE WEEK - HOLD ON KANSAS/Kirshner 9 4291 (CBS) 1 - THE WANDERERS 90 - MORE BOUNCE TO THE OUNCE (PART I) ZAPP/ Warner Bros. 49534 1 DONNA SUMMER 91 93 SHAKE YOUR PANTS CAMEO/Chocolate City 3210 Geffen 49563 (WB) 1 (Casablanca) 4 92 83 YOU'RE SUPPOSED TO KEEP YOUR LOVE FOR ME 37 37 HEY THERE LONELY GIRL ROBERT JOHN/EMI-Americae 8049 10 JERMAINE JACKSON/Motown 1490 6 38 35 FUNKYTOWN LIPPS, INC./Casablanca 2233 26 93 57 FOOL FOR YOUR LOVING WHITESNAKE/Mirage 3672 (At') 8 94 94 ECI 43 HOW DO I SURVIVE AMY HOLLAND/Capitol 4884 7 WIDE RECEIVER (PART I) MICHAEL HENDERSON/ 40 46 CAN'T WE TRY TEDDY PENDERGRASS/Phila. Intl. 9 3107 Buddah 622 (Arista) 4 95 72 I (CBS) 6 HEAR YOU NOW JON & VANGELIS/Polydor 2089 9 96 100 FUNKIN' 41 42 FIRST TIME LOVE LIVINGSTON TAYLOR/Epic 9 50894 8 FOR JAMAICA (N.Y.) TOM BROWNE/Arista/ GRP 2506 2 47 THE LEGEND OF WOOLEY SWAMP CHARLIE DANIELS m 97 - THEME FROM THE DUKES OF HAZARDS (GOOD OL BOYS) BAND/Epic 9 50921 6 WAYLON JENNINGS/RCA 12067 1 53 MIDNIGHT ROCKS AL STEWART/Arista 0552 5 98 SOUTHERN - GIRL MAZE/Capitol 4891 1 49 I'M ALMOST READY PURE PRAIRIE LEAGUE/Casablanca 99 99 FIRST ... BE A WOMAN LEONORE O'MALLEY/Polydor 2055 8 2294 5 100 I BELIEVE IN YOU DON - WILLIAMS/MCA 41304 1

* Denotes Powerhouse Pick.

PRODUCERS & PUBLISHERS ON PAGE 19

www.americanradiohistory.comAmericanRadioHistory.Com All listings from key progressive stations around the country are in descending order except eLive' where other- wise noted.

SEPTEMBER 20, 1980

WBCN-FM/BOSTON DRAMA-Yes-Atlantic REACH FOR THE SKY-Allman TRUE COLOURS-Split Enz-A&M FLASHMAKER EMPTY GLASS-Pete Townshend Brothers-Arista VIENNA-Ultravox-Chrysalis ADDS: PANORAMA-Cars-Elektra -Atco FRAMED-Asleep At the Wheel- BREAKING THROUGH THE ICE AGE CRIMES OF PASSION-Pat Benatar CRIMES OF PASSION-Pat MCA -Ellen Shipley-RCA Benatar-Chrysalis -Chrysalis CODE BLUE-WB McVICAR-Original Soundtrack EMPTY GLASS-Pete Townshend- CRIMES OF PASSION-Pat Benatar DREAMER (live single)- -Polydor Atco -Chrysalis Supertramp-A&M PLAYING FOR KEEPS-Eddie ELVIS COSTELLO (12")-Col Money-Col WYMX-FM/AUGUSTA HEARTLAND-Michael Stanley- WMMR-FM/PHILADELPHIA EMI-America ADDS: ADDS: LET Wind WAAF-FM-WORCESTER ME TALK (single)-Earth DREAMER (live single)- BACK ON THE HUNT-The Hunt- & Fire-ARC ADDS: Supertramp-A&M Visa MUSICAL SHAPES-Carlene Carter "A"-Jethro Tull-Chrysalis ELVIS COSTELLO (12")-Col CODE BLUE-WB -WB GAMMA 2-Gamma-Elektra ELVIS COSTELLO (12")-Col BREAKING GLASS-Original ASHES TO ASHES (single)-David Bowie-RCA LE CHAT BLEU-Mink DeVille- GAMMA 2-Gamma-Elektra TIMES SQUARE Soundtrack-A&M Capitol HEARTLAND-Michael Stanley- TIMES SQUARE-Original BEATIN' THE ODDS-Molly Hatchet-Epic MUSICAL SHAPES-Carlene Carter EMI-America ORIGINAL SOUNDTRACK Soundtrack-RSO -WB HOLD ON (single)-Kansas- TIDDLYWINKS-NRBQ-Red DON'T RUSH THE GOOD THINGS RSO NO MORE DIRTY DEALS-Johnny Kirshner Rooster (single)-Bob Welch-Capitol HOLD ON )single)-Kansas- Van Zant-Polydor I DIE: YOU DIE (single)-Gary HEAVY ACTION: Kirshner THUNDER-Atco Numan-Atco 111111111 11111111111111111,11111111111111111111111111111111111111111111/111111111111111111'_ TIMES SQUARE-Original º111111 WILD PLANET-B-52's-WB 24 CARROTS-Al Stewart- TRUE COLOURS-Splitz Enz-A&M MOST ADDED PANORAMA-Cars-Elektra Arista Soundtrack-RSO NERVOUS EATERS-Elektra HEAVY ACTION: TIMES SQUARE-Original HEAVY ACTION: FREEDOM OF CHOICE-Devo-WB HEAVY ACTION: EMOTIONAL RESCUE-Rolling Soundtrack-RSO (25) THE GAME-Queen-Elektra BARRY GOUDREAU-Epic FULL MOON-Charlie Daniels- Stones-Rolling Stones ANYTIME ANYPLACE ANYWHERE- HEARTLAND-Michael Stanley CAREFUL-Motels-Capitol Epic DRAMA-Yes-Atlantic Rossington Collins-MCA EMI -America (22) FLESH AND BLOOD-Roxy Music PETER GABRIEL-Mercury PETER GABRIEL-Mercury EMOTIONAL RESCUE-Rolling DREAMER (live single)- Atco UNDER THE GUN-Poco-MCA THE GAME-Queen-Elektra Stones-Rolling Stones Supertramp-A&M (191 EMOTIONAL RESCUE-Rolling ONE TRICK PONY-Paul Simon- CRIMES OF PASSION-Pat Benatar Stones WB -Chrysalis CRIMES OF PASSION-Pat Benatar ELVIS COSTELLO (12")-Col Stones-Rolling THE GAME-Queen-Elektra BACK IN BLACK-AC/DC- -Chrysalis (131 BACK IN BLACK-AC/DC- PANORAMA-Cars-Elektra VOICES-Hall & Oates-RCA Atlantic Atlantic HOLD ON )single)-Kansas- HOLD OUT-Jackson Browne- HOLD OUT-Jackson Browne- PASSION-Pat Kirshner (9) CRIMES OF Asylum Asylum Benatar-Chrysalis MICHAEL SCHENKER- WLIR-FM/LONG ISLAND REACH FOR THE SKY-Allman FULL MOON-Charlie Daniels- Chrysalis (91 HOLD OUT-Jackson Browne- Brothers-Arista Epic ADDS: Asylum BACK IN BLACK-AC/DC- BEATIN' THE ODDS-Molly PANORAMA-Cars-Elektra BREAKING THROUGH THE ICE AGE Atlantic Hatchet-Epic (8) PANORAMA-Cars-Elektra ANYTIME ANYPLACE ANYWHERE- -Ellen Shipley-RCA Rossington Collins-MCA PLAYING FOR KEEPS-Eddie TWO "B'S" PLEASE-Robbin EMOTIONAL RESCUE-Rolling ELVIS COSTELLO (12")-Col Money-Col Thompson-Ovation (8) Stones-Rolling Stones HEARTLAND-Michael Stanley- THE BOYS FROM DORAVILLE- THE GAME-Queen-Elektra W KLS-FM WILD PLANET-B-52's-WB EMI-America /ATLANTA Atlanta Rhythm Section- Polydor (8) JACK O' ROSES-Robert Hunter- ADDS: BREAKING THROUGH THE ICE Dark Star WPLR-FM/NEW HAVEN ASHES TO ASHES (single)-David AGE-Ellen Shipley-RCA MICHAEL SCHENKER-Chrysalis Bowie-RCA ZETA 7-FM/ORLANDO (7 ) ADDS: MY FACE-Henry Badowski- DREAMER (live single) Supertramp ADDS: GAMMA 2-Gamma-Elektra I JUST CAN'T STOP IT-English Deptford/Fun City -A&M DREAMER (live single)- (7) Beat-Sire TIMES SQUARE-Original Supertramp-A&M MUSICAL SHAPES-Carlene TIMES SQUARE-Original LARSEN-FEITEN-WB Soundtrack-RSO GAMMA 2-Gamma-Elektra (71 Soundtrack-RSO Carter-WB LE CHAT BEAU-Mink DeVille- HEARTLAND-Michael TRUTH DECAY-T-Bone Burnette- TWO "B'S" PLEASE-Robbin Stanley- `nnnwmuuuwnuuumnnnmunmminMmnmun 111111 1111tH Capitol EMI-America Ta koma Thompson-Ovation TIDDLYWINKS-NRBQ-Red VOYEUR EXTRALUCIDE-Francois WILD PLANET-B-52's-WB HEAVY ACTION: Rooster Breant-Visa HEAVY ACTION: ANYTIME ANYPLACE ANYWHERE- TIMES SQUARE-Original YORK Rossington WNEW-FM/NEW WILD PLANET-B-52's-WB Soundtrack-RSO HOLD OUT-Jackson Browne- Collins-MCA BACK IN BLACK-AC/DC- ADDS: HEAVY ACTION: Asylum HEAVY ACTION: THE GAME-Queen-Elektra Atlantic BREAKING THROUGHT THE ICE FRANTIC CITY-Teenage Head- HOLD OUT-Jackson DRAMA-Yes-Atlantic ANYTIME ANYPLACE ANYWHERE- Browne- AGE-Ellen Shipley-RCA Attic Asylum PANORAMA-Cars-Elektra Rossington Collins-MCA DREAMER (live single)- VOICES-Hall & Oates-RCA BEATIN' THE ODDS-Molly Hatchet Supertramp-A&M HOLD OUT-Jackson Browne- EMOTIONAL RESCUE-Rolling -Epic PETER GABRIEL-Mercury Asylum Stones-Rolling Stones DRAMA-Yes-Atlantic HEARTLAND-Michael Stanley- ARGYBARGY-Squeeze-A&M EMI-America "A"-Jethro Tull-Chrysalis THE BOYS FROM DORAVILLE- EMOTIONAL RESCUE-Rolling LONDON CALLING-Clash-Epic Atlanta Rhythm Section- Stones-Rolling Stones I'M ONLY HUMAN-Michael Des EMOTIONAL RESCUE-Rolling TRUE COLOURS-Split Enz-A&M Stones-Rolling Stones Polydor PANORAMA-Cars-Elektra Barres-Dreamland THE GAME-Queen-Elektra DRAMA-Yes-Atlantic ANYTIME ANYPLACE ANYWHERE- BACK IN BLACK-AC/DC- BLASTER (JAMMIN') REACH FOR THE SKY-Allman MASTER EMOTIONAL RESCUE-Rolling Rossington Collins-MCA Atlantic (single)-Stevie Wonder- Brothers-Arista Stones PANORAMA-Cars-EI e ktra Tamla Stones-Rolling THE GAME-Queen-Elektra CRIMES OF PASSION-Pat Benatar REACH FOR THE SKY-Allman FULL MOON-Charlie Daniels- CRIMES OF PASSION-Pat Benatar -Chrysalis RAF-A&M Brothers-Arista Epic -Chrysalis THE SWING OF DELIGHT-Carlos PANORAMA-Ca rs-Elektra CRIMES OF PASSION-Pat Senator REACH FOR THE SKY-Allman Santana-Col -Chrysalis Brothers-Arista WSHE-FM/FT. LAUDERDALE DRAMA-Yes-Atlantic THE WASP-Shaun Cassidy-WB WBAB-FM/LONG ISLAND REACH FOR THE SKY-Allman ADDS: Brothers-Arista "A"-Jethro Tull-Chrysalis TIMES SQUARE-Original ADDS: Soundtrack-RSO WHFS-FM/WASH., D.C. DREAMER (live single)- DREAMER (live single)- WCMF-FM/ROCHESTER ADDS: Supertramp-A&M WHY DO FOOLS FALL IN LOVE Supertramp-A&M GAMMA 2-Gamma-Elektra Mitchell ELVIS COSTELLO (12"1-Col (single)-Joni --Asylum ELVIS COSTELLO (12")-Col ADDS: HOLD ON )single)-Kansas- HEARTLAND-Michael Stanley- Kirshner HEAVY ACTION: HEARTLAND-Michael Stanley- BREAKING THROUGH THE ICE AGE EMI-America EMI-America -Ellen Shipley-RCA TIMES SQUARE-Original VOICES-Hall & Oates-RCA I'M ONLY HUMAN-Michael Des Soundtrack-RSO HOLD ON (single)-Kansas- CAUGHT-Teri DeSario- Barres-Dreamland EMOTIONAL RESCUE-Rolling TWO "B'S" PLEASE-Robbin Kirshner Casablanca ROCK AND ROLL AND LOVE AND Stones-Rolling Stones Thompson-Ovation LE CHAT BLEU-Mink DeVille- COMMON ONE-Van Morrison- DEATH-Romeos-Col PANORAMA-Ca rs-Elektra Capitol WB SPACE RACE-Mi-Sex-Epic HEAVY ACTION: TIMES ANYTIME ANYPLACE ANYWHERE- EMPTY GLASS-Pete Townshend- ROCK AND ROLL AND LOVE AND SQUARE-Original TELEKON-Gary Numan-Atco DEATH-Romeos-Col Soundtrack-RSO Rossington Collins-MCA Atco THE PHOTOS-Epic EMOTIONAL RESCUE-Rolling TIMES SQUARE-Original WILD PLANET-B-52's-WB HOLD OUT-Jackson TIMES SQUARE-Original Stones-Rolling Stones Browne- Soundtrack-RSO Asylum HEAVY ACTION: Soundtrack-RSO HOLD OUT-Jackson Browne- VIENNA-Ultravox-Chrysalis EMOTIONAL RESCUE-Rolling 17 SECONDS-The Cure-Fiction Asylum REACH FOR THE SKY-Allman HEAVY HEAVY ACTION: PANORAMA-Cars-Elektra Brothers-Arista ACTION: Stones-Rolling Stones DRAMA-Yes-Elektra EMOTIONAL RESCUE-Rolling ANYTIME ANYPLACE ANYWHERE- EMOTIONAL RESCUE-Rolling CRIMES OF PASSION-Pat BEATIN' THE ODDS-Molly Hatchet Stones-Rolling Stones Rossington Stones-Rolling Stones Benatar-Chrysalis Collins-MCA -Epic PANORAMA-Cars-Elektra PETER GABRIEL-Mercury PETER GABRIEL-Mercury THE GAME-Queen-Elektra PLAYING FOR KEEPS-Eddie HOLD I JUST CAN'T STOP IT-English REACH FOR THE SKY-Allman Money-Col OUT-Jackson Browne- HOLD OUT-Jackson Browne- Asylum Asylum Beat-Sire Brothers-Arista BACK IN ONE TRICK PONY-Paul Simon- THE GAME-Queen-Elektra PRETENDERS-Sire WILD PLANET-B-52's-WB BLACK-AC/DC- WB Atlantic REACH THE BACK PANORAMA-Ca rs-Elektra FOR SKY-Allman IN BLACK-AC/DC- CRIMES OF PASSION-Pat Benatar DRAMA-Yes-Atlantic Brothers-Arista Atlantic UPRISING-Bob Marley-Island -Chrysalis

www.americanradiohistory.comAmericanRadioHistory.Com All listings from key progressive Record World stations around the country are in descending order except where other- wise noted.

SEPTEMBER 20, 11980 TOP AIRPLAY HEARTLAND-Michael Stanley- CRIMES OF PASSION-Pat TIMES SQUARE-Original BACK IN BLACK-AC/DC- EMI-America Benatar-Chrysalis Soundtrack-RSO Atlantic MASTER BLASTER (JAMMIN') STRAIGHT LINES-Epic REACH FOR THE SKY-Allman i I tNnn. r-Tamla CADDYSHACK-Orig na (singlel-Ste Brothers-Arista Soundtrack-Col SHADOWS OF LIGHT-Joni HEAVY ACTION: Mitchell-Asylum BEATIN' THE ODDS-Molly BACK IN BLACK-AC/DC- ANYTIME ANYPLACE ANYWHERE Hatchet-Epic THE OTHER WORLD-Judy Roberts Atlantic -Rossington Collins-MCA -Inner City FULL MOON-Charlie Daniels- CRIMES OF PASSION-Pat THE GAME-Queen-Elektra HEAVY ACTION: Epic Benatar-Chrysalis PANORAMA-Cars-Elektra FLESH AND BLOOD-Roxy Music- HOLD OUT-Jackson Browne- CRIMES OF PASSION-Pat Atco Asylum EMOTIONAL RESCUE-Rolling Benatar-Chrysalis KTXQ-FM DALLAS PANORAMA-Cars-Elektra Stones-Rolling Stones / PETER GABRIEL-Mercury FULL MOON-Charlie Daniels- EMPTY GLASS-Pete Townshend- HOLD Browne- ADDS: Epic OUT-Jackson Atco "A"-Jethro Tull-Chrysalis Asylum REACH FOR THE SKY-Allman PLAYING FOR KEEPS-Eddie DUKE-Genesis-Atlantic Brothers-Arista BEATIN' THE ODDS-Molly Money-Col HOLD OUT-Jackson Browne- Hatchet-Epic THE GAME-Queen-Elektra EMOTIONAL RESCUE Asylum GAMMA 2-Gamma-Elektra EMOTIONAL RESCUE-Rolling KZEL-FM/EUGENE ROLLING STONES THE BOYS FROM DORAVILLE- HOLD ON (single)-Kansas- Stones-Rolling Stones Atlanta Rhythm Section-Polydor ADDS: Kirshner ANYTIME ANYPLACE ANYWHERE Rolling Stones "A"-Jethro Tull-Chrysalis BEATIN' THE ODDS-Molly Hatchet McVICAR-Original Soundtrack- PETER GABRIEL-Mercury -Rossington Collins-MCA -Epic TWO Polydor "B'S" PLEASE-Robbin URBAN COWBOY-Original BREAKING THROUGH THE ICE UPRISING-Bob Thompson-Ovation Soundtrack-Full Moon/Asylum = w innun11111e1.111.1.1111eallInmullanumnelelemulmoll, Marley-Island AGE-Ellen Shipley-RCA WILD PLANET-B-52's-WB 24 CARROTS-Al Stewart-Arista CODE BLUE-WB MOST AIRPLAY KWST-FM/LOS ANGELES HEAVY ACTION: COMMON ONE-Van Morrison EMOTIONAL RESCUE-Rolling KSHE-FM/ST. LOUIS ANYTIME ANYPLACE ANYWHERE -WB Stones-Rolling Stones (38) ADDS: -Rossington Collins-MCA HEARTLAND-Michael Stanley PANORAMA-Cars-Elektra ADDS: DREAMER (live single)- EMOTIONAL RESCUE-Rolling Supertramp-A&M -EMI -America (35) DREAMER (live single)- Supertramp-A&M Stones-Rolling Stones ELVIS COSTELLO (12")-Col HOW THE HELL DO YOU SPELL HOLD OUT-Jackson Browne- CODE BLUE-WB HOLD OUT-Jackson Browne- HEARTLAND-Michael RYTHUM-Amazing Rhythm = Asylum-)33) Stanley- HEARTLAND-Michael Stanley- Asylum EMI-America Aces-WB THE GAME-Queen-Elektra EMI-America THE GAME-Queen-Elektra MICHAEL SCHENKER-Chrysalis JOHNNY AND MARY (single)- (30) Robert Palmer-Island HEAVY BARRY GOUDREAU-Portrait/Epic CRIMES OF PASSION-Pat ACTION: EMOTIONAL HEAVY ACTION: MUSICAL SHAPES-Carlene Carter Benatar-Chrysalis (29) RESCUE-Rolling FULL MOON-Charlie Daniels- Stones-Rolling Stones EMOTIONAL RESCUE-Rolling -WB IN Epic BACK BLACK-AC/DC- HOLD OUT-Jackson Browne- Stones-Rolling Stones ROCK AND ROLL AND LOVE AND Atlantic (22) REACH FOR THE SKY-Allman Asylum Brothers-Arista THE GAME-Queen-Elektra DEATH-Romeos-Col ANYTIME ANYPLACE DRAMA-Yes-Atlantic PANORAMA-Cars-Elektra HEAVY ACTION: ANYWHERE-Rossington THE GAME-Queen-Elektra CRIMES OF PASSION-Pat DRAMA-Yes-Atlantic Collins-MCA (21) PLAYING FOR KEEPS-Eddie Benatar-Chrysalis BACK IN BLACK-AC/DC- HOLD OUT-Jackson REACH FOR THE SKY-Allman Money-Col PANORAMA-Cars-EI ektra Browne- Atlantic Brothers-Arista (18) "A"-Jethro Tull-Chrysalis DRAMA-Yes-Atlantic Asylum CRIMES OF PASSION-Pat DRAMA-Yes-Atlantic (17) BEATIN' THE ODDS-Molly BACK IN BLACK-AC/DC- Benatar-Chrysalis Hatchet-Epic Atlantic EMPTY EMOTIONAL RESCUE-Rolling GLASS-Pete NO MORE DIRTY DEALS-Johnny Townshend-Atco (13) KLBJ-FM /AUSTIN PRETENDERS-Sire Stones-Rolling Stones Van Zant-Polydor DUKE-Genesis-Atlantic 11111111111111111111111111111 11111111111111111111111111111 111 PANORAMA-Cars-Elektra 1113.111111 EMPTY GLASS-Pete Townshend ADDS: -Atco EMPTY GLASS-Pete Townshend REACH FOR THE SKY-Allman BEATIN' THE ODDS-Molly Atco Brothers-Arista ARE HERE-Kings-Elektra Hatchet-Epic WMMS-FM/CLEVELAND FREEDOM OF CHOICE-Devo-WB PLAYING FOR KEEPS-Eddie BREAKING THROUGH THE ICE Money-Col WQFM-FM/MILWAUKEE AGE-Ellen Shipley-RCA ADDS: KLOS-FM/LOS ANGELES "A"-Jethro Tull-Chrysalis COMMON ONE-Van Morrison DREAMER (live single)- ADDS: BEATIN' THE ODDS-Molly Hatchet -WB ADDS: Supertramp-A&M GARY MYRICK & THE FIGURES -Epic FRESH "A"-Jethro HEARTLAND-Michael Stanley- -Epic BLOOD-Steve Swindells Tull-Chrysalis DRAMA-Yes-Atlantic EMI-America HEARTLAND-Michael Stanley -Atco DREAMER (live single)- EMI -America NO MORE DIRTY DEALS-Johnny HOLD ON )single)-Kansas- JOHNNY & MARY (single)-Robert Supertramp-A&M NO Van Zant-Polydor Kirshner MORE DIRTY DEALS-Johnny Palmer-Island MICHAEL SCHENKER-Chrysalis Van Zant-Polydor I'M ONLY HUMAN-Michael Des MUSICAL SHAPES-Carlene 24 CARROTS-Al Stewart- TWO "B'S" PLEASE-Robbin Carter-WB KOFM-FM /PORTLAND Borres-Dreamland Thompson-Ovation Arista ADDS: MASTER BLASTER (JAMMIN') 24 CARROTS-Al Stewart-Arista ROBBY ERICKSON & THE ALIENS 707-Casablanca (single)-Stevie Wonder-Tamla (import)-CBS DREAMER (live single)- HEAVY ACTION: HEAVY ACTION: TIMES SQUARE-Original TIMES SQUARE-Original Supertramp-A&M ANYTIME ANYPLACE ANYWHERE (in alphabetical order) Soundtrack-RSO Sou ndtra ck-RSO HEARTLAND-Michael Stanley -Rossington Collins-MCA ANYTIME ANYPLACE ANYWHERE TWO "B'S" PLEASE-Robbin -EMI -America HEAVY ACTION: EMOTIONAL RESCUE-Rolling Rossington Collins-MCA Thompson-Ovation MICHAEL SCHENKER-Chrysalis AMERICAN NOISE-Planet Stones-Rolling Stones BACK IN BLACK-AC/DC- THE GAME-Queen-Elektra WILD PLANET-B-52's-WB MUSICAL SHAPES-Carlene PANORAMA-Cars-Elektra Atlantic HOLD OUT-Jackson Browne- HEAVY ACTION: Carter-WB CRIMES OF PASSION-Pat Benatar Asylum CRIMES OF PASSION-Pat PANORAMA-Cars-Elektra Benatar-Chrysalis NO SECRETS (single)-Angel City -Chrysalis CULTOSAURUS ERECTUS-Blue -Epic Oyster EMOTIONAL RESCUE-Rolling EMOTIONAL RESCUE-Rolling EMOTIONAL RESCUE-Rolling Cult-Col TIMES SQUARE-Original ONE FOR Stones-Rolling Stones Stones-Rolling Stones Stones-Rolling Stones THE ROAD-Kinks- Soundtrack-RSO HOLD OUT-Jackson Browne- Arista GARY MYRICK & THE FIGURES- EMPTY GLASS-Pete Townshend Asylum QFM HOMETOWN ALBUM-QFM Epic -Atco HEAVY ACTION: BACK IN BLACK-AC/DC- NEVER RUN NEVER HIDE-Benny PETER GABRIEL-Mercury HOLD OUT-Jackson Browne- CRIMES OF PASSION-Pat Atlantic Asylum Benatar-Chrysalis Ma rdones-Pol ydo r FULL HOLD OUT-Jackson Browne- MOON-Charlie Daniels- BACK LOVE AFFAIR-Radio Asylum PANORAMA-Cars-Elektra IN BLACK-AC/DC- Epic Atlantic THE GAME-Queen-Elektra CRIMES OF PASSION-Pat PLAYING FOR KEEPS-Eddie CRIMES OF PASSION-Pat EMOTIONAL Benatar-Chrysalis Benatar-Chrysalis Money-Col RESCUE-Rolling PLAYING FOR KEEPS-Eddie Stones-Rolling Money-Col EMPTY GLASS-Pete Townshend PRETENDERS-Sire Stones THE GAME-Queen-Elektra BACK IN BLACK-AC/DC- -Atco THE GAME-Queen-Elektra Atlantic KQRS-FM/MINNEAPOLIS THE GAME-Queen-Elektra PANORAMA-Ca rs-Elektra NEW CLEAR DAYS-Vapors-UA KZAP-FM/SACRAMENTO HOLD OUT-Jackson Browne- ADDS: Asylum WXRT-FM/CHICAGO PLAYING FOR KEEPS-Eddie ADDS: BARRY GOUDREAU-Portrait/Epic Money-Col DRAMA-Yes-Atlantic ASHES TO ASHES ADDS: (singlel- VOICES-Hall & Oates-RCA HEAVY ACTION: David Bowie-RCA CRIMES OF PASSION-Pat Benatar ANYTIME ANYPLACE ANYWHERE -Chrysalis EMOTIONAL RESCUE-Rolling KOME-FM/SAN JOSE CAREFUL-Motels-Capitol -Rossington Collins-MCA Stones-Rolling Stones DREAMER (live DECLARATION OF INDEPENDENTS single)- GARY MYRICK & THE FIGURES -Various Artists-Ambition HOLD OUT-Jackson Browne- ADDS: Supertramp-A&M -Epic Asylum "A"-Jethro Tull-Chrysalis DREAMER (live HOLD ON (single)-Kansas- single)- 38 Stations Supertramp-A&M ANYTIME ANYPLACE ANYWHERE BEATIN' THE ODDS-Molly Hatchet Kirshner reporting this week. -Rossington Collins-MCA -Epic 24 In addition to those printed ELVIS COSTELLO (12"I-Col CARROTS-Al Stewart- are: THE GAME-Queen-Elektra GIVING GOOD BOYS A Arista FISH 'N' CHIPS-Eddie & the Hot BAD WBLM-FM WYDD-FM KFML-AM BACK IN NAME-Bill Blue-Adelphi Rods-EMI-America BLACK-AC/DC- HEAVY ACTION: WOBK-FM WABX-FM KSJO-FM Atlantic MICHAEL SCHENKER-Chrysalis HEART ATTACK AND VINE-Tom EMOTIONAL RESCUE-Rolling WAOX-FM Y95 -FM KZOK-FM Waits-Asylum PANORAMA-Ca rs-Elektra THUNDER-Atco Stones-Rolling Stones W O U R -FM KLOL-FM KZAM-AM

www.americanradiohistory.comAmericanRadioHistory.Com Record World

1=2LL-c-(2 L1-2_C)

(12") 1 12333 3 SEPTEMBER 20, 1980 24 36 JUST LET ME DANCE SCANDAL/Sam WKS. ON SEPT. SEPT. 25 SELL MY SOUL/FEVER SYLVESTER/Fantasy/Honey (12"*/ CHART - 20 13 LP Cut) F 9601 1

1 1 LOVE SENSATION LOLEATTA HOLLOWAY/Gold Mind (12") 26 12 FEEL LIKE DANCING/THE HEART TO BREAK THE HEART GG 505 (Salsoul) 10 FRANCE JOLI/Prelude (12"*) PRL 12179 15 ANOTHER ONE BITES THE DUST QUEEN/Elektra (12"*) 5E 2 2 27 39 DREAMS AND DESIRE/THE ONE TONIGHT FEVER/Fantasy 513 7 (12"*) 897 2 HUNT/Prism (12") 3 5 CAN'T FAKE THE FEELING GERALDINE 28 37 LOVE IS THE DRUG/BULLSHIT/WARM LEATHERETTE 7 PDS 405 GRACE JONES/Island (12"*) ILPS 9592 (WB) 11 DOWN DIANA ROSS/Motown 4 4 I'M COMING OUT/UPSIDE 29 25 I LIKE (WHAT YOU'RE DOIN' TO ME) YOUNG AND (LP cut/12"*) M8 936 M1 14 COMPANY/Brunswick (12") D 213 14 POS 1201 6 5 31 I NEED YOUR LOVIN' TEENA MARIE/Gordy (12"*) 30 27 I WANNA GET WITH YOU RITZ/Posse (12") (Motown) 3 G8 997M1 31 17 SEARCHING/LOVER'S HOLIDAY CHANGE/Warner Bros./ 6 6 GIVE ME THE NIGHT GEORGE BENSON/Qwest/WB (12"*) RFC (12"*) RFC 3438 26 HS 3453 11 32 32 FOR YOUR LOVE IDRIS MUHAMMAD/Fantasy (12"*) F 9598 4 7 7 I'VE JUST BEGUN TO LOVE YOU DYNASTY/Solar (12") YD 14 12027 (RCA) 12 33 18 THE BREAKS KURTIS BLOW/Mercury (12") MDS 4010 DEODATO/Warner Bros. 8 8 QUE SERA MI VIDA (IF YOU SHOULD GO) GIBSON 34 35 NIGHT CRUISER/GROOVITATION 2 BROTHERS/Mango (12") MPLS 7783 10 (12"*) BSK 3467 35 FUN TIME PEACHES & HERB/Polydor/MVP (12"*) PRO 134 1 9 3 RED LIGHT/FAME LINDA CLIFFORD/IRENE CARA ("FAME" - ORIGINAL SOUNDTRACK)/RSO (12") RX 13080 16 36 22 LET'S GO 'ROUND AGAIN AVERAGE WHITE BAND/Arista (12"*) AL 9523 8 10 10 EMOTIONAL RESCUE/DANCE PART I ROLLING STONES/ WHAT YOU GOT (IT'S HOW YOU USE IT) CARRIE Rolling Stones (12"*/LP cut) COC 16015 (Atlantic) 9 37 43 IT'S NOT LUCAS/Solar (12") YD 12086 (RCA) 2 11 21 BREAKAWAY/WHAT'S ON MY MIND/DON'T LET YOUR OUT/YOUR LOVE IS A LIFESAVER/PLAIN OUT CHANCE GO BYE WATSON BEASLEY/Warner Bros. 38 15 STRETCHIN' ADAMS/Prelude (12"*/LP cut) (12"*) BSK 3445 19 OF LUCK GAYLE PRL 12178 18 12 9 LOVE DON'T MAKE IT RIGHT ASHFORD & SIMPSON/ FUNK (12"*) AB 4274 3 Warner Bros. (12"*) HS 3458 10 39 44 UNLOCK THE LOCKSMITH/Arista SO GOOD ABOUT YOU MELBA MOORE/ 13 11 I WANNA TAKE YOU THERE (NOW)/RHYTHM OF THE 40 40 EVERYTHING (CBS) 2 WORLD GINO SOCCIO/Warner Bros./RFC (12"*/ Epic (12"*) JE 36412 LP cut) RFC 3430 14 41 33 UNDERWATER HARRY THUMANN/Uniwave (LP cut) (Import Canada) 3 14 23 FUNKIN' FOR JAMAICA (N.Y.) TOM BROWNE/Arista/GRP WLP 1007 (12"*) GRP 5008 5 42 29 WHIP IT/GATES OF STEEL DEVO/Warner Bros. (12"*) BSK 3435 4 15 24 LADY OF THE NIGHT RAY MARTINEZ AND FRIENDS/ Bros. (12"*) Importe 12 (12") MP 306 7 43 - MORE BOUNCE TO THE OUNCE ZAPP/Warner BSK 3463 1 16 16 GET IT OFF CAMERON/Salsoul (12") SG 334 (RCA) 13 DSR (Mercury) 4 17 28 SATURDAY NIGHT/STARS IN YOUR EYES HERBIE 44 42 SLIP AND DIP COFFEE/De-Lite (12"*) 9520 HANCOCK/Columbia (12"*) JC 36415 20 45 46 TASTE OF BITTER LOVE GLADYS KNIGHT & THE PIPS/ 18 13 SHAKE IT UP (DO THE BOOGALOO) ROD/Prelude (12") Columbia (12"*) JC 36387 15 PRLD 601 12 46 - FEAR/I STRIP YOU EASY GOING/Importe 12 (12") MP 307 1 19 IS IT ALL OVER MY FACE? LOOSE JOINTS/West End (12") 30 47 26 I JUST WANNA DANCE WITH YOU STARPOINT/Chocolate WES 22129 5 City (12"*) 3208 (Casablanca) 8 20 19 I'M READY KANO/Emergency (12") EMDS 6504 18 48 49 IN THE FOREST/YOUR EYES BABY'O/Baby'O (12") BO 21 20 DOES IT FEEL GOOD B. T. EXPRESS/Columbia (12"*) JC 1000 22 36333 7 49 NEVER KNEW LOVE LIKE THIS BEFORE STEPHANIE MILLS/ NIGHT - CHERCHEZ PAS/BOOGIE TALK/MUSIC MAKES MY 22 34 20th Century Fox (12"*) T 603 (RCA) 1 MADLEEN KANE/Chalet (LP cuts) CH 0701 (Prelude) 2 50 38 BIG TIME RICK JAMES/Gordy (12"*) G8 995M1 (Motown) 4 23 14 PARTY ON PURE ENERGY/Prism (12") PDS 404 14 (* non-commercial 12", discontinued)

New York, N.Y. (Continued from page 17) mood, listen to music. "If your mood is low, don't rush he needed it most. Herein are the secrets of finding solace in music. plify" your it. Start out with something even sadder than you are, to 'bleed' your- "If noise is sound out of order," states the newsletter (in a reprint) self. Then work up gradually to happier pieces." of an article that originally appeared in Executive Fitness Newsletter, If you're tense, irritate yourself "that final 'inch' with something July 26, 1980), "music is sound in order. And the more ordered the as hyper as you are. Then work down to where you want to be .. . sound is, the better it is for us." Establish a rapport first between yourself and music. Then start taking Example: John Diamond, M.D., former professor of psychiatry at trips . Mt. Sinai Hospital in New York, performed an experiment to attempt And now a playlist, a tune to fit every mood. To relax, try lightly to determine the effects of different types of music on people. He orchestrated pieces with easy rhythmic flow ("Clair de Lune"); to found that "people could be robbed of two-thirds of their muscular a beat ("Raphsody in Blue," a drumbeat characteristic of liven up, try something with pronounced strength . . . when made to listen to "Stars and Stripes Forever"); to fall asleep, "Blue Danube," Bach's much of today's rock and roll. Because the beat (two shorts followed it inter- "Bartered Bride" or Wagner's "Slumber Motif." Feeling dispirited? by a long) is the exact inverse of the rhythm of the heart, the A Mozart sonata, or the first and second movements of Beethoven's feres with the transmission of brain waves from one side of Fourth Symphony should have a salutary effect. brain to the other, with the result being muscular weakness." So If you don't like classical music, the newsletter suggests you that's the problem! Too much Elvis, Stones, Beatles, Who-the root is no such thing as good or bad taste Dr. Diamond goes on to say that the beat of "go pop," because "there of all evil, as always. music." effect on his subjects. in something as intensely personal as a waI`z had a strengthening (Continued on page 41) The rather unsurprising conclusion? If you want to change or "am-

RECORD WORLD SEPTEMBER 20, 1980 24

www.americanradiohistory.comAmericanRadioHistory.Com www.americanradiohistory.comAmericanRadioHistory.Com www.americanradiohistory.comAmericanRadioHistory.Com The Thddy Pendergrass Story

The success story of Teddy Pen- dergrass is a classic tale of a black artist whose skills were recognized at an early age and were cultivated through experiences in the church, school and small amateur bands. Pendergrass, who was born and raised in Philadelphia, began sing- ing at the age of two. He was an ordained minister by the age of ten and a self-taught drummer by 13. He developed his vocal skills by singing on the city-wide McIntyre Elementary School Choir and later with the all -city Stetson Junior High School Choir. Like countless others, Teddy kept trying to make it into the "big time" only to be victimized by con artists and the hustlers of young hopefuls. One such incident oc- curred when he was 16 and joined a band headed by a man claiming to be the brother of James Brown. Young Teddy took up with the group, but the promise of an illus- trious career never materialized. Undiscouraged, he later auditioned for the Cadillacs, a local band that was really no better off than he was. Teddy's association with Harold Melvin and the Blue Notes began when the Cadillacs became the group's backup band. In 1970, after some personnel problems, Pender- grass was asked to leave the Cadil- lacs to work with the Blue Notes' new rhythm section. He decided to reject the offers he had gotten from Sammy Davis, Jr. and Buddy Greco and accepted the job with them. During 'a tour of the Caribbean in 1970, lead singer John Atkins died. The Blue Notes broke up and sev- eral people were recruited as new members. Pendergrass abandoned his role in the rhythm section to become lead vocalist and the Blue Notes were reborn. While playing at a club in Cam- den, New Jersey, the group came to the attention of Leon Huff, who signed them to the label he co - owned with Kenny Gamble, Phila- delphia International Records. Huff composed their first single, "I Miss You," which was released in 1972. The response was astounding. A string of hits followed, including (Continued on page 4)

RECORD WORLD SEPTEMBER 20, 1980 SECTION II 3

www.americanradiohistory.comAmericanRadioHistory.Com (Continued from page 3) "If You Don't Know Me By Now," "The Love I Lost," "Bad Luck" and others which were certified gold. Pendergrass' last recording with the Blue Notes was the album "Wake Up Everybody." "It was not a planned departure," he explained. "No preliminaries. I just felt there was something else I wanted to do, something I couldn't do with a group. I was a front man, you see, and I could have said anything I wanted to, but that's not the way I do things. You have got to have consideration for the people you work with. We were leaving town to do a gig, and I just decided I wasn't going." Following the widely publicized split-up, Teddy remained out of sight for a year. When he resur- faced in 1977 it was to announce his solo contract with Philadelphia International Records and his de- but LP, "Teddy Pendergrass." The album was a huge success and netted a number of hit Gamble and Huff-composed singles including "I Don't Love You Anymore." It was the first in a series of successes. "Life Is A Song Worth Singing" followed and earned him and the label its first double platinum al- bum. His third LP, "Teddy," was also platinum. By this time Pen- dergrass had acquired a well -de- served reputation as a leading "sex symbol." On the tour following the release of the LP, his concerts were tagged "For Women Only," and the result was consistently sold-out performances. For all those who might not have ever attended a "Teddy Bear" appearance, the mystery of his effect on the ladies was clearly revealed on his first live release, "Teddy Live From Coast To Coast." The two -record set makes a special point of in- cluding the sounds of thousands of women succumbing to his stage presence. Offstage Pendergrass demon- strates the skills of a clever man- ager. He established his own firm, Teddy Bear Productions, in 1975 to make certain that he maintains control over his skyrocketing ca- reer. With his newest album, Pen- dergrass has begun to branch out into producing. In the future he expects to work with other artists, some of which he has already brought into his company. Through the success he has achieved as a vocalist he has, in his own words, "gained the confidence to be more than just a singer." Teddy Pender- grass, in a short period of time, has built the foundation upon which a solid future is sure to be created.

RECORD WORD SEPTEMBER 20, 798 SECTION II 4

www.americanradiohistory.comAmericanRadioHistory.Com ©1980 CBS Inc.

www.americanradiohistory.comAmericanRadioHistory.Com There have been few new artists who have had the outstanding and consistent success that Teddy Pendergrass has enjoyed. Having de- veloped a solid following early in his singing career, he reached even greater heights as a solo artist. His first three albums have all Teddy Pendergrass: been certified platinum or double platinum, and his concerts have filled halls with enthusiastic fans, especially the female ones. In this interview Pendergrass, who recently turned 30, displayed the insights Very Much in Control and skills of an artist who knows the business of staying on top. By KEN SMIKLE Record World: What are you dissatisfied about in terms of your career? What are you most anxious to see happen?

Teddy Pendergrass: It may sound crazy, but I want a number one album. RW: You mean a number one pop album?

TP: Yeah. It sounds a little crazy, but careerwise I could take that ball and run with it. RW: What's keeping you from having one? TP: The industry. It's the difference between what's called pop music and R&B music that's keeping me from having a number one pop album. That may sound a little misconstrued, but my thoughts are that when the industry finally stops categorizing not only myself but other black artists who have big albums, we'll have bigger albums such as the Bee Gees, the Eagles, Fleetwood Mac and you name it.

Personally I listen to Rod Stewart, to all artists, and I like a lot of artists. But Rod Stewart's voice is just as rough if not rougher than mine, but they call his music pop and call my music R&B. To me R&B is just rhythm and business. The lyric content in a lot of so-

called R&B songs is a lot more realistic. So what's the problem? I think that bugs me more than anything else. They keep classifying it.

I know that it's a way to monitor the music and a way to categorize Record World LC,.;:;*-Z.(.12

it like the WBA (World Boxing Assoc.) champion, and WBC (World Boxing Council), and the national divisions and so on, which is just

b.s. I guess it comes from the feeling that I refuse to be categorized. I'm just going to sing my music. It's black music, yes, because it's a black man that's singing it. But it's not only for black folk. Now I want somebody to explain to me who are pop folk. I've never been able to get an answer to that. Who's pop? Who's rhythm and blues? If it's the color of the skin then there's another problem and, which we all know, that's the problem. So my ultimate goal is to not just luckily sneak through. I want to bust the sucker wide open doing the same thing that I'm doing. The new album has a broader range. That's growth for me. But it's still me, I'm not going to sing any different than what I've been sing- ing. They say 'well, he hollers and screams ...' well that's just how

I express myself. If the so-called pop people or whoever were ex- periencing some of the things that I'm singing about, they'd scream

too (laughter). But I wouldn't say that I'm unsatisfied, it's not to that

point yet. It's just I know that that problem exists. And before it's all over with I'm going to try to bust it wide open. Or if I don't, I hope

that somebody else busts it open. I just want to make sure that our so-called R&B music gets equal time. RW: Let's talk about your image for a minute, the concept of Teddy Pendergrass as sex symbol. Is it possible, do you think, to achieve the kind of status that you have as an artist, meaning in dollars and cents, without an image of some kind or a mystique of some kind? to a TP: I wouldn't think so. I would think that's probably the key lot of successful, as you say dollars and cents -wise, artists is that there is a formula. You have to work that formula, and work it and work it. Every artist should have their own unique appeal, be it sound, be it what you're seeing, how you see it, what you wear, how you look, be it how you sing or whatever. Everybody has their own unique ap- peal. Coming from our side of the business, meaning my company, Teddy Bear Productions, we never hype the so-called "sex symbol." That was not our angle, never has been. But I remember from day one of stepping on a stage there's always been a majority of females in the audience. I'm talking about since I was 15 years old. I've tried to look at it very objectively. I said "well, maybe it's be-

cause I'm on stage." But then as I grew older I said "you have to give them more credit than that." I refuse to think that because here's (Continued on page 8)

RECORD WORLD SEPTEMBER 20, 1980 SECTION II 6

www.americanradiohistory.comAmericanRadioHistory.Com WE'VE BEEN TURNED ONTO .011 TEDDY SINCE 1968

You'll Never Forget Our Tunes " THE MIGHTY THREE MUSIC GROUP

rn O

The Mighty Three Music Group 309 South Broad Street Philadelphia, Pa. 19107

www.americanradiohistory.comAmericanRadioHistory.Com Dialogue (Continued from page 6)

a person on stage that the women are going to go off like that and T.P. do some of the things that they do. So if you give the ladies more credit, Teddy, what is it? I'm not going to sit here and say (assuming a macho tone) "Yeah, I'm a sex symbol." But then we're looking at it ones on me... out of male eyes and we can't see how the females see it. And that's who buys the records. If that's what they say you are to them, then that's what you are to them. And glory be, because it helped me to TbanÍ2s for pour support get where I am so far, if that's anywhere.

I happen to like singing ballads and I happen to like "milking" tbrou9bout teje »ears. the public. I think it's a sure way. I know a lot of artists who have made a quick killing, sold a lot of records and two or three albums and are gone. Dollar-wise they're sitting pretty. Career -wise it's shot. Ron Detsener And I'm in this for a career and for the dollar and because I like

what I'm doing. It's all I know how to do. And I've learned to deal in business by doing this. This business has taught me about doing

business, which is why I can sit here and boast of being chairman of my business and in complete control of it. Or sit here and boast of being on the board of directors of banks, of oil and gas companies, and everything else that I'm involved in. But this business has taught me about taking care of business.

So I say all of that to say if that's how the public perceives me,

I would not say that it's a false image, it's not surrealism, because 711t staü I do like ladies, indeed I do. And if that's how they hold me, that they say "Teddy, you know how to give us through music what we scut Song 7zodudioaa like to hear," then by George, that's what it's going to be, because umpatulates that's what's working for me. RW: But can Teddy the sex symbol transcend a black market and use 7eddy ?edema the same image in a pop market? y TP: I think so. The proof is that each year that I go out on tour, the . percentage increases. I OOK %d ((lust aló unc / 7. of whites don't want to ever, say, get to the point where my audience is totally white. I don't want to lose my base.

and wishes hiac yeaAa oj contiiuced I don't want to get into that changing over. I don't want to compro-

mise. I think that once a certain public becomes aware of your exist- SCUMS, ence, which comes through exposure and equal time, then if it's good they're going to like it. And that does not have color; if it's good you 1775 Broadway, New York, N.Y. 10019 Suite 401 like it, if it's not you don't. So it all goes back to equal time. And it's not something that frus-

trates me. I've got an eye on it so I can see exactly where it's going to

fit, because Tom Jones is not selling records any longer, I don't believe.

At least I don't hear him on the radio. But that's a white sex symbol. Elvis Presley was a white sex symbol. Engelbert Humperdinck, ladies

like him. Andy Williams, Frank Sinatra, numerous others. I mean, what is a sex symbol, what does that mean anyway? It just means that you happen to be a little more popular with the ladies than other artists. It's working for them so why can't it work for me? What makes me any different?

RW: How in control are you of your image, in a business sense? TP: How in control? Very much. RW: Through what channels? Sic TP: I've been lucky enough to have the help of good people around

.v- I -v me who have the expertise in broadening what want to do. So I'm not somebody's idea who said "I have an idea. There's a guy, grab him. Use my idea. He's a robot. Turn left, turn right, do this. Sing this, wear

that." No. I started my company by myself, answering my phones, GNC,NNv taking my own dictation, typing my own letters doing my own P.R. RW: When did you start Teddy Bear Productions?

esy° TP: Latter part of '75. So, as I said, I won't compromise. It's going to have to be or it ain't. If someone is right about something I'll do it. But that's what you have other people to help you for. In other words CIRCLE STAR ThEATRE I own 100 percent of Teddy Pendergrass. I don't need a big board of SanCarlos,California people who sit around and give their opinions about what you should do next. I take my opinions from the people that work with me. I'll listen to anybody. I'm not above criticism and utilizing an idea of MIR RUN ThEATRE someone else's and giving them credit for that. I'm trying to say this in a corporate sense, that I know exactly what I want to try and do. When Niles, Illinois and if it gets to the point when my head is up against the wall, then

I'll open it up. It hasn't gotten to that point yet. I hope that it will get

that big, but at this point I can handle it. SUNRISE ThEATRE RW: Exactly what does Teddy Bear Productions do? Sunrise, Flordia TP: It does a lot of things. The company is into management, pro - (Continued on page 10)

SECTION II 8 RECORD WORLD SEPTEMBER 20, 1980

www.americanradiohistory.comAmericanRadioHistory.Com Most fans love Teddy for the songs he sings, as only he can sing them. We're his proudest fans.. Enjoying Our Continuing Relationsh_ps and Loving Him for the reasons and more. Your Family at Philadelphia International Records

www.americanradiohistory.comAmericanRadioHistory.Com There's No Finer Artist Than teddy, Says Shep Gordon of Alive Management It isn't difficult for Shep Gordon, Alice Cooper, Groucho Marx, Ra- hello. I got back in the car, went We have one of those great rela- president and owner of Alive Man- quel Welch, some pretty high-pow- back to New York, got on the tionships where you don't have to agement, to recall how he first met ered people," he remembers with a plane to Los Angeles and forgot say a whole lot. Teddy Pendergrass. "About three laugh. "I got in my limousine, drove about it all. "As a manager you have to run years ago, I was in New York and over to Philadelphia, and could not "About a year later, I got a a wide gamut of things concerning someone mentioned that Teddy was get into the show. I waited at the call from Kenny Gamble who an artist, like doing the interviews looking for a manager. Now, I have backstage door for about three said, `I've got somebody who I'd and so forth. For me as a manager never been one to really seek out hours sending in messages that Shep like you to meet and maybe work the thing that I really enjoy doing clients, but Harold Melvin and the Gordon wants to see him. As the with.' I said, `Who?' He said 'Well is putting together a show. With Blue Notes are one of my favorite show broke up, I was able to get I don't know if you've heard of Teddy you can't ask for a finer art- groups and I knew that he was in only because another manager him, but his name is Teddy Pen- ist to put in a show. He makes it once the lead singer. They told me was coming out. Unknown to me dergrass.' I said `You're never bigger than life. Doing creative he was playing Philadelphia that a whole bunch of managers had gonna believe this, but . . .' And events like the 'For Women Only' night. I decided that instead of go- come down that night. When I got that's how it all started." concerts are great because he under- ing home, I was going to go to in the dressing room, it was just Gordon says that one of the nice stands those things and can take it Philly. `I've got to see this,' I said filled with managers. So I went to things about working with Pender- beyond serious, which is very diffi- to myself. I thought it would be the bathroom, made my way back grass is that there is a lot that Ted- cult when you're dealing with your amazing to work with him. out, and I don't think I ever got a dy handles himself. "What I try to own life. And it's great to know "At the time I was managing chance to be introduced or say do is make the foundation solid for that the man can sing any piece of him. We also try to keep some fun material that is put in front of him. in what he's doing with things like I have a lot of respect for him." the 'For Women Only' concerts." Danny Markus, who has worked What originally attracted Gordon for two years as Pendergrass' per- to Teddy was his voice. It seemed, sonal manager, has similar feelings as he describes it, as if there was a about working with Teddy. "I've direct link between God and earth worked with them all, and there are through his voice. "I was just a many sex symbols that are really fan," he said enthusiastically. "The figments of a press agents imagina- music always seemed to have a tion. Teddy is one of the few sex message. I sort of went from Dylan symbols who genuinely is. He re- to the Beatles to Harold Melvin sponds well to the challenge of his and the Blue Notes. And that's all craft. He likes to work. You rarely that I listened to. Then to work have to worry about him. You have with Teddy was just a great thrill to worry about the rest of the Pendergrass (I.) with Harold Melvin and the Blue Notes for me. He's a real professional. world."

RW: Yes, yes?

I in Ditem TP: Uh -huh, not now. I have a nice little something that have mind that I have other people just interested in at this time. (Continued from page 8) RW: Are you doing anything in other entertainment areas, such as duction, it's into real estate, it's into a lot of different things. Primarily acting, film or video? what it does is handle my career. When I'm satisfied with how things are flowing here, then TBP will put attention on other artists. That's the TP: Acting is out of the question for now. Eventually I'll do it. I've as far back as 1969. Around '70 or '71 only reason that I haven't dealt with other artists. been offered numerous roles, I was offered a role to play a black Tarzan (laughter). There are at RW: Are you doing any merchandising? least seven or eight scripts that I can show you right now. But I refuse PIR and seeing TP: We're getting ready to. First we're hooking into to do them. I don't want to be a product of major merchandising at what help TBP can be to their merchandising plans. We're moving this point. When you start spreading yourself too thin your overall slow, but I'm trying to move right. worth is the same way. I like to put all my concentration on my music. in near RW: Will you be doing any work with other artists the There are some people who I see in Hollywood who will do a future? weekly TV show, then they go to Vegas and sing, then they're off to TP: Which end, production, recording ...? someplace else. I ask them "What do you do for a living?" "Well, I sing and I act and I ..." "What do you do for a living?" You under- RW: Any. stand what I mean? Sure you can run and get the money, but as TP: Well, I just co -produced a song with Stephanie Mills on my said, I'm in this for a career. I'd rather make 50 percent less for 20 I it. own album. I have a couple of artists with TBP that I'm moving very years to make 50 percent more of life. That's just how prefer to do slowly with and hope to get into a nice record deal and production Somebody may say "You're a fool, man. If someone was to give me deal. $2 million to go do a picture, I'd do it." But I don't need $2 million. I've got $2 million. RW: Do you want to set up a production house? What's most important to me right now is music. That's what I love TP: Not a large production house, a very small production house, and what I feel loves me. I don't want to take a chance and jump so that I can put concentration on it. onto the movie screen. You can jump into that and blow your whole RW: Who would be the chief producers? music career if it doesn't turn out right. So right now this is rolling

. This is I want to stay. TP: Well, there's a couple of people that I have my eye on .. pretty good. where

RECORD WORLD SEPTEMBER 20, 1980 SECTION II

www.americanradiohistory.comAmericanRadioHistory.Com Thanks Teddy Pendergrass It's Great To Be On Your Team Toc Cy/

71_c CCC CC C C CC, Cl" Lc CC( CC C

D.S V

10,1..INX_»

Representation for Fairs and Special Events Buddy Lee Attractions, Inc. 38 Music Square East Dream Street Nashville, Tenn. 37203 (615) 244-4336 Management Here's To You Teddy We Make Beautiful Music Together Teddy Bear Productions

2400 Chestnut Street, Philadelphia, Pa. 19103, 1-215-988-0792

www.americanradiohistory.comAmericanRadioHistory.Com Teddy: Lawyer Hunt: 'Teddy's a Pro' Kenny Gamble on "I've represented many, many ber of other things besides mu- artists, but Teddy Pendergrass is sic." one of the truly professional crea- Strong Voice, Strong tive people and he has an interest in what he's doing." That's how Klotzman Lauds TP attorney John Hunt describes the "Much has been said and Character, Strong client he has represented since written about the talents of Ted- 1976. "Teddy is a very intelligent dy Pendergrass. He is one of the and concerned person, and for me most innovative individuals to Potential that makes my job a lot easier." have ever stepped up to a micro- Hunt was introduced to Teddy phone." Those words of praise through Kenny Gamble and the come from Dick Klotzman, tour of the PIR label, Gamble and partner Leon Huff As co-chairman two hit it off right away. "It's a coordinator for Teddy since he of the and as one half of the composing/ are responsible for most delight. It's not working the ab- first went on the road as a solo production team that first launched material that has earned Pender- stract where he's standing off on artist in 1978. "He is one of the Teddy Pendergrass' solo career, grass three consecutive platinum the side not wanting to know any- most progressive persons in the in- Kenneth Gamble was impressed albums and numerous gold and thing." dustry and his music and style with the vocalist's potential from platinum singles. The duo first Hunt has helped Pendergrass have continuously proven him to the very start. "Teddy has a very worked with Teddy when he joined with a number of business activi- be a master of his craft. He is unique voice," said Gamble, "and Harold Melvin and the Blue Notes. ties outside of his music career, adept at understanding the musi- and one that he recalls rather a very strong character as a person. "I never really thought of Teddy cal tastes of his audiences and sup- fondly was buying the literary plying their needs. He can do a variety of things with as a solo artist when he was work- rights on a book on Paul Robe- "I have long respected Teddy his voice and I think That's going to ing with the group," recalls Gam- son. "He was really enthusiastic as a guiding force in music. He is is began to have give him longevity. His career ble, "but when they about that because he felt it was dynamic and creative, and is loyal really lust beginning." their problems the idea was men- an opportunity to do something in and of the highest integrity. I have tioned. I knew that he had a great connection with a important man held his friendship dear to my public attraction. Thank God it all of that stature. It shows just an- heart. T.P. has me in a bear hug worked out." As a soloist, Gamble other side of his concerns that the forever." Assisting Klotzman on said, "he was like any new artist in public rarely hears about. Teddy Teddy's tours are Jeffry Sharp and most respects. But he handled the has a serious attitude about a num- Cindy Markus. lyrics like a pro, like a natural singer. His voice has a lot of power and there are very few artists like that. He felt confident in the stu- dio, but he usually didn't have the Pendergrass Sets words of the songs down until the session, and even then he would (lo thing Sty/es, Too sing with a copy of the lyrics. But he always performed beautifully." Style has always been associated open -open shirt on stage adjust their Gamble feels that one of the with Teddy Pendergrass' singing. feelings. other things lending to Pender- But over the past few years, the But Walker insists that the new- grass' potential in the future is his Teddy Bear has become the epitome look Pendergrass will be "nothing ability to develop in other areas. of sartorial style as well. very flashy, although we think his "His career is going to become more Sedonia Walker, administrator stage suits will be a little more color- diversified now that he is beginning for Teddy's Teddy Bear Produc- ful. They are being designed by a to get into writing and producing. tions, recalls what happened last Philadelphia designer, Joey Bighum, who also makes the clothes for the These are areas that he is familiar year when Teddy opted for the cow- girls in the show. Some years ago with and by taking it slowly he will boy boots and stetson look-long before the cowboy Teddy used Jacques Bellini, but continue to grow. Eventually he will (sub)urban craze took hold. since Teddy met Joey and loved his become an all-around entertainer, designs we have been using him." "Suddenly back home in Phila- which is where he's always been And replacing the cowboy boots delphia it seemed that everyone in coming from." of last year are low French -style Kenny Gamble the community was sporting a stet- shoes, very soft and very thin. "You son," he says. "Must have been can bend the shoes right over," says good for someone's business! And Walker. "I think this will be another cowboy boots too became the thing fashion trend." to wear. Currently Teddy is getting his Leon Huff on His 'Discovery: "Teddy is kind of reclusive when shirts from the Beverly Hills store he's back home in Philadelphia, but Bijan (which has branches in New he does get around. It takes only York, Paris and Rome). And the 'lèddy's Nowhere Near one appearance on a Mike Douglas store, recognizing a best -dressed or a Mery Griffin Show for the fans person if ever they saw one, has to check out what Teddy's wearing honored Teddy by installing his His Peak Yet -and start to copy it." name in their chic crystal wall of The person who played perhaps Huff. "I had heard all the commu- But if you want to copy Pender- fame in the Beverly Hills operation. forget the cowboy the most important role in Teddy nity talk about this new group in grass this year, But for all the careful attention look. Pendergrass' career was Leon Huff, town. So out of curiosity I went to fashion detail and image, Teddy The 1980 Pendergrass image- Pendergrass' usual dress off the co-chairman of Philadelphia Inter- around to hear them. They blew which will be reflected in his stage stage at home is dungarees and cas- and the man who me away. After that we signed national Records a little more conservative. ual jackets. them." shows-is originally brought Harold Melvin According to Walker, he's getting And Sedonia Walker estimates and the Blue Notes to the label. Up until that point Pendergrass into suits, box style, fitted on the that, for personal use, Teddy buys "Harold and the group were play- shared most of the lead vocal duties hips with pleated pants with cuffs, around six or seven suits a year. She ing at a local club in Camden, New with other group members, espe- and ties-which will make those thinks that his fashion budget is Jersey called the Apollo," recalls (Continued on page 14) who admire the Teddy torso in the "not over $6000 a year."

RECORD WORLD SEPTEMBER 20, 1980 SECTION II 12

www.americanradiohistory.comAmericanRadioHistory.Com Dear Teddy, It's a pleasure!

Congratulations on your Sol ters/Roskin/Friedman "fiery" success PUBLIC RELATIONS Stephanie Mills

Congratulations

You are a great professional and artist.

With enduring fondness and respect, John Frazier Hunt

RECORD WORLD SEPTEMBER 20, 1980 SECTION II 13

www.americanradiohistory.comAmericanRadioHistory.Com When Pendergrass launched his Huff solo career, the combination of his PIK's Larry Depte: (Continued from page 12) voice with Leon Huff and Kenny Gamble's composing and producing cia'lly Melvin. Huff wrote the talents proved to be an unstoppable group's first single, "I Miss You," '7èddy's in the Forefront' combination. The trio seemed to on which Teddy sang the lead. Af- have found a magic formula that ter that he assumed that role more "Teddy Pendergrass is a major man have not changed. "I've always resulted in three consecutive plati- and more. "His voice was so domi- figure not just at Philadelphia Inter- known him to be a gentleman and num albums. "Kenny and I take a nant," Huff explained. "And that's national Records," said label presi- one of the truly talented artists. He lot of time to prepare for a session not taking anything away from Har- dent Larry Depte, "but in the en- is an artist with charisma and there with Teddy. He has a lot of energy old, who is a crooner type of vocal- tire record business. Black music are few artists that have his kind of and he's as serious about his per- ist and can really do ballads. But over the last few years has become charisma. I think that Teddy Pen- formance on stage as he is about Teddy can really shout that mes- increasingly more important to the dergrass will remain at the top of working in the studio. When you go sage across. He has to be one of total music industry. Teddy has the music business for a long time in with him you'd better be ready the most exciting artists I've ever been one of the reasons for this. He to come." to sweat. We enjoy being in each worked with." has been in the forefront of the other's company and the chemistry superstars of black music and has As president of Mighty Three just comes together when we're in meant an awful lot to PIR, where Music, Earl Shelton says that Teddy the studio. It's fun. And as long he started his recording career." Pendergrass is one of the best as- as the fun stays in it, it keeps grow- Pendergrass, who first came to the sets that the company has. "Many ing." Huff borrowed some of that label as lead singer for Harold Mel- of the songs that Teddy performs Pendergrass high energy for his own vin and the Blue Notes, issued his are published by us, and he certain- debut album as an artist by having first solo album in 1977. ly has done a lot for us and our Teddy sing the opening track. songwriters. His versions of those As far as Leon Huff can see, the "As a solo artist," Depte con- songs are so well done that other future for Pendergrass is bright in- tinued, "Pendergrass has continued artists are usually afraid to cover deed. "He's nowhere near his peak. to build upon the base he devel- them." Among the gold and plati- He's still experimenting with differ- oped with Harold Melvin and the num tunes that Pendergrass has ent types of songs. We're going to Blue Notes. His first solo album was created for Mighty Three are try to move Teddy into a broader platinum, as were his second and "Close the Door" and "Turn Off listening market. It's going to take third. Teddy and PIR together the Lights." While Shelton says time, but I think he's going in the proved that black music can sell in there's no way to know the dollar right direction to achieve that." sufficient quantities to warrant in- Leon Huff value of what Pendergrass' record- vestment in it as far as the album ings have contributed to Mighty market is concerned. He is artist an Three, he explained, "If Teddy that has enabled us to deliver to the lbny Martell of CBS does it, that means money." marketplace music that can be

1111111 I t I I I I I I I I I I I I I I rITIIRI I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I counted on." I I I I I I I I I I I I I I I I I I I I11111111111111111111111111111111_ The editorial in this salute to Tells of the 'Joy' of Te Depte recalls that he first met 1. Teddy Pendergrass was coordi- Teddy around the time the Blue nated by Ken Smikle, RW's "Being work with Teddy a star on able to he was going to be big Notes recorded "Hope That We black music editor, with the as- Pendergrass is one of the greatest his own. His first album sold close Can Be Together Soon," which sistance of Priscilla Chatman of joys I have had in my many years to 2 million copies. As a business- Pendergrass sang on with Sharon Philadelphia International Rec- in the record business," Tony I to have Teddy ords. says man, am thrilled Paige. His initial impressions of the Martell, vice president and general on the P.I.R. roster; as a person manager of CBS Associated Labels. I am delighted to be involved with "I've been a fan of Teddy's since him. Teddy is a sensitive, charis- the days with Harold Melvin and matic powerful artist who has not Sedonia Walker the Blue Notes and through their lost touch with the everyday world Talks About many, many hit records with Teddy of practical business or people's as lead singer." needs. As a vocalist he is unequivo- The Role of Teddy Bear Martell recalls the time a few cally one of the greatest." years ago, after a Lou Rawls con- PIR/CBS has just released Pen- Productions cert in Philadelphia, when he and dergrass' fourth solo album at a Pendergrass were talking backstage. time when he is reaching out to a In her role as administrator of troduced in the fall and will carry "I told him-quite directly-that broad, highly -differentiated market, Teddy Bear Productions, Sedonia the Teddy Bear logo." The clothing and, says Martell, "it is already on Walker is responsible for such areas line will be handled through the the way to the million mark and as managing the company's finan- newly formed Teddy, Inc. arm of beyond. At only 30 years old, Ted- cial holdings, approving new cos- TBP and the idea was originally dy Pendergrass has achieved more tume designs for Pendergrass' back- initiated through Philadelphia In- than most artists do in a lifelong up singers, and coordinating con - ternational Records. It is expected career. Whether performing in a session sales at his concerts. She that Pendergrass will appear in the small auditorium of three thousand, first joined the organization in 1977 advertising spots. a giant hall like Madison Square and has been responsible for its "We have also just begun T -Bear Garden or before sixty -million tele- operation since that time. She says Music Publishing Co., which will vision fans, Teddy Pendergrass publish not the activities of TBP have been in- only tunes from Teddy reaches out to each individual, and but from other artists that we plan creasing rapidly and are expected Teddy hasn't even come close to to be working with in the future." to continue that way for the future. reaching his full potential. His ap- The licensing is handled by BMI. of we peal is to young and old alike, con- "One the areas that really Assisting Walker at TBP's offices temporary, old-fashioned or trendy- expect a lot of growth will be a line are Vanessa Milligan, who manages as-tomorrow-he is truly a univer- of Teddy designer jeans," Ms. the activities of the fan club, and Tony Martell sal star." Walker said. "The line will be in- Carolyn Johnson.

14 RECORD WORLD SEPTEMBER 20, 1980 SECTION II

www.americanradiohistory.comAmericanRadioHistory.Com Congratulations, Teddy

3.},t#,?.7,- LOS ANGELES

8240 Sunset Blvd. Los Angeles, California 90046 (213) 656-8830

www.americanradiohistory.comAmericanRadioHistory.Com WoYld o tecoYd ourY on y me t. youcouldn'tfeel bette CongratulationsSorry®ou special. today meeting

www.americanradiohistory.comAmericanRadioHistory.Com Club Review RW Revises Chart Brothers Johnson Visit Record World Radio Station Sample LeRoux Offers A (Continued from page 3) sample. For the first time in the history First -Rate Show of its singles airplay research, the IS LOS ANGELES-It is a mystery magazine will now include key that LeRoux is as little known as FM outlets, representing both top - it is after three albums and such rated AOR stations and mass - dynamic performances as the one appeal formats originally derived at the Roxy on August 11. from black -oriented roots, in its This six -piece group out of survey of weekly programming Louisiana turned in a cohesive 70 - changes. minute set with material primarily Thus, rock -dominant AOR will from their latest Capitol release, now provide an index to market "Up," which is more rock -ori- movement for records in this ented than past funk -rock styled of sector, while crossover titles that albums. With the exception two ballads, "New Orleans La- now command airplay on black - dies" and their current single, Just prior to their three-week European oriented formats will benefit from tour, A&M recording artists the Brothers John- "Roll Away the Stone," the tunes son paid a visit to Record World. In what definitely is not a candid photo, we find this multi -format exposure. were uptempo and charged, most (from left): Louis Johnson; Spence Berland, senior vice president of Record World; George Johnson; Sam Sutherland, west coast editor of Record World; Bob Gaiters, In the past, RW, like other in- notably "Let Me Be Your Fantasy" national R&B director at A&M; and Jack Forsythe, marketing director at Record World. dustry trade publications, has and "Mystery." looked to mass -appeal Top 40 Jeff Pollard (primary songwriter outlets as the primary indicators and guitarist) provided flawless NewYork, N.Y. (Continued from page 24) of radio exposure at this level, lead vocals for all the songs, as well as a key factor in singles backed by rich harmonies. Fine. Now someone send the Doc a copy of "Exile on Main Street." sales at retail. However, the swing The highlight of the set was an BRUCE SPRINGSTEEN's new album, a two -record set entitled "The from AM outlets toward a more extended version of "Slow Burn," River," is slated to be released on or about October 1 to coincide bullish balance of power for FM from their first album, which suc- with the start of Springsteen's U.S. tour October 3 at the University signals, coupled with tighter play - cessfully displayed the musician- of Michigan in Ann Arbor. The album contains 21 songs, including lists and higher singles rotation ship of all the band members. previously -unrecorded concert favorites "Sherry Darling," "Point at the latter, has mandated this Both David Peters (drums) and Blank" and "Independence Day." broader sample. Leon Medica (bass) turned out ex- The first leg of the tour ends in mid -December; Springsteen and RW's poll of stations will thus pert solos in addition to providing company will hit the boards again near the end of January and re- focus not on a single format or an even, steady and flavorful main on tour through the end of June. 1981 will also see him making a narrow range of formats, but foundation throughout the set; concert tours of Europe, Japan and Australia. New York dates are not seek data from those stations that there was also impressive guitar firm yet, but the Spectrum in Philadelphia has been booked for are format -dominant and servic- work by Pollard and Tony Hasel - December 6, 8 and 9, so take it from there. ing these fragmented music mar- den. Rod Roddy's consistent key- Springsteen's October 6-7 appearances in Cleveland were an- kets. board expertise was particularly nounced last week over WMMS-FM by Kid Leo, who reportedly told The revised research base apparent through this number, listeners: "Here's the deal: Springsteen plays the Coliseum on Oc- which was rounded out by the which will otherwise preserve tober 6 and 7. Tickets go on sale . . . right now. Go!" In two days, the publication's existing chart colorful work of Bobby Campo all 33,000 seats were gone. This scene has already been repeated drum, sampling methods, becomes ef- on congas, trumpet, cuica in Detroit (Cobo Hall sold out in two hours), Cincinnati, Milwaukee, chimes, triangle and various shak- fective during the week of Sep- St Paul . . . ers. Campo also played synthe- tember 22. CORRECTIONS: Joan Jett's solo album is on Ariola-Europe, not sizer and flute on other numbers. Ariola-America, as reported here some weeks ago. And the LeRoux's following reflected the column- ist must admit to committing that cardinal sin, misspelling PIR Promotes Two energy and excitement emitted someone's name. Peter Criss's co -producer is really Dave PHILADELPHIA-Harry Combs, from the stage, winning the band Wolfed, despite what you may have read here previously. executive vice president of mar- a standing ovation and an encore. JOCKEY SHORTS: On keting for PIR/TSOP labels, has It remains puzzling, however, that the same week that WRVR goes country comes news that the Lone announced the appointment of the band's tightly executed rock Star Cafe is getting into the concert pro- motion business via a series Becki Butler as product manager and first-rate musicianship has not of concerts at Town Hall. First on the bill is Roy Orbison, and Jackie Padgett as assistant brought LeRoux more notoriety. November 17. If that's successful, others will secretary. Robyn Flans follow . . . Teenage Head's American debut has been postponed in- definitely due to serious injuries suffered by one of the group mem- 'Night Flight' to St. Louis bers in an automobile accident on September 6. Following a show at the Palmerston Arena, Palmerston, Ontario, the group was en route back to Toronto when its van crashed. Guitarist Gord Lewis is now in Kitchener -Waterloo Hospital intensive care with back in- juries and two broken ribs. Bass player Steve Mahon was treated for minor injuries and released . . . keyboardist Jean Roussell, one of Atlantic recording group Jonathan Mars, has received an invitation from John Lennon to record with him at the Hit Factory. Roussell, who played with Cat Stevens for five years, has also done sessions

with Bob Marley, Paul Simon, 10cc and Ron Wood . . . Benny Mar - dones, ticked off at some anti-American statements attributed to Elvis Costello, has challenged the English rocker to a 15 -round boxing match. "And if I win," stated Mardones, "he has to change his name

to Lou Costello. The bugger's a comedian anyway." . . . James E. Myers was presented with a framed excerpt from the Congressional Record recognizing the 25th anniversary of his song, "Rock Around the Clock." Congressman William H. Gray Jr. (D -Pa.) made the pres- Justin Hayward recently visited the U.S. to help promote his new album, "Night Flight," entation in his offices in the Cannon Building in D.C. on September on Deram Records, marketed by Phonogram Inc. A single, "A Face In the Crowd," has 4 . . . Roy Buchanan is wrapping up sessions for his first Water- just been released. While in St. Louis, Hayward stopped by radio station KMOX-FM. house LP at the Record Plant here. Paul Jacobs, formerly with Meat national Shown from left are program director Bob Osburn; Hayward; Joe Grossman, Loaf, is featured on piano and lead vocals on the record. A mid - manager, PolyGram East; disc jockey Jim Doyle, and Charlie Scott, local pop promotion October release is expected. promotion, PolyGram.

RECORD WORLD SEPTEMBER 20, 1980 41

www.americanradiohistory.comAmericanRadioHistory.Com World PRICE CODE: F - 6.98 Record G - 7.98 H - 8.98 I - 9.98 J - 11.98 K - 12.98 L - 13.98

SEPTEMBER 20, 1980

IN THE LAND OF MUSIC DYNASTY/ TITLE, ARTIST, Label, Number, (Distributing Label) 42 42 ADVENTURES WKS. ON Solar BXL1 3576 (RCA) 9,G SEPT. SEPT. CHART 20 13 43 22 EMPTY GLASS PETE TOWNSHEND/Atco SD 32 100 19 H H 45 McVICAR (ORIGINAL SOUNDTRACK)/Polydor PD 1 6284 6 2 URBAN COWBOY 44 O 45 34 STAR WARS/THE EMPIRE STRIKES BACK (ORIGINAL (ORIGINAL SOUNDTRACK) SOUNDTRACK)/RSO RS 2 4201 18 L 46 38 VOICES DARYL HALL & JOHN OATES/RCA AQL1 3646 6 H VARIOUS ARTISTS 47 47 NO NIGHT SO LONG DIONNE WARWICK/Arista AL 9526 6 H 48 48 THE GAMBLER KENNY ROGERS/United Artists Full Moon/Asylum UA LA 934 H 89 G DP 90002 e49 41 THIS TIME AL JARREAU/Warner Bros. BSK 3434 14 G (5th Week) 18 X 50 50 MIDDLE MAN BOZ SCAGGS/Columbia FC 36106 23 H 51 51 CAMEOSIS CAMEO/Chocolate City CCLP 2011 10 I (Casablanca) 19 G 5 XANADU (ORIGINAL SOUNDTRACK)/MCA 6100 10 H Bros. 3 THE GAME QUEEN/Elektra 5E 513 52 52 WOMEN AND CHILDREN FIRST VAN HALEN/Warner FC 36384 27 H: HS 3415 23 H 4 1 GLASS HOUSES BILLY JOEL/Columbia FC 36511 15 H 5 4 EMOTIONAL RESCUE ROLLING STONES/Rolling Stones 53 56 McCARTNEY II PAUL McCARTNEY/Columbia COC 16015 (Atl) 10 H 54 54 ONE EIGHTY AMBROSIA/Warner Bros. BSK 3368 21 G 10 H 6 6 HOLD OUT JACKSON BROWNE/Asylum 5E 511 60 PLAYIN' FOR KEEPS EDDIE MONEY/Columbia FC 36514 6 H ® 70 G 18 HONEYSUCKLE ROSE (ORIGINAL SOUNDTRACK) 56 57 GREATEST HITS WAYLON JENNINGS/RCA AHL1 3378 WILLIE NELSON & FAMILY/Columbia S2 36752 3 L 57 40 RHAPSODY AND BLUES CRUSADERS/MCA 5124 11 H 28 G 8 CHRISTOPHER CROSS/Warner Bros. BSK 3383 Ca 120 "A" JETHRO TULL/Chrysalis CHE 1301 1 H 3 H 39 L 15 PANORAMA CARS/Elektra 5E 514 59 59 THE WALL PINK FLOYD/Columbia PC2 36183 5 H 14 CRIMES OF PASSION PAT BENATAR/Chrysalis CHE 1275 60 69 NO RESPECT RODNEY DANGERFIELD/Casablanca R.. 6 H NBLP 7229 5 H 11 11 TP TEDDY PENDERGRASS/Phila. Intl. FZ 36745 (CBS) FE 35672 1 H 12 12 AGAINST THE WIND BOB SEGER & THE SILVER BULLET - BEATIN' THE ODDS MOLLY HATCHET/Epic BAND/Capitol SOO 12041 28 H 62 62 SWEET SENSATION STEPHANIE MILLS/20th Century Fox 6 H T 603 (RCA) 21 G 13 13 BACK IN BLACK AC/DC/Atlantic SD 16018 DARK/ 14 7 GIVE ME THE NIGHT GEORGE BENSON/Qwest/WB m 80 24 CARROTS AL STEWART AND SHOT IN THE HS 3543 7 H Arista AL 9520 2 H 15 H 33 G 15 9 DIANA DIANA ROSS/Motown M8 936M1 64 66 STARDUST WILLIE NELSON/Columbia KC 35305 7 H 9 G 16 10 FULL MOON CHARLIE DANIELS BAND/Epic FE 36571 65 64 ROBBIE DUPREE/Elektra 6E 273 6 II 17 16 ANYTIME ANYPLACE ANYWHERE ROSSINGTON COLLINS 66 49 WINNERS VARIOUS ARTISTS/I&M 1 017 (RCA) BAND/MCA 5130 11 H 67 63 JUST ONE NIGHT ERIC CLAPTON/RSO RS 2 4202 21 L 3 H 68 70 ELVIS ARON PRESLEY/RCA CBLP 8 3699 3 X 19 ONE -TRICK PONY PAUL SIMON/Warner Bros. HS 3472 12 H Bros. BSK 3435 14 G 19 17 FAME (ORIGINAL SOUNDTRACK)/RSO RX 1 3080 m 75 FREEDOM OF CHOICE DEVO/Warner H 72 BEYOND HERB ALPERT/A&M SP 3717 9 H 27 DRAMA YES/Atlantic SD 16019 3 70 â0 5E 510 29 H 4 H 71 73 MAD LOVE LINDA RONSTADT/Asylum 35 THE YEAR 2000 O'JAYS/TSOP FZ 36416 (CBS) 72 61 CULTOSAURUS ERECTUS BLUE OYSTER CULT/Columbia 5008 7 H ® 25 LOVE APPROACH TOM BROWNE/Arista/GRP GRP JC 36550 10 G G 33 CHIPMUNK PUNK CHIPMUNKS/Excelsior XLP 6008 8 73 67 DEPARTURES JOURNEY/Columbia FC 36339 27 H 13 H 24 26 LOST IN LOVE AIR SUPPLY/Arista AB 4268 74 76 THE LONG RUN EAGLES/Asylum 5E 508 48 H M8 939M1 13 H 25 20 HEROES COMMODORES/Motown 85 THE SWING OF DELIGHT DEVADIP CARLOS SANTANA/ 26 X 26 24 MICKEY MOUSE DISCO/Disneyland/Vista 2504 Columbia C2 36590 2 I S.O.S. BAND/Tabu JZ 36332 (CBS) 13 G 14 G 27 21 S.O.S. 76 79 PETER GABRIEL/Mercury SRM 1 3848 LARRY GRAHAM/Warner 28 28 ONE IN A MILLION YOU 77 82 SAN ANTONIO ROSE WILLIE NELSON & RAY PRICE/ 12 G Bros. BSK 3447 Columbia JC 36476 6 G & SIMPSON/Warner 29 29 A MUSICAL AFFAIR ASHFORD 130 IRONS IN THE FIRE TEENA MARIE/Gordy G8 997M1 Bros. HS 3458 5 H III (Motown) 1 H FE 35745 54 H 30 23 OFF THE WALL MICHAEL JACKSON/Epic 79 44 DUKE GENESIS/Atlantic SD 16014 22 H 3 G 36 SHINE ON L.T.D./A&M SP 4819 80 86 THERE AND BACK JEFF BECK/Epic FE 35684 11 H 32 32 JOY AND PAIN MAZE FEATURING FRANKIE BEVERLY/ 81 58 THE ROSE (ORIGINAL SOUNDTRACK)/Atlantic SD 16010 37 H G Capitol ST 12087 7 82 55 REAL PEOPLE CHIC/Atlantic SD 16016 9 H 33 30 BLUES BROTHERS (ORIGINAL SOUNDTRACK)/Atlantic 83 87 CAMERON/Salsoul SA 8535 (RCA) 7 G SD 16017 13 H ra 92 TRUE COLOURS SPLIT ENZ/A&M SP 4822 2 G Bri 65 HORIZON EDDIE RABBITT/Elektra 6E 276 3 G 85 74 "H" BOB JAMES/Columbia/Tappan Zee JC 36422 11 G KINKS/Arista A2L 8401 13 K 35 31 ONE FOR THE ROAD 94 THE BOYS FROM DORAVILLE ATLANTA RHYTHM 37 WIDE RECEIVER MICHAEL HENDERSON/Buddah BDS 6001 D 36 SECTION/Polydor PD 1 6285 3 H (Arista) 4 G 87 89 KENNY KENNY ROGERS/United Artists LWAK 979 50 H Eli 53 LOVE LIVES FOREVER MINNIE RIPERTON/Capitol 88 81 NAUGHTY CHAKA KHAN/Warner Bros. BSK 3385 14 G SOO 12097 3 H 89 95 ONE WAY FEATURING AL HUDSON/MCA 5127 7 H 90 91 MUSIC MAN WAYLON JENNINGS/RCA AHL1 3602 14 G CHARTMAKER OF THE WEEK 91 97 A DECADE OF ROCK AND ROLL 1970 TO 1980 REO SPEEDWAGON/Epic KE2 36444 12 L 101 SPECIAL THINGS POINTER SISTERS/Planet P 9 WILD PLANET El - (Elektra/Asylum) 1 G

93 98 HOT BOX FATBACK/Spring SP 1 6726 (Polydor) 21 G B -52s al 103 ARE HERE KINGS/Elektra 6E 274 1 G 43 96 IN THE HEAT OF THE NIGHT PAT BENATAR/Chrysalis G Warner Bros. BSK 3471 CHR 1236 44 G 96 68 UNDER THE GUN POCO/MCA 5132 8 H 39 39 GIDEON KENNY ROGERS/United Artists LOO 1035 23 t. 97 100 THE CARS/Elektra 6E 135 106 G BROTHERS BAND/ 40 43 REACH FOR THE SKY ALLMAN al 107 BRASS VI BRASS CONSTRUCTION/United Artists LT 1060 1 G Arista AL 9535 5 H 99 88 MAGNIFICENT MADNESS JOHN KLEMMER/Elektra 6E 284 3 G 46 LET ME BE YOUR ANGEL STACY LATTISAW/Cotillion rfig) 77 BARRY WHITE'S SHEET MUSIC BARRY WHITE/ SD 5219 (Ad) 11 G a limited Gold FZ 36208 (CBS)/ 8 H

ALBUM CROSS REFERENCE ON PAGE 45

www.americanradiohistory.comAmericanRadioHistory.Com Albums u+-ºoo Record World

SEPTEMBER 20, 1980 + 175 X co MULTIPLIES YELLOW MAG C 151 NEVER RUN NEVER HIDE BENNY ORCHESTRA/ABM SP4813 176 RUNNING ON EMPTY JACKSON LL4%-/L, MARDONES/Polydor PD 1 6263 BROWNE/Asylum 6E 113 . 152 HOW TO BEAT THE HIGH COST OF LIVING (ORIGINAL SOUNDTRACK) 177 DONNY HATHAWAY IN HUBERT LAWS AND EARL KLUGH/ PERFORMANCE/Atlantic SD Columbia JS 36741 19278 178 BADDEST GROVER WASHINGTON, 153 MY HOME'S IN ALABAMA JR./Motown M9 940A2 ALABAMA/RCA AHLI 3644 179 IT'S MY TIME MAYNARD 154 A BIT IRRATIONAL YIPES!!/ FERGUSON/Columbia JC 36766 SEPTEMBER 20, 1980 Millennium BXL1 7750 (RCA) 180 MYSTICAL SHAPES CARLENE 155 DAVID GRISMAN-QUINTET '80/ SEPT. SEPT. CARTER/Warner Bros. BSK 3465 20 13 Warner Bros. BSK 3469 181 DIFFERENT KINDA DIFFERENT 156 RAVE ON ARTFUL DODGER/Ariola- 101 TED FE JOHNNY MATHIS/Columbia JC 71 SCREAM DREAM NUGENT/Epic 36404 America 1503 (Arista) OL 36505 157 ANNIE (ORIGINAL CAST ALBUM)/ 102 93 READY WILLING WHITESNAKE/Mirage WTG 19276 (Atl) 182 THE BEST OF YOU BOOKER T. AN' Columbia PS 34712 JONES/A&M SP 4789 158 CRASH AND BURN PAT TRAVERS 103 104 UPSTAIRS CARLY Bros. BSK 3443 183 WAITING FOR THE SUN DOORS/ COME SIMON/Warner BAND/Polydor PD 1 6262 Elektra EKS 74024 159 CONCERNED PARTY #1 CAPTAIN HELL BLACK Bros. BSK 3372 184 EVOLUTION JOURNEY/Columbia 104 108 HEAVEN AND SABBATH/Warner SKY/TEC 1202 FC 35797 160 BLACK ROSE/Casablanca NBLP 7234 105 105 TEN YEARS OF GOLD KENNY ROGERS/United Artists 185 SCOTT WILK d THE WALLS/Warner 161 KEEP THE FIRE KENNY LOGGINS/ Bros. BSK 3460 UA LA 835 H Columbia JC 36172 186 PLAY ME OR TRADE ME PARLET/ 162 UNLOCK THE FUNK LOCKSMITH/ Casablanca NBLP 7224 106 117 WILLIE & FAMILY LIVE WILLIE NELSON/Columbia KC2 35642 Arista AB 4274 187 DEFECTOR STEVE HACKETT/ 163 ROBIN LANE d THE CHARTBUSTERS/ Charisma CL 1 3103 (Mercury) 107 109 VAN HALEN/Warner Bros. BSK 3075 Warner Bros. BSK 3424 188 HOLD ON HIGH INERGY/Gordy G8 164 SEEDS OF CHANGE KERRY LIVGREN/ 996M1 (Motown) 108 113 TONIGHT FRANCE JOLI/Prelude PRL 12179 Kirshner NJZ 36567 (CBS) 189 SWEET VI/Capitol ST 12106 165 THE MUPPET MOVIE (ORIGINAL 190 LED ZEPPELIN IV/Atlantic SD 19129 109 110 TWICE AS SWEET A TASTE OF HONEY/Capitol ST 12089 SOUNDTRACK) THE MUPPETS/ 191 GARY MYRICK AND THE FIGURES/ 110 BAND/Polydor Atlantic SD 16001 Epic NUE 36524 122 NO MORE DIRTY DEALS JOHNNY VAN ZANT 166 CALLING NOEL POINTER/United 192 DETENTE BRECKER BROTHERS/ PD 1 6289 Artists LT 1050 Arista AB 4272 167 HUEY LEWIS AND THE NEWS/ 193 MECO PLAYS MUSIC FROM THE 111 111 GOLD & PLATINUM LYNYRD SKYNYRD/MCA 2 11008 Chrysalis CHR 1292 EMPIRE STRIKES BACK/RSO RS 1 168 POLYROCK/RCA AFL 3714 3086 112 90 DAMN THE TORPEDOES TOM PETTY AND THE 169 WHITE MUSIC CRACK THE SKY/ 194 CABLE'S VISION GEORGES CABLES/ HEARTBREAKERS/Backstreet/MCA 5105 Lifesong LS 8028 Contemporary 14001 170 LONG WAY TO THE TOP 195 UP FROM THE ALLEY LAMONT 113 78 AFTER MIDNIGHT MANHATTANS/Columbia JC 36411 NANTUCKET/Epic NJE 36523 CRANSTON BAND/Waterhouse 10 171 10th ANNIVERSARY STATLER 196 SCREAMING TARGETS JO JO ZEP 114 116 NEW CLEAR DAYS VAPORS/United Artists LT 1049

BROTHERS/Mercury SRM 1 5027 AND THE FALCONS/Columbia NJR 36542 172 READY FOR LOVE MAIN INGREDIENT NJC 36442 ® 125 BARRY GOUDREAU/Portrait/Epic FEATURING CUBA GOODING/ 197 BODY LANGUAGE PATTI AUSTIN/ RCA AFL( 3641 CTI JZ 36303 (CBS) 116 115 TOMCATTIN' BLACKFOOT/Atco SD 32 101 173 SOMETHING TO BELIEVE IN CURTIS 198 ALIBI AMERICA/Capitol SOO 12098 117 112 CHICAGO XIV/Columbia FC 36517 MAYFIELD/Curtom/RSO RS 1 199 THUNDER 7TH WONDER/Chocolate 3077 City CCLP 2012 (Casablanca) 174 LA WOMAN DOORS/Elektra [KS 200 MAKE IT COUNT IDRIS 118 118 CAREFUL MOTELS/Capitol ST 12070 75011 MUHAMMAD/Fantasy F 9598 119 83 UNMASKED KISS/Casablanca NBLP 7225 Album Cross Referenceo 120 - COMMON ONE VAN MORRISON/Warner Bros. BSK 3465 121 106 ROMANCE DANCE KIM SW 17030 AC/DC 13, 129 RAMSEY LEWIS 124 CARNES/EMI-America AIR SUPPLY 24 LIPPS, INC. 149 ALLMAN BROS. 40 LTD 31 132 GAMMA 2/Elektra 6E 288 HERB ALPERT 70 LYNYRD SKYNYRD 111 ® AMBROSIA _.. 54 MELISSA MANCHESTER 123 133 FOR THE WORKING GIRL MELISSA MANCHESTER/Arista AL 9533 ASHFORD 8 SIMPSON 29 MANHATTANS 113 ® A TASTE OF HONEY __.. _. 109 TEENA MARIE 78

ATLANTA RHYTHM SECTION _ 86 MAZE 32 134 ROUTES RAMSEY LEWIS/Columbia JC 36423 B-52', 38 PAUL McCARTNEY 53

JEFF BECK _.... _... _. _. 80 STEPHANIE MILLS _ 62 PAT BENATAR __. 10, 95 EDDIE MONEY 55 125 102 GARDEN OF LOVE RICK JAMES/Gordy G8 995M1 (Motown) GEORGE BENSON 14 VAN MORRISON 120 BLACKFOOT 116 MOTELS _.. 118 126 84 THE GLOW OF LOVE CHANGE/Warner/RFC RFC 3438 BLACK SABBATH _ 104 MICKEY MOUSE DISCO _.. 26 BLUE OYSTER CULT _ 72 WILLIE NELSON 8 RAY PRICE 77 BRASS CONSTRUCTION 98 WILLIE NELSON 64, 106 127 135 I TOUCHED A DREAM DELLS/20th Century Fox T 618 (RCA)

JACKSON BROWNE 6 TED NUGENT _ 101 TOM BROWNE 22 O'JAYS 21 139 MICHAEL SCHENKER GROUP/Chrysalis CHE 1302 CAMEO 51 ORIGINAL SOUNDTRACK: 333 CAMERON _.. 83 BLUES BROS. 33

LARRY CARLTON . 132 CADDYSHACK 138 129 131 HIGHWAY TO HELL AC/DC/Atlantic SD 19244 KIM CARNES 121 EMPIRE STRIKES BACK 45 CARS 9, 97 FAME 19 130 119 PRETENDERS/Sire SRK 6083 (WB) GENE CHANDLER 147 HONEYSUCKLE ROSE _. 7 CHANGE _ __ 126 McV ICAR _.. 44 ZAPP/Warner Bros. BSK 3463 CHIC _. 82 ROSE 81 En - CHICAGO 117 SMOKEY AND THE BANDIT 2 137 132 126 STRIKES TWICE LARRY CARLTON/Warner Bros. BSK 3380 CHIPMUNKS _... _.. _ 23 URBAN COWBOY.. 1 ERIC CLAPTON _..... 67 XANADU 2 STANLEY CLARKE 133 TEDDY PENDERGRASS 11 133 136 ROCKS, PEBBLES AND SAND STANLEY CLARKE/Epic JE 36506 NATALIE COLE 146 TOM PETTY 112 COMMODORES 25 PINK FLOYD 59 - THE DOORS/Elektra EKS 74007 CHRISTOPHER CROSS 8 POCO 96 CRUSADERS 57 POINTER SISTERS 92 135 99 MAKE A LITTLE MAGIC DIRT BAND/United Artists LT 1042 RODNEY DANGERFIELD 60 ELVIS PRESLEY _. 68 CHARLIE DANIELS 16 PRETENDERS 130 136 124 VIENNA ULTRAVOX/Chrysalis CHR 1296 DELLS 127 QUEEN 3 EUMIR DEODATO 141 EDDIE BABBITT 34 148 SMOKEY THE BANDIT 2 (ORIGINAL DEVO _._ _ 69 MINNIE RIPERTON 37 AND SOUNDTRACK)/ DIRT BAND 135 REO SPEEDWAGON 91 MCA 6101 DOORS 134 KENNY ROGERS 39, 48, 87. 105 ROBBIE DUPREE ROLLING __ 65 STONES 5 138 144 CADDYSHACK (ORIGINAL SOUNDTRACK)/Columbia JS DYNASTY .. __ 42 LINDA RONSTADT 71 36737 EAGLES _ 74 DIANA ROSS 15 FATBACK 93 ROSSINGTON COLLINS BAND 17 139 137 CATCHING THE SUN SPYRO GYRA/MCA 5108 PETER GABRIEL _.. __.. _ __..... 76 ROXY MUSIC 142 GAMMA 122 CARLOS SANTANA _... 75 140 114 ABOUT LOVE GLADYS KNIGHT & THE PIPS/Columbia JC 36387 LARRY GATLIN 144 BOZ SCAGGS 50 GENESIS 79 MICHAEL SCHENKER GROUP 128 141 149 NIGHT CRUISER EUMIR DEODATO/Warner Bros. BSK 3467 BARRY GOUDREAU 115 BOB SEGER _. 12 LARRY GRAHAM .. _ _ 28 CARLY SIMON 103 142 140 FLESH AND BLOOD ROXY MUSIC/Atco 32 102 HALL 8 OATES _ _.. 46 PAUL SIMON 18 EMMYLOU HARRIS _ _ _. 145 LUKE SKYWALKER _. 143 143 121 THE RS 1 MOLLY HATCHET 61 S.O.S. BAND _. 27 ADVENTURES OF LUKE SKYWALKER/RSO 3081 MICHAEL HENDERSON 36 SPLIT ENZ 84 AL HUDSON .. 89 SPYRO GYRA 139 144 142 STRAIGHT AHEAD LARRY GATLIN/Columbia JC 36250 MICHAEL JACKSON 30 STARPOI NT 150 BOB JAMES .. 85 AL STEWART 63 145 145 ROSES IN THE SNOW EMMYLOU HARRIS/Warner Bros. BSK RICK JAMES 125 PETE TOWNSHEND 43 AL JARRtAU .. __... 49 JETHRO TULL _... 58 3422 WAYLON JENNINGS _ 56, 90 ULTRAVOX 136 BILLY JOEL 4 VAN HALEN 52, 107 146 146 DON'T LOOK BACK NATALIE COLE/Capitol ST 12079 FRANCE JOLI _.. 108 JOHNNY VAN ZANT 110 JOURNEY _...._ 73 VAPORS 114 147 123 '80 GENE CHANDLER/20th Century Fox/Chi-Sound T 605 (RCA) CHAKA KHAN 88 DIONNE WARWICK 47 KINGS _. _ 94 BARRY WHITE 100 148 I BELIEVE IN YOU DON WILLIAMS/MCA 5133 KINKS ..... 35 WHITESNAKE _. 102 - KISS 119 DON WILLIAMS 148 149 JOHN KLEMMER 99 WINNERS 66 127 MOUTH TO MOUTH LIPPS, INC./Casablanca NBLP 7197 GLADYS KNIGHT 8 THE PIPS 140 YES 20 STACY LATTISAW ._. _...... 41 ZAPP 131 150 150 STARPOINT/Chocolate City CCLP 2013 (Casablanca)

RECORD WORLD SEPTEMBER 20, 1980 45

www.americanradiohistory.comAmericanRadioHistory.Com appointment Lewis held a similar post Record World , at Casablanca. The RCA recording act, Odyssey, has signed an agreement with New Earth Management Co., a New York based firm. LL2/L1LL2LL-77L Prism Records has released a new album by native Chicago vocalist ` Geraldine Hunt entitled "No Way." The first single from that LP, "Can't Fake the Feeling," is getting club attention already. Hunt has LLL.L L73 been with the label for five years. Vocalist Ruth Waters will have a new album issued this month to ic be produced by John Davis for the Midsong International label. Black Music Report By KEN SMIKLE e Black Oriented Album Chart NEW YORK -Two major black -owned communications companies SEIIi EMBtR 20, 1980 26. HO( BOX have announced a joint venture to bid on one of the largest cable 1. DIANA FATBACK/Spring SP 1 6726 (Polytor) television franchises in New York City. The Inner Unity Cable TV DIANA ROSS/Motown M8 936M1 27. RHAPSODY AND BLUES CRUSADERS/MCA 5124 Systems, Inc., a newly formed partnership between Inner City Broad- 2. GIVE ME THE NIGHT GEORGE BENSON/Qwest/WB HS 3453 [28. BARRY WHITE'S SHEET MUSIC casting Corp., the Unity Broadcasting Network and CanWest Com- 3. TP BARRY WHITE/Unlimited Gold FZ 36208 munication Corp., filed a bid with the Board of Estimate to operate TEDDY PENDERGRASS/Phila. Intl. FZ (CBS) a cable system in the borough of Queens. Inner City Broadcasting 36745 (CBS) 29. GARDEN OF LOVE RICK JAMES/Gordy G8 995M1 (Motown) owns and operates, among other stations, WBLS. Unity Broadcasting 4. THE YEAR 2000 THE O'JAYS/TSOP FZ 36416 (CBS) 30. '80 is the parent company of National Black Network, which provides 5. JOY AND PAIN GENE CHANDLER/20th Century Fox/ news and other broadcasts to 90 affiliated black radio stations and MAZE FEATURING FRANKIE BEVERLY/ Chi -Sound T 605 {RCA) Capitol ST 12087 31. NO NIGHT SO LONG owns WDAS in Philadelphia. CanWest Communications is a subsidiary 6. WIDE RECEIVER DIONNE WARWICK/Arista AL 9526 of CanWest Capital Corp., a Canadian Merchant Bank with consider- MICHAEL HENDERSON/Buddah BDS 6001 32. BRASS VI able interest in the U.S. CanWest will be a 40 percent partner in (Arista) BRASS CONSTRUCTION/United Artists LT 1060 the venture and has agreed to invest as much as $150 million in 7. LOVE APPROACH TOM BROWNE/Arista/GRP GRP 5008 33. I TOUCHED A DREAM the project. 8. ONE IN. A MILLION YOU DELLS/20th Century Fox T 618 (RCA) The Temptations, currently celebrating their 20th anniversary, will LARRY GRAHAM/Warner Bros. BSK 3447 34. THE GLOW OF LOVE make their first personal appearance of the year when they begin 9. A MUSICAL AFFAIR CHANGE/Warner/RFC RFC 3438 ASHFORD & SIMPSON/Warner Bros. HS 35. TWICE AS SWEET their national tour on Oct. 3 in Tulsa, Oklahoma. Motown has 3458 A TASTE OF HONEY/Capitol ST 12089 recently released their new album, "Give Love At Christmas." 10. HEROES 36. ABOUT LOVE COMMODORES/Motown 939M1 A kick-off reception for the 1980 AMC Humanitarian Award dinner M8 GLADYS KNIGHT & THE PIPS/Columbia 11. CAMEOSIS JC 36387 was held Sept. 10 where initial plans were announced by Kenny CAMEO/Chocolate City CCLP 2011 37. SPECIAL THINGS Gamble for the Dec. 13 affair. Further information will be shortly (Casablanca) PLEASURE/Fantasy F 9600 forthcoming. Gamble is also a vice-chairman for the third annual 12. SHINE ON 38. FAME (ORIGINAL SOUNDTRACK) L.T.D./A&M SP 4819 RSO RX 1 3080 CEBA Awards dinner which honors excellence in presentation for 13. LET ME BE YOUR ANGEL 39. SPECIAL THINGS black oriented advertising. For more details about the Oct. 8 event STACY LATTISAW/Cotillion SD 5219 (AtI) POINTER SISTERS/Planet P 9 (E/A) at the New York Hilton, please contact Audrey Smalls or Joan Logue 14. LOVE LIVES FOREVER 40. LOVE JONES MINNIE RIPERTON/Capitol SOO 12097 Henry at (212) 889-2244. The hosts for the affair be Marilyn JOHNNY GUITAR WATSON/DJM DJM will 15. ADVENTURES IN THE LAND OF MUSIC 31 (Mercury) DYNASTY/Solar BXL1 3576 (RCA) McCoo and Billy Davis. 41. SOMETHING TO BELIEVE IN 16. S.O.S. Pendarvis be at in New York on CURTIS MAY: IELD/Curtom/RSO RS 1 Janice will performing Mikells S.O.S. BAND/Tabu JZ 36332 (CBS) 3077 Tuesday and Wednesday, Sept. 16 and 17. Backing the outstanding 17. NAUGHTY 42. WINNERS Bros. BSK 3385 vocalist will be an all-star cast that includes Lenny White, Andy CHAKA KHAN/Warner VARIOUS ARTISTS/I&M 1 017 (RCA) 18. REAL PEOPLE 43. AFTER MIDNIGHT Schwartz, David Spinozza and others. CHIC/Atlantic SD 16016 MANHATTANS/Columbia JC 36411 Andre Perry will be resigning his post as director of artist develop- 19. CAMERON 44. DON'T LOOK BACK Salsoul SA 8535 (RCA) NATALIE COLE/Capitol ST 12079 ment at Arista Records to head up his own management/consultant 20. THE GAME 45. ROUTES firm, D'Martella Management. His initial roster of clients includes the QUEEN/Elektra 5E 513 RAMSEY LEWIS/Columbia JC 36423 21. IRONS IN THE FIRE 46. U°R'SIN(: band Mtume, Marc Sadane and Locksmith. Future services to be TEENA MARIE/Gordy G8 997M1 BOB MARLEY & THE WAILERS/Island offered will include media coordination (Perry worked for a number (Motown) ILPS 9596 (WB) 22. THIS TIME 47. WAITING ON YOU is of years as program director of WHUR in Washington). He also AL JARREAU/Warner Bros. BSK 3434 BRICK/Bang JZ 36262 (CBS) serving as a full-time consultant to Mtume/Lucas Productions. He 23. ZAPP 48. READY FOR LOVE can be reached at P.O. Box 897, Teaneck, N.J. 07666. Tel. (201) Warner Bros. BSK 3463 MAIN INGREDIENT FEATURING CUBA 24. SWEET SENSATION GOODING/RCA AFL1 3641 692-1462-1469. STEPHANIE MILLS/20th Ceentury T 603 49. THE BEST OF YOU George M. Lewis was recently named midwest regional promotion (RCA) BOOKER T. JONES/A&M SP 4789 25. ONE WAY FEATURING AL HUDSON 50. LET'S GET SERIOUS manager for Atlantic Records and will be based in Chicago. Prior to this MCA 5127 JERMAINE JACKSON/Motown M7 928R1

PICKS OF THE WEEK IN SEARCH OF THE RAINBOW JUST AS I AM I'M YOURS HURRY UP THIS WAY AGAIN SEEKERS KEITH BARROW-Capitol ST -12112 (EMI) LINDA CLIFFORD-Curtom RS -1-3087 THE STYLISTICS-TSOP JZ 36470 (CBS) (RSO) MTUME-Epic JE 36017 For his debut Returning once At last these on this label, This talented again to the hitmakers have Barrow comes vocalist's new Philly sound, taken time to forth with a album teams this male produce for nine -tune al- her with Isaac quartet sounds themselves the bum that is sure Hayes for a better than kind of chart - to appeal to solid package ever. Working busting music R&B and pop listeners alike. of winners. with the TSOP stable of fine pro- the album is the up - t ey have done for others. The Ralph Affoumado's production is Topping off ducers and writers, they cover tempo "Shoot Your Best Shot," a groove is in the pocket, with kept simple with strings and ballads and uptempo selections dance floor favorite. variety aplenty from R&B to horns at a minimum. Barrow, potential with ease. Leading the pack here included are a version of the is funk. "Give It On Up," who sings, composes and plays Also "Driving Me Wild," which is classic "I Had A Talk With My sure to their current single, is blazing its keyboards, gets solid assistance convince the unconvinced Man Last Night," five Hayes way up the charts and will from Steve Gadd, Ralph of this group's talents. Listen also originals and "Red Light" from be followed by "So You Wanna MacDonald, Tawatha, Gwen to "And I'll See You No More." the film "Fame." Be A Star" and more. Certain to Guthrie and others. Listen to be a long playing LP. "In The Light."

46 RECORD WORLD SEPTEMBER 20, 1980

www.americanradiohistory.comAmericanRadioHistory.Com Record World Black iGitiu,LL(.21.

SEPTEMBER 20, 1980 6 TITLE, ARTIST, Label, Number, (Distributing Label) 41 SOUL SHADOWS CRUSADERS/MCA 41295 WKS. ON SEPT. SEPT. WANT TO) MTUME/Epic 9 50917 5 20 13 CHART 44 GIVE IT ON UP (IF YOU 46 MY PRAYER RAY, GOODMAN & BROWN/Polydor 2116 4 1 1 UPSIDE DOWN 1 5 I) PEACHES & HERB/Polydor/MVP 2115 ROSS 40 40 FUN TIME (PART DIANA 7189 (Motown) 3 47 I NEED YOUR LOVIN' TEENA MARIE/Gordy Motown 1494 2 51 I'M COMING OUT DIANA ROSS/Motown 1491 11 (4th Week) 43 45 TREASURE BROTHERS JOHNSON/A&M 2254 5 GIRLS/Phila. Intl. 49506 13 49 DANCE TURNED TO ROMANCE JONES 2 2 GIVE ME THE NIGHT GEORGE BENSON/Qwest/WB CD 9 3111 (CBS) 4 TEDDY PENDERGRASS/Phila. Intl. 9 3107 3 3 CAN'T WE TRY YOU MELBA MOORE/ (CBS) 12 50 EVERYTHING SO GOOD ABOUT m Epic 9 50909 4 DON'T LET IT GET YOU DOWN THE O'JAYS/TSOP 5 GIRL, FLASH AND THE FURIOUS 5/ O 9 4790 (CBS) 9 66 FREEDOM GRANDMASTER m Sugarhill 549 2 LOVE YOU DYNASTY/Solar 12021 5 6 I'VE JUST BEGUN TO 4 (RCA) 12 52 COMING HOME TRUTH/Devaki 4001 3 6 7 SHAKE YOUR PANTS CAMEO/Chocolate City 3210 57 RED LIGHT LINDA CLIFFORD/RSO 1041 9 9 (Casablanca) 49 48 SHAKE IT UP (DO THE BOOGALOO) ROD/Prelude 8014 622 Ea 9 WIDE RECEIVER (PART I) MICHAEL HENDERSON/Buddah 50 28 CUPID/I'VE LOVED YOU FOR A LONG TIME (MEDLEY) (Arista) 11 SPINNERS/Atlantic 3664 18 YOU TTF/RSO/Curtom 11 FUNKIN' FOR JAMAICA (N.Y.) TOM BROWNE/Arista/GRP 51 31 (BABY) I CAN'T GET OVER LOSING a 13 2506 7 1035 3757 2 a 12 ANOTHER ONE BITES THE DUST QUEEN/Elektra 47031 5 m 58 NOW THAT YOU'RE MINE AGAIN SPINNERS/Atlantic 1 11222 28 10 4 ONE IN A MILLION YOU LARRY GRAHAM/Warner Bros. 53 35 SHINING STAR MANHATTANS/Columbia 49221 20 2 60 REAL LOVE THE DOOBIE BROTHERS/Warner Bros. 49503 I) KURTIS BLOW/Mercury 4010 14 11 10 THE BREAKS (PART 55 42 LOVE MAKIN' MUSIC BARRY WHITE/Unlimited Gold ® 29 MORE BOUNCE TO THE OUNCE (PART I) ZAPP/Warner 9 1418 (CBS) Bros. 49534 4 ® 15 SOUTHERN GIRL MAZE/Capitol 4891 9 CHARTMAKIR Of TNI WIRK 14 8 LOVE DON'T MAKE IT RIGHT ASHFORD & SIMPSON/ Warner Bros. 49269 11 56 - PUSH PUSH BRICK II21 WHERE DID WE GO WRONG L.T.D./A&M 2250 6

22 LET ME BE YOUR ANGEL STACY LATTISAW/Cotillion 46001 Bang 9 4813 (CBS) 1 (At)) 7 W 19 HE'S SO SHY POINTER SISTERS/Planet 47916 (E/A) 7 57 55 BABY, WHEN LOVE IS IN YOUR HEART JOE SIMON/ 18 13 REBELS ARE WE CHIC/Atlantic 3665 12 Posse 5001 7 19 14 BACKSTROKIN' FATBACK/Spring 3012 (Polydor) 13 58 43 YOU'RE SUPPOSED TO KEEP YOUR LOVE FOR ME 20 20 RESCUE ME A TASTE OF HONEY/Capitol 4888 11 JERMAINE JACKSON/Motown 1490 9 45015 (At!) 19 24 NEVER KNEW LOVE LIKE THIS BEFORE STEPHANIE MILLS/ 59 53 DYNAMITE STACY LATTISAW/Cotillion ® 6 1 20th Century Fox 2460 (RCA) 60 - TRIPPING OUT CURTIS MAYFIELD/RSO/Curtom 1046 49512 9 1 22 23 SEARCHING CHANGE/Warner/RFC 61 - LET ME TALK EARTH, WIND & FIRE/ARC/Columbia 11366 5 30 HERE WE GO MINNIE RIPERTON/Capitol 4902 62 64 UNLOCK THE FUNK LOCKSMITH/Arista 0543 2 0527 7 N 27 NO NIGHT SO LONG DIONNE WARWICK/Arista 63 54 POP YOUR FINGERS ROSE ROYCE/Whitfield 49274 (WB) 9 25 25 BIG TIME RICK JAMES/Gordy 7185 (Motown) 10 64 56 JOJO BOZ SCAGGS/Columbia 1 11281 14 26 16 PAPILLON (AKA HOT BUTTERFLY) CHAKA KHAN/Warner BE BOB MARLEY & THE WAILERS/ Bros. 49256 11 65 - COULD YOU LOVED Island 49547 (WB) 1 27 17 OLD -FASHION LOVE COMMODORES/Motown 1489 13 66 59 YOU AND ME ROCKIE ROBBINS/A&M 2213 21 (RCA) 7 33 I TOUCHED A DREAM DELLS/20th Century Fox 2463 m 67 61 HERE WE GO AGAIN (PART I) ISLEY BROTHERS/T-Neck 29 18 I JUST WANNA DANCE WITH YOU STARPOINT/ 9 2291 (CBS) 15 Chocolate City 3208 (Casablanca) 12 68 62 FOR THOSE WHO LIKE TO GROOVE RAY PARKER, JR. & RIGHT) PART I THE S.O.S. BAND/ 30 26 TAKE YOUR TIME (DO IT RAYDIO/Arista 0522 13 Tabu 9 5522 (CBS) 23 69 63 LANDLORD GLADYS KNIGHT & THE PIPS/Columbia 1 11239 23 31 32 MAGIC OF YOU (LIKE THE WAY) CAMERON/Salsoul 2124 (RCA) 10 70 65 MAKING LOVE HERBIE HANCOCK/Columbia 1 11323 3 32 34 TASTE OF BITTER LOVE GLADYS KNIGHT & THE PIPS/ 71 71 TAKING AWAY YOUR SPACE TWO TONS O'FUN/Fantasy/ Columbia 1 11330 7 Honey 896 3 YEARNIN' BURNIN' PLEASURE/Fantasy 893 13 ® 39 POP IT ONE WAY FEATURING AL HUDSON/MCA 41298 6 72 67 THAT I USED TO LOVE NATALIE COLE/Capitol 34 36 GIRL OF MY DREAM MANHATTANS/Columbia 1 11321 8 73 68 SOMEONE 4869 17 35 37 THAT BURNING LOVE EDMUND SYLERS/Casablanca 2270 7 74 69 I LOVE IT TRUSSEL/Elektra 46664 7 36 38 I HEARD IT IN A LOVE SONG McFADDEN & WHITEHEAD/ TSOP 9 4788 (CBS) 6 75 70 I LOVE THE WAY YOU LOVE PEABO BRYSON/Capitol 4887 12

EVELYN "CHAMPAGNE" KING'S NEW SINGLE "Let's get funky tonight" P D-12090 from the forthcoming album

+Give the gift Produced by T. Life of music. "CALL ON ME

www.americanradiohistory.comAmericanRadioHistory.Com Summer -Casablanca Suit Yes Breaks Garden Record (Continued from page 3) week of October, according to are likely to succeed." sources at Warner Bros. Arguing that Summer's con- Counsel for both sides, com- tractual obligations to Casa- menting on these latest de- blanca have already been ful- velopments in the court battle filled, Engel said he also moved between Summer and Casa- for a summary judgment with- blanca set in motion by the out trial on the controversial singer's January, 1980, suit issue of the "key man clause" against the label, its former cited by Summer in her amended president, Neil Bogart, and ex - complaint earlier this year. Ac- York's manager Joyce Bogart, continued cording to that cause of action, Atlantic recording group Yes recently played three back-to-back shows at New 16th concert, a new record for the departure of former Casa- Madison Square Garden. It was the group's Garden to press for further resolution in greatest number of career shows at the arena. Shown at one of the concerts are, from the wake of Judge Pacht's rulings. blanca chief Neil Bogart voided left: Trevor Horn of Yes, Atlantic vice chairman Sheldon Vogel, and Yes members Alan Attorney Alan Croll, repre- her commitment to the label, White, Steve Howe and Geoff Downes. senting Casablanca, echoed an per his "key man" status within earlier statement from the the contract. Radio Replay (Continued from page 16) label that "the matter is still Engel, who reported that his . . . Scott of KTSA has moved to motion was made Thursday (4), filling in at 'MMR part-time Mike in the hands of the court, and Steve Sutton has reportedly re- said Judge Jerry Fields, WNDE Indianapolis as PD/MD ... the only we lost was a that thing . . . WWRL in New York will be also sitting in Superior Court, signed from WYSP in Philadelphia temporary injunction against broadcasting the Nets basketball games ... Chris Morris has joined her releasing product on another took the motion under sub- mission, "which indicates the the air staff of KRLY, Houston. label at this time. NEW YORK NEWS: WABC will broadcast the Manhattans outdoor possibility of a decision in "The judge was very careful be held Monday, September 9 at Citicorp favor of Ms. Summer on this concert for Music Week, to in limiting his ruling by stating be kicking off a new series featuring the point, without any trial." Center ... WNEW-FM will that he shouldn't grant a pre- talent, also during New York Music Week, That would render Summer music of local unsigned liminary injunction at this time, September 29 to October 4. The show will be hosted by Scott Muni, free of her contract as of Febru- period. and Vinnie Scelsa WNCN will be sponsoring the Friday ary of this year, on condition Dick Neer ... classical concert at GM Plaza ... And Jimmy lenner, president of Mil- "He began his ruling by stat- that a disputed letter cited in Records has recorded a public service announcement for ing he was not endorsing, nor her suit, awarding her album lennium York Music Week. did he intend to endorse, Ms. credits against her contract on New AND FROM DIR: DIR Broadcasting and Schaefer Beer have joined Summer's conduct in this two LPs ("On The Radio- forces on a new daytime live concert series for radio, dubbed "Schae- action." Croll said the court Greatest Hits" and the sound- fer Rock City." Opening the series September 17 will be Southside was continuing to study the track to "Thank God It's Fri- Johnny and the Asbury Jukes live from TRAX in New York. Among the case very closely in preparation day"), was also resolved in her the show are WNEW-FM, New York; WMMR-FM, for later court dates, and added favor. stations broadcasting Philadelphia; WCC-FM, Hartford; WBRU-FM, Providence and WEZX- that official court records of the The latest rulings do not, FM in Scranton. Judge's rulings would not be however, affect Summer's other available for several days. claims in her January 28 suit, Meanwhile, Donald Engel of which seeks a total of some $5 Roshkind Leaves Motown Engel & Engel, representing million in punitive damages and (Continued from page 3) stantial six -figure terms. Summer, greeted Judge Pacht's $5 million in civil damages signed about a year ago. I had Roshkind originally joined the Monday ruling by saying, "This against Casablanca and the been trying to get out of the busi- Motown team in 1966 as a con- the way not Bogarts. clears only for this ness for quite a while, but the sultant, becoming a full-time vice album, but for Donna Summer Sources predicted that Croll record business was just so soft president several years later. He being a Warner Bros. artist." and the Casablanca legal team at that point-I couldn't leave was instrumental in directing the Noting that a formal trial may would likely appeal Judge Berry under those circumstances." company's relocation to the west take one to three years to reach Pacht's rulings. Although Croll However, with the company's coast, and its diversification into the bench, Engel termed the would not elaborate on any record division now buttressed by motion pictures, television and latest decision as key de- future he said the "the strategy, a clutch of top chart LPs, includ- audio products. cision, as far as we're concern- next court appearance in the ing product from Diana Ross, Renewed activity in the movie ed," and asserted that it "was case would come "sooner than whose career Roshkind has over- and TV sectors was another rea- based on a determination we anyone expects." seen in a managerial capacity, the son he cited for his decision to former broadcast journalist, press leave, noting that Motown now ASCAP Composer Honored agent and political strategist de- has TV films in the works for all cided to pursue his private goal- three major networks. to write a novel based on his own broad base in experiences in the entertainment Despite that industry over the past decade. entertainment, Roshkind de- the prospect of any Regarding that venture, Rosh - murred at in the field, kind said he had been ap- future executive post proached for other show business noting that while he had no ventures. "Someone contacted conscious blueprint on the mat- ter, "I'm not really looking to me about a month ago, with a work day." Instead, he'll very flattering offer to join a For- every his invest- tune 500 -level company," he told continue long-term ments in the commodities mar- RW. "But I turned that down, be- ket-a pastime that has report- cause I want to do what you (the edly netted him an eight -figure reporter) get to do every day." income in recent years, inde- Roshkind added that he was pendent of his Motown income- rah >/ finally spurred to begin that proj- a medallion to and work on his book. Pictured above is ASCAP president Hal David (left) presenting special ect when he received "a very David Del Tredici, this year's Pulitzer Prize winner in music. The presentation of the offer" for "Hell, I graduated from the medallion, traditionally reserved by the Society for its Pulitzer -winning members, was substantial publishing made at a recent luncheon reception at the Cottage Room of N.Y.C.'s Hampshire House. his book. Although he indicated school of journalism at North- Among those attending were ASCAP board members W. Stuart Pope, president of the initial offer wasn't necessarily western," Roshkind enthused, of Boosey & Hawkes (Del Tredici's publisher), Morton Gould, Edward Murphy, president his goal, Roshkind has reportedly "so I'm really just going back to and Virgil Thomson, former Pulitzer Prize recipient. Del Tredici was G. Schirmer, offered advances in sub- my roots in that sense." awarded the 1980 Pulitzer for his composition "In Memory of a Summer Day." been

48 RECORD WORLD SEPTEMBER 20, 1980

www.americanradiohistory.comAmericanRadioHistory.Com Rainbow" that emerges from a rather free -form intro ... Three new Record World ones from Pausa: Stephane Grappelli's "Afternoon in Paris," a col- L L lection of standards ("Chicago," "Tangerine," "Misty," "Autumn Leaves") recorded almost ten years ago and featuring bassist Eber- hard Weber, who has since made some very different albums under his own name for ECM; George Shearing's "500 Miles High" (from '77), with Niels Henning Orsted-Pedersen and guitarist Louis Stewart; and the Singers Unlimited's "Feeling Free" (1975). There is some- By SAMUEL GRAHAM thing pristine about the latters' versions of "Green Dolphin Street," "Skylark" and others -tight, certainly, and well arranged, but too A VOTE FOR CARTER: Bass player Ron Carter, in case you haven't close to the Ray Conniff -Johnny Mann school for this listener.. . . noticed, has put together a nice body of work as a leader in recent The latest from Clean Cuts, Adelphi's jazz line, is the Phil Woods that have certainly been underestimated, if not ac- years -records Quartet's "Volume One," with liner notes by RW's own Peter tually overlooked. That Carter is a superior player is well docu- Keepnews (when he had a respectable job, as managing editor mented by the legions of albums on which he's appeared, but his of Jazz Magazine) ... From Motown: a best of Grover Washington, last few Milestone releases are set apart by the writing and the Jr. called "Baddest," and violinist Michal Urbaniak's "Serenade for behind them. Consider the four that preceded his latest, concepts the City" ... Finally, RCA/Bluebird has come with volumes VI and "New York Slick": "Piccolo," a double -live showcase for his unusual VII of "The Complete Glenn Miller." two -bass quartet (with Buster Williams, Ben Riley and Kenny Barron); "Peg Leg," where the quartet is augmented by various woodwinds (clarinets, flutes, bassoon, oboe), beautifully arranged by Robert M. Tucker Guilty Stan Cornyn Freedman; "Parade," with an all-star band (Chick Corea, Tony Wil- (Continued from page 3) (Continued from page 3) liams, Joe Henderson and Carter) and a five -piece horn/woodwind witness in the government's case Included in Cornyn's new posi- section fitting together as tightly as a surgeon's hand and rubber against Sam Goody Inc. tion is responsibility for develop- glove; and "Pick 'Em," a string -heavy item where the regular quartet The Goody case is currently ment of the commercial video is joined by no fewer than four cello players. None of these is run delayed because of various pre- activities of the WCI Record of the mill -and all of them work. trial motions. The RIAA, which Group. Cornyn will head a new had been directed by Judge record -video unit. "New York Slick" has no particular theme -just good playing Platt to turn over some 10,000 Cornyn had been executive and writing, as always. The horn and woodwind charts, played by documents to lawyers for Sam vice president of Warner Bros. a front line of Art Farmer, J.J. Johnson and Hubert Laws (Carter, Goody Inc., has appealed Platt's Records, where he has worked Barron and Billy Cobham are the rhythm section), are tight and ruling to the Second Circuit for almost 20 years. His new po- flavorful; one hears a real ensemble, not just a bunch of guys blow- Court of Appeals in Manhattan. sition with the WCI Records ing together. As for Carter, he's at his best on tracks like "Tierra Although the Court has been Group, which has been under Espanola," where his lowest notes punctuate the tune like some asked to rule quickly on the discussion for several months, deep funny and graceful -groan. Sure, Carter the accompanist -but matter, they are not expected to has "the full support of the heads is indispensable. But check out Carter the composer and leader. reach a decision for another of each of our major record com- You may be surprised. month. When the RIAA failed panies," according to Horowitz. HAIL TO THE CHIEF: The president of another label recently to turn over the documents, "Although Stan Cornyn has re- described the nucleus of Pablo Records' artist roster -Count Basie, Platt found them in contempt. ceived a measure of fame out- Ella Fitzgerald, Joe Pass, Oscar Peterson and the rest-as the New The outcome of that charge is side our Record Group for his York Yankees of jazz. If that handle is accurate, then the five latest also pending on the Court of eloquent keynoting with such offerings from the Pablo Today line pay tribute to Babe Ruth, for Appeals' decision. speeches as 'The Day Radio all five feature the music of Duke Ellington. Among them are "All Died,' and his revolutionary ad- Too Soon," by Quadrant (Pass, Ray Brown, Milt Jackson and Mickey W3 Promotes Fox vertising and marketing style that Roker); Sarah Vaughan's "Duke Ellington: Songbook Two;" the has come to characterize much Clark Terry Five's "Memories of Duke;" Zoot Sims' "Passion Flower," LOS ANGELES -Susan Fox has of Warner Bros. Records," Horo- and a compilation called "A Celebration of Duke." Not much need been promoted to the position of witz said, "he is known for other be said about them -what you see is what you get, as both players account executive at W3 Public things within our companies. On and, of course, material are familiar throughout. One thing worth Relatüons, it was announced by the inside, our Record Group noting, however, is that while the Vaughan, Quadrant and Terry Sharon Weisz, president of the executives acknowledge him as an selections on the "Celebration" album are all drawn from their in- Los Angeles -based firm. intelligent, insightful executive." dividual LPs, Sims' are not. On "Passion Flower," Sims is listed merely as "leader" of a big band conducted and arranged by Ben- ny Carter and manned by names like Jimmy Rowles, Frank Wess, Grady Tate, Plas Johnson and others, while "Celebration" has Sims The Jazz LP Chart leading a quartet (and playing soprano) through two songs that do retailers might do well SEPTEMBER 20, 1980 16. PARTY OF ONE not appear on "Passion Flower." Otherwise, 1. GIVE ME THE NIGHT TIM WEISBERG/MCA 5125 to recommend "Celebration" to those buyers who can't afford the GEORGE BENSON/Qwest/WB HS 3453 17. THE SWING OF DELIGHT four separate albums. 2. LOVE APPROACH DEVADIP CARLOS SANTANA/Columbia TOM BROWNE/Arista/GRP GRP 5008 C2 36590 WHAT'S NEW: In its own quiet way, Contemporary Records con- 3. THIS TIME 18. CATCHING THE SUN AL JARREAU/Warner Bros. BSK 3434 SPYRO GYRA/MCA 5108 tinues to put out some classy jazz. The most popular of their latest 4. RHAPSODY AND BLUES 19. CALLING to be Joe Farrell's "Sonic Text," which compares CRUSADERS/MCA 5124 NOEL POINTER/United Artists LT 1050 batch promises DAVID '80 Cables' 5. "H" 20. GRISMAN-QUINTET favorably to another recent Contemporary release, George BOB JAMES/Columbia/Tappan Zee JC Warner Bros. BSK 3469 "Cables' Vision;" pianist Cables plays on "Sonic Text," in fact, along 36422 21. WIZARD ISLAND Dumas and drummer Peter Ers- 6. MAGNIFICENT MADNESS JEFF LORBER FUSION/Arista AL 9516 with Freddie Hubbard, bassist Tony JOHN KLEMMER/Elektra 6E 284 22. MONSTER kine. A good record: straight -ahead, focused, uncompromised, but 7. ROUTES HERBIE HANCOCK/Columbia JC 36415 "modern" by anyone's standards. Also new from Contemporary is RAMSEY LEWIS/Columbia JC 36423 23. HIDEAWAY 8. BADDEST DAVID SANBORN/Warner Bros. BSK 3379 a solo effort by pianist Mike Garson, "Avant Carson," while new to GROVER WASHINGTON, JR./Motown 24. WIDE RECEIVER will be two re-releases (identified by M9 940A2 MICHAEL HENDERSON/Buddah BDS 6001 many (including this columnist) (Arista) classics"), Helen 9. NIGHT CRUISER stickers on their covers as "original Contemporary EUMIR DEODATO/Warner Bros. BSK 3467 25. IT'S MY TIME Humes' "Songs I Like to Sing" (from 1961; not quite as ribald as a 10. ROCKS, PEBBLES AND SAND MAYNARD FERGUSON/Columbia JC Humes album, "Let the Good Times Roll," STANLEY CLARKE/Epic JE 36506 36766 more recent Inner City 11. STRIKES TWICE 26. ONE BAD HABIT but fun all the same) and the Curtis Counce Group's "Landslide" LARRY CARLTON/Warner Bros. BSK 3380 MICHAEL FRANKS/Warner Bros. BSK 12. SPLENDIDO HOTEL 3427 (1957) . . . From Galaxy comes Art Pepper's "Landscape," recorded Hig- AL DI MEOLA/Columbia C2X 36270 27. DETENTE live in Tokyo last year and including Cables, Dumas and Billy 13. HOW TO BEAT THE HIGH COST OF ERECKER BROTHERS/Arista AB 4272 gins. Pepper is notoriously inconsistent, but this seems to have LIVING (ORIGINAL SOUNDTRACK) 28. NEW YORK SLICK is in control, HUBERT LAWS AND EARL KLUGH/ RON CARTER/Milestone M 9096 (Fantasy) been one of his better nights. His playing coherent, Columbia JS 36741 neither over -extended nor too conservative. Material includes four 14. BEYOND 29. YOU'LL NEVER KNOW RODNEY FRANKLIN/Columbia JC 36122 Pepper originals (among them yet another version of "Straight Life"), HERB ALPERT/A&M SP 3717 15. DREAM COME TRUE 30. A BRAZILIAN LOVE AFFAIR as well as "Avalon" and a nice, sensitive reading of "Over the EARL KLUGH/United Artists LT 1026 GEORGE DUKE/Epic FE 36483

RECORD WORLD SEPTEMBER 20, 1980 49

www.americanradiohistory.comAmericanRadioHistory.Com E. Rabbitt: 39-29 WABC, 4-5 WAXY, 17-12 WBBF, 13-10 KX-104, 23-17 KXX-106, 37-29 B1-105, 23-20 0105, 20-11 WFBR, 16-13 WFIL, 12-10 WICC, 21-18 WIFI, 20-15 WKBW, 920. 26-18 WPGC, 17-19 WRKO, 20-17 WTIC-FM, 21-16 WYRE, Devo: d26 WBBQ, e WBSR, a WERC, d22 WGH, e WLAC, 9-8 KFI, 18-16 KFRC, 25-18 KHJ, 10-8 KEARTH, a24 KSFX, a WNOX, e WMC-FM, 34-31 WSGA, d29 KX-I04, d32 100(- 25-22 PRO -FM, 25-21 F105, 19-14 96X. 106, a V100, 30-28 Q105, a Z93, a 92Q. Strong Ray Goodman & Brown: 30-29 WCAO, 27-25 WFBR, adp Doobie Brothers: 22-20 WAKY, 29-17 WANS-FM, 27-22 WIFI, on WKBW, on KFI, 29-26 KEARTH. WAYS, d21 WBBQ, e WBSR, 26-21 WCGQ, d24 WCIR, 26-24 R&B & disco WERC, 35-29 WFLB, d21 WGH, 33-23 WGSV, d28 WHBQ, C. Richard: a WCAO, on WFBR, a WFIL, a30 WICC, a WIFI, 27-18 WHHY, 21-18 WISE, 38-28 WIVY, d23 WKIX, d23 influence, late a WKBW, hb-30 WPGC, a WRKO, a WYRE, on KFI, a KHJ, WLAC, 28-23 WLCY, 26-18 WNOX, 22-18 WMC-FM, d22 a KEARTH. on country hits,strong WQXI, 31-27 WRFC, 19-14 WRJZ, 31-28 WSGA, 18-15 K1-100, 25-17 KX-104, retail influence, MOR potential. D. Ross (I'm): 30-22 WABC, a30 WFBR, 20-12 WXLO, a 25-21 KXX-106, 29-26 131-105, 25-24 WYRE, e KSFX, a29 PRO -FM, 27-23 Y100, d34 96X. Q105, 27-21 Z93, 29-24 920, 29-25 94Q.

B. Joel: 12-9 WAKY, 19-19 WANS-FM, 20-17 WAYS, 9-9 B. Scaggs: a WBBF, d26 WCAO, 18-14 WFBR, d29 WFIL, Cars: e WICC, a WKBW, a KFI, d24 F105, e Q107. WBBQ, 18-15 WBSR, 14-12 WCIR, 12-12 WERC, 17-9 Doobie Bros.: 24-20 WIFI, 27-24 WKBW, e WNBC, 5-8 WPGC, d29 WRKO, a48 WABC, 28-25 WAXY, d24 WBBF, d25 WFLB, 148 WGSV, 24-24 WHBQ, 13-11 WHHY, 26-23 27-24 KFI, a KHJ, a KEARTH, 30-27 KSFX, 24-21 PRO -FM, WCAO, 29-26 WFBR, d22 WFIL, 20-16 WICC, on WIFI, d25 WISE, 11-9 WIVY, 21-13 WKIX, 23-20 WLAC, 5-5 a F105, 15-8 Q107. WLCY, WKBW, WNBC, 27-24 23-19 WPGC, 26-22 WRKO, 21-18 18-16 WNOX, e WMC-FM, 12-10 WOXI, 19-16 WRFC, 23-21 WTIC-FM, d21 WXLO, 27-15 WYRE, 25-22 KFI, 27-21 KFRC, B. Seger: 23-18 WABC, 20-19 WAXY, 12-11 WBBF, 19-16 WRJZ, 29-25 K1-100, 24-16 KX-104, 20-18 KXX-106, a38 d30 KW, 28-22 KEARTH, 25-12 KSFX, PRO 23-19 -FM, d30 WCAO, 14-12 WFBR, 27-21 WFIL, 8-7 WICC, 8-7 WIFI, 14- BJ-105, 8-8 Q105, 20-17 Z93, 26-22 92Q, 21-19 94Q. F105, e 96X. Q107, e 11 WKBW, 17-13 WPGC, 3-4 WRKO, 8-6 WTIC-FM, 15-12 Larsen/Feiten Band: 24-21 WAKY, 38-32 WANS-FM, e WYRE, 24-20 KFI, 25-24 KFRC, 15-14 KHI, 25-23 KEARTH, EWlZF: a WABC, a28 WPGC, a WXLO, a KFRC, ahb JB105, WAYS, 25-17 WBBQ, e WBSR, d29 WCIR, 18-17 WERC, 24.23 KSFX, 13.10 PRO -FM, 1.1 F105, e Q107, 23-22 96X. a37 Y100. e WFLB, 22-19 WGH, 23-19 WGSV, 22-20 WHHY, 18-15 WISE, 33-32 WIVY, e WLAC, P. Simon: 15-12 WABC, 8-6 WAXY, 15-10 WBBF, 14-9 22-19 WNOX, d22 WMC-FM, E.L.O.: a WAXY, 18-14 WCAO, WFBR, WBBF, 9-6 11-6 13-12 27-23 WRFC, WCAO, 4-2 WFBR, 11-9 WFIL, 3-3 WICC, 16-10 31-28 WRJZ, 30-25 WSGA, e 'KJ-100, 17-15 WFIL, 11-11 WICC, 9-8 WIFI, 9-6 WKBW, 25-22 WIFI, 15-12 WNBC, KX-104, 44 KXX-106, B1-105, WKBW, 15-17 WPGC, 4-2 WRKO, 6-4 WTIC-FM, 6-7 38-30 e Q105, 23-19 Z93, 10-14 WPGC, 10-7 WTIC-FM, 9-6 WYRE, 12-9 KFI, WXLO, 7-7 e 920, 7-4 94Q. 11-10 WYRE, 3-3 KFI, 13.10 KFRC, 13-8 KHJ, KFRC, 19-17 KHJ, 13-12 KEARTH, 11-8 KSFX, 17-14 19-17 KEARTH, 18-16 KSFX, 6-4 PRO -FM, 12-5 F105, PRO -FM, d28 F105, 12-12 96X. 14-18 Q107, S. Mills: 30-25 WAYS, d27 WBBQ, d33 WFLB, e WHBQ, 14-14 Y100, 29-25 96X. 14-12 WLAC, a28 WLCY, a24 WMC-FM, d26 WRJZ, 22-18 B. Joel: 23-20 WAXY, 74 WBBF, 15-12 WCAO, 17-15 WFBR, WSGA, 30-26 KX-104, a KXX-106, 30-27 Z93, d29 92Q. A. Stewart: d28 WFBR, a WFIL, on WIFI, a WKBW, d27 8-6 WFIL, 9-8 WICC, 20-15 WIFI, 11-9 WKBW, 10-7 WNBC, WRKO, d19 WYRE, a F105. W. Nelson: a WAYS, e WBBQ, d26 WCIR, d23 WERC, e 15-I1 WRKO, 9-8 WTIC-FM, 23-22 WXLO, 14-13 WYRE, WFLB, a WHBQ, d30 WISE, a39 WIVY, a WKIX, 25-21 22-19 KFI, d29 KHJ, 26-24 KEARTH, 14-12 PRO -FM, 15-13 B. Streisand: hp -38 WABC, 30-24 WAXY, 20-20 WBBF, WLAC, a29 WLCY, a25 WMC-FM, a WQXI, e WRJZ, 28-24 F105, e 38-34 Y100, 35-33 96X. 0107, d24 WCAO, 30-27 WFBR, d24 WFIL, 23-19 WICC, 130 WIFI, WSGA, d28 KX-104, d26 KXX-106, e 920, 27-21 940. a26 WKBW, 24-21 WNBC, 28-23 WPGC, 28-25 WRKO, 28-24 Larsen -Feiten: d27 WAXY, d30 WCAO, 25-23 WFBR, on WTIC-FM, 0. Newton-John/E.L.O.: 10-5 WAYS, 17-14 WBBQ, 23-15 WFIL, 29-29 WIFI, d27 WKBW, d20 WXLO, 27-20 WYRE, 29-26 KFI, 26-18 KFRC, 25-23 WRKO, 29-27 WTIC- WHBQ, 19-15 WLAC, 30-21 KHJ, 21-10 KEARTH, 26-14 15-13 WMC-FM, 21-15 WQXI, 14-10 FM, d23 WYRE, KFI, on KSFX, 27-23 PRO -FM, d28 KFRC, 28-22 KHJ, on KEARTH, WSGA, 14-8 KX-104, d29 F105, 37-27 Y100, 30-28 96X. 16-13 KXX-106, 13-5 Q105, 8-7 Z93, 29-26 PRO -FM, e 96X. 24-16 92Q, 22-18 940. D. Summer (Wanderer): a30 WAXY, a WFBR, a27 WICC, S. Lattisaw: 21-18 WCAO, 15-13 WFBR, adp WIFI, 26-21 T. Pendergrass: e WANS-FM, e WBBQ, e WBSJì, a WCIR, a25 WPGC, a WXLO, a KFI, a KHJ, a28 KEARTH. e KSFX, WKBW, 13.12 WPGC, a KFI, on KHJ, 36-29 Y100. e WFLB, e WGSV, 12-10 WHBQ, d30 WHHY, e WLAC, d2$ a PRO -FM, a F105, a35 JB105, ae Q107, a32 YI00, e 96X. WNOX, d29 WRFC, 26-23 WSGA, a KX-104, e BJ-105. J. Lee: 20-13 WABC, 10-15 WCAO, 7-7 WFBR, 19-17 WFIL, Supertramp: a WAXY, e WICC, a KFRC, a KEARTH, a KSFX, Pointer Sisters: 18-16 WAKY, 19-14 WIFI, 13-10 WKBW, 18-15 WNBC, 14-21 WPGC, 8-8 20-15 WANS-FM, 21-13 a PRO -FM, a F105, a31 1B105, a38 YI00, e 96X. WAYS, 12-11 WBBQ, 20-17 WRKO, 18-17 WXLO, 2-2 KFI, 17-15 KFRC, 7-3 KHJ, 7-7 WBSR, 23-18 WCIR, 21-15 WERC, e WFLB, KEARTH, 19-17 KSFX, 7-6 WGSV, e WHBQ, 16-12 WISE, 17-14 10-8 F105. D. Warwick: a43-27 WABC, 19-18 WAXY, d25 WBBF, 17-13 WIVY, d22 WKIX, 24-19 WLAC, 17-17 WLCY, 8-4 WNOX, WCAO, 10-8 WFBR, 22-18 WFIL, 19-18 WICC, on WIFI, K. Loggins: 16-11 WAXY, 25-22 WCAO, 23-21 WFBR, 18-17 24-20 WMC-FM, 14-10 WRFC, 9-8 WRJZ, 6-5 WSGA, 21-19 18-17 WKBW, 20-16 WPGC, 20-16 WRKO, d23 WXLO, 23-22 WICC, 12-12 WIFI, 21-11 WPGC, 17-13 WTIC-FM, 16-14 KJ-100, 28-18 KX-104, 15-10 KXX-106, 21-18 BJ-105; WYRE, on KFI, on KHJ, d27 KEARTH, 20-16 PRO -FM, WYRE, d29 KFI, 23-20 KFRC, 22-19 KEARTH, 22-21 KSFX, 19-15 Q105, 7-5 Z93, a 92Q, 14-12 94. 24-22 F105, 25-24 96X. 21-I8 PRO -FM, 8-7 F105, 9-7 Q107, 13-12 Y100, 18-18 96X. Queen: 2-1 WANS-FM, 15-10 WAYS, 1-2 WBBO, 2-1 WCGQ, ;. Mills: 25-14 WABC, 20-17 WCAO, 12-9 WFBR, 30-28 17-10 WCIR, 4-3 WERC, 26-22 WFLB, a20 WGH, 16-8 WFIL, a WIFI, 21-19 WKBW, 11-6 WPGC, a30 WRKO, 12-11 WHBQ, 4-3 WHHY, 10-1 WISE, 19-16 WIVY, d17 WKIX, 7-3 WXLO, d30 KFI, 30-29 KFRC, on KHJ, 20-16 KEARTH, a WLAC, 10-2 WNOX, 5-3 WMC-FM, 18-5 WOXI, 23-17 PRO -FM. WRFC, 18-12 WRJZ, 2-1 WSGA, 17-13 KJ-100, 2-1 KX-104, 1-1 KXX-106, 28-24 BJ-105, 9-3 0105, 10-6 Z93, 15-9 92Q, W. Nelson: on WCAO, a WKBW, a WRKO, a KFI, a KHJ. 23-15 94Q.

C. Richard: 0. Newton-John/E.L.O.: a29-20 WABC, 24-20 WCAO, 20-18 Early on a30 WAKY, e WANS-FM, a WBBQ, a WCIR, WFBR, 10-8 WFIL, 6-4 WKBW, 19-16 WNBC, 25-20 WPGC, a WERC, e WGH, d32 WGSV, a WISE, a40 WIVY, a WLAC, 30-21 WRKO, 25-24 WXLO, 26-17 KFI, d23 KFRC, d28 product, rock a30 WLCY, d25 WNOX, a WRFC, a WRJZ, a35 WSGA, KHJ, 17-13 KEARTH, 5-3 KSFX, hb-27 PRO -FM, 22-19 F105, & roll influence, e KX-104, d30 KXX-106, a v100, a 0105, a29 Z93, a 92Q, 13-11 0107, 23-13 Y100. strong sales influence from d27 94Q. D. Ross (I'm): a30 0'Jays: a WFIL, d25 WXLO, on KFI, 28-27 KFRC, 27-23 both r&b, disco and country records. WAYS, a WBBQ, a WFLB, e WGH, a WGSV, KHJ. 33-30 WSGA, e KX-104, a KXX-106.

B. Scaggs: 26-21 WAYS, 11-10 WBBQ, 29-26 WHBQ. d19 Pointer Sisters: 47-49 WABC, 11-9 WAXY, e WBBF, 8-8 WKIX, 13-7 WLAC, 21-16 WMC-FM, 20-16 WSGA, 12-12 WCAO, 3-5 WFBR, 23-20 WFIL, 16-15 WICC, 26-25 WIFI, Adman Brothers: e WAYS, a WBBQ, e WISE, a WLAC, a KX-104, 14-8 KXX-106, a39 111-105, 10-7 0105, 2-3 Z93, 16-13 WKBW, 1-2 WPGC, 23-21 WTIC-FM, on WXLO, 2-1 WNOX, e WMC-FM, a KXX-106. 7-4 92Q, 4-2 94Q. WYRE, 19-14 KFI, a KEARTH, e-28 KSFX, 18-15 PRO -FM, I. Cara: e WANS-FM, a WAYS, d29 WBBQ, e WCIR, d31 27-15 F105, 4-3 Q107, 11-7 Y100, 1-2 96X. B. Seger: 9-7 WAKY, 15-13 WANS-FM, 12-11 WAYS, 14-12 WGSV, d20 WQXI, e WRJZ, d28 KXX-106, a 92Q, 24-22 WBBO, 15-12 WBSR, 94Q. 12-12 WCGQ, 20-20 WCIR, 11-11 Queen: 9-6 WABC, d21 WAXY, d16 WBBF, a WFBR, 10-4 WERC, 21-18 WFLB, 20-12 WGH, 28-25 WHBQ, 10-8 WHHY, WICC, 5-4 WIFI, 2-1 WKBW, 14-11 WNBC, 3-3 WPGC, C. Daniels Band: WANS-FM, 10-7 23-18 WBBQ, 13-4 7-6 WISE, 22-22 WIVY, 13-8 WKIX, 16-14 WLAC, 6-6 WLCY, 19-10 WTIC-FM 13-2 WXLO, 10-9 WYRE, 16-10 KFI, 6-6 WCGQ, 28-22 WCIR, 19-14 WERC, a WFLB, 21-16 WGH, 11-7 WMC-FM, 10-8 WQXI, 7-7 WRFC, 1-2 KJ-100, 16-11 KFRC, 1-1 KEARTH, 3-1 KSFX, 16-13 PRO -FM, 21-10 F105, 21-16 WGSV, 23-21 WHHY, 13-11 WISE, 32-30 WKIX, d22 KX-104, 11-5 KXX-106, 16-16 Q105, 16.14 Z93, 21-20 2.2 Q107, 22-10 Y100, 21-17 96X. WLAC, a23 WNOX, 19-14 WMC-FM, a34 WSGA, 22-20 920, 19-17 94Q.

Cliff Richard, Donna Summer None (Wanderer), Supertramp

www.americanradiohistory.comAmericanRadioHistory.Com A. Stewart: d26 WAYS, 29-24 WBBQ, d30 WCIR, d27 d27 WZUU, 27-20 WZZP, 19-12 KSLO, 25-20 KXOK, 29.22 Doable Brothers: d18 WQUE, 20-12 WTIX, 22-18 KFMK, on WERC, d35 WFLB, e WGH, a WMC-FM, d30 WRJZ, a KJ-100, 0102, on 96KX. KGB, 38-26 KILT, d28 KNOE-FM, on KRBE, 23-15 KROY-FM, 28-23 KXX-106, e Q105, d28 Z93, e 92Q, a30 940. on KTSA, on KUHL, 29-23 B100, 29-26 B97. D. Summer: a WDRQ, a29 WOKY.

B. Streisand: 23-19 WAKY, 30-26 WANS-FM, 23-18 WAYS, A. Thompson: a WOKY, 19-18 KBEQ, a23 KSLQ. B. Joel: 16-13 WQUE, 13-10 WTIX, 27.24 KFMK, 16-14 d22 WBBQ, e WBSR, d29 WCGQ, d28 WCIR, 28-25 WERC, KGB, 29-27 KILT, 16.16 KRBE, 20-19 KTSA, 11-9 B100, D. Warwick: 22-20 CKLW, on WDRQ, 22-21 WFFM, 22-18 34-28 WFLB, 23-17 WGH, 32-22 WGSV, d29 WHBQ, 28-19 11-9 B97. WNDE, 27-20 WZUU, 13-10 WZZP, 18-13 KSLQ, 10-7 KXOK. WHHY, 37-29 WISE, 37-29 WIVY, d24 WKIX, d24 WLAC, 25-18 WLCY, 25-18 WLCY, 25-15 WNOX, 23-19 WMC-FM, S. Lattisaw: a28 '.VQUE, 19.17 WTIX, a KGB, on KTSA. d29 WQXI, d31 WRFC, 25-19 WRJZ, 32-29 WSGA, 29.19 O. Newton-John/E.L.O.: KX-104, 26-20 KXX-106, 30-27 BJ-105, 26-23 Q105, 28-22 14-11 WQUE, 17.11 WTIX, 15-8 Z93, d27 92Q, 28-23 94Q. KFMK, 16-10 KILT, 26-22 KTSA.

D. Summer: a29 WAKY, a WANS-FM, a WAYS, a WBBQ, Queen: 21-17 WQUE, 2-2 WTIX, 30-15 KFMK, 1-1 KGB, a WCIR, a WERC, a WGSV, a WHBQ, a WHHY, a WISE, a36 13-4 KNOE-FM, 4-1 KRBE, 3-2 KROY-FM, d29 KTSA, 2-1 WIVY, a WLAC, a WNOX, a23 WMC-FM, a WQXI, a WRFC, KUHL, 1-2 B97. a WRJZ, a33 WSGA, a KJ-100, a KX-104, a37 BJ-105, a Q105, a30 Z93, a 92Q, a29 94Q. Pop sounding E. Rabbitt: 11-10 WQUE, 18-16 WTIX, 14.12 KGB, 14-17 KILT, 20.12 KNOE-FM, 15-11 KTSA, 7-8 KUHL, 2-5 8100. Supertramp: a WANS-FM, a WAYS, a WBBQ, e WCGQ, a records, late on WERC, a WFLB, a WHBQ, a WISE, a37 WIVY, a WNOX, R&B crossovers, consider country D. Ross (I'm): a WQUE, d32 WTIX, a KNOE-FM. e WMC-FM, a WRJZ, e KX-104, a KXX-106, a40 B1.105, crossovers, a Q105, a 92Q, a 94Q. react to influence of B. Scaggs: 20.15 WQUE, 32-26 WTIX, 6-7 KFMK, d27 KGB, racks and juke boxes. 10-4 KILT, 22-14 KRBE, 15-12 B100. S. Wonder: a WAYS, a WCIR, a WFLB, a WGSV, a WNOX,

a WQXI, a28 94Q. B. Seger: 9-8 WTIX, d30 KFMK, 29-29 KGB, 13-21 KILT, 7-6 KNOE-FM, 27-23 KRBE, 8-10 KROY-FM, a KTSA, I. Cara: d36 KCPX, 30-27 KMJK. 17-13 8100. Devo: e WGUY, d25 WSPT, a KCPX, a KJR, e KKLS, d32 KMJK. S. Mills: d30 WOVE, 30-27 WTIX, a37 KILT, on KTSA.

Doobie Brothers: 24-22 WGUY, d19 WJBQ, 24-18 WOW, C. Simon: 17-12 WQUE, 21-18 WTIX, a29 KFMK, on KGB, 28-26 WSPT, d29 KCPX, 16-12 KDWB, d25 KGW, 25-22 16-10 KNOE-FM, 29-27 KROY-FM, 27-20 KUHL, 21-20 B100, KJR, 26-22 KKLS, 28-21 KKOA, a31 KWKN, 34-28 KMJK, 14-14 B97. Much e KS95-FM. A. Stewart: d26 WQUE, d39 a exposure A. Holland: e WGUY, a WSPT, 13-12 KCPX, e KDWB, a WTIX, KFMK, d27 KNOE-FM, KGW, 20-17 KJR, e KKOA, a KMJK, d20 KS95-FM. 26-24 KRBE, on KUHL, 26-24 8100. for roll, rock & B. Joel: 21-17 WEAQ, 10-9 WGUY, 14-12 WJBQ, 14.11 B. Streisand: d24 WOVE, 39-23 WTIX, 20-14 KFMK, d25 WOW, 20-18 WSPT, 19-17 KCPX, 7-5 KDWB, 9-7 KGW, 6-5 R&B/disco crossovers KGB, 30-23 KILT, 30-22 KRBE, 22-16 KTSA, on KUHL, d25 KKOA, 20-16 KWKN, active. Late on country product 17-15 KMJK, 9-6 KS95-FM. B100, 30-27 B97. O. Newton-John/E.L.O.: a25 WOW, 15-11 KCPX, d20 D. Summer: a KDWB, 22-18 KGW, 15-6 KJR, 9-5 KMJK, e KS95-FM. WQUE, a WTIX, a KFMK, a KGB, a KRBE, a KUHL, a 697. Allman Brothers: a WGCL, 13.8 KBEQ, 12-10 KWK. Pointer Sisters: 30-28 WGUY, 25-17 WJBQ, e WOW, 11-9 Doobie Brothers: 30-19 CKLW, 23-17 WDRQ, 22-19 WEFM, WSPT, 15-11 KCPX, d20 KDWB, 22.18 KGW, 15-6 KJR, 18.13 WFFM, a20 WGCL, d32 WLS, 16-11 WNDE, 28-20 25-22 KKOA, 29-26 KWKN, 9-5 KMJK, e KS95-FM. WOKY, 22-17 WSKS-FM, 30-29 WZUU, 29-27 WZZP, 6-2 C. Richard: a WSPT, a KCPX, d30 KKLS, a KMJK. KBEQ, 22-15 KSLQ, on KWK, a30 KXOK, 34-29 Q102, 20-16 92X, 27-21 96KX. B. Scaggs: d25 WJBQ, 31-28 KCPX, 17-14 KDWB, 23-20 KGW, 23-21 KJR, 31-23 KMJK, 20.13 KS95-FM. A. Holland: d27 CKLW, d27 WGCL, a18 WHB, on WZZP, 26-25 KBEQ. B. Seger: 7-5 WEAQ, 18-14 WGUY, 12-8 WJBQ, d19 WOW, 8-6 WSPT, 16-14 KCPX, 19-16 KDWB, 17-15 KGW, 17-15 B. Joel: 19-19 WDRQ, 12-9 WEFM, 22-22 WGCL, 12-10 Racked KKOA, 17-12 KWKN, 21-17 KMJK, 12-9 KS95-FM. WNDE, 14-10 WOKY, 3-2 WSKS-FM, 4-3 WZZP, 2-1 KSLQ, area, reacts 15-11 Q102, 14-12 92X, 26-23 96KX. A. Stewart: d30 WGUY, d24 WJBQ, d30 WSPT, d21 KDWB, to strong R&B/disco d29 KKLS, e .KKOA, a34 KWKN, 33-30 KM1K, a KS95-FM. K. Loggins: 7-7 CKLW, 5-5 WDRQ, 13-12 WEFM, 8-8 WGCL, product, strong a42 WLS, 24-18 WOKY, 21-19 WSKS-FM, 9-8 WZZP, 1-4 MOR influences B. Streisand: 27-26 WEAQ, d29 WGUY, d20 WJBQ, 21.16 KBEQ, 15.14 KSLQ, 23.19 Q102, 18-15 92X, 2-4 96KX. WOW, 29-27 WSPT, 28-25 KCPX, 29-24 KGW, 24-19 KJR, d24 KKLS, 29-25 KKOA, 28-25 KWKN, 25-19 KMJK, d14 W. Nelson: d30 CKLW, 3-1 WHB, 29-24 WOKY, a WSKS-FM, KS95-FM. Doobie Brothers: 26-23 KIMN, d21 KNUS, 25-22 KOFM, 9-5 KBEQ. 28-25 KOPA, d27 KUPD, d2O KVIL, 18-13 KZZP. Supertramp: a GUY, a WOW, a KCPX, a KJR, a KMJK. Pointer Sisters: 17-15 CKLW, 18-16 WDRQ, 3-2 WFFM, Larsen/Feiten Band: d28 KIMN, d29 KNUS, d30 KOPA, 19.17 WHB, a20 WNDE, 17-15 WOKY, 25-21 WSKS-FM, a23 19-16 KZZP. WZUU, 21-19 WZZP, 25-19 KSLO, 29-23 KXOK, 20-17 Q102, 11-8 96KX. Pointer Sisters: d26 KNUS, a30 KOFM, 23-17 KOPA, d25 KVIL, 14-11 KZZP. E. Rabbitt: 16-9 CKLW, a24 WDRQ, 19-16 WFFM, 6-3 WHB, a25 WLS, 5-3 WNDE, 15-13 WSKS-FM, 5-6 WZUU, 18-14 C. Richard: A KNUS, d27 KOPA, e KVIL. WZZP, 24-21 KSLQ, a22 KWK, 30-17 KXOK, 13-10 Q102, 11-10 92X. B. Scaggs: d26 KIMN, d7 KNUS, a KVIL, e Z97. R&B and B. Scaggs: 26-26 WDRQ, 11-8 WFFM, a16 WHB, 27-22 B. Seger: 8-6 KIMN, d10 KNUS, 15-11 KOPA, 4-6 KUPD, WOKY, 3-2 WZUU, d28 WZZP, 18-15 KXOK, 7-5 Q102, 1-1 country influ- 22-19 KVIL, e Z97. 96KX. ences, will test records A. Stewart: d29 KIMN, e KNUS, 27-24 KOPA. A. Stewart: on WDRQ, d25 WFFM, d30 WGCL, 25-23 WOKY, early. Good retail coverage. a WZP, 25.24 KBEQ, d25 KSLQ, a 24 92X. B. Streisand: 30-25 KIMN, d27 KNUS, 30.25 KOFM, 29-26 KOPA, d10 KVIL, 13-8 KZZP. B. Streisand: 28-5 CKLW, dl1 WDRQ, 25-22 WFFM, 23-16 Cars: a38 WTIX, on KGB, d19 KNOE-FM, d29 KROY-FM, WGCL, 23-15 WHB, d35 WLS, d26 WOKY, 20.16 WSKS-FM, a KTSA. D. Summer: a KNUS, a KOPA. a25 KZZP.

Stephanie Mills, O'Jays Willie Nelson Willie Nelson N rr`lá

www.americanradiohistory.comAmericanRadioHistory.Com L, Record World L aLLLi -,.._22....-Ir L L Latin American Desde Nuestro Rincon Album Picks Irrternacional By TOMAS FUNDORA "BAILABLES 12" (This column appears first in Spanish, then in English) HUGO BLANCO-West Side WSLA 4123-11 Ségun informaciones del servicio AP y reprodu- En su propia producción, Hugo Blanco cidas en la mayoría de los más importantes diarios. lanza esta nueva grabación de sus popu- y vehículos informativos de Estados Unidos, se ha lares bailables, en su característico sonido. dado a conocer que "fuentes del gobierno mani- festaron que la Comisión Federal de Comunica- Muy bailable, excelente mezcla y sonido ciones (FCC) se halla investigando el único servicio vas a llorar," "Al fin brillante. "Mañana de televisión en el país que se provee exclusiva- pasó," "Antes," "Levantate" y "Arena mente en español, la Spanish International Net- Cal lente." work (SIN), para determinar si ejerce control ilegal sobre cinco estaciones televisoras. Se abrió la In his own production, Hugo Blanco offers a new package of his investigación por objeciones extraoáciales presentadas por la organiza- ción Radiofusores Hispanos de Estados Unidos (SRBA). El pasado 28 de famous series "Bailables." Venezuelan rhythm at its best. "Arena Julio, el senador republicano Harrison Schmitt, de Nuevo Mexico, Caliente," "Chapoteando," "María Mercé," more. asimismo pidió a la FCC que estudiara el caso. La queja central es que la Corporación Internacional Hispana de Comunicaciones (SICC) "FELIZ ME SIENTO" propietaria de las citadas cinco estaciones está controlada por la SIN en infracción de las regulaciones FCC. La corporación es propietaria ADALBERTO SANTIAGO-Fania JM 562 del de WXTV-TV de Patterson, Nueva Jersey, KWEX TV de San Antonio, Con de Luís Cruz, Louie Ramirez y arreglos Texas, KMEX TV de Los Angeles, KFTV TV de Hanford, California y Joe Mannozzi y en producción de Ray Ba- WLTV TV (Canal 23) de Miami, Fla. Cada una de esas estaciones recibe rretto, Adalberto Santiago interpreta "La programas de la SIN, servicio televisivo, el 75 por amistad," (A. Santiago) "Se me olvidó tu ciento de cuyas acciones pertenece a intereses mexicano. La Lev Federal de Comunicaciones de nombre," (Raúl R. Rosado) "A trabajar" 1934 prohibe el control extranjero de cualquier Alvarez) y "Feliz me siento." (A. Santiago) estación difusora de Estados Unidos. Si la FCC nombre," (Raúl R. Rosado) "A trabajar" (H. determinara que la SIN controla a la SICC, podría obligar a ésta a entregar sus licencias de televisión. With arrangements by Luís Cruz, Louie Ramírez and Joe Mannozzi Tal conclusión podría asimismo interrumpir los and ;produced by Ray Barretto, Adalberto Santiago is at his very best in ri/ esfuerzos de la SIN por ampliar su servicio a través de trasmisores televisivos de baja potencia acopla- this new salsa package. "Si supieras/Ansias de tí," (J. R. Martínez/D.R.) Piper dos con antenas para sateloides. En la actualidad la SIN posee tales amarte menos," (M. Talanera) others. "Qu siera sistemas en Denver, Colorado, y Washington, D.C., tras obtener licen- cias experimentales de la FCC. Fué precisamente la solicitud de esas licencias lo que suscitó las objeciones del grupo de difusores. Varias "AMOR, QUE SERA DE MI" estaciones de radio que ofrecen programas hispanoparlantes fundaron LOS MOROS-Arcano MKL1 3490 este mismo año la SRBA. El 75 por ciento de las acciones de las SIN es de Televisa, que Los Moros de Argentina interpreta temas y propiedad opera una red comercial de televisión en México, contagiosos, dentro de la onda Argentina. donde posee más de 100 telemisoras. Los restantes "Me has hecho daño," (Marcelo Requena) intereses de la entidad son propiedad de Raynold "Tomame la mano y ven," (P. Heiman) (Renee) Anselmo, un estadounidense de acenden- "Amor, que será de mí" (M.J. Requena) y cia italiana, que es presidente tanto de la SIN como "Porque te extraño tanto." (Requena) de la SICC. Según la queja de los difusores y otra Ida documentación, a Televisa la posee y controla el Jessica Cain Telesistema Mexicano, S.A., cuyos accionistas son Los Moros from Argentina offers very simple and contagious tunes. en su mayoría parientes del difunto Emilio Azcarraga. Expedientes en They could easily make it in most of the latin markets. "Vals," (Túbaro- poder de la FCC indican que la familia Azcarraga tiene un 20 por ciento Requena-Arbizu) "La trampa está tendida" (Arbizu-Tubaro) and "Dilo de los intereses de la SICC a través de la compañía de inversiones enseguida." (Rubaro-Arbizu) Laura. Veinte por ciento es el máximo de intereses foráneo que permite la FCC en una compañía difusora estadounidense. Anselmo tiene alre- dedor del 24 por ciento. El grupo "ROMPIENDO COLLORA" de difusores aduce que cuando los intereses de Azcarraga y CHARANGA SENSUAL-Salsa International LP 721 Anselmo se combinan con los de otros cinco Mueve a bailar la Charanga Sensual de miembros de la junta directiva de la SICC, que son Nueva York en esta producción de salsa. antiguos asociados o empleados de la SIN, resúlta Entre los temas destacan "Ya es muy patente que la SICC no es independiente. El presi- dente dee la organización de Radiodifusores His- tarde," (D.R.) panos de Estados Unidos (SRBA), Ed Gomez, de la KABQ-AM de Albuquerque, N.M. expresó que su Chrysty et al. grupo de miembros ha estado durante largo tiempo preocupado por el creciente monopolio establecido por la Spariish Charanga Sensual move to dance in this salsa production. Rhythmic International Network en los Estados Unidos, en su base de opera- and contagious tunes will open doors among salsa fans. "Mi tocayo," ciones establecidas a través de estaciones televisando en Español, (O. Aviles) "Sandra," (Aviles) and "Nunca vencido." (Aviles) (Continued on page 53)

52 RECORD WORLD SEPTEMBER 20, 1980

www.americanradiohistory.comAmericanRadioHistory.Com LATIN AMERICAN HITPARADE aow+ewsa AoculaMv)

New York El Paso San Francisco Newington, Conn. By WJIT (MIKE CASINO) BY KAMA (ERNESTO QUINONES) By KBRG (AL CARLOS HERNANDEZ) By WRYM (MARTINEZ/AGUILERA) 1. DILE A TU NUEVO AMOR 1. POBRE GORRION 1. NO ME SE RAJAR 1. MUJER BORINCANA NELSON NED RAQUEL-N.V. VICENTE FERNANDEZ-CBS LEONARDO PANIAGUA -Discolor 2. ELENA, ELENA 2. INOCENTE POBRE AMIGA 2. PAVO REAL 2. COMPANERA MIA RAFAEL CORTIJO LUPITA D'ALESSIO-Orfeon JOSE LUIS-T.H. EL GRAN COMBO -Combo 3. LLORE 3. FALSA MUJER 3. INOCENTE POBRE AMIGA 3. CHUPA EL MANGO HECTOR LAVOE SUPER ESTRELLA-Viza LUPITA D'ALESSIO-Orfeon BLAS DURAN-Madely 4. CARTAS MARCADAS 4. EL FAROLITO 4. EL NOA NOA 4. LA BURUNQUENA DE DONA INES ISMAEL MIRANDA EL GARRAFON Y SUS CINCO JUAN GABRIEL -Pronto MARVIN SANTIAGO-T.H. 5. TRISTEZA ENCANTADA MONEDAS -LAD 5. BUSCA UN AMOR 5. INOCENTE POBRE AMIGA LALO RODRIGUEZ 5. MORIR DE AMOR NATALIA BAEZA -Pronto LUCHA VILLA-Musart 6. ROMANTICA LUÍ, ROMANTICA VOZ MIGUEL BOSE -CBS 6. COMPANERA MIA 6. BAJA Y TAPA LA OLLA LUCECITA 6. NO ME ARREPIENTO DE NADA EL GRAN COMBO-EGC SANTIAGO CERON-Salsa 7. EL BARRIGON ESTELA NUNEZ-Ariola 7. PERDONA CARINO 7. DILE A TU NUEVO AMOR WILFRIDO VARGAS 7. HE VENIDO A PEDIRTE PERDON GRUPO LA AMISTAD-Profono NELSON NED-Alhambra JUAN GABRIEL -Pronto 8. SABINA GOMEZ 8. LOS RODRIGUEZ 8. ALCOBA PRESTADA PAPAITO 8. TU DECISION RIGO TOVAR-Profono CONJUNTO CLASICO-Lo Mejor ODILIO GONZALEZ-Velvet 9. COMPANERA MIA 9. QUE ME PERDONE TU AMANTE 9. SERA 9. VIVO PENANDO EL GRAN COMBO IRENE RIVAS -Cara JOSE JOSE -Pronto LATIN DIMENSION -Kim 10. AMANTES 10. ME ACUERDO DE TI 10. ESE HOMBRE 10. SUFRIMIENTO JULIO IGLESIAS LOS FELINOS-Musart ROCIO JURADO -Arcano RODOLFO -Fuentes Ventas (Sales)

Phoenix Denver Uruguay San Antonio 1. HE VENIDO A PEDIRTE PERDON 1. HE VENIDO A PEDIRTE PERDON By JUANJO ALBERTI 1. HE VENIDO A PEDIRTE PERDON JUAN GABRIEL -Pronto JUAN GABRIEL -Pronto JUAN GABRIEL -Pronto 1. PAPUCHO MIO 2. QUE TE VAS, TE VAS 2. INOCENTE POBRE AMIGA 2. ERES MI TODO LUCRECIA -CBS JOE BRAVO -Freddie VICENTE FERNANDEZ-CBS LUPITA D'ALESSIO-Orfeon 2. GRACIAS POR LA MUSICA 3. ENSENAME A OLVIDAR 3. INOCENTE POBRE AMIGA ABBA-RCA 3. COMO YO TE AMO RAMON AYALA-Freddie LUPITA D'ALESSIO-Orfeon RAPHAEL-Alhambra 3. UN SENTIMENTAL 4. CONSEJOS 4. ENSENAME A OLVIDAR 4. INOCENTE POBRE AMIGA JULIO IGLESIAS -CBS LUPITA D'ALESSIO-Orfeon LOS TIGRES DEL NORTE -Fama RAMON AYALA-Freddie 4. FUERA DE LA PARED 5. NO PIDAS 5. MAS DE LO QUE MERECIAS MAS PERDON MICHAEL JACKSON -Epic 5. PAVO REAL LOS HUMILDES -Fama YOLANDA DEL RIO -Arcano 5. EN LA ARMADA JOSE LUIS-T.H. 6. HEY 6. HEY PARCHIS-Belter 6. EL GORRION Y YO JULIO IGLESIAS -CBS JULIO IGLESIAS -CBS 6. TODAVIA LOS PAISANOS -JOEY 7. NO PIDAS MAS PERDON 7. ENSENAME A OLVIDAR COMMODORES -Motown YOLANDA DEL RIO -Arcano 7. LO QUE NO FUE NO SERA RAMON AYALA-Freddie 7. LATINO LOS REYES LOCOS -CBS 8. EL FAROLITO RAFAELLA CARRA -Epic EL GARRAFON Y SUS CINCO 8. LAS TRES TUMBAS 8. TUS 'OS CASTANOS 8. NO PODRAS ESCAPAR DE MI MONEDAS-LAD FEDERICO VILLA -Arcano NELSON NED-Alhambra SHERI KO-Orfeon 9. UNA MUJER DE ESTE PUEBLO 9. EL ASESINO 9. CARTA A MI MADRE 9. SI ME DEJAS DE AMAR LITTLE JOE -Freddie GILBERTO VALENZUELA -Gas RICHARD CLAYDERMAN-Tonodisc LOS BABY'S -Peerless 10. MAS QUE PIERDA LA VIDA 10. EL GORRION Y YO 10. MATASTE LA MAGIA 10. ERES MI TODO RUBEN NARANJO -EC MANOELLA TORRES -CBS ARPEGIO -RCA JOE BRAVO -Freddie

Nuestro Rincon (Continued from page 52) particularmente debido a que su programación es producida en su gran tado por él ante las cámaras televisivas. Las demás áreas irán dando a mayoría en México." conocer sus resultados eliminatorios, para hacer una competencia Firmó Piper Pimienta contrato con Discos Fuentes de Colombia, a general de ganadores de Estados Unidos, que se celebrará en el Hotel través de Conrado Domínguez, Gerente de la árma y Hernán Colorado, Fountainbleau Hilton de Miami Beach, Florida, en Octubre 4. La final su Director Artístico . . . La hija de Joe Cain, a quien casi ve nacer, del Festival OTI se celebrá este año en el "Noveno Festival Interna- acaba de ármar contrato con ABC TV para presentarse como modelo cional de la Canción OTI" en Buenos Aires, Argentina, el día 15 No- de televisión. Jessica Cain terminó sus estudios de drama este verano viembre ... Y ahora ... ¡Hasta la próxima! en Nueva York y está representada por "John Casablanca's Elite Model Agency," a través del mundo, y por la cual realizado varios comerciales televisivos, incluyendo uno reciente para la 7 UP. En cualquier mo- As reported by the Associated Press, the government is investigating mento, su padre producirá una grobación por Jessica, dirigida el mer- the only full-time Spanish -language TV program service in the U.S. to cado de habla inglesa. ¡Felicidades a ambos! ... Chrysty, de Chrysty determine whether it illegally controls five television stations. The in- Records de Denver, Colorado, y quien reporta para nuestras investiga- vestigation was confirmed in a letter sent last month by Federal Com- ciones de Hit Parade, me envia foto con Federico Villa y Yolanda del munications Commission chairman Charles D. Ferris to Sen. Harrison Rio, quienes triunfaron rotundamente en sus presentaciones en el Schmitt (R., N.M.). The investigation was prompted by informal objec- "Papa Gallo Azteca." ¡Saludos a los tres! tions filed by the Spanish Radio Broadcasters of America (SRBA). The Roddy Shashoua de Musexpo '80 me suplica de conocer a los inte- central allegation is that the Spanish International Communications resados en asistir a su evento, que se realizará de Septiembre 26 al 30, Corp., owner of five U.S. television stations, is controlled by the en el Hotel Americana Bal Harbour, de Miami Beach, se pongan en Spanish International Network in violation of FCC regulations. The contacto inmediato con sus oácinas centrales, ya que las reservaciones corporation owns WXTV-TV in Paterson, NJ; KWEX-TV in San Antonio, están a punto de agotarse y quisiera cumplir con todos los compro- Tex.; KMEX-TV in Los Angeles; KFTV-TV in Hanford, Cal., and WLTV-TV misos verbales contraídos. La dirección de Musexpo es 1414 Avenue of in Miami. Each receives programming from the Spanish International the Americas, New York, N.Y. 10019. Tel. (212) 489-9245 ... Comienza Network, a television service with 75 percent of its stock held by Mexi- a dar fuerte en Venezuela Nohemí, con el tema "Prisionera," Lanzado can interests. The Communications Act of 1934 prohibits foreign con- por Discorona ... Los primeros ganadores locales en Estados Unidos, trol of any broadcast station in the States. If the FCC determines that para el Festival OTI, han sido anunciados por KORO TV, Canal 28 de SIN controls the Spanish International Communications Corp., it could Corpus Christi, Texas, a través de una competencia eliminatoria que force the SICC to surrender its TV licenses. Such a finding could also celebraron el pasado 15 de Agosto, en la cual tomó el primer lugar, disrupt the network's efforts to extend its service through low -power Roger Pro, Jr., estudiante de 19 años que fué seleccionado entre nueve TV transmitters coupled with satellite antennae. It is currently operat- competidores, con su tema "La Magia del Corazón", también interpre- (Continued on page 54)

RECORD WORLD SEPTEMBER 20, 1980 53

www.americanradiohistory.comAmericanRadioHistory.Com Record World en Brasil Nuestro Rincon (Continued from page 53) By OLAVO A. BIANCO ing systems in Denver and Washington, D.C., after receiving experi- Murió a los 66 años de edad el adquirirlos. De todos modos, es mental licenses from the FCC. The Spanish Radio Broadcasters Asso- gran poeta, diplomático y autor innegable que ha muerto un im- ciation was formed early this year by a group of radio stations offering de gran talento Vinicius de Mo- portante medio de comunicación Spanish -language programs. Its president, Ed Gomez of KABQ-AM in members have long been con- rais.. Todas las radio emisoras del de la música brasileña. Albuquerque, N.M., says the group's cerned about Spanish International Network's growing monopoly in país hicieron una pausa en sus El grupo Artplan, responsable programming services for U.S.-based Spanish -language stations, par- programaciones habituales como de la visita de Frank Sinatra al Bra- ticularly since its programming is produced mostly in México. homenaje póstumo al gran autor sil en el mes de enero pasado, se Discos Fuentes in Colombia has signed Piper Pimranta to an exclu- prepara ahora en silencio para que era uno de los más conocidos sive contract. At the signing were Conrado Dominguez, general man- a los Beatles para su del Brasil, al igual que en Europa lograr reunir ager and Hernan Colorado, artistic director ... Joe Cain informed me y en todo el continente ameri- posible presentación en el Estadio that his daughter Jessica has just finished drama school courses in cano. Su último LP con Toquinho de Maracaná ... Según comen- New York and is being represented as a model by the John Casablanca grabado por Ariola fué el fruto tarios, despues de la venta de la Elite Model Agency throughout the world ... Christy Marquez, from más reciente de su rica inspira- casa grabadora RGE al grupo Sigla Christy's Records in Denver, Colorado, supplied us with a photo with ción, de la cual quedarán algunas (Globo), Enrique Lebendiguer re- Federico Villa and Yolanda 'del Rio. para siempre tales como "Garota gresa al mundo disquero con su Ipanema". Descanse en paz! sello Fermata ... "Foi Deus Quem de The Coast (Continued from page 18) De paso por Rio de Janiero Fez Voce" con Amelinha y "Rasta ... songs. One insider promised us a shift away from guitar pyrotechnics, tras visitar Buenos Aires, Bhaskar Pé" con Jorge Alfredo y Chico a new whiff of Farfisa keyboard, and songs so strong that "Dave McGee EMI Evengelista han sido clasificadas Menon, presidente del grupo will lose his mind" (editor's note-isn't this a so-called fait accompli?). en las finales dei Internacional . . . Hace más de para competir Look for it in about two weeks. treinta años la Cadena de Televi- Festival de Música MPB 80 de la COUNTERATTACKS: If The Boss' latest will be cause for celebration sion Tupi de Sao Paulo lanzaba al Cadena Globo de Television .. . among contemporary rockers, lovers of vintage soul should be at least aire su primer programa de tele- Falleció el pasado 29 de julio a as excited about a major reissue from The Godfather himself, James vision en América Latina, mo- los 36 años de edad, el conocido Brown. mento que marcó el inicio del Ca- cantante brasileño Paulo Sergio, Solid Smoke Records, the Bay Area label that has made collectors happy with re-released sides by Dorsey and Johnny Burnette, among nal 3 y más tarde el Canal 4 de después de caer en estado de others, has scored its biggest coup to date with acquisition of the Sao Paulo, marcando así el co- coma tras haberse presentado en rights to "James Brown Live At The Apollo, Vol. I," originally released serfs después la un programa de television. El can- mienzo de lo que by King Records in 1963. tante comenzó su carrera gra- primera cadena de television bra- Viewed by many as the best live album ever cut, the set, recorded que ya no existe y que sileña. Este año 1980 marcó el badora during a 1962 engagement, has been unavailable for well over a dec- final de la Cadena Tupi debido a fué adquirida hace tiempo por ade. Now retitled "Live and Lowdown at The Apollo," the package will la huelga de los trabajadores de la Beverly, con la cual obtuvo su be distributed under the supervision of Rounder Records and its net- televison de Sao Paulo, conside- mayor éxito, "La Ultima Canción". work of indie allies. rada legal y justa por la justicia, ya A todo lo largo de su carrera dejó NAMES IN THE NEWS: Talk about blasts from the past-now we que no recibían sus salarios por grabados un total de 13 LPs y sus read that Bobby Sherman has been signed "to begin work on his first major album effort in several years." The signing was announced by más de cinco meses. Más tarde, últimas presentaciones en público Ron Boutwell, who used to handle Sherman's concert merchandising los directores de la Cadena Tupi fueron en circos. Las ceremonias (he and Sherman also wrote the latter's hit "Waiting at the Bus Stop") decidieron interrumpir las trans- fúnebres fueron en Rio de Janeiro and will produce the new album . .. A tune called "Marie Marie" by la con la presencia de más de treinta misiones lo que obligó declarar Shakin' Stevens is reportedly hovering near the top 20 in England even mil personas en su mayoría fanáti- concesión de siete de los canales as we, ah, write. The song was written by Dave Alvin of L.A.'s own de las Asociadas, con excepción cos del artista. Blasters, the rockabilly quartet who recently opened a few dates for Rio de Ja- de la Television Brasilia de Brasilia Según la prensa de Queen. The Blasters are as yet unsigned themselves, however ... A y Itapuá de Salvador, Bahia. El go- neiro, parece definitiva la salida new artist looking for a record deal himself is one Micki Free, whose bierno ordenó también a la Caixa de Simone (EMI Odeon) para recent sessions included such disparate talents as Cherie Currie, Louise Economica Federal efectuar un Ariola Brasil ... Dejó su cargo en Coffin, Paulinho da Costa and Jai Winding. Onlookers were said to préstamo de cuarenta millones de Polygram el joven productor Mar- include the aforementioned Jon Landau and Kiss' Gene Simmons. Maybe that means Free will be performing "Badlands" in hyena cruzeiros a la Union Sindical de cos Maynard Araujo . . . Total- makeup Ella Fitzgerald, the First Lady of Song, will receive an Paulo para pa- mente agotados los tickets para ... Radialistas de Sao honorary Doctor of Music degree from Howard University (in Wash- sus pagos los finales del festival MPB 80 en gar a los trabajadores ington, D.C.) on September 26. She can add it to the honorary doc- Maracanazinho y que segura- atrasados y preparar la disposción torates she's already received from Dartmouth, the University of uno de los espectacu- de las concesiones a cualquier mente será Maryland and Washington University ... Beginning last Wednesday del año . entidad que tenga condiciones de los más importantes .. (10), IRS group the Buzzcocks are releasing three singles in six -week Según la prensa de Río, el can- intervals. These singles, which have no designated A or B sides, will be Milton Nascimento anunció EXCELLENT tante followed with an album due for release in February ... Art Fein has que al terminar su presente con- sold his idea for a TV series called "Teen Angel" to Green -Epstein OPPORTUNITY trato con Ariola pretende volver a Productions at Columbia Pictures. We are the largest one -stop, ex- EMI Odeon ... Salió esta semana porter and distributor in the al mercado el nuevo LP de Clara Northeast. We intend to expand our position in Latin America. Nuñez (EMI Odeon), al mismo If you have heavy experience in tiempo que Maria Bethania (Poly- Radio Action sales, mainly to Spanish-speak- gram) continuó presentadose en ing countries, some experience in purchasing and are willing to Sao Paulo, Simone (EMI Odeon) locate in Florida, please call. graba su nuevo LP en Rio, Diana Most Added Latin Record Salary commensurate with ex- Pequeno (RCA) estará en la final (Tema más programado) perience and ability. All calls del MPB 80, Gretchen (Copaca- confidential. (Internacional) (Regional) bana) continúa con fuerza en las Please call: "Amantes" "No Me Sé Rajar" listas de ventas con su "Freak Le Sam President (J. Iglesias -M. Balducci- (J. Carmelo Frayle) Weiss, Creuza Win Records, Inc. Boom Boom" y Maria G. Belfiore-R. Arcusa) VICENTE FERNANDEZ 45-50 38th Street (RCA) prepara su nuevo disco, lo JULIO IGLESIAS (CBS) Long Island City, NY 11101 que da a entender a las claras que (CBS) Tel. 212-786-7667 las mujeres siguen con mucha fuerza en Brasil. Y eso es todo!.

54 RECORD WORLD SEPTEMBER 20, 1980

www.americanradiohistory.comAmericanRadioHistory.Com Record Wodd

("446,..L-46.1 -LL..-. --s (/ir+ Lair./ .i..- L ...,._,

Stiffelio: Rare Verdi Classical By SPEIGHT JENKINS NEW YORK-Philips has pre- her and loving her husband. She ©Retail Report sented opera lovers with a splen- is virtue personified, and we never did recording of a largely un- find out if she was really misled SEPTEMBER 20, 1980 BeefHOVEN: VIOLIN CONCERTO-Chung, known Verdi opera, Stiffelio. As or tricked into her actions. Kondrashin-London Digital CLASSIC OF THE WEEK part of the Dutch company's on- The role of Stiffelio is basically BOLLING: PICNIC SUITE-CBS going series of rare Verdi operas- a quiet one, but he sometimes ex- PAVAROTTI'S GREATEST HITS-London all conducted with panache and plodes in passionate outbursts. PUCCINI: TOSCA-DG style by Lamberto Gardelli-Stif- Julien Budden, the Verdi scholar PURCELL: DIDO AND AENEAS-Boston felio stands high as one of the who wrote the liner notes, com- Camerata-Harmonia Mundi most interesting and valuable of ments that he might well be a pro- SIBELIUS: VIOLIN CONCERTO-Angel the master's lesser -known works. totype for Otello. Certainly Stan- STRAVINSKY: RITE OF SPRING PIANO The VERSION-Atamian--RCA Digital opera has the energy associ- kar, his father-in-law, who first or- ated VERDI: STIFFELIO-Philips with all of Verdi but particu- ders Lina not to confess to her larly with VERDI: LA TRAVIATA-Angel the operas of his youth husband, then eventually kills her -Ernani, Nabucco and Macbeth. seducer, is also wildly variable. He VERDI LAURY'S/CHICAGO It was composed after Luisa Miller seems by his words to be a man LA TRAVIATA BRAHMS: DOUBLE CONCERTO-Angel and almost coincidentally with of peace, but he lusts after the DOMINGO: ZARZUELA-London Rigloletto. Though it cannot claim Lina's CALLAS, Kraus, Sereni, Ghione blood of seducer. DVORAK: NEW WORLD SYMPHONY- to have the tunes of the latter- New York has heard only one Angel Kondrashin-London Digital few musical works in history can Stiffelio that I know of in the last HAYDN: THERESIEN MASS-Bernstein- 111111111111111111111111111111111111111111111111 :,111111111111111111111x11111pip111111111p1111111iuu 11 -its melodies are strong and the quarter -century. It took place CBS Digital BESTSELLERS OF THE WEEK* musical development of the prin- three or four years ago at the PACHELBEL: KANON-Paillard-RCA VERDI: LA Kraus, cipal characters is in the best Ver- Brooklyn Academy of Music with TRAVIATA-Callas, PAVAROTTI'S GREATEST HITS-London Sereni, Ghione-Angel di manner. Vincent La Selva's New York PROKOFIEV: SYMPHONY NO. 5- BOLLING: PICNIC SUITE-Bolling, Bernstein-CBS Digital The problem with Stiffelio, as Grand Opera and gave a good RampaI, Lagoya-CBS with many other good operas, was SHOSTAKOVICH: SYMPHONY NO. 5- idea of the outlines of the work. BRAHMS: DOUBLE CONCERTO- Bernstein-CBS Digital its book. I say was, because the Obviously, the opera needed im- Perlman, Rostropovich, Haitink- VERDI: problems of the book are no Angel STIFFELIO-Philips portant singers, and Philips gives VERDI: LA TRAVIATA-Angel longer bothersome. In the nine- them us. Sylvia Sass PLACIDO DOMINGO SINGS ZARZUELA to does not teenth century an Italian audience have a controlled voice. At times ARIAS-London STREETSIDE/ST. LOUIS PAVAROTTI'S GREATEST HITS-London was not prepared to see a married it is very sweet; at other moments BEETHOVEN.: VIOLIN CONCERTO-Chung, minister, and even less to see a it sounds raw. a PUCCINI: TOSCA-Ricciarelli, Kondrashin-London Digital quite But despite Carreras, Raimondi, Karajan-DG married man publicly forgive his few wild moments, her reading of BRAHMS: DOUBLE CONCERTO-Angel SIBELIUS: VIOLIN CONCERTO- wife's adultery. The censors took the crucial role of Lina is GOLDMARK: RUSTIC WEDDING-Previn stirring- Perlman, Previn-Angel -Angel away Stiffelio's religious orders, involved and musical. Jose Car- VERDI: STIFFELIO-Sass, Carreras, made him a layman and did not reras, whose recent recorded per- Garde' li-Philips PAVAROTTI'S GREATEST HITS-London PUCCINI: TOSCA-DG allow him to read from the gospel. formances have been less than Later PROKOFIEV: SYMPHONY NO. 5- on, when the work was per- ideal, sings here as he has in the SAM GOODY/EAST COAST Bernstein-CBS Digital formed in Rome the whole li- past at the Metropolitan. His bril- BOLLING: PICNIC SUITE-CBS SCHUMANN: LIEDER-Ameling-Philips bretto was changed around. With- liant, supple tenor shows warmth BRAHMS: DOUBLE CONCERTO-Angel SIBELIUS: VIOLIN CONCERTO-Angel out such problems for us, the li- and radiance, lyrical beauty and DEBUSSY: LA DEMOISELLE ELU- VERDI: STIFFELIO-Philips bretto can be read as an interest- dramatic power. It is a fine per- Barenboim-DG VERDI: LA TRAVIATA-Angel ing, clear text with one big prob- formance. Of almost equal stature DOMINGO: ZARZUELA-London lem. It never is made clear why is Matteo Manuguerra as Stankar. PAVAROTTI'S GREATEST HITS-London TOWER RECORDS/ Lina was unfaithful to her hus- His baritone is used with great ITZHAK PERLMAN AND PINCHAS SAN FRANCISCO band. She spends the whole variety and musicianship. Small ZUKERMAN PLAY VIOLIN DUETS-CBS BOLLING: PICNIC SUITE-CBS opera bemoaning her faithless- roles are well taken and the or- PUCCINI: TOSCA-DG ENRICO CARUSO: A LEGENDARY ness, hating the man who seduced chestra plays well. STRAVINSKY: RITE OF SPRING FOR PIANO PERFORMER-VOLS. VIII, IX-RCA -Atamian-RCA Digital CHAUSSON: QUARTET NO. 21-Maazel, VERDI: STIFFELIO-Philips Cleveland Winds-Telarc Classical Retail Tips VERDI: LA TRAVIATA-Angel DEBUSSY: PRELUDES-Arrau-Philips DOMINGO: ZARZUELA-London J & R MUSIC WORLD/ The big news from Angel this will be a great one, while NEW YORK DVORAK: NEW WORLD SYMPHONY- month is Aida, the phonographic Piero Cappuccilli will sing his Kondrashin-London realization of Herbert von Kara- BEETHOVEN: COMPLETE SYMPHONIES- familiar Amonasro and Ruggero PUCCINI: TOSCA-DG Bernstein-DG jan's presentation of the opera at Raimondi, Ramfis. The typically SCHOENBERG: SURVIVOR FROM the Salzburg Festival. The cast is BRAHMS: DOUBLE CONCERTO-Angel WARSAW, OTHER WORKS-Boulez strong casting of Karajan goes DELIUS: SEA PICTURES-Minton, -RCA all-star but reads unlike most Aida even further on this recording Barenboim-CBS VERDI: STIFFELIO-Philips casts on records: Mirella Freni is than in most: Jose van Dam will DVORAK: NEW WORLD SYMPHONY- VERDI: LA TRAVIATA-Angel Aida with Jose Carreras as Rada - sing the small role of the King of Kondrashin-London Digital * Best Sellers are determined from the mes. Both are much more lyric Egypt and Katia Ricciarelli will PAVAROTTI'S GREATEST HITS-London retail reports of the stores listed above, voices naturally than are associ- sing the Priestess in the second PUCCINI: TOSCA-DG plus those of the following: King Karol/ ated with these roles, and this is scene of Act I. Another big at- New York, Record World/TSS/Northeast, RIMSKY-KORSAKOV: SCHEHERAZADE- really what makes the recording a traction will be the Berlin Phil- Chalfonte Digital Record & Tape Collectors/Baltimore, Rec- ord & Tape, Ltd./Washington, D.C., Specs/ fascinating one to await. It's all harmonic playing Verdi's great VERDI: STIFFELIO-Philips Miami, Harmony House/Detroit, Rose Dis- Karajan's creation-the sound he score. The orchestra, as shown by VERDI: LA TRAVIATA-Angel count/Chicago, Radio Doctors/Milwaukee, wants. Agnes Baltsa's success at its playing of the Tosca music on Sound Warehouse/Dallas, Jeff's Classical/ the Metropolitan last season and the recent DG CUTLER'S/NEW HAVEN Tucson, Tower Records/Los Angeles, Dis- recording, seems BACH: COMPLETE CANTATAS, VOL. XXV count Records/San Francisco and Tower on Karajan's Don Carlo on rec- to have a real feel for playing -Harnoncourt-Telefunken Records/Seattle. ords suggests that her Amneris Italian opera.

RECORD WORLD SEPTEMBER 20, 198C 55

www.americanradiohistory.comAmericanRadioHistory.Com Record World LLLC' Germany England By JIM SAMPSON By VAL FALLOON MUNICH-Last week, K -Tel's "Italo Top -Hits" reached first place in LONDON-Though sales conferences and plans to put the industry the German album charts. This was the first time since the second back on its feet before Christmas dominate this week's events, other is in news week of April that a TV -merchandised album by Arcade was not Ger- things are happening. Motown still the following the suc- Ross is a many's biggest seller. First with a hit compilation, then with Anthony cess of Stevie Wonder week. Diana in town on social visit Ventura's collection of MOR standards, and finally with Hot Choco- and Motown took the opportunity to present her with gold for her late's "20 Greatest Hits," Arcade led the "Musikmart" charts for nearly "Upside Down" single, silver for the "Diana" LP and platinum for her Greats" collection. The artist hinted that she may tour next half a year. According to figures compiled by Sylvia Curd, Arcade's "Golden year. . . . Barry back in November, and European A&R coordinator, 39 TV albums were released in Germany Manilow will be welcomed this Sinatra is and press raves at his during the past six months. Arcade, with 32 percent of TV albums week causing standing ovations Festival Hall concerts. One headline read Blue Eyes Still Has It." and 6.5 percent of the entire market, claims the title of Germany's "01' Members of the audience reportedly burst into tears.... The busi- most successful TV merchandiser, ahead of K -Tel (11 new TV albums, ness here is also getting greatly excited about the Stray Cats. Vast 30 percent of TV sales) and Polygram (also 11 albums, 22 percent of sums are reported to be on offer for the Ariola/Arista will TV sales). Due to the glut of such product, however, Arcade's sales band.... be watched closely now that Robin Blanchflower h'as left to set up his actually slipped one or two percent compared to 1979. own label. Will the merger earlier this year lead to the various units ARS ELECTRONICA ELECTRIFIES LINZ: The Austrian city of Linz being put together totally? Though some companies are trimming last as local was turned into a center of musical innovation week, rosters, some are still signing and new labels are still being launched. Ars Elec- government, industry and the Austrian Radio sponsored New addition to these shores is Lagos International, the first major tronica, part of the annual Bruckner Festival. Ars Electronica, a kind Nigerian record company to be set up outside Africa. Parent company of electronic Tanglewood, brings together musicians and develop- is the Punch Corporation, a major publisher which also owns Skylark ers of electronic instruments for discussions, workshops and perform- Records. First U.K. signing is Hammatan. News of U.K. signings ex- ances. This year's event featured the premiere of Klaus Schulze's "Linz pected soon from Bellaphon, the German major which set up in Steel Symphony," in which the rock keyboard wizard collaborated in London last month. concert with workers and machines from a steel mill. Electronic VIDEO GROWTH: EMI is promising music videocassettes within musical pioneers, including Wendy Carlos and Dr. Robert Moog, nine months and videodiscs by the end of the year. Meanwhile VCL, joined in the workshops. For those who could not attend, a sample an aggressive independent, has new additions to its music software of the music of Ars Electronica has been released by Teldec here range including tapes of 10CC, Fifth Dimension with Dionne Warwick, (Polydor International has rights for other markets). The group Control and the Carpenters, Sonny And Cher and Roger Daltrey. A Monkees Company was formed by Hubert Bognermayr, formerly of Eela Craig video is aimed at "Older Rockers." "Superman," the musical, is out a and Ulli Ruetzel, winners and now director of the festival, using of too, based on Hal Prince's Broadway show... . A small independent, the 1979 Ars Electronica performance competition. "Four Years Before Future Earth, has produced the first video EP, containing five songs by is an creative exercise in 1984," the group's first album, ambitious, hard rock trio Limelight. . . . CBS gears up for the release of Barbra rock. Bognermayr says plans are to release another Control electronic Streisand's "Guilty" LP. . . . Larry Page of Rampage Records has Company album every year at this time, using musicians from the clinched a licensing agreement with the Indian Record Manufacturing previous Ars Electronica completition, perhaps joined by internation- Company of Calcutta after almost three years of negotiations. The ally prominent musicians. deal will enable U.K. artists to be released in several territories not TEUTONIC TELEX: At RCA in Hamburg, Gero Pushstein, former usually accessible, such as India, Pakistan, Sri Lanka, USSR, GDR, WEA promotion head, takes over the public relations department Hungary and Poland. Page will also act as agent for IRMC in London. from Leon Deane, who now runs WEA product management. Also at ... And the new Virgin megastore in Glasgow, Scotland, is claiming RCA, the first product from the English Red Bus label has been 35,000 pounds worth of business in the first week of trading.... EMI released, including singles by Geordie and Brian Johnson, the new star Cliff Richard, now 40, off to tour Europe. AC/DC singer ... Incidentally, AC/DC's new album just went gold BLUES FILM: Arista revival outfit the Blues Band are to star in a 30 -minute here, four weeks after release. The group will tour in December .. . documentary detailing the band's career. The short will be Dieter Dierk's mobile studio has been on the move lately: to Doning- distributed nationally in December. ton, England, to record the Scorpions at a hard rock festival there; to France and Germany to tape Joan Baez for a new album, and to Daniels Gives Canadian Platinum Munich for a Harry Belafonte TV show. The Dierks mobile features an MCI desk and 32 -track capability. Japan (This column appears courtesy of Original Confidence magazine) By CARMEN ITOH CBS Sony's new promotional campaign, "Free Music Convention," is going on in seven cities throughout Japan through Sept. 16. One of the events, held at the Akasaka Prince Hotel in Tokyo on August 26, was a convention involving dealers and media people. Hiroshi Inagaki, manager of sales promotion for CBS Sony, ex- During his recent Canadian tour, Epic recording artist Charlie Daniels stopped by the plained the objective of this convention: "We have three aims. One CBS Canada headquarters offices in Toronto to present company personnel with platinum albums acknowledging their efforts on behalf of the Charlie Daniels Band. Pictured at used is the choice of the term 'free music.' CBS Sony originally the the presentation are, from left: (standing) Ron Huntsman, manager; Don Oates, senior innovative term 'new music' when we first tried to induct Mayumi director, sales, CBS Canada; Daniels; Graham Powers, senior director, marketing, CBS Itsuwa and Takuro Yoshida into show business. Nowadays 'new mu- Canada; Garry Newman, CBS Toronto branch manager; Liz Braun, national manager, press/publicity, CBS sic' has changed in quality, and the term is inappropriately used, no Canada; Alec Patterson, Epic product manager; Brad Weir, director, promotion, CBS Canada; and Bill Bannon, director, artist & media relations, CBS Canada. (Continued on page 57) (Seated) Charlie Daniels, Jr. and Bob Muir, senior product manager.

56 RECORD WORLD SEPTEMBER 20, 1980

www.americanradiohistory.comAmericanRadioHistory.Com Fall Release Schedules (Continued from page 15) EngIandTop 25 town compilations are also on Barbara Thompson, Frankie Valli, the cards and for the first time Wishbone Ash and Rupert EMI is releasing budget Beatles Holmes. product along with solo LPs by Most companies are offering Albums John Lennon, George Harrison discount deals to encourage early retail purchases, and Ringo Starr. and the general 1 TELEKON GARY NUMAN/Beggars Banquet RCA, despite the collapse of attitude here can be summed up 2 FLESH AND BLOOD ROXY MUSIC/Polydor the proposed PRT merger, is fore- by Music Pleasure MD Richard casting a growing wave of suc- Baldwyn, who said plans for his 3 DRAMA YES/Atlantic budget label included "attacking cess for the company. A major 4 BACK IN BLACK AC/DC/Atlantic campaign is being put behind the market" and "spending as 5 BREAKING GLASS HAZEL O'CONNOR/A&M U.K. acts Sad Cafe and Gerrard much money as we can afford on Kenny and new signing Grand promotion." 6 GIVE ME THE NIGHT GEORGE BENSON/Warner Bros. ap- More optimism is expected Prix. John Howes, newly 7 SIGNING OFF UB40/Graduate pointed joint deputy MD said, "I from other companies still to an- 8 NO HERO RICHARD/EMI see a rosy future. We can look nounce their pre -Christmas plans. I'M CLIFF forward to a prosperous finish to 9 XANADU SOUNDTRACK/Jet this year." He added that nobody EMI Names Hart 10 GLORY ROAD GILLAN/Virgin knows what the customers will To Post do after Christmas. New Video 11 ME MYSELF I JOAN ARMATRADING/A&M LOS ANGELES Bob Hart, Many smaller labels were also - 12 I AM WOMAN VARIOUS/Polystar presently EMI Music's London - extremely positive in their pre- based publicity director, has been 13 JUST CAN'T STOP IT BEAT/Go Feet sentations. Jet, despite dropping named director, video develop- six acts, has re-signed ELO and 14 MICHAEL SCHENKER GROUP/Chrysalis ment for EMI Music, effecfive is planning heavy marketing on 15 WILD CAT TYGERS OF PAN TANG/MCA September 1, announced Bhaskar its retained acts, starting with an Menon, chairman of the board, 16 "A" JETHRO TULL/Chrysalis LP, "The Blizzard Ozzie Osborne Capitol/EMIA/UA. 17 KALEIDOSCOPE SIOUXSIE AND THE BANSHEES/Polydor of Oz." GTO, which has had Hart, who will be based in the 18 SKY 2 SKY/Ariola considerable success with acts Capitol Tower in Hollywood, will like the Dooleys, has new prod- 19 OFF THE WALL MICHAEL JACKSON/Epic be responsible for the develop- to be TV ad- 20 ONE TRICK PONY PAUL SIMON/Warner Bros. uct from that group ment of both original production and from Heatwave, the 21 DEEPEST PURPLE DEEP PURPLE/Harvest vertised, and acquisition for EMI Music's band. A Gary Glit- label's hit funk home video catalogue, and the 22 CAN'T STOP THE MUSIC SOUNDTRACK/Mercury EP been re -issued. ter has exploration of promotional op- 23 LIVING IN A FANTASY LEO SAYER/Chrysalis is Jenny DJM pushing singer portunities for recording artists in 24 REGGATTA DE BLANC POLICE/A&M Darren and product by John May - video. 25 SEARCHING FOR THE YOUNG REBELS DEXY'S MIDNIGHT RUNNERS/ all, Frank Hooker, Steve Jerome Late Night Feelings and Grace Kennedy. The com- Nostalgia Merchant pany has also hired former Cali- bre (PRT) label manager Dave Signs Australian Deal McAleer to launch a disco/cross- LOS ANGELES-The Nostalgia over label. Merchant has just signed an Singles At MCA Buddy Holly product agreement with Video Classics is being repromoted following of Australia for exclusive video Buddy Holly week. Albums are cassette distribution on that con- 1 ASHES TO ASHES DAVID BOWIE/RCA due this fall from the Crusaders, tinent. 2 START JAM/Polydor

3 FEELS LIKE I'M IN LOVE KELLY MARIE/Calibre Plus (Continued from page 56) Japan 4 EIGHTH DAY HAZEL O'CONNOR/A&M longer limiting itself merely to contemporary popular music for the 5 I DIE: YOU DIE GARY NUMAN/Beggars Banquet younger generation. 'New music' has become a term to express a genre. In order to avoid confusion, we have now decided to use 6 9 TO 5 SHEENA EASTON/EMI the term 'free music.' The second aim is to promote album artists. 7 SUNSHINE OF YOUR SMILE MIKE BERRY/Polydor Thirdly, in order to make hit songs there is, at present, a strong tendency for songs to be tied in with commercials. We would like 8 TOM HARK PIRANHAS/Sire/Hansa to reconsider this type of notion, and instead, revert back to having 9 BANKROBBER CLASH/CBS hits produced from record stores and radio stations." 10 THE WINNER TAKES ALL ABBA/Epic CBS artists Hiroaki Igarashi, Hound Dog, Shogun, Yoshitake Mi- nami and Mayumi Itsuwa performed enthusiastically for the au- 11 DREAMING CLIFF RICHARD/EMI dience. 12 MODERN GIRL SHEENA EASTON/EMI Also at the convention was Akinobu Kamebuchi, the manager of 13 CAN'T STOP THE MUSIC VILLAGE PEOPLE/Mercury Japan Broadcasting Company (Nippon Hoso, JOLF) in Tokyo in charge 14 OOPS UPSIDE YOUR HEAD GAP BAND/Mercury of programming. He commented hopefully: "The Japanese music in- 15 IT'S ONLY LOVE ELVIS PRESLEY/RCA dustry has a tendency to want to categorize everything. This even- tually leads to suffocation. This is the age in which we will confront 16 IT'S STILL ROCK & ROLL TO ME BILLY JOEL/CBS various kinds of crises. New music and traditional Japanese pop 17 GIVE ME THE NIGHT GEORGE BENSON/Warner Bros. music are no exceptions. They, too, cope with the changing times. 18 ONE DAY I'LL FLY AWAY RANDY CRAWFORD/WB I Free feel that this Music Convention embodies all the best wishes 19 UPSIDE DOWN DIANA ROSS/Motown needed to meet impending crises." 20 I WANT TO BE STRAIGHT IAN DURY/Stiff For Japanese music fans, this summer was a lonely one. Only a handful of foreign artists came to perform. Fortunately, the remainder 21 BEST FRIEND BEAT/Go Feet of the year will be loaded with concerts. The lineup of artists sched- 22 PARANOID BLACK SABBATH/Nems uled to perform includes the Ian Michael Band, Dave Mason, and 23 MARIE MARIE SHAKIN' STREET/Epic Rita Coolidge in September; Thin Lizzy, Hall & Oates, Boz Scaggs, 24 CIRCUS GAMES SKIDS/Virgin Journey, Bobby Caldwell, and the Cars, in October, and Jackson 25 OH YEAH ROXY MUSIC/Polydor Browne, Christopher Cross, Girl, Leif Garrett and Art Pepper in November. (Courtesy: Record Business)

RECORD WORLD SEPTEMBER 20, 1980 57

www.americanradiohistory.comAmericanRadioHistory.Com Record World C-LQULLL1

'Take This Job' Soundtrack Razzy Bailey: Charting Up a Storm (Continued from page 11) courtesy of Elektra Records. Pay- By AL CUNNIFF Penelope Milford. The film will check will sing the title song. NASHVILLE-American League in late 1978, to "Loving Up a take a humorous look at the diffi- Leib cited the cooperation of slugger George Brett has been Storm," which is bulleted at the culties facing a blue-collar work- Rick Blackburn, vice president grabbing headlines in recent number seven slot in this week's er when a huge business takes and general manager, CBS Rec- weeks by flirting with a .400 bat- Record World. over the small Dubuque brewery ords Nashville, in creating the ting average - but RCA artist Here is a quick look at Razzy's where he works. music -movie deal, as well as the Razzy Bailey can boast a much RCA singles chart history: "What Coe and Dalton will play hus- assistance of Warner-Tamerlane's higher slugging percentage. Five Time" reached the number 12 band and wife saloon owners and Mel Bly, Tim Wipperman, and of Bailey's seven RCA singles have position on 10-29-78; "Tonight performers, with Paycheck as their Johnny Wright, and CBS Records penetrated the top ten on Record She's Gonna Love Me" went to dishwasher. Coe will be seen Nashville's Carol Whaler and Bob World's Country Singles Chart. number 6 on 2-6-79; "If Love singing "Robbin' Banks," his own Perlstein. Though Razzy does not have Had a Face," number 6, 6-6-79; song, and two numbers written William Immerman and J. the high profile that other artists "Ain't Got No Business," num- by Kasha, Hirshore, and Michael David Marks are executive pro- sometimes achieve with less ber 9, 9-9-79; "I Can't Get Lloyd: "How Good It Used to ducers of "Take This Job and chart success, his singles have Enough of You," number 5, 2-5- Be," and a duet with Dalton, Shove It." The film is directed by risen near the top of the charts 80; "Too Old to Play Cowboy," "You Can Count on Beer." Dal- Gus Trikonis from a script by with amazing consistency, from number 12, 6-12-80; and "Loving ton will also sing her single Barry Schneider and story by Jeff his RCA single, "What Time Do Up a Storm," which is still rising "Crazy Blue Eyes." Bernini. You Have to Be Back to Heaven," inside the top ten. Rich, plays a who rich Texan Razzy and a number of other buying his way into the beer people have made a significant business, will be heard on the effort in recent weeks to let more soundtrack singing "You Made It Llt'tLL!j2t people know about the man be- Beautiful," written by r Sherrill, `a.\".:. hind the bullets. Razzy signed an Glenn Sutton and Steve Davis. By AL CUNNIFF agreement with Top Billing which He will appear on the album The House of Gold publishing company celebrated the opening of allows that firm to handle Bailey its new Writer's Annex at 1319 16th Ave. South here with a party in a major showcase effort that MCA -Nashville Names Thursday (11). Actually, the place was "christened" even before the also included Alabama and Gary opening party-the first two songs written there have already been cut. Stewart, and which took Razzy Woolsey Promo VP They are "Set the Night on Fire," cut by Mercury act Oak, and "Ladies to such cities as Denver, Los An- NASHVILLE - Jim Foglesong, First," recorded by Spring artist Millie Jackson. Both songs were re- geles and Phoenix, where he president of MCA Records corded in Muscle Shoals. headlined the showcase concert. Nashville, has announced the DIR Broadcasting held a party of its own Tuesday (9) at the Richland Razzy has also embarked on a promotion of Ery Woolsey to Country Club here to spread the word about its upcoming "Silver major market tour in conjunction vice president of promotion for Eagle," a 90 -minute country show that will be broadcast every other with his new RCA album, week MCA's Nashville division. throughout 1981. Over 400 stations will broadcast the show, "Razzy," his second LP for the which has already lined up Eddie Rabbitt, Mel Tillis, Merle Haggard, (Continued on page 59) Dort Williams, Hank Williams Jr., Moe Bandy and Joe Stampley, George Jones, and Johnny Paycheck. Janie Fricke hosted an album listening party for her CBS folks Membership Meeting Wednesday (10) ... Emmylou Harris' Warner Bros. Christmas album, "Light of the Stable," will be released in America this year. The LP Announced by CMA was released in Europe in 1979 ... The Oak Ridge Boys will issue their NASHVILLE - The Country first greatest hits album on MCA in October. It will contain ten songs Music Association will hold its . Rolling Stone magazine is preparing an in-depth story on George 22nd membership meeting Oct. Jones for an October issue. 16 at the Opryland Hotel here If you read Record World's review of Johnny Rodriguez's new single beginning at 9:30 a.m. The ses- Ery Woolsey "North of the Border" last week, you might have been confused- sion will be devoted to the understandably, since a typesetting gremlin scrambled the review of election of directors, the presi- Woolsey joined MCA as pro- Bobby Bare's "Food Blues" single with that of Rodriguez. Sorry Johnny! dent's message, presentation of motion director in March, 1979, IN THE STUDIO: Scruggs Sound Studio reports that producer Nelson awards, and other business. when MCA acquired ABC Rec- Larkin was in mixing singles by Earl Conley, the late Mel Street, O. B. Proxy votes for the election ords' artist roster and staff. McClinton, and Sheb Wooley ... Stella Parton was also working on must be received no later than Woolsey had worked in pop her next LP ... Rick Hall is producing Oak for Mercury Records at Oct. 6 at 5 p.m. by the account- promotion and regional country Fame studios in Muscle Shoals ... Nashville's SoundShop has been ing firm of Deloitte Haskins & promotion at ABC. (Continued on page 59) Sells of Nashville. PICKS OF THE WEEK W CHARLEY PRIDE, "YOU SLIPPED O: DANDY J ALMOST W & THE DOOLITTLE BAND, "WHO ANNE MURRAY, "ANNE MUR - JiLhi MY MIND" (prod.: Jerry Brad- WERE YOU THINKIN' OF" c CI. z RAY'S GREATEST HITS." One of z ley & Charley Pride) (writers: W (prod.: Louis LoFredo) (writers: the finest greatest hits packages T. Seals, D. Goodman, T. Back, W J. Glaser, P. Gauvin, C. Pelle- you'll see anywhere, this package N D. Barker) (Danor, BMI) (2:46). tier) (INMY, BMI) (2:45). This er) spans Anne's work with pro- Pride is poised for a new chart uptempo song features a full ducers Brian Ahern and Jim Ed assault with this strictly -coun- rhythm sound and a Spanish - Norman, and contains all her try ballad that deals with flavored harmony, as the blockbusters, including "Snow- temptation in the form of a singer asks how she got more bird," "You Needed Me," "I Just special female. RCA JH -12100. out of it than he put into it. Fell in Love Again," and "Shad- 1 f IZ I\ S i I I I TS Columbia 1-11355. ows in the Moonlight." Capitol SOO-12110.

58 RECORD WORLD SEPTEMBER 20, 1980

www.americanradiohistory.comAmericanRadioHistory.Com Razzy Bailey (Continued from page 58) label. dates for some time to come." Country Hotline That much activity would be In 1974 Razzy's release on the By MARIE RATLIFF enough for many other artists, Aquarian label, "I Hate to Hate," but not for Bailey. "I told Top was picked up by MGM and re- MOST ADDED CHART CONTENDERS Billing I'll do whatever they want leased as a pop cut by Razzy and Bobby Bare - "Food Blues" to set up for me," Bailey told the Neighborhood Kids. "I even Tanya Tucker & Glen Campbell - "Dream Lover" Record World. "I'll try as much got some R&B play," he said. Charley Pride - "You Almost Slipped My Mind" Razzy's Capricorn release "Pea- as I can. People need to put the Rex Allen, Jr. - "Drink It Down Lady" songs together with the face. nut Butter" introduced him to his Tanya Tucker & Glen Campbell take "I'm reaching more people future producer, Bob Montgom- the familiar "Dream Lover" through the House of with every record, taking a little ery, who heads some new paces, with early adds at Gold publishing company in different direction with every sin- KSO, WTMT, WCXI, WKKN, WMC, KTTS, Nashville. Before signing with gle. But I want to reach everyone WDEN, KCUB, KXLR, KVOO, WBAM, KFDI, RCA Razzy (who was born Rasie I can, so I told Top Billing to KYJJ, KSOP, KEBC, WPNX. work the heck out of me." Bailey) released an album and Razzy said he's not sure him- "two or three singles" on his own Johnny Rodriguez is moving "North self what image he projects now. Erastus Records, named for -h of the Border" at KRMD, KSO, WTMT, his "I'm no outlaw, I know that. I father. Johnny Rodriguez WTSO, KSOP, WBAM, WSM, KEBC, WUNI, try to adapt my show to what Then came RCA, and two years WCMS, WKKN, WMZQ, KMPS, KTTS, KDJW, WFAI,KKYX, KHEY, up a I think an audience wants from of "charting storm." WQIK, KIKK, KNIX, KVOO, KFDI, KBUC, WGTO, WPNX, me." Bailey has developed a WIVK. stage act with his tight four -man CMA Appoints Parrish Bobby Bare laments about the "Food Blues" at backup band, Rose, which was KNIX, KCKC, KRAK, KKYX, WKKN, KSO, KVOO, WCXI, performing as a unit before he Membership Dept. Head WSLR, KEBC, WIVK, KSOP, WTMT, KFDI, KRMD, WGTO. hired them. "We did over 250 NASHVILLE-Jo Walker, exe- dates in 1979, and the total will cutive director of the Country Hoyt Axton has play on "Where Did The Money Go" at be the same or more in 1980," Music Association, has announced WTMT, KEBC, KNIX, KRMD, KFDI, KKYX. Razzy said. Earlier this year he the appointment of Rob Parrish O. B. McClinton has adds on "Not Exactly Free" did 38 dates with fellow RCA art- to head the organization's mem- at KFDI, KEBC, WESC, WFAI, WTMT, WPNX. Henson ist Charley Pride. bership department. Parrish's ap- Cargill's "Silent Rebels" playing at KSOP, KVOO, "I'd like to block out a couple pointment coincides with the re- KEBC, WSLC. of weeks next time I record an structuring of the CMA's mem- Eddy Raven has "Another Texas Song" album, rather than try to grind bership program, placing new moving at WINN, WIRK, WCXI, WPNX, out a bunch of songs a session emphasis on increasing member- KVOO, KEBC, KFDI, KBUC, WUNI, KIKK, here and a session there." ship in specific categories, and KRMD, KSOP, WTMT, WGTO, KKYX. David Bailey and hils wife Sandra and better educating current mem- ti. has spins on "The Light of My their four children recently moved bers on the organization's goals Wills at KEBC, WTMT, WDEN, KBUC, back into the home in La Grange, and works. Life" Georgia which they have owned A 1979 graduate of Nashville's WPNX, KSOP, WSLC, KRMD, KFDI, KVOO, for 15 years, but which they had Belmont College with a bachelor O. B. McClinton WSM, WTOD, KWMT, WIVK, KHEY, WBAM. leased out until this summer. "I of business administration de- Super Strong: Brenda Leez Crystal Gayle, Anne really value my time at home, gree, Parrish was enrolled in the Murray, Jacky Ward, Don Williams, T. G. Sheppard. because there's so little of it now. college's music business depart- Crossover to Country: Engelbert is getting play I expect to be doing this many ment. ^n "Don't Touch That Dial" at WTMT, WMNI, WMAQ, WNYN, WSLR. Bonnie Raitt's "Don't It Make Ya Wanna Nashville Report (Continued from page 58) Dance" added at WBAM, KBUC, WGTO, WPNX, WCXI, WDEN, working on an album for Sesame Street Productions. Produced by Den- KMPS, WWVA, KNEW, WYDE. nis Scott, the LP will include Crystal Gayle, Loretta Lynn, Tanya Tucker, LEFT FIELDERS Glen Campbell, and others. Dandy &the Doolittle Band - "Who Were You NOTEWORTHY RELEASES: "You're Still the One," a pretty ballad Thinkin' Of" by Douglas on Door Knob Records, contains the talents of two mem- Roy Acuff - "I Can't Help It" bers of the Nashville Songwriters Association Int. Ervan James co - Peggy Sue "Slow Motion" wrote the song, and Bob McCracken co -produced it ... King Edward - IV has a toe-tappin' version of "Cotton -Eyed Joe" on the Soundwaves Gary Morris - "Sweet Red Wine" label ... Pat Garrett's second single on the Gold Dust label is "Your AREA ACTION Magic Touch." His previous release is still high on some secondary Terri Gibbs - "Somebody's Knockin' " (WGTO, market playlists. KXLR, KENR, WSM) House of Gold songwriter Danny Morrison was recently seen on Bob Duncan - "Our House Will Rise Again" TV's "Family Feud" game show ... New Warner Bros. artist Gary Morris (KFDI, WGTO, KVOO, KSOP) will be heard singing his self -penned "Playin' Cowboy" on ABC -TV's Jim Weatherly - "Safe In The Arms of Your "Wide World of Sports" Saturday (20) ... Mercury artist Jacky Ward Love" (KV00, WDEN, WSLC) played to a full house (about 6,000 people) at Gilley's Club recently. Jim Owens Productions, which produced recent TV specials on Hank Williams and the "Music City News" awards, recently kicked off E/A Names Sharp its latest production, a musically -oriented comedy, "Big Al's Doggs." Inflation, Taxation Blues Featuring actor AI Lewis, the show was scheduled on over 97 stations N'ville A&R Director in its release week. Owens also has a special tribute to Chet Atkins NASHVILLE-Martha Sharp has By: Red Harris in the works. been promoted to director of UAR 1002 BUSINESS BRIEFS: Ovation artist Gary ("Who Shot J.R.") Burbank A&R for Elektra/Asylum Records, has signed a production agreement with David Heavener, of Century Nashville, it was announced by DJs call or write VII Records ... Professional Marketing Service has released its first Jimmy Bowen, vice president of single for Southern Star Records, "Harry Truman and Mount St. Hel- E/A's Nashville division. Universal Artists Records ens," by Polly Ford ... Ron Holt has rejoined the Key Talent agency, Sharp had been Bowen's assist- P.O. Box 1128 as agent and promotion director The LeGarde Twins have ant since -1979. ... signed mid Before join- Madison, Tn. 37115 with Sy Rosenberg as their personal manager ... Singer -songwriter ing E/A, she was assistant to Larry David Olney has signed a management agreement with the Don Light Butler at Tree Publishing Co. and (615) 865-8692 talent agency. United Artists Records.

RECORD WORLD SEPTEMBER 2E, 1980 59

www.americanradiohistory.comAmericanRadioHistory.Com Country Country Single Picks Album Picks HARD TIMES COUNTRY SONG OF THE WEEK LACY J. DALTON-Columbia/Sherrill JC 36763 GARY MORRIS-Warner Bros. 49564 An outstanding second album from an artist who offers an honest, refreshing SWEET RED WINE (prod.: Norro Wilson) (writers: J. T. DuBois, R. DuBois) (Sweet Dreams, BMI) (3:21) sound. The best cuts (some are self -pen- ned) include the uncompromising "Hill- A strong debut single from a fine vocalist, this classic -sounding With ballad reminds us that wine and women come back to haunt men. billy Girls the Blues," the sensitive "You Can't Fool Love," the intimate "Whisper," and the tough "Me 'n You." MARGO SMITH-Warner Bros. 49569 HE ME ME CHILLS (prod.: David Barnes) GIVES DIAMONDS, YOU GIVE TROUBLE IN PARADISE (writers: M. A. Kennedy, D. Goodman) (Window/Little Jeremy, BMI) (2:56) DEBORAH ALLEN-Capitol ST 12104 Smith tries a new direction in sound and material in this tune about Allen's light, appealing vocal is well two men who fill different needs in a woman's life. suited to the solid, carefully crafted ma- LARRY GATLIN AND THE GATLIN BROTHERS BAND- terial here. The writer -artist stands out Columbia 1-11369 on such fine tracks as "You Never Cross TAKE ME TO YOUR LOVIN' PLACE (prod.: Larry Gatlin, Steve Gatlin & My Mind," "The Rest of the Way,"' "If Rudy Gatlin) (writer: L. Gatlin) (Larry Gatlin, BMI) (3:38) Had Known Then," and "Nobody's Fool." This soft, slow song features the trademark Gatlin harmony and an especially pretty melody. DIAMONDS & CHILLS BONNIE RAITT-Full Moon/Asylum 47033 MARGO SMITH-Warner Bros. BSK 3464 IT YA DANCE Jai Winding) (writer: R. Wier) DON'T MAKE WANNA (prod.: Margo is in a totally new groove with a (3:29) (Prophecy, ASCAP( fresh studio sound and different material Raitt's bright vocal perks up this happy, danceable cut, another strong in an LP guaranteed to raise her image. track from the "Urban Cowboy" movie. Best cuts here are "I Just Can't Say No to LYNN BAILEY-F&L 505 You," "As Far as My Heart Can See," and the track. I ONLY WANT TO BE WITH YOU (prod.: Danny Davis) (writers: M. Hawke, title I. Raymonde) (Chappell, ASCAP) (3:19) Lynn adds a pleasant country tinge to this Dusty Springfield 1960s pop hit. THREE ON THE TRAIL RIDERS IN THE SKY-Rounder 0102 PEGGY SUE-Door Knob 80-137 This is a unique LP by a colorful west- SLOW MOTION (prod.: Gene Kennedy) (writers: M. Phillips, D. Zepp) ern trio in the style of the Sons of the (Door Knob, BMI) (2:17) Pioneers. The best tracks (most are orig- Peggy Sue does a nice job with the hook here, which is the dream of inals) are "Cowboy Song," "When Pay- spending a night with her man in slow motion. day Rolls Around," "Don't Fence Me In," TOMMY OVERSTREET-Elektra 47041 and "That's How the Yodel Was Born." ME AND THE BOYS IN THE BAND (prod.: Bob Mil'sap) (writer: B. Millsap) (Ironside, ASCAP) (4:08) Overstreet's strong, clear vocal is appealing on this poignant cut about MY COUNTRY, AMERICA an old fellow whose life has revolved around music. VARIOUS ARTISTS-RCA AHLI-3776 This is a collection of tunes celebrating JOE STAMPLEY Epic 9-50934 the American way of life. Highlights are THERE'S ANOTHER WOMAN (prod.: Ray Baker) (writer: J. Stampley) Bobby Bare's "Bless America Again," Dol- (Mullet, BMI) (2:38) ly Parton's "Tennessee Mountain Home," Joe tells it like it is in this self -penned, autobiographical cut. and Dottie West's "Country Sunshine." ROY ACUFF Elektra 47040

I CAN'T HELP IT (IF I'M STILL IN LOVE WITH YOU) (prod.: Wesley Rose) (writer: H. Williams) (Fred Rose/Hiriam/Rightsong, BMI) (2:18) This special cut is a rare teaming of the talents of three country music greats in Rose, Acuff, and Hank Williams, who wrote this classic song. Saying Thanks

CARL MICHAELS-Steamboat 105 LADY WILLPOWER (prod.: Dale Murray & Rex Pearce) (writer: J. Fuller) (Warner -Tamerlane, BMI) (2:38) This is a fine country treatment of the Gary Puckett hit of the 1960s.

JERRY DYCKE-Churchill 7762 THERE'S NOBODY HOME ON THE RANGE ANYMORE (prod.: E. Penney) (writers: E. Penney, R. Parsons) (Milene/Acuff-Rose, ASCAP) (3:56) This slow, sad song deals with fortunes never gained and goals never reached. STEPHANIE WINSLOW-Warner Bros./Curb 49557 BABY, I'M A WANT YOU (prod.: Ray Ruff) (writer: D. Gates) (Colgems-EMI, ASCAP) (2:33) This pleasant remake of the Bread pop hit is already attracting signifi- cant airplay. MUNDO EARWOOD WITH SPECIAL FRIENDS-GMC 111 The Country Music Foundation recently presented a certificate of appreciation to Maggie & Jimmy Darrell) CAN'T KEEP MY MIND OFF OF HER (prod.: Jay Collier Cavender, executive director of the Nashville Songwriters Association, Int., for that organ- (writer: R. Squires) (Sabal, ASCAP) (3:03) ization's role in the Foundation's "Words and Music" program, which taught the basics The special friends on this well -produced soft ballad are the Glaser of songwriting to over 2,000 Nashville schoolchildren during 1979-80. At left is Bill Brothers. Ivey, director of the CMF; at right is the CMF's museum education head, Angelia Gacesa.

WORLD SEPTEMBER 20, 1980 60 RECORD

www.americanradiohistory.comAmericanRadioHistory.Com ULLLLLLi'/'!LttRecord World

SEPTEMBER 20, 1980 TITLE, ARTIST, Label, Number, (Distributing Label) 7 31 33 MILLION MILE REFLECTIONS CHARLIE DANIELS BAND/ SEPT.2 SEPT. 1COD YVKC. ON WB« Epic KE 35751 71 32 30 OAK RIDGE BOYS HAVE ARRIVED/MCA AY 1135 76 1 1 URBAN COWBOY 33 28 COAL MINER'S DAUGHTER (ORIGINAL SOUNDTRACK)/ (ORIGINAL SOUNDTRACK( MCA 5107 26 34 35 LET'S KEEP IT THAT WAY ANNE MURRAY/Capitol SOO 12064 20 Full Moon/Asylum 35 34 CLASSIC CRYSTAL CRYSTAL GAYLE/United Artists LOO 982 46 DP 90002 36 31 ELECTRIC HORSEMAN FEATURING WILLIE NELSON/ (11th Week) 19 Columbia JS 36327 36 37 39 CLASSICS KENNY ROGERS & DOTTIE WEST/United Artists LA 946 H 75 4 HONEYSUCKLE ROSE (ORIGINAL SOUNDTRACK) WILLIE 43 PORTER & DOLLY/RCA AHL1 3700 2 NELSON & FAMILY/Columbia 52 36752 3 39 36 SOMEBODY'S WAITING ANNE MURRAY/Capitol SOO 12064 20 3 2 FULL MOON CHARLIE DANIELS BAND/Epic FE 36571 7 40 24 THERE'S A LITTLE BIT OF HANK IN ME CHARLEY PRIDE/ 4 3 HORIZON EDDIE RABBITT/Elektra 6E 276 11 RCA AHL1 3548 29 5 5 GIDEON KENNY ROGERS/United Artists LOO 1035 23 41 48 WHERE DID THE MONEY GO HOYT AXTON/Jeremiah JH 6 6 GREATEST HITS WAYLON JENNINGS/RCA AHL1 3378 72 5001 10 7 8 SAN ANTONIO ROSE WILLIE NELSON & RAY PRICE/ 42 44 JUST GOOD OL' BOYS MOE BANDY & JOE STAMPLEY/ Columbia JC 36476 14 Columbia JC 36202 49 8 9 STARDUST WILLIE NELSON/Columbia KC 35305 123 43 40 THE BEST OF DON WILLIAMS, VOL. II/MCA 3096 69 9 10 THE GAMBLER KENNY ROGERS/United Artists LA 834 H 92 44 38 BRONCO BILLY (ORIGINAL SOUNDTRACK)/Elektra 5E 512 17 10 7 MUSIC MAN WAYLON JENNINGS/RCA AHL1 3602 16 45 46 BEST OF THE STATLER BROTHERS/Mercury SRM 1 1037 241 17 I BELIEVE IN YOU DON WILLIAMS/MCA 5133 4 46 42 WAYLON & WILLIE WAYLON JENNINGS & WILLIE NELSON/

1 6 12 12 10TH ANNIVERSARY STATLER BROTHERS/Mercury SRM 5027 RCA AFL1 2686 28 21 SMOKEY & THE BANDIT 2 (ORIGINAL SOUNDTRACK)/MCA 47 47 RAZZY BAILEY/RCA AHL1 3688 3 6101 4 48 51 HANK WILLIAMS, SR. 24 GREATEST HITS/MGM SE 4755 16 14 11 ROSES IN THE SNOW EMMYLOU HARRIS/Warner Bros. I AM WHAT I AM GEORGE JONES/Epic JE 36586 1 18 BSK 3422 50 41 FRIDAY NIGHT BLUES JOHN CONLEE/MCA 3246 12 15 14 WILLIE AND FAMILY LIVE WILLIE NELSON/Columbia KC2 NEW YORK TOWN JOHNNY PAYCHECK/Epic JE 36496 1 35642 94 52 53 THE BEST OF THE STATLER BROTHER RIDES AGAIN, VOL. II/ 16 13 MY HOME'S IN ALABAMA ALABAMA/RCA AHL1 3644 15 Mercury SRM 1 5024 35 17 16 TEN YEARS OF GOLD KENNY ROGERS/United Artists 53 56 NO ONE WILL EVER KNOW GENE WATSON/Capitol ST LA 835 H 139 12102 3 18 15 HABITS OLD AND NEW HANK WILLIAMS, JR./Elektra/Curb 54 54 MISS THE MISSISSIPPI CRYSTAL GAYLE/Columbia JC 36203 51 6E 278 15 55 50 BEST OF BARBARA MANDRELL/MCA AY 1119 84 32 ELVIS ARON PRESLEY/RCA CPL8 3699 2 56 52 AUTOGRAPH JOHN DENVER/RCA AHL1 3449 29 20 18 KENNY KENNY ROGERS/United Artists LWAK 979 53 57 55 ONE FOR THE ROAD WILLIE NELSON & LEON RUSSELL/ 21 25 IT'S HARD TO BE HUMBLE MAC DAVIS/Casablanca NBLP Columbia KC 36064 65 7207 25 58 45 BLUE KENTUCKY GIRL EMMYLOU HARRIS/Warner Bros. 22 19 THAT'S ALL THAT MATTERS TO ME MICKEY GILLEY/Epic JE BSK 3318 71 12 36492 59 49 DOUBLE TROUBLE GEORGE JONES & JOHNNY PAYCHECK/ 23 STRAIGHT LARRY & THE 20 AHEAD GATLIN GATLIN Epic JE 35783 10 49 BROTHERS BAND/Columbia KC 36250 60 63 LOVELINE EDDIE RABBITT/Elektra 6E 181 68 24 23 GREATEST HITS LARRY THE BROTHERS GATLIN & GATLIN 61 70 ASK ME TO DANCE CRISTY LANE/United Artists LT 1023 18 BAND/Columbia KC 36488 17 62 59 FRAMED ASLEEP AT THE WHEEL/MCA 5131 4 63 60 FAMILY TRADITION HANK WILLIAMS, JR./Elektra/Curb 6E 194 69 64 58 HEART & SOUL CONWAY TWITTY/MCA 3210 29 65 57 WHISKEY BENT AND HELL BOUND HANK WILLIAMS, JR./ Elektra/Curb 6E 237 44 THESE DAYS - 66 64 DOWN & DIRTY BOBBY BARE/Columbia JC 36323 31 67 68 FARGO DONNA FARGO/Warner Bros. BSK 3470 3 CRYSTAL GAYLE 68 62 SHRINER'S CONVENTION RAY STEVENS/RCA AHL1 3574 29 69 66 DOLLY, DOLLY, DOLLY DOLLY PARTON/RCA AHL1 3546 21 Columbia JC 36512 1 70 65 I'LL ALWAYS LOVE YOU ANNE MURRAY/Capitol SOO 12012 46 71 61 THE WAY I AM MERLE HAGGARD/MCA 3229 22 72 67 I'VE GOT SOMETHING TO SAY DAVID ALLAN COE/ 37 SMOOTH SAILIN' T. G. SHEPPARD/Warner/Curb BSK 3423 4 Columbia JC 36489 12 27 29 WILLIE NELSON SINGS KRISTOFFERSON/Columbia JC 36188 44 73 69 SPECIAL DELIVERY DOTTIE WEST/United Artists LT 1000 40 28 22 BEST OF EDDIE RABBITT/Elektra 6E 235 45 74 - EVEN COWGIRLS GET THE BLUES LYNN ANDERSON/ 29 29 26 TOGETHER OAK RIDGE BOYS/MCA 3220 Columbia JC 36568 1 30 27 MILSAP MAGIC RONNIE MILSAP/RCA AHL1 3563 25 75 71 THE CHAMP MOE BANDY/Columbia JC 36487 13

the single the single TEXA LOVING BOUN UP A AND TORM PB 12062 3 PA\ BB 7* RW 7* FLYIN812083 CBS` BB 50* CB52* R 39* RCA

www.americanradiohistory.comAmericanRadioHistory.Com RecordJT7LL World l'

SEPTEMBER 20, 1980

TITLE, ARTIST, Label, Number 67 IF YOU EVER CHANGE YOUR MIND CRYSTAL GAYLE/ SEPT. SEPT. WKS. ON Columbia 1 11359 2 20 13 CHART 62 SHE CAN'T SAY THAT ANYMORE JOHN CONLEE/MCA 41321 2 1 1 LOOKIN' FOR LOVE 12077 3 JOHNNY LEE 59 TUMBLEWEED SYLVIA/RCA 53 52 WHY NOT ME FRED KNOBLOCK/Scotti Brothers 518 (AtI) 6 Full Moon/Asylum 47004 61 IN MEMORY OF A MEMORY JOHNNY PAYCHECK/Epic (3rd Week) 10 MOM 9 50923 4 55 55 YOU BETTER HURRY HOME (SOMETHIN'S BURNIN') DO YOU WANNA GO TO HEAVEN T. G. SHEPPARD/ L 8 CONNIE CATO/MCA 41287 7 Warner/Curb 49515 9 56 14 CRACKERS BARBARA MANDRELL/MCA 41263 14 3 3 CHARLOTTE'S WEB STATLER BROTHERS/Mercury 57031 11 75 THAT'S THE WAY A COWBOY ROCKS AND ROLLS HEART OF MINE OAK RIDGE BOYS/MCA 41280 10 6 JACKY WARD/Mercury 57032 2 5 5 MAKING PLANS PORTER WAGONER & DOLLY PARTON/ RCA 11983 14 CHARTMAst 7 OLD FLAMES CAN'T HOLD A CANDLE TO YOU DOLLY Irr BROKEN TRUST PARTON/RCA 12040 10 ED - BRENDA LEE 11 LOVING UP A STORM RAZZY BAILEY/RCA 12062 9 MCA 41322 1 8 2 MISERY AND GIN MERLE HAGGARD/MCA 41255 12 2286 12 9 10 LET'S KEEP IT THAT WAY MAC DAVIS/Casablanca 66 COLD LONESOME MORNING JOHNNY CASH/Columbia

16 FADED LOVE WILLIE NELSON & RAY PRICE/Columbia 1 11329 7 1 11340 5

11 13 HE'S OUT OF MY LIFE JOHNNY DUNCAN & JANIE FRICKE/ 60 25 EVEN COWGIRLS GET THE BLUES LYNN ANDERSON/

Columbia 1 11312 11 Columbia 1 11296 12 20 PUT IT OFF UNTIL TOMORROW/GONE AWAY 68 NIGHT GAMES RAY STEVENS/RCA 12069 2 THE KENDALLS/Ovation 1154 9 62 28 IT'S TOO LATE JEANNE PRUETT/IBC 00010 13 13 15 THE LAST COWBOY SONG ED BRUCE/MCA 41273 12 63 63 ROCK 'N' ROLL TO ROCK OF AGES BILL ANDERSON/MCA 41297 5 22 I BELIEVE IN YOU DON WILLIAMS/MCA 41304 5 64 32 BRING IT ON HOME BIG AL DOWNING/Warner Bros. 49270 11 18 FREE TO BE LONELY AGAIN DEBBY BOONE/Warner/Curb 65 33 I'VE NEVER SEEN THE LIKES OF YOU CONWAY TWITTY/ 49281 9 MCA 41271 13 MORE MOE BANDY/Columbia 1 11305 9 19 YESTERDAY ONCE 66 54 IT DON'T GET BETTER THAN THIS SHEILA ANDREWS/ 21 RAISIN' CANE IN TEXAS GENE WATSON/Capitol 4898 9 Ovation 1146 9 18 4 DRIVIN' MY LIFE AWAY EDDIE RABBITT/Elektra 46656 14 67 65 HOT SUNDAY MORNING WAYNE ARMSTRONG/NSD 57 7 24 THEME FROM THE DUKES OF HAZZARD (GOOD OL' BOYS) 85 ROSES ARE RED FREDDIE HART/Sunbird 7553 2 WAYLON/RCA 12067 5 69 74 LONG ARM OF THE LAW ROGER BOWLING/NSD 58 5 23 WHEN SLIM WHITMAN/Epic/Cleveland International - BABY I'M A WANT YOU STEPHANIE WINSLOW/Warner 9 50912 8 Bros. 49557 1

71 76 I'VE COMA TACK (TO SAY I LOVE YOU ONE MORE TIME) 27 ON THE ROAD AGAIN WILLIE NELSON/Columbia 1 11351 4 CHUCK HOWARD/Warner/Curb 49509 5 26 STARTING OVER TAMMY WYNETTE/Epic 9 50915 7 86 UNTIL THE BITTER END KENNY SERRATT/MDJ 1005 2 23 9 COWBOYS AND CLOWNS/MISERY LOVES COMPANY RONNIE MILSAP/RCA 12006 14 83 NEVER BE ANYONE ELSE R. C. BANNON/Columbia 1 11346 2 WHY LADY WHY ALABAMA/RCA 12091 1 24 12 THAT'S WHAT I GET FOR LOVING YOU EDDY ARNOLD/ - RCA 12039 13 75 58 THAT LOVIN' YOU FEELIN' AGAIN ROY ORBISON & EMMYLOU HARRIS/Warner Bros. 49262 14 EL 29 WOMEN GET LONELY CHARLY McCLAIN/Epic 9 50916 7 NORTH OF THE BORDER JOHNNY RODRIGUEZ/Epic 9 50932 1 30 IF THERE WERE NO MEMORIES JOHN ANDERSON/ - m Warner Bros. 49275 9 77 73 FOR LOVE'S OWN SAKE ROY CLARK/MCA 41288 7 88 OUTRUN THE SUN JIM CHESNUT/United Artists 1372., 2 31 I'M NOT READY YET GEORGE JONES/Epic 9 50922 5 79 79 HOLLYWOOD SMILES GLEN CAMPBELL/Capitol 4909 5 37 PECOS PROMENADE TANYA TUCKER/MCA 41305 5 80 87 THE LEGEND OF WOOLEY SWAMP CHARLIE DANIELS BAND/ 39 STEP' '4' OUT MEL TILLIS/Elektra 47015 4 Epic 9 50921 3 38 OLD HABITS HANK WILLIAMS, JR./Elektra/Curb 47016 4 81 57 GOOD LOVIN' MAN GAIL DAVIES/Warner Bros. 49263 13 Ell 35 SWEET SEXY EYES CRISTY LANE/United Artists 1369 6 82 69 (YOU LIFT ME) UP TO HEAVEN REBA McENTIRE/Mercury 57025 15 32 34 BOMBED, BOOZED AND BUSTED JOE SUN/Ovation 1152 7 93 WHAT'S A NICE GIRL LIKE YOU (DOIN' IN A LOVE LIKE THIS) En 41 HARD TIMES LACY J. DALTON/Columbia 1 11343 4 FOXFIRE/Elektra/Curb 47021 2 34 36 WORKIN' MY WAY TO YOUR HEART DICKEY LEE/Mercury 64 LOVE IS AROUND 10 57027 9 84 ALL SONNY CURTIS/Elektra 46663 85 78 YOU NEVER CROSS MY MIND DEBORAH ALLEN/Capitol 4903 5 47 COULD I HAVE THIS DANCE ANNE MURRAY/Capitol 4920 3 - TAKE THIS HEART DON KING/Epic 9 50928 1 Bros. 49528 6 40 THEY NEVER LOST YOU CON HUNLEY/Warner 87 91 THE DEVIL STANDS ONLY FIVE FOOT FIVE "BLACKJACK" 37 17 THE BEDROOM JIM ED BROWN & HELEN CORNELIUS/ JACK GRAYSON/Hitbound 4504 3 RCA 12037 11 gail THE LIGHT OF MY LIFE DAVID WILLS/United Artists 1375 1 48 OVE= THE RAINBOW JERRY LEE LEWIS/Elektra 47026 3 89 70 LOVE THE WORLD AWAY KENNY ROGERS/United Artists 46 TEXAS BOUND AND FLYIN' JERRY REED/RCA 12083 4 1359 13 TO SUSIE ALLANSON/ 40 42 WHILE I WAS MAKIN' LOVE YOU - CAN'T KEEP MY MIND OFF OF HER MUNDO EARWOOD/ 7 E 1 United Artists 1365 GMC 111 41 43 A LOVE SONG DAVE ROWLAND & SUGAR/RCA 12063 6 91 ANOTHER TEXAS SONG EDDY RAVEN/Dimension 1011 1 42 45 BACK WHEN GAS WAS 30 CENTS A GALLON TOM T. HALL/ 92 BACK IN BABY'S ARMS SISSY SPACEK & BEVERLY RCA 12066 6 D'ANGELO/MCA 41311 1 49 I'M STILL IN LOVE WITH YOU LARRY G. HUDSON/Mercury 93 72 TENNESSEE RIVER ALABAMA/RCA 12018 17 57029 6 94 - SAD LOVE SONG LADY DAVID HOUSTON/Country 44 44 LONG LINE OF EMPTIES DARRELL McCALL/RCA 12033 7 International 148 1 95 FAMILY BIBLE WILLIE NELSON/MCA 41313 1 50 GONE RONNIE McDOWELL/Epic 9 50925 5 - 96 - HE'S LEAVIN' (AND I'M ALMOST GONE) KENNY PRICE/ 51 HARD HAT DAYS AND HONKY TONK NIGHTS Dimension 1010 1 RED STEAGALL/Elektra 47014 5 97 - ROLAIDS, DOAN'S PILLS AND PREPARATION H 41303 5 53 ALWAYS PATSY CLINE/MCA DAVE DUDLEY/Sun 1134 1 2 60 THE BOXER EMMYLOU HARRIS/Warner Bros. 49551 98 - DOLLAR FOR A DONUT KAROL WOOD/Kar-Wood 2651 1 56 A PAIR OF OLD SNEAKERS GEORGE JONES & TAMMY 99 77 STAND BY ME MICKEY GILLEY/Full Moon/Asylum 40640 17 WYNETTE/Epic 9 50930 3 100 71 LAND OF COTTON DONNA FARGO/Warner Bros. 49514 7

www.americanradiohistory.comAmericanRadioHistory.Com TUMBLEWEED 52 Csss RW SYLVIA BB 51 TEXAS JERRY

FLYIN'BOAHDCss=39 RE NIGHT RAY S GAMES STEGEN Rea

www.americanradiohistory.comAmericanRadioHistory.Com Nothin' Masters And What If It Did

JOHN COUGAR Contains the new single "This Time" R-205. JOHN COUGAR AND THE ZONE on tour with THE KINKS: September 20: Kiel Opera House/St. Louis, Mo. JOHN COUGAR AND THE ZONE headlining: September 25: Uncle Sam's/Buffalo, N.Y. September 26-27: El Macambo/Toronto, Canada September 28: Le Club/Montreal, Canada

Black and White Photo by Lynn Goldsmith, Inc.

RIVA RECORDS, INC. MARKETED BY CDS 232 E. 61 St. MEERCURYURY RECORDS New York, N.Y. 10021 A POLYGRAM COMPANY DISTRIBUTED BY POLYGRAM DISTRIBUTION, INC. (2121 750-9494 W,rte of WI you, IOW Polygram D,wt,O,p, uks °Ilke 1100 Riva R.aeem Inc lo, espay, and doer gormuerai lems

www.americanradiohistory.comAmericanRadioHistory.Com