Here I Raise My Ebenezer; Hither by Thy Help I’M Come; and I Hope, by Thy Good Pleasure, Safely to Arrive at Home

Total Page:16

File Type:pdf, Size:1020Kb

Here I Raise My Ebenezer; Hither by Thy Help I’M Come; and I Hope, by Thy Good Pleasure, Safely to Arrive at Home ANNUAL COMMENCEMENT WEEKEND 2021_commencement_program_v11a_draft.indd 1 4/30/2021 9:32:16 AM 2021_commencement_program_v11a_draft.indd 2 4/30/2021 9:32:16 AM ANNUAL COMMENCEMENT WEEKEND GREENVILLE UNIVERSITY Greenville, Illinois Commencement May 8, 2021 President Suzanne A. Davis Board of Trustees Robert W. Bastian Steven L. Ellsworth Hugo Perez Venessa A. Brown Valerie J. Gin, Treasurer B. Elliott Renfroe Tyler Campo Jerry A. Hood Dennis N. Spencer Howard Costley, Jr., Vice Chair Karen A. Longman Kathleen J. Turpin, Chair D. Keith Cowart K. Kendall Mathews Melissa A. Westover, Secretary Dan R. Denbo Douglas M. Newton Mark D. Whitlock Paul S. Donnell Stephen Olson Donald D. Wolf Emeriti Trustees Sandra M. Boileau Lloyd G. Ganton J. Richard Schien Patricia A. Burd Yoshio D. Gotoh Marjorie R. Smith Jay G. Burgess Duane E. Hood Rebecca E. Smith James W. Claussen Paul R. Killinger Kendell G. Stephens David G. Colgan Pearson L. Miller Barry J. Swanson Michael L. Coling Wayne E. Neeley Craig W. Tidball Robert E. Cranston Wesley F. Phillips R. Ian Van Norman Dennis L. Fenton Ernest R. Ross, Jr. 2021_commencement_program_v11a_draft.indd 3 4/30/2021 9:32:16 AM Saturday, May 8, 2021, 10:00 A.M. President Suzanne A. Davis, presiding PRELUDE Rebecca N. Koebbe PROCESSIONAL Rebecca N. Koebbe WELCOME Suzanne A. Davis NATIONAL ANTHEM The Star Spangled Banner Francis Scott Key INVOCATION Sidney R. Webster SCRIPTURE Ivan M. Estevez Ephesians 1:11 (TPT) HYMN Come, Thou Fount of Every Blessing Traditional American Melody Text: Robert Robinson Tune: Nettleton Come, Thou fount of every blessing, Tune my heart to sing Thy grace; Streams of mercy, never ceasing, Call for songs of loudest praise. Teach me some melodious sonnet, Sung by flaming tongues above; Praise the mount! I’m fixed upon it, Mount of God’s unchanging love! Here I raise my Ebenezer; Hither by Thy help I’m come; And I hope, by Thy good pleasure, Safely to arrive at home. Jesus sought me when a stranger, Wandering from the fold of God; He, to rescue me from danger, Interposed His precious blood. Oh, to grace how great a debtor Daily I’m constrained to be! Let that grace now, like a fetter, Bind my wandering heart to Thee; Prone to wander, Lord I feel it, Prone to leave the God I love; Here’s my heart, O take and seal it, Seal it for Thy courts above. 2021_commencement_program_v11a_draft.indd 4 4/30/2021 9:32:16 AM CHORAL SELECTIONS Greenville University Choir A Mighty Fortress arr. by Benjamin Harlan The Lord is My Shepherd (Psalms 23) Howard Goodall INTRODUCTION OF SPEAKER Suzanne A. Davis COMMENCEMENT ADDRESS Pastor David T. Hawkins Destiny Is Painfully Blessed Living the Word Church CONFERRING OF DEGREES, HONORS, Suzanne A. Davis AND RECOGNITIONS BENEDICTION Michael J. Laughlin GREENVILLE UNIVERSITY ALMA MATER Traditional In the midst of rolling prairies, ‘Neath fair skies of blue, Stands our noble Alma Mater Glorious to view. Chorus: Swell the chorus, speed it onward, Over vale and hill, Hail to thee! our Alma Mater, Hail, all hail! Greenville! Let the chorus swell in anthems, Far and loud and long, Greenville for God’s shining glory, Ever be our song. Chorus Though from here our paths may sever, And we distant roam, Still abides the mem’ry ever, Of our college home. Chorus RECESSIONAL Rebecca N. Koebbe The audience will please stand for processional, National Anthem, invocation, hymn, benediction, Alma Mater, and recessional. Please refrain from applause until after the names of all graduates are announced. Dr. Don Frazure, Jr., Interim Choral Director. Ms. Rebecca N. Koebbe, Choral Accompanist for the Choir and congregational singing. Dr. Richard O. Beans, Associate Professor of Psychology, will lead the Alma Mater. 2021_commencement_program_v11a_draft.indd 5 4/30/2021 9:32:16 AM CLASS OF 2021 College of Social Sciences and Nicholette Dischiave David Douglas Jack Education Education: Special Education, Coaching, MAE Masters Degree Recipients MAE Centralia, Illinois Dr. Kathryn R. Taylor Presenting Syracuse, New York Alyssa Marie Johnson Islam Ahmed Heather Michelle Dressel English as a Second Language, English as a Second Language, Education: Special Education, MAE MAE MAE Belleville, Illinois Rahway, New Jersey Riverton, Illinois Carol E. King Richard Mark Ambrose Ivan Manuel Estevez Education: Curriculum & Coaching, MAE Education: Curriculum & Instruction, MAE Urbana, Illinois Instruction, MAE Carlsbad, California Greenville, Illinois Alan Barry Avant Caylin King Coaching, MAE Margaret Dawne Evans Education: Curriculum & Moncks Corner, South Carolina Special Education, MAE Instruction, MAE Williamsport, Ohio Carlsbad, California Marquise Michael Beckett Education: Coaching, MAE Katelyn Gorder Darren James Lamb Randallstown, Maryland Education: Curriculum & Education: English as a Second Instruction, MAE Language, MAE Caleb Matthew Bonaventure Grafton, North Dakota Auburn, Illinois Coaching, MAE Longwood, Florida Alan James Gray Charles F. Legge Coaching, MAE Education: Coaching, MAE Tracy Lynn Bridges Trenton, Ohio Williston, Vermont Education: Special Education, MAE Jason Donald Gulledge Kayla Mae Logan Chicago, Illinois Education: English as a Second Special Education, MAE Language, MAE East Alton, Illinois Kristin Chamness Collinsville, Illinois Education: Special Education, Yanella Maria Marcano MAE Glenn Hall Curriculum and Instruction, MAE Anna, Illinois Curriculum and Instruction, MAE Orlando, Florida Peru, Illinois Joanna Michelle Coombs Sadie Nicole McAdams Curriculum and Instruction, MAE Joshua Parke Herrick Education: Special Education, Georgetown, Illinois Coaching, MAE MAE Ballwin, Missouri Jerseyville, Illinois Andrew Crenshaw, Jr. Coaching, MAE Leslie Renee Hopp Melanie Alana McCarty Albany, Georgia Special Education, MAE Education: Curriculum & Rochelle, Illinois Instruction, MAE Ryan Anthony Davis Oxford, Michigan Coaching, MAE Brian Husk Germantown Hills, Illinois Curriculum and Instruction, MAE Ryan John Molek Salem, Illinois Coaching, MAE Sarah Jean Decareaux Galesburg, Illinois Education: Curriculum & Yosef Gavriel Ilan Instruction, MAE Education: English as a Second Deanna L. Morris Millstadt, Illinois Language, MAE Education: Special Education, Flint, Michigan MAE Brighton, Illinois 2021_commencement_program_v11a_draft.indd 6 4/30/2021 9:32:16 AM Kasandra Lynn Murphy Anthony Dante Videka Justin Ray Billington Curriculum and Instruction, MAE Curriculum and Instruction, MAE Honorable Mention Sunset HIlls, Missouri Cissna Park, Illinois Criminal Justice, BS Benton, Illinois Christopher Nelson Amanda Dawn Washburn Education: English as a Second Curriculum and Instruction, MAE Baylee Marie Black Language, MAE Morton, Illinois Elementary Education, BS Santa Cruz, California Salem, Illinois Jermaine Lavon Waye Rebecca Lynn Oest Coaching, MAE Amanda Michelle Bretz Special Education, MAE Brunswick, Georgia Honorable Mention Shabbona, Illinois Organizational Leadership, BS Michelle Lura Wayman Villa Grove, Illinois Rebecca Kate Oldham English as a Second Language, Coaching, MAE MAE Tori Brown Mulberry Grove, Illinois Greenville, Illinois cum laude Elementary Education, BS Danna Rae Patrick Lesley Renee Wente Mascoutah, Illinois Special Education, MAE Coaching, MAE Salem, Illinois Steeleville, Illinois Ashleigh Renaye Brubaker cum laude Aaron Benjamin Pearlman Chelsey Rae Woodside Social Work, BSW Coaching, MAE Special Education, MAE Lafayette, Indiana Carol Stream, Illinois Tamaroa, Illinois Sarah Elizabeth Burgener Alex J. Prindable College of Social Sciences and cum laude Special Education, MAE Education English Language Arts O’Fallon, Illinois Bachelors Degree Recipients Education, BS Dr. Kathryn R. Taylor Presenting Olney, Illinois Shannon Mary Radcliffe Curriculum and Instruction, MAE Ali Abbed Alyssa Nicole Chavez Tamaroa, Illinois Organizational Leadership, BS Honorable Mention Bloomington, Illinois Elementary Education, BS Melissa Charlotte Pease Ritchie Lincoln, Illinois Education: Curriculum & Alexis Nichole Abney Instruction, MAE Criminal Justice, BS Madyson Briann Collier San Marcos, California Benton, Illinois cum laude Elementary Education, BS Malynda Lavern Ross Haley Mackenzie Banks Marion, Illinois Education: Special Education, cum laude MAE Social Work, BSW Austyn Michael Contreras Danville, Illinois Aurora, Illinois Educational Studies, BS Bakersfield, California Ariel Salo Laura Ann Barth Education: English as a Second Health Psychology, BS Quincy Culpepper Language, MAE Greenville, Illinois Social Work, BSW Scottsdale, Arizona Oakland, California Marvin Perez Bateman Anna Ysabelle Sawan Criminal Justice, BS Ashley Marie Dryden Education: English as a Second Fairview Heights, Illinois magna cum laude Language, MAE Criminal Justice, BS Medfield, Massachusetts Christopher Joseph Beard Social Work, BSW Criminal Justice, BS Neoga, Illinois James Fassett Stille III Highland, Illinois Coaching, MAE Ryan Christopher Dugger Wood River, Illinois Ben Allen Beaver Criminal Justice Administration, Honorable Mention BS Kristina Unverfehrt Organizational Leadership, BS Bethalto, Illinois Special Education, MAE Bloomington, Illinois Centralia, Illinois 2021_commencement_program_v11a_draft.indd 7 4/30/2021 9:32:16 AM Alexandria Denise Dyer Allyson Marie Hale Karly Lynn Jones cum laude magna cum laude magna cum laude Elementary Education, BS Middle Grades Education: Social Work, BSW Rochester, Illinois Literacy and Language Arts La Place, Illinois and Social Science, Secondary Lauren Christine Eagleson Education: English Language Mark Andrew Jones magna
Recommended publications
  • Cloud Fonts in Microsoft Office
    APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ
    [Show full text]
  • Alien Heads Found in Georgia
    Georgia Alien heads found in Georgia Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation. The font is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface in the same style Carter was working on when contacted by Microsoft. Georgia were released by Microsoft in 1996 as part of the Core Fonts for the Web collection. The typeface's name referred to a tabloid headline claiming“Alien heads found in Georgia.” As a transitional serif design, Georgia shows a number of traditional features of rational serif typefaces from around the early 19th century, such as alternating thick and thin strokes, ball terminals, a vertical axis and an italic taking inspiration from calligraphy. It features a large x-height (tall lower-case letters) and its thin strokes are thicker than would be common on a typeface designed for display use or the higher resolution of print. Besides, Georgia's bold is also unusually bold and bolder than most bolds. Georgia Alien heads found in Georgia Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation. The font is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface in the same style Carter was working on when contacted by Microsoft. Georgia were released by Microsoft in 1996 as part of the Core Fonts for the Web collection. The typeface's name referred to a tabloid headline claiming“Alien heads found in Georgia.” As a transitional serif design, Georgia shows a number of traditional features of rational serif typefaces from around the early 19th century, such as alternating thick and thin strokes, ball terminals, a vertical axis and an italic taking inspiration from calligraphy.
    [Show full text]
  • COMMENCEMENT Inside Front Cover (Blank) FLORIDA STATE COLLEGE at JACKSONVILLE COMMENCEMENT CEREMONY
    COMMENCEMENT inside front cover (blank) FLORIDA STATE COLLEGE AT JACKSONVILLE COMMENCEMENT CEREMONY VIRTUAL CEREMONY MAY 13, 2021 PRESIDENT’S MESSAGE PROGRAM NATIONAL ANTHEM AND FSCJ ALMA MATER .......................................................................... FSCJ Chorale WELCOMING REMARKS AND COMMENCEMENT ADDRESS ............................................ Dr. John Avendano A MESSAGE FROM THE COLLEGE PRESIDENT President, Florida State College at Jacksonville TO OUR GRADUATES INTRODUCTION OF STUDENT SPEAKER ........................................................................ Dr. John Woodward Congratulations, FSCJ Graduates! President, Faculty Senate We are excited to celebrate FSCJ’s 2021 Commencement Ceremony as we honor you, STUDENT REMARKS ................................................................................................. Ms. Marjan Ahmadzada and the dedication you have demonstrated to enhance your future through education! Collegewide President, Student Government Association Over the past 14 months, our world has faced challenges that we could have never anticipated. From threats to our global health and financial insecurity to racial, political REMARKS ................................................................................................................Mr. Thomas McGehee Jr. Chair, District Board of Trustees and emotional dissent, the obstacles you and your fellow graduates have had to overcome to complete your degree or certificate are unlike anything we have ever seen. You have SPECIAL RECOGNITION
    [Show full text]
  • Academic Honors
    Academic Honors Each semester, Tennessee State University recognizes those students who have achieved distinction as magna cum laude and summa cum laude candidates for the bachelor’s degree. Congratulations to these students for earning these top honors. These students serve as college marshals during the formal commencement ceremony. Summa Cum Laude – A senior who has earned a grade point average of 3.75 or above Magna Cum Laude – A senior who has earned a grade point average of 3.50 to 3.74 Cum Laude – A senior who has earned a grade point average of 3.25 to 3.49 Bachelor of Arts College of Liberal Arts Olivia Bohanon** English Camisha Farley * English De'Ja Gooch* * English De'Ja Gooch* * History Chelsie Nitschke*** English Mckenzie Reid** English Tiana Smith*** Communication Sarah Sulewski*** Communication Bachelor of Business Administration College of Business Karina Abella*** Business Information Systems Majed Alharbi* Accounting Hassan Aljohani* Economics and Finance Yahya Bana** Business Administration Yahya Bana** Business Information Systems Robyn Barnett** Business Administration Sydni Berkhalter** Business Administration Andrea Bowen** Business Administration * Cum Laude ** Magna Cum Laude *** Summa Cum Laude Rebwar Bustamante * Business Administration Adam Cirone *** Business Information Systems Kaleb Dones*** Business Information Systems Monique Edwards** Accounting Darrielle Garrison* Business Administration Autumn George* Business Administration Brooklynn Gold* Business Administration Janay Hepburn* Business Administration
    [Show full text]
  • 2010 Type Quiz
    Text TypeCon 2010 Typographic Quiz Here’s How It Works 30+ Questions to Test Your Typographic Smarts Divided Into Two Parts Part One • 12 Questions (OK, 17) • First right answer to each question wins a prize • Your proctor is the arbiter of answer correctness Part Two • 18 Questions • Answers should be put on “quiz” sheets • Every correct answer to a multiple part question counts as a point • 33 Possible right answers What’s it worth? • There are the bragging rights... • How about the the Grand Prize of the complete Monotype OpenType Library of over 1000 fonts? There’s More... • Something special from FontShop • Gimme hats from Font Bureau • Industrial strength prizes from House Industries • TDC annual complements of the TDC And Even More... • Posters from Hamilton Wood Type Museum • Complete OpenType Font families from Fonts.com • Books from Mark Batty Publisher • Fantastic stuff from P22 And Even More... • Fonts & books & lots of great things from Linotype • Great Prizes from Veer – including the very desirable “Kern” sweatshirt • Font packs and comics from Active Images Over 80 prizes Just about everyone can win something Some great companies • Active Images • Font Bureau • Font Shop • Hamilton Wood Type Museum • House Industries • Linotype • Mark Batty Publisher • Monotype Imaging • P22 • Type Directors Club • Veer Awards • Typophile of the Year • The Doyald Young Typographic Powerhouse Award • The Fred Goudy Honorable Mention • Typographer’s Apprentice (Nice Try) • Typographically Challenged Note: we’re in L.A., so some questions may
    [Show full text]
  • Tv38bigelow.Pdf
    Histoire de l’Ecriture´ Typographique — le XXi`eme si`ecle (The History of Typographic Writing—The 20th century). Jacques Andr´e, editorial direction. Atelier Perrousseaux, Gap, France, 2016. http://www.adverbum.fr/atelier-perrousseaux Review and summaries by Charles Bigelow (TUGboat vol.38, 2017). https://tug.org/books/#andre vol.1 TUGboat38:1,pp.18–22 vol.2, ch.1–5 TUGboat 38:2, pp.274–279 vol.2, ch.6–8+ TUGboat 38:3, pp.306–311 The original publication, as reviewed, was in two volumes: Tome I/II, de 1900 `a1950. ISBN 978-2-36765-005-0, tinyurl.com/ja-xxieme. 264 pp. Tome II/II, de 1950 `a2000. ISBN 978-2-36765-006-7, tinyurl.com/ja-xxieme-ii. 364 pp. These are the last two volumes in the series The History of Typographical Writing, comprised of seven volumes in all, from the beginning of printing with Gutenberg through the 20th century. All are in French. The individual volumes and the series as a whole are available in various electronic and print formats; please see the publisher’s web site for current offerings. ❧ ❧ ❧ 18 TUGboat, Volume 38 (2017), No. 1 Review and summaries: The History of phy had begun to supplant print itself, because text Typographic Writing — The 20th century display and reading increasingly shifted from paper Volume 1, from 1900 to 1950 to computer screen, a phenomenon now noticed by nearly all readers and publishers. Charles Bigelow In the 20th century, typography was also trans- Histoire de l’Ecriture´ Typographique — le XXi`eme formed by cultural innovations that were strikingly si`ecle; tome I/II, de 1900 `a1950.
    [Show full text]
  • Man of Letters: Matthew Carter's Life in Type Design
    MAN OF LETTERS Matthew Carter's life in type design BY ALEC WILKINSON Onward And Upward With The Arts; Pg. 56 December 5, 2005 Matthew Carter is often described as the most widely read man in the world. Carter designs typefaces. He is universally acknowledged as the most significant designer of type in America, and as having only one or two peers in Europe. A well regarded British type designer named Dave Farey once told a reporter, "There's Matthew Carter, and then there's the rest of us." Carter is sixty‐eight. He is British, and he lives in Cambridge, Massachusetts. He works in a room in his apartment. He has designed type for magazines such as Time, Newsweek, U.S. News & World Report, Sports Illustrated, Wired, National Geographic, and Business Week; and for newspapers, including the New York Times, the Washington Post, the Boston Globe, the Philadelphia Inquirer, and the Guardian, in London. He designed Verdana, for several years the signature typeface of Microsoft; Bell Centennial, the typeface used by A.T. & T. in the phone book; and type called Galliard, which has been used by the U.S. Postal Service on a stamp. Carter has a partner named Cherie Cone who lives in California and sees to the business side of their firm, which is called Carter & Cone Type. Recently, he's been engaged with three projects. One involved designing type for Le Monde, the French newspaper, which wanted a different appearance; one, still under way, is for Yale, where Carter teaches (the university wants a typeface for its official documents, its signs, and the work of its students and faculty); and the third was for the Times.
    [Show full text]
  • Spring-Commencement Program-2021.Pdf
    COMMENCEMENT University of Wisconsin-Whitewater May 15, 2021 More than 150 years ago, on April 21, 1868, the state’s second normal school opened its doors to the first class of 48 students and nine faculty members. A progressive spirit guided the development of the institution as it evolved from a normal school, which trained teachers for one-room schools, to Whitewater State Teachers College (1927), Wisconsin State College-Whitewater (1951), Wisconsin State University-Whitewater (1964) and as a member of the 13 four-year institutions in the University of Wisconsin System (1971). Today, UW-Whitewater is a leading comprehensive university serving approximately 11,842 full- and part-time students on its Whitewater and Rock County campuses with 50 undergraduate majors, 13 master’s degree programs, one doctoral degree and one education specialist degree in the colleges of Arts and Communication, Business and Economics, Education and Professional Studies, Integrated Studies, and Letters and Sciences. The university awards more than 2,700 degrees every year. Throughout its history, UW-Whitewater has produced graduates who have actively contributed to the growth of the state and nation. Student learning is the paramount focus of the university’s programs and services. The university takes pride in its regional leadership, national presence and global vision. Many of its academic programs are among the best in the country. 1 Student Speaker Annmarie Lavorata As Annmarie Lavorata looks back on her undergraduate experience at UW-Whitewater, three words come to mind: experience, opportunity, family. “It all started with my first visit to campus, when I immediately knew ‘this is where I’m supposed to be.’ I absolutely loved the people, the atmosphere, the vibe.” Her passion is communication — an exciting and expansive field where opportunities for real-world experience abound at UW-Whitewater.
    [Show full text]
  • „Bitstream“ Fonts
    Key to the „Bitstream“ Fonts The history of typefaces is the history of forgeries. One of the greatest forgers of the 20th century was Matthew Carter. The Bitstream website (http://www.myfonts.com) describes him as follows: Matthew Carter of United Kingdom. Born: 1937 Son of Harry Carter, Royal Designer for Industry, contemporary British type designer and ultimate craftsman, trained as a punchcutter at Enschedé by Paul Rädisch, responsible for Crosfield's typographic program in the early 1960s, Mergenthaler Linotype's house designer 1965-1981. Carter co-founded Bitstream with Mike Parker in 1981. In 1991 he left Bitstream to form Carter & Cone with Cherie Cone. In 1997 he was awarded the TDC Medal, the award from the Type Directors Club presented to those „who have made significant contributions to the life, art, and craft of typography“. Carter’s „significant contribution to the life, art, and craft of typography“ consisted of forging the Linotype typeface collection. Carter can be characterized as a split personality. On the one hand, he has designed several original typefaces. On the other hand, he has forged hundreds of fonts. The following lists reveal that ca. 90% of the „Bitstream“ fonts are forgeries of the fonts contained in the catalog „LinoTypeCollection 1987“ („Mergenthaler Type Library“), i.e. the „Bitstream“ fonts are „nefarious evil knock-off clones“ (Bruno Steinert) of fonts sold by Linotype in the mid-1980s.1 „L“ in the following lists denotes that the font is contained in the „LinoTypeCollection 1987“. In the mid-1980s, the Linotype library comprised hundreds of typefaces with a total of 1700 fonts.
    [Show full text]
  • Georgia Vs Bodoni Y Y Y Y
    Georgia, a relatively new serif typeface, was designed in 1993 by Matthew Carter. Microsoft adopted this typeface to be the serif companion to Verdana both of which were intended to be optimally read on a digital screen. Georgia was ironically used in the branding for the 1996 Olympic Games in Atlanta, Georgia. Georgia has many similarities with Times New Roman, but its differences make Georgia much more legible in the digital format. Over 200 years ago, Giambattista Bodoni designed a classic serif typeface that has been used prevalently in design ever since. The early versions of Bodoni were considered transitional but have since been altered to be a modern Didone typeface. Giambattista Bodoni looked to the ideas of John Baskerville when designing this font. He also studied the French type founders Pierre Simon Fournier and Firmin Didot and drew inspiration from their work but ultimately found his own style of typography. Although Bodoni is said to be difficult to read in digital format, printers have acceptedk Bodoni as a beautiful and classic typeface. Although Bodoni and Georgia are separated greatly by age, the both have roots in the transitional typeface catagory. Bodoni has developed over time to be a much more modern typeface, while Georgia has stayed truer to its original design. The greatest similarities to be found between Georgia and Bodoni are when they are bold and oblique. The serifs become much more rounded. Bodoni already has proven its longevity, and in a few hundred years, Georgia may prove to as well. Southern Charm Georgia vs Bodoni y y y y.
    [Show full text]
  • An Enlightened Modern Digital Typeface “The Quick Brown Fox
    An Enlightened Modern Digital Typeface The Georgia typeface is the typeface that was used in this entire assignment. This typeface was created in 1993 by Matthew Carter. It roots are in the Scotch Roman designs of the 19th century and is a revival of transitional serif designs1. It is a testament to the skill of Matthew Carter, it’s designer, in producing a typeface family which is legible for on-screen display coupled with a sense of friendliness whereas this intimacy attribute has been eroded from the Times New Roman typeface2. As for the influence from the Scotch Roman it is said of this that “The influence of the Scotch model on Georgia is most clearly seen in the horizontal top serifs of the lowercase b, d, h, k and l, and by the flat top of the lowercase t, a typographic allusion to the typeface’s roots in Didot.”3 Referring to the sentence below, “The quick…..lazy dog. 1234567890”. The Georgia typeface has a large x-height which makes it seem more even on the page4. It has strong modulation (note the “a”) and a vertical axis (note the “o”). These characteristics, along with having serifs, make it a modern serif typeface5. However, the serif is not fully an unbracketed serif. Again, as noted in the first paragraph, Georgia has roots in Scotch Roman typography. “The quick brown fox jumps over the lazy dog. 1234567890”. 1 From Wikipedia “Georgia (typeface). Available at: https://en.wikipedia.org/wiki/Georgia_(typeface). Accessed May 1, 2016 2 From Microsoft. Available at: https://www.microsoft.com/typography/ Accessed May 1.
    [Show full text]
  • Press Kit Contents Synopsis 3 Cast & Characters 4 Production Biographies 31
    SEASON THREE PRESS KIT CONTENTS SYNOPSIS 3 CAST & CHARACTERS 4 PRODUCTION BIOGRAPHIES 31 2 S Y N O PS I S As “Fear the Walking Dead” returns for season three, our families will be brought together in the vibrant and violent ecotone of the US-Mexico border. International lines done away with following the world’s end, our characters must attempt to rebuild not only society, but family as well. Madison has reconnected with Travis but Alicia has been fractured by her murder of Andres. Mere miles from his mother, Nick’s first action as a leader saw Luciana ambushed by an American militia group – the couple escaped death but Nick no longer feels immortal. Recovering both emotionally and physically, Strand has his sights set on harnessing the new world’s currency, and Ofelia’s captivity will test her ability to survive and see if she can muster the savagery of her father. 3 CAST + CHARACTERS 4 4 MADISON CLARK (Kim Dickens) “The devil you know…” In season three, Madison moves beyond mercy. She promises herself never to repeat the mistakes of the past. If that means she must embrace brutality, so be it. As Madison evolves over the course of this season, we will see her turn even darker. Her ends are pure, but her means are morally compromised. She will sacrifice compassion – and she will risk those she holds most dear. In pursuit of Nick, Madison leads Travis and Alicia through the aftermath of the battle that ended season two – a fight that could have taken Nick and Luciana’s lives.
    [Show full text]