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Bethlehem FEAST of the EPIPHANY F E a S T O F E P I P H a N Y
W A L K I N G T O bethlehem FEAST OF THE EPIPHANY F E A S T O F E P I P H A N Y G o s p e l R e a d i n g Now when Jesus was born in Bethlehem of Judea in the days of Herod the king, behold, wise men from the East came to Jerusalem, saying, "Where is he who has been born king of the Jews? For we have seen his star in the East, and have come to worship him." When Herod the king heard this, he was troubled, and all Jerusalem with him; and assembling all the chief priests and scribes of the people, he inquired of them where the Christ was to be born. They told him, "In Bethlehem of Judea; for so it is written by the prophet: `And you, O Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who will govern my people Israel.' M A T T H E W 2 : 1 - 1 2 F E A S T O F E P I P H A N Y G o s p e l R e a d i n g Then Herod summoned the wise men secretly and ascertained from them what time the star appeared; and he sent them to Bethlehem, saying, "Go and search diligently for the child, and when you have found him bring me word, that I too may come and worship him." When they had heard the king they went their way; and lo, the star which they had seen in the East went before them, till it came to rest over the place where the child was. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
OIL MILL GAZETTEER Official Organ of the National Oil Mill Superintendents’ Association
OIL MILL GAZETTEER Official Organ of the National Oil Mill Superintendents’ Association. VOL. X V Ii., NO. 10. WHARTON, TEXAS, APRIL, 1916. PRICE TEN CENTS From Secretary-Treasurer Morris It is unnecessary for me to go into details vention, and certainly hope I will succeed much concerning our next convention, for President better. Leonard’s letter in the March issue was to the Let everybody boost for the convention and point and brings out in full everything connect be sure to be on hand yourself. Yours to ed with our next meeting. However, I want to serve, F. P. MORRIS, impress upon the minds of all members that in Secretary-Treasurer. order to succeed as we have planned, you must * * * attend. Let’s make this our banner meeting BIG FIRE LOSS AT TYLER year. I have letters from superintendents from California to North Carolina expressing their Tyler, Texas, March 17.— The Tyler Oil desire to be there, and if nothing prevents, you Company and the Tyler Ice Company suffered a will see them. Now then, let’s all who live, fire loss last night of between $25,000 and closer be on hand. The meeting has been ad $30,000. The oil company lost its big seed house, vertised throughout all cotton growing states, in which there was no seed, and its hull house, and I will continue to do so from now until the in which was stored a large quantity of hulls. convention meets. If President Leonard and The damage to the walls of the large mill build myself, assisted very ably by our never tiring ing will amount to several thousand dollars. -
Dur 26/11/2020
E JUEVES 26 DE NOVIEMBRE DE 2020 [email protected] LEGADO EN EL CINE Y LA MÚSICA Una de las figuras más reconocidas en la industria del espectáculo falleció a los 90 años. EL SIGLO DE DURANGO cubren’ el productor cinemato- te década actúa frente a las cá- Durango gráfico Gregorio Walerstein y maras conViruta y Capulina CARRERA Emilio Azcárraga en una de en ‘Dos Locos en Escena’ (1960) 90 películas y poco más La actriz y cantante mexicana sus actuaciones en el centro y dos años más tarde se presen- de 200 discos, son parte Flor Silvestre, madre del can- nocturno ‘El Patio’ y la invitan ta en la película (nominada al d ela trayectoria artística tautor mexicano Pepe Aguilar a que trabaje en el cine contra- Óscar) que la proyecta a un ni- de la viuda de Antonio y viuda de Antonio Aguilar, fa- tándola para cinco estelares, vel mucho más internacional, Aguilar. lleció este miércoles 25 de no- en un programa en la XEW y ‘Ánimas Trujano’, donde com- viembre a los 90 años de edad, para grabar su primer disco. parte roles estelares con Toshi- por causas naturales en su ca- En la primera de sus pelí- ro Mifune y Columba Domín- sa en Zacatecas. culas, ‘Primero Soy Mexicano’, guez, junto a su esposo Anto- ¿SABÍAS “La familia Aguilar agrade- comparte créditos con Joaquín nio Aguilar, hizo dramas y co- QUE...? ce las muestras de cariño que Pardabé, Luis Aguilar y El medias como ‘Caballo Prieto Su primer película a color siempre tuvieron, les pedi- Charro Avitia, tres ‘rivales’ Azabache’ (1968), ‘Lauro Puña- fue ‘La Doncella de Piedra’, mos respeto y comprensión que se pelean entre sí por el les’ y ‘El Ojo de Vidrio’ (1969). -
Download the Monthly Film & Event Calendar
THU SAT WED 1:30 Film 1 10 21 3:10 to Yuma. T2 Events & Programs Film & Event Calendar 1:30 Film 10:20 Family Film FRI Gallery Sessions The Armory Party 2018 Beloved Enemy. T2 Tours for Fours. Irresistible Forces, Daily, 11:30 a.m. & 1:30 p.m. Wed, Mar 7, 9:00 p.m.–12:30 a.m. Education & Immovable 30 5:30 Film Museum galleries VIP Access at 8:00 p.m. Research Building Objects: The Films Film Janitzio. T2 of Amir Naderi. New Directors/ Join us for conversations and Celebrate the opening of The 10:20 Family 7:00 Film See moma.org/film New Films 2018. activities that offer insightful and Armory Show and Armory Arts A Closer Look for El Mar La Mar. T1 4:30 Film 1:30 Film 6:05 Event for details. See newdirectors.org unusual ways to engage with art. Week with The Armory Party SUN WED Kids. Education & FRI SAT MON Pueblerina. T2 Music by Luciano VW Sunday Sessions: for details. at MoMA—a benefit event with 7:30 Film Research Building 1:30 Film Limited to 25 participants 4 7 16 Berio and Bruno Hair Wars. MoMA PS1 24 26 live music and DJs, featuring María Calendaria. T2 7:30 Film Kings Go Forth. T2 10:20 Family 7:30 Event 2:00 Film Film Maderna. T1 Film Film platinum-selling artist BØRNS. Flor silvestre. T1 6:30 Film Art Lab: Nature Tours for Fours. Quiet Mornings. Victims of Sin. T2 Irresistible Forces, 4:30 Film Irresistible Forces, Irresistible Forces, 6:30 Film Music by Pink Floyd, Daily. -
Recurso De Apelación Expediente: Sg-Rap-3/2015
RECURSO DE APELACIÓN EXPEDIENTE: SG-RAP-3/2015. RECURRENTE: FLOR SILVESTRE PEREA RUIZ AUTORIDAD RESPONSABLE: JUNTA LOCAL EJECUTIVA DEL INSTITUTO NACIONAL ELECTORAL EN SINALOA. MAGISTRADA PONENTE: MÓNICA ARALÍ SOTO FREGOSO SECRETARIO: JUAN CARLOS MEDINA ALVARADO. Guadalajara, Jalisco, a diecisiete de febrero de dos mil quince. VISTOS, para resolver, los autos del recurso de apelación SG-RAP-3/2015, interpuesto por Flor Silvestre Perea Ruiz por su propio derecho, a fin de impugnar la resolución identificada con la clave R01/INE/SIN/JL/23-01-15 de veintitrés de enero de dos mil quince, relativa a los expedientes INE/RSL/JLE/SIN/001/2015 y su acumulado INE/RSL/JLE/SIN/002/2015, emitida por la Junta Local Ejecutiva del Instituto Nacional Electoral en Sinaloa en la que, entre otras cuestiones, se confirmó el acto de la autoridad responsable emanado del oficio INE/VE/00036/2015 y, SUP-RAP-3/2015 R E S U L T A N D O I. ANTECEDENTES. De lo expuesto en el escrito recursal y de las constancias que obran en el expediente, se desprende lo siguiente: 1.- Convocatoria. Mediante acuerdo identificado con la clave INE/CG101//2014, del 14 de julio de 2014, el Consejo General del INE, aprobó la “Estrategia de Capacitación y Asistencia Electoral para el Proceso Electoral 2014-2015”. Derivado de lo anterior, se publicó la convocatoria a los ciudadanos que desearan participar como supervisores electorales y capacitadores-asistentes electorales para el proceso electoral 2014-2015. 2.- Solicitud y plática de inducción. Refiere la actora que el veintiocho de noviembre de diciembre de dos mil catorce, atendiendo a la referida convocatoria, compareció a la 05 Junta Distrital Ejecutiva del Instituto Nacional Electoral en Sinaloa, a efecto de presentar la documentación requerida para aspirar al puesto de Supervisor Electoral o Capacitador Asistente Electoral. -
Cinematic Image and National Identity in Fuentes9 Orquídeas a La Luz De La Luna
SPRING 1984 3 Cinematic Image and National Identity in Fuentes9 Orquídeas a la luz de la luna Lanin A. Gyurko Orquídeas a la luz de la luna, the third and most recent drama by the Mexican author Carlos Fuentes, provides a fascinating evocation of two of Mexico's greatest cinematic actresses, Dolores Del Rio and María Félix. This complex drama constitutes a play-within-a-play. It presents two aging chicanas, Dolores and Maria, living in seclusion in an apartment in Venice, California, who identify so strongly with the screen personalities of Dolores Del Rio and Maria Félix that they—paralleling the self-deluded Don Quijote, who, intoxicated by his readings of the novelas de caballerías, sallies forth as a caballero andante— believe, in their self-delusions, that they actually have become these two cinematic stars. Thus they seek desperately to convince one another, the very audience watching Orquídeas a la luz de la luna, and the mysterious and sinister Fan who one day arrives at their apartment, that they are these two legendary actresses. Having failed at their cinematic careers in their native land, Mexico, the two central characters of Fuentes' drama emigrate to the United States, where they attempt to pursue the glamorous illusion of a Hollywood film career. Denied entrance to their El Dorado, they are forced instead to dwell in a limbo realm, a shoddy apartment that is more like a penitentiary cell, symbolizing how much they remain entrapped in their fantasies. Here the two chicanas engage in a bizarre cult of their cinematic idols, even constructing altars to them, thus from the very start transforming María Félix and Dolores Del Rio into household gods. -
La Revolución Mexicana En El Cine Mexicano Del Siglo De Oro Wednesdays at 5:00 Pm
Spring 2010: Noche de Cine: La Revolución Mexicana en el cine mexicano del Siglo de Oro Wednesdays at 5:00 pm February 10 Enamorada, (1949), Director: Emilio Fernández, 96 minutes, Spanish. Presented by Sergio Martínez Summary: During the Mexican Revolution days a Zapatista General arrives to the City of Cholula. Once he takes over the city he becomes obsessed with the beautiful Beatriz, daughter of the most powerful man in Cholula. February 17 La soldadera, (1967), Director: José Bolaños, 148 minutes, Spanish. Presented by Sergio Martínez Summary: La Soldadera is based on Eisenstein Soldadera portion of the movie Que Viva Mexico! When her husband is taken away by government troops at the time of the Mexican Revolution, la soldadera tries to follow him. After he dies, she joins up with other women in her situation to fight for the Revolution. March 3 La Cucaracha, (1958), Director: Ismael Rodríguez, 97 minutes, Spanish with English subtitles. Presented by Gloria Vásquez Summary: La Cucaracha is a film celebrating the Mexican Revolution. La Cucaracha is a brave woman leading a group of revolutionary of woman. The story represents a bourgeois lady who is forced to join the group and fight for the revolutionary ideals. March 17 El compadre Mendoza, (1934), Directors: Juan Bustillos and Fernando de Fuentes, 85 minutes, Spanish with English Subtitles. Presented by Sergio Martínez Summary: During the Mexican Revolution, Rosalio Mendoza survives by making and winning favors from both, the government forces and Zapatista Army. He welcomes everybody on his hacienda; eventually, the situation becomes unsustainable and he has to take sides. -
'Benéfica Política Adoptarán Las Compañías Contratistas Que
OFERT \ DE ES hh: MES RELOJ RELOJES ORIENT EN LA COMPRA DE UN I(1YI nIA 1 1)1 t AnCUU(RAIU tN ' ;u IRIUA le Regalamos REI OJES 1)E C()L1MA DESPERTAPOR REFACCIONES LEGITIMAS ORIENT UN RELOJ JENTAS MÁYOREO Y MENUDEO DISTRIBUIDOR EXCLUSIVO PARA EL ESTADO JOYE.RI~ "COLIMA" F . MEDINA 65 TEL . 2-13e8 Tel. l-:.O-It NO TENEMOS SUCURSALES lindero I44 NO '1'l NElOS SUCtJIt-I\ LE.S XXXIV .Añ X\'I1I 1, t •nI ;i ~i i r,Ill(1 ~' L( F(litu(',S,,(hl 1)irectur (iencr,tl I)irectar hllunbru (IC I l i tl,rrru,l ; ('OLIl'IA, COL I)I E1=t l' .\ 1\' \u lr,l Ahrrlrrcl ti,ir1(be: dr la ,U I ., J1 1+;. 27 I)l l1 NI+;R1) I!)7 ;; I ,AIIGinlI Bernal Orli Il( urnslu,cdi (dur I,.ti (IC /) rr/L'r'ILn) `I(J I I,n(rN II 'Benéfica Política Adoptarán las Compañías Contratistas que Realizarán Importantes Obras en el Estado de Colima aue !Inmprae inn rl I'oiiicrcili Local CONCURSO PARA EL OIRECCONIOE Ik'Ulliúll Lara flOi'dfáll de Radios óc Onda Corta I n directivo de la residencia de la Cotnpa- PENSIONES EN LA itía C'oustructora COCONAI,, gue obtuvo el Cou- Orallizarb`la PROYECTO IIato tiara h9 eoush'Itceióu del canino carretero a las Patrulles de Caminos UNIIERSIOAO LOCAL entre ,%Iarn1anillo y lliuutitlán, protramado por ExdIIrsiúll a °icóE °N la Secretaría de Obras Públicas para consU •u ir .e Que en cl transcurso de lOE próximos dos años, in• programa que la Se• hasta ahora no se ha podido Ite'~i1la~~ibb(~Cá0 Gracias aI Ei unos 15 a 20 dias formó que la referida Compañía tiene cou('entra- pre('ts;u' con exactitud cl lugar Construirá :e e: I ima debera cret ;u'ía de Comunicaciones y 'l'rans- en má: (' da ya ('n Cantotlátt ce Miraflores, niaduinaria instala(a esta Central de le IANA .O qu( ;ar debidamente con pesada por valor de más ele 1' ; ntiFIones d' pesos, I IO~ 1u)r 1 ;t t(tr(IC tcu portes se propone llevar a callo pala tunde será el estudio para `• . -
Filmar As Sensações
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE FILOSOFIA PROGRAMA DE PÓS-GRADUAÇÃO EM FILOSOFIA Luiz Roberto Takayama Filmar as sensações: Cinema e pintura na obra de Robert Bresson São Paulo 2012 Luiz Roberto Takayama Filmar as sensações: Cinema e pintura na obra de Robert Bresson Tese apresentada ao programa de Pós-Graduação em Filosofia do Departamento de Filosofia da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo, para obtenção do título de Doutor em Filosofia sob a orientação do Prof. Dr. Luiz Fernando B. Franklin de Matos. São Paulo 2012 Ao pequeno Hiro, grande herói, dedico esse trabalho. “Tão longe que se vá, tão alto que se suba, é preciso começar por um simples passo.” Shitao. Agradecimentos À CAPES, pela bolsa concedida. À Marie, Maria Helena, Geni e a todo o pessoal da secretaria, pela eficiência e por todo o apoio. Aos professores Ricardo Fabbrini e Vladimir Safatle, pela participação na banca de qualificação. Ao professor Franklin de Matos, meu orientador e mestre de todas as horas. A Jorge Luiz M. Villela, pelo incentivo constante e pelo abstract. A José Henrique N. Macedo, aquele que ama o cinema. Ao Dr. Ricardo Zanetti e equipe, a quem devo a vida de minha esposa e de meu filho. Aos meus familiares, por tudo e sempre. RESUMO TAKAYAMA, L. R. Filmar as sensações: cinema e pintura na obra de Robert Bresson. 2012. 186 f. Tese (Doutorado) – Faculdade de Filosofia, Letras e Ciências Humanas. Departamento de Filosofia, Universidade de São Paulo, São Paulo, 2012. -
Sunday, January 3, 2021 * the Epiphany of the Lord *
Sunday, January 3, 2021 * The Epiphany of the Lord * www.stjosephparish.org Nurturing Roots: An Invitation THE EPIPHANY OF THE LORD Nurturing Roots is a community farming program located on South JANUARY 3, 2021 Beacon Hill (and planning to expand to the Red Barn Ranch in Livestream Mass: 5pm Saturday Auburn). Its focus is on environmental justice, access to education, on our YouTube channel and re-engaging people, especially young people of color, with the environment. Their motto is “Building community through farm- (Available for viewing throughout the week) ing, healing community through relationships.” You can familiarize yourself more with Nurturing Roots on their website: Weekday Mass Schedule Tuesday - Friday, 7 am, YouTube https://www.nurturingrootsfarm.org Readings for January 10, 2021 The St. Joseph’s Anti-Racism Committee invites the parish to join FIRST READING: ISAIAH 55:1-11 with Nurturing Roots in their efforts. To be prepared for Spring, Nur- SECOND READING: 1 JOHN 5:1-9 turing Roots needs your support right now on several different proj- GOSPEL: MARK 1:7-11 ects. Parish Center Plant Box Supplies: Nurturing Roots prepares and distributes numer- 732 18th Ave E, Seattle, WA 98112 ous window-sill-garden boxes from their South Beacon Hill loca- www.stjosephparish.org tion to members of their community. They need non-GMO organic Parish Receptionist (206) 324-2522 seeds and pots of all sizes to help people get started growing their own healthy food. Herbs, Sunflowers, Lettuce, Beets, Kale, Carrots, Pastor Peppers, Tomatoes, Onions, Leeks, Chard, Squash - anything that Rev. Glen Butterworth, S.J. -
Metaphysics and the Moving Image Trevor Mowchun a Thesis in The
Metaphysics and the Moving Image Trevor Mowchun A Thesis In the Humanities Program For the Degree of Doctor of Philosophy (Humanities (Fine Arts)) at Concordia University July 2018 © Trevor Mowchun, 2018 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Trevor Mowchun Entitled: Metaphysics and the Moving Image and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Humanities (Fine Arts)) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Kristina Huneault External Examiner Dr. George Toles External to Program Dr. Nathan Brown Examiner Dr. Andre Furlani Examiner Dr. Justin E. H. Smith Thesis Supervisor Dr. Martin Lefebvre Approved by Dr. Erin Manning, Graduate Program Director December 10, 2018 Dr. Rebecca Taylor Duclos, Dean Faculty of Fine Arts iii ABSTRACT Metaphysics and the moving image Trevor Mowchun, Ph.D. Concordia University, 2018 The various forms of cross-pollination and encounter between film and philosophy have generated thought experiments which make it possible to think beyond what the two fields can do for each other to what they can do together. My guiding intuition in this thesis is that the distinct historical evolutions of film and philosophy intersect in the speculative domain of the Western metaphysical paradigm, as the film medium technologically and aesthetically reestablishes conditions for “truth” within