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The Origins and Operations of the Kansas City Livestock
REGULATION IN THE LIVESTOCK TRADE: THE ORIGINS AND OPERATIONS OF THE KANSAS CITY LIVESTOCK EXCHANGE 1886-1921 By 0. JAMES HAZLETT II Bachelor of Arts Kansas State University Manhattan, Kansas 1969 Master of Arts Oklahoma State University stillwater, Oklahoma 1982 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 1987 The.s; .s I q 8111 0 H~3\,.. ccy;, ;i. REGULATION IN THE LIVESTOCK TRADE: THE ORIGINS AND OPERATIONS OF THE KANSAS CITY LIVESTOCK EXCHANGE 1886-1921 Thesis Approved: Dean of the Graduate College ii 1286885 C Y R0 I GP H T by o. James Hazlett May, 1987 PREFACE This dissertation is a business history of the Kansas City Live Stock Exchange, and a study of regulation in the American West. Historians generally understand the economic growth of the late nineteenth and early twentieth centuries, and the business institutions created during that era, within the perspective of "progressive" history. According to that view, Americans shifted from a public policy of laissez faire economics to one of state regulation around the turn of the century. More recently, historians have questioned the nature of regulation in American society, and this study extends that discussion into the livestock industry of the American West. 1 This dissertation relied heavily upon the minutes of the Kansas City Live Stock Exchange. Other sources were also important, especially the minutes of the Chicago Live Stock Exchange, which made possible a comparison of the two exchanges. Critical to understanding the role of the Exchange but unavailable in Kansas City, financial data was 1Morton Keller, "The Pluralist State: American Economic Regulation in Comparative Perspective, 1900-1930," in Thomas K. -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
Adjustment to Misfortune—A Problem of Social-Psychological Rehabilitation
Adjustment to Misfortune—A Problem of Social-Psychological Rehabilitation Dedicated to the memory of Kurt Lewin TAMARA DEMBO, Ph.D.,2 GLORIA LADIEU LEVITON, Ph.D.,3 AND BEATRICE A. WRIGHT, Ph.D.4 AT PARTICULAR times in the history of To investigate the personal and social science, particular problems become ripe for problems of the physically handicapped, two investigation. A precipitating event brings groups of subjects were needed—people who them to the attention of a single person and were considered handicapped and people sometimes to that of several at the same time. around them. Therefore, as subjects of the It is therefore understandable that during research both visibly injured and noninjured World War II the need was felt to investigate people were used. Interviews were employed as the problems of social-psychological rehabilita the primary method of investigation, the tion of the physically handicapped and that great majority of the 177 injured persons someone should look for a place and the means interviewed being servicemen or veterans of to set up a research project that would try to World War II. More than half the subjects solve some of these problems. In pursuit of had suffered amputations and almost one such a goal a research group was established fourth facial disfigurements. The injured man at Stanford University on February 1, 1945. was asked questions designed to elicit his expectations, experiences, and feelings in his Conducted partially under a contract between dealings with people around him. Sixty-five Stanford University and the wartime Office noninjured people also were interviewed in of Scientific Research and Development (rec regard to their feelings toward the injured man. -
English Literature
B. A. Fourth Semester – English Literature Que: 1; A) Narrate in your own words the story of ‘A Tiger for Malgudi’. Ans: In ‘A Tiger for Malgudi’, it is shown how the Sanyasi approaches the tiger. A Swamy lived in a remote part of a jungle. He was living in the company of a tiger. The peasants heard of this strange companionship. They believed that there was something divine in their relationship. They thought that the Swamy was a holy man. One day a group of peasants visited the Swamy. They were afraid of the tiger living with the Swamy, so they stood at a distance and called out Swamiji. The Swamy did not like their calling him “Swamiji”. He told them he was no ‘swamiji’, but asked them to come. The Swami asked them why they had come at all. They answered that it was for his ‘darshan’. He told them not to use that word as it was not proper. Then he asked them to come closer to him. They said they had come to sit at his feet. Again Swamy objected to the use of word ‘feet’. The Swamy explained that he was not great. It was true that a swamy was usually bearded and wore scanty clothes. But he did not wear a shirt because he had none. He was not different from them. They were equals and there was no need to pay homage to him. The Swamy told them not to spoil their mind with thoughts of the tiger. They placed the baskets of flowers and fruits before him and requested him to accept them. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Fuel Announces Full Casting for Barber Shop Chronicles UK Tour
PRESS RELEASE – February 2019 IMAGES CAN BE DOWNLOADED HERE Fuel announces full casting for Barber Shop Chronicles UK tour ● Full casting has been announced for the first leg of Inua Ellams’ Barber Shop Chronicles which embarks on an extensive UK tour from March 2019. ● Maynard Eziashi, Mohammed Mansaray, Anthony Ofoegbu, Jo Servi and David Webber return to the production, with Michael Balogun, Tobi Bamtefa, Adé Dee Haastrup, Emmanuel Ighodaro, Demmy Ladipo, Rudolphe Mdlongwa, and Elander Moore completing the cast. ● The tour will visit Manchester, Leicester, Bristol, Sheffield, Leeds, Oxford and Southampton with further venues to be announced ● Barber Shop Chronicles is a co-production between Fuel, National Theatre and Leeds Playhouse Fuel have today announced the cast for the UK tour of Inua Ellams’ critically acclaimed Barber Shop Chronicles which returns by popular demand. Maynard Eziashi, Mohammed Mansaray, Anthony Ofoegbu, Jo Servi and David Webber continue in their roles following the hugely successful tours of Australia, New Zealand, the United States of America and Canada. Michael Balogun, Tobi Bamtefa, Adé Dee Haastrup, Emmanuel Ighodaro, Demmy Ladipo, Rudolphe Mdlongwa, and Elander Moore join the cast which opens at the Royal Exchange, Manchester, in partnership with Contact, on 7th March 2019. Newsroom, political platform, local hot-spot, confession box, preacher-pulpit and football stadium - for generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling. Directed by Bijan Sheibani and designed by Rae Smith, Barber Shop Chronicles is a heart- warming, hilarious and insightful new play that leaps from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos, and Accra over the course of a single day. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
“The Bet” by Anton Chekhov Elements of Literature Fourth Course Pg. 209 - 221
“The Bet” by Anton Chekhov Elements of Literature Fourth Course Pg. 209 - 221 NJ Detention Center Puts Immigrants in Solitary, The Brian Lehrer Show, 09/14/2015 “Reports have surfaced about two immigrant detention centers in North Jersey where immigrants who yell or talk back are being placed in solitary confinement for days at a time. Andrew Lyubarsky, a member of the NYU School of Law Immigrant Rights Clinic who recently authored a report on harsh and unnecessary treatment at NJ detention centers, and Khalil Cumberbatch, a former detainee who saw how the box was used to intimidate detainees, discuss the confinement tactics being used today.” For more information: http://www.wnyc.org/story/nj-detention-center-puts-immigrants-solitary/ Word(s) of the Day Elements of Literature Fourth Course Pg. 209 - 221 Plot Analysis The Proper Ingredients to Making a Well-Structured (Short) Story a. Short story (pg. 1005) Short piece of narrative fiction. - Edgar Allen Poe is often credited with writing the first short stories. - He defined the short story as a narrative that can be read in a single sitting and that creates a “single effect”. b. Exposition (pg. 998) Type of writing that explains, gives information, or clarifies an idea. - Exposition is generally objective and formal in tone Ex. A magazine article on nutrition Exposition is also the term for the first part of a plot (also called the basic situation), which presents the main characters and their conflicts. c. Rising Action The conflict, or complication, in a story Round-Table Discussion Elements of Literature Fourth Course Pg. -
ENGLISH Unit Planning Exemplar Lessons
Discover The Core Professional Development, Curriculum Planning and Instructional Tools ENGLISH Unit Planning Exemplar Lessons SAMPLE This document is a sample for demonstration purposes only. Grades 6-8 Discover The Core Professional Development, Curriculum Planning and Instructional Tools Exemplar Lesson Materials ENGLISH Grades 6-8 SAMPLE for demonstration purposes only. Table of Contents Introduction...................................................................................................................................................1 Unit Exemplar Introduction ...........................................................................................................................3 Unit Exemplar Annotated .............................................................................................................................4 Weekly Exemplar Introduction .....................................................................................................................5 Weekly Exemplar Annotated ........................................................................................................................6 Lesson 1 Exemplar Introduction ...................................................................................................................7 Lesson 1 Exemplar ����������������������������������������������������������������������������������������������������������������������������������������9 SAMPLE ©2012 Catapult Learning SAMPLE English Teacher Resource Guide iii Introduction Welcome to the -
Best Russian Short Stories the Modern Library
- 5 \ % 'b, THE MODERN LIBRARY OF THE WORLD'S BEST BOOKS BEST RUSSIAN SHORT STORIES THE MODERN LIBRARY OF THE WORLD’S BEST BOOKS OSCAR WILDE DOSTOYEVSKY Picture of Dorian Gray Poor People STRINDBERG MAETERLINCK Married A Miracle of St. An¬ tony and Others KIPLING Soldiers Three SCHOPENHAUER Studies in Pessimism STEVENSON Treasure Island SAMUEL BUTLER The Way of All Flesh H. G. WELLS The War in the Air GEORGE MEREDITH Diana of the Crossways IBSEN G. B. SHAW A Doll’s House and Others An Unsocial Socialist GEO. MOORE ANATOLE FRANCE Confessions of a Young The Red Lily Man DE MAUPASSANT THOMAS HARDY Mile. Fifi and Others The Mayor of Caster- NIETZSCHE bridge Thus Spake ZarathuS' BEST RUSSIAN tra SHORT STORIES Otheb Titles in Pbepabation ANTON P. CHEKHOV Russia’s Greatest Short-Story Writer 1/ BEST RUSSIAN SHORT STORIES COMPILED AND EDITED By THOMAS SELTZER ll |^| BONI AND LIVERIGHT, INC. PUBLISHERS ’. NEW YORK Printed in the United States of America COPYRIGHT, 1917, BY BONI AND LIVERIGHT, INC. JUL 20 !9!7 ©Cl. A 4679 83 ft "V'U'O i. INTRODUCTION CONCEIVE the joy of a lover of nature who, leaving the art galleries, wanders out among the trees and wild flowers and birds that the pictures of the galleries have sen¬ timentalised. It is some such joy that the man who truly loves the noblest in letters feels when tasting for the first time the simple delights of Russian literature. French and English and German authors, too, occasionally, offer works of lofty, simple naturalness; but the very keynote to the whole of Russian literature is simplicity, naturalness, veraciousness. -
6 X 10.5 Long Title.P65
Cambridge University Press 978-0-521-88077-0 - The Cambridge Introduction to Chekhov James N. Loehlin Index More information Index Aleksandrinsky Theatre, xi, 12, 31, Bonaparte, Napoleon, 21 109, 124 Brata, Gaetano Alexander II (Tsar of Russia), x, 17, “Angel’s Serenade”, 87 21–2 Brecht, Bertolt Alexander III (Tsar of Russia), x, xi, 18, The Petit-Bourgeouis Wedding, 65 22, 64 Bromide (dog), 11 Allen, David Brustein, Robert, 109, 147 Performing Chekhov, 175 The Theatre of Revolt, 175, 186 Antoine, André, 32, 59 Bulgakov, Mikhail, 173 Avilova, Lydia, xi, 9, 11, 45, 118 Bunin, Ivan, 90 Badenweiler, xii, 16 Calderon, George, 165 Barrault, Jean-Louis Carver, Raymond The Cherry Orchard (1954), 170–71 “Errand”, 174 Bartlett, Rosamund, xiii, 174 Catherine II (Tsarina of Russia), 20, 31 Anton Chekhov: A Life in Cervantes, Miguel de Letters, 185 Don Quixote, 4 Battleship Potemkin uprising, 18 Ceylon, xi, 10 Beale, Simon Russell, 123 Cheever, John, 174 Beckett, Samuel, 131 Chekhonte, Antosha (pseudonym), x, 6 Molloy, 147 Chekhov, Aleksandr, 3, 4, 6, 13 Waiting for Godot, 33, 135 Chekhov, Anton Belinsky, Vissarion, 163 collections Bely, Andrey, 155 Gloomy People, xi Benchley, Robert In the Twilight, xi, 8 The Treasurer’s Report, 61 Motley Stories, xi, 8 Bentley, Eric, 124 Tales of Melpomene, xi, 32 Bergson, Henri novels “Laughter”, 64 The Shooting Party, xi, 92 Bitsilli, Peter plays Chekhov’s Art: A Stylistic Along the Highway, 58 Analysis, 169 The Bear, xi, 8, 62–63, 69 Blakemore, Michael The Cherry Orchard, xii, 5, 16, 18, Country Life (1994), 174 20, 37, 63, 66, 107, 123, 148–61 Boleslavsky, Richard, 167 The Evils of Tobacco, 61 188 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88077-0 - The Cambridge Introduction to Chekhov James N. -
PDF, 2MB, 175 Pages
The Project Gutenberg EBook of The Extermination of the American Bison, by William T. Hornaday This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Extermination of the American Bison Author: William T. Hornaday Release Date: February 10, 2006 [EBook #17748] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE EXTERMINATION OF THE *** Produced by Chuck Greif, Tony Browne and the Online Distributed Proofreading Team at http://www.pgdp.net SMITHSONIAN INSTITUTION. UNITED STATES NATIONAL MUSEUM. THE EXTERMINATION OF THE AMERICAN BISON. BY WILLIAM T. HORNADAY, Superintendent of the National Zoological Park. Inscription [Pg 366] From the Report of the National Museum, 1886-’87, pages 369-548, and plates I-XXII. WASHINGTON GOVERNMENT PRINTING OFFICE. 1889. [Pg 369] CONTENTS. PREFATORY NOTE PART I.—THE LIFE HISTORY OF THE BISON I. Discovery of the species II. Geographical distribution III. Abundance IV. Character of the species 1. The buffalo’s rank amongst ruminants 2. Change of form in captivity 3. Mounted specimens in museums 4. The calf 5. The yearling 6. The spike bull 7. The adult bull 8. The cow in the third year 9. The adult cow 10. The “Wood” or “Mountain Buffalo” 11. The shedding of the winter pelage V. Habits of the buffalo VI. The food of the buffalo VII. Mental capacity and disposition of the buffalo VIII.