Analysis of Conflict in a Misfortune by Anton Chekhov
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Aesthetic Terrain of Settler Colonialism: Katherine Mansfield and Anton Chekhov’S Natives
Journal of Postcolonial Writing ISSN: 1744-9855 (Print) 1744-9863 (Online) Journal homepage: http://www.tandfonline.com/loi/rjpw20 The aesthetic terrain of settler colonialism: Katherine Mansfield and Anton Chekhov’s natives Rebecca Ruth Gould To cite this article: Rebecca Ruth Gould (2018): The aesthetic terrain of settler colonialism: Katherine Mansfield and Anton Chekhov’s natives, Journal of Postcolonial Writing, DOI: 10.1080/17449855.2018.1511242 To link to this article: https://doi.org/10.1080/17449855.2018.1511242 Published online: 04 Oct 2018. Submit your article to this journal Article views: 1 View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjpw20 JOURNAL OF POSTCOLONIAL WRITING https://doi.org/10.1080/17449855.2018.1511242 The aesthetic terrain of settler colonialism: Katherine Mansfield and Anton Chekhov’snatives Rebecca Ruth Gould College of Arts and Law, University of Birmingham, Birmingham, UK ABSTRACT KEYWORDS While Anton Chekhov’sinfluence on Katherine Mansfield is Settler colonialism; Sakhalin; widely acknowledged, the two writers’ settler colonial aesthetics New Zealand; Siberia; Maori; have not been brought into systematic comparison. Yet Gilyak; Russian Empire Chekhov’s chronicle of Sakhalin Island in the Russian Far East parallels in important ways Mansfield’s near-contemporaneous account of colonial life in New Zealand. Both writers are con- cerned with a specific variant of the colonial situation: settler colonialism, which prioritizes appropriation of land over the gov- ernance of peoples. This article considers the aesthetic strategies each writer develops for capturing that milieu within the frame- work of the settler colonial aesthetics that has guided much anthropological engagement with endangered peoples. -
The Origins and Operations of the Kansas City Livestock
REGULATION IN THE LIVESTOCK TRADE: THE ORIGINS AND OPERATIONS OF THE KANSAS CITY LIVESTOCK EXCHANGE 1886-1921 By 0. JAMES HAZLETT II Bachelor of Arts Kansas State University Manhattan, Kansas 1969 Master of Arts Oklahoma State University stillwater, Oklahoma 1982 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 1987 The.s; .s I q 8111 0 H~3\,.. ccy;, ;i. REGULATION IN THE LIVESTOCK TRADE: THE ORIGINS AND OPERATIONS OF THE KANSAS CITY LIVESTOCK EXCHANGE 1886-1921 Thesis Approved: Dean of the Graduate College ii 1286885 C Y R0 I GP H T by o. James Hazlett May, 1987 PREFACE This dissertation is a business history of the Kansas City Live Stock Exchange, and a study of regulation in the American West. Historians generally understand the economic growth of the late nineteenth and early twentieth centuries, and the business institutions created during that era, within the perspective of "progressive" history. According to that view, Americans shifted from a public policy of laissez faire economics to one of state regulation around the turn of the century. More recently, historians have questioned the nature of regulation in American society, and this study extends that discussion into the livestock industry of the American West. 1 This dissertation relied heavily upon the minutes of the Kansas City Live Stock Exchange. Other sources were also important, especially the minutes of the Chicago Live Stock Exchange, which made possible a comparison of the two exchanges. Critical to understanding the role of the Exchange but unavailable in Kansas City, financial data was 1Morton Keller, "The Pluralist State: American Economic Regulation in Comparative Perspective, 1900-1930," in Thomas K. -
Adjustment to Misfortune—A Problem of Social-Psychological Rehabilitation
Adjustment to Misfortune—A Problem of Social-Psychological Rehabilitation Dedicated to the memory of Kurt Lewin TAMARA DEMBO, Ph.D.,2 GLORIA LADIEU LEVITON, Ph.D.,3 AND BEATRICE A. WRIGHT, Ph.D.4 AT PARTICULAR times in the history of To investigate the personal and social science, particular problems become ripe for problems of the physically handicapped, two investigation. A precipitating event brings groups of subjects were needed—people who them to the attention of a single person and were considered handicapped and people sometimes to that of several at the same time. around them. Therefore, as subjects of the It is therefore understandable that during research both visibly injured and noninjured World War II the need was felt to investigate people were used. Interviews were employed as the problems of social-psychological rehabilita the primary method of investigation, the tion of the physically handicapped and that great majority of the 177 injured persons someone should look for a place and the means interviewed being servicemen or veterans of to set up a research project that would try to World War II. More than half the subjects solve some of these problems. In pursuit of had suffered amputations and almost one such a goal a research group was established fourth facial disfigurements. The injured man at Stanford University on February 1, 1945. was asked questions designed to elicit his expectations, experiences, and feelings in his Conducted partially under a contract between dealings with people around him. Sixty-five Stanford University and the wartime Office noninjured people also were interviewed in of Scientific Research and Development (rec regard to their feelings toward the injured man. -
Title Link – Story in English Link – Story in Russian Link – Other
לק"י Title Link – story in English Link – story in Russian Link – other http://chekhov2.tripod.com/035.htm http://bibliotekar.ru/rusChehov/71.ht http://www.gutenberg.org/files/1732/1732-h/1732- m h.htm#link2H_4_0006 In a Strange Land http://www.online- http://chehov.niv.ru/chehov/text/na- literature.com/anton_chekhov/1136/ chuzhbine.htm http://www.online-literature.com/donne/1136/ http://chekhov2.tripod.com/023.htm http://chehov.niv.ru/chehov/text/v- In an Hotel http://www.online- nomerah.htm literature.com/anton_chekhov/1124/ http://www.online- literature.com/anton_chekhov/1264/ http://chehov.niv.ru/chehov/text/v- In Exile http://chekhov2.tripod.com/164.htm ssylke.htm http://en.wikisource.org/wiki/In_Exile http://www.lib.ru/LITRA/CHEHOW/r_c http://chekhov2.tripod.com/113.htm h_week.txt In Passion Week http://www.online- http://chehov.niv.ru/chehov/text/na- literature.com/anton_chekhov/1214/ strastnoj-nedele.htm http://en.wikisource.org/wiki/In_Passion_Week http://chehov.niv.ru/chehov/text/vesn oj.htm http://chehov.niv.ru/chehov/text/vesn In spring oj_1.htm http://www.lib.ru/LITRA/CHEHOW/ves na.txt http://www.lib.ru/LITRA/CHEHOW/vag In the Carriage / In the Wagon on.txt http://chekhov2.tripod.com/129.htm http://www.gutenberg.org/files/1732/1732-h/1732- http://chehov.niv.ru/chehov/text/v- In the Coach - House h.htm#link2H_4_0015 sarae.htm http://www.online- literature.com/anton_chekhov/1230/ http://www.online- http://chehov.niv.ru/chehov/text/v- In the Court literature.com/anton_chekhov/1186/ sude.htm http://chekhov2.tripod.com/085.htm -
Theatre and the Family: Anton Chekhov, 'The Cherry Orchard' Transcript
Theatre and The Family: Anton Chekhov, 'The Cherry Orchard' Transcript Date: Tuesday, 23 February 2016 - 6:00PM Location: Museum of London 23 February 2016 Theatre and The Family: Anton Chekhov, The Cherry Orchard Professor Belinda Jack Music – Tchaikovsky - https://www.youtube.com/watch?v=7ABGZhFsXYI; Four Seasons, April/Spring (Vladimir Ashkenazy) Good evening and welcome – and thank you for coming. Particularly good to see some familiar faces from previous lectures and particularly my last lecture on Ibsen's A Doll's House as this evening's lecture is something of a companion piece. This extraordinary play poses two particularly intriguing questions. The first is this: how does it hold our attention given the limited amount of action? And the second: is it really a comedy as the playwright himself insisted it was? Jean-Louis Barrault, the French actor and director, summarizes the action of The Cherry Orchard in the following way: 'In Act One, the cherry orchard is in danger of being sold, in Act Two it is on the verge of being sold, in Act Three it is sold, and in Act Four it has been sold' (Laurence Senelick Anton Chekhov, 1985, 124-25) Thus described the play seems devoid of dramatic action. The felling of the Orchard, which is arguably the dramatic climax of the play, takes place off-stage. We only hear the axe as it meets the trunk of the first cherry tree. How could the scenario described by Barrault be construed as 'comic'? Many of you will know the play but in case some of you do not, this is a slightly fuller description than Barrault's. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Michael Chekhov and His Approach to Acting in Contemporary Performance Training Richard Solomon
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2002 Michael Chekhov and His Approach to Acting in Contemporary Performance Training Richard Solomon Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Performance Studies Commons Recommended Citation Solomon, Richard, "Michael Chekhov and His Approach to Acting in Contemporary Performance Training" (2002). Electronic Theses and Dissertations. 615. http://digitalcommons.library.umaine.edu/etd/615 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. MICHAEL CHEKHOV AND HIS APPROACH TO ACTING IN CONTEMPORARY PERFORMANCE TRAINING by Richard Solomon B.A. University of Southern Maine, 1983 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Theatre) The Graduate School The University of Maine May, 2002 Advisory Committee: Tom Mikotowicz, Associate Professor of Theatre, Advisor Jane Snider, Associate Professor of Theatre Sandra Hardy, Associate Professor of Theatre MICaAEL CHEKHOV AND HIS APPROACH TO ACTING IN CONTEMPORARY PERFORMANCE TRAINING By Richard Solomon Thesis ~dhsor:Dr. Tom Mikotowicz An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Theatre) May, 2002 Michael Chekhov was an actor, diuector, and teacher who was determined to develop a clear and accessible acting approach. During his lifetime, his ideas were often viewed as too radical and mystical. Over the past decade however, the Chekhov method of actor training has enjoyed an expansion of interest. -
Best Russian Short Stories the Modern Library
- 5 \ % 'b, THE MODERN LIBRARY OF THE WORLD'S BEST BOOKS BEST RUSSIAN SHORT STORIES THE MODERN LIBRARY OF THE WORLD’S BEST BOOKS OSCAR WILDE DOSTOYEVSKY Picture of Dorian Gray Poor People STRINDBERG MAETERLINCK Married A Miracle of St. An¬ tony and Others KIPLING Soldiers Three SCHOPENHAUER Studies in Pessimism STEVENSON Treasure Island SAMUEL BUTLER The Way of All Flesh H. G. WELLS The War in the Air GEORGE MEREDITH Diana of the Crossways IBSEN G. B. SHAW A Doll’s House and Others An Unsocial Socialist GEO. MOORE ANATOLE FRANCE Confessions of a Young The Red Lily Man DE MAUPASSANT THOMAS HARDY Mile. Fifi and Others The Mayor of Caster- NIETZSCHE bridge Thus Spake ZarathuS' BEST RUSSIAN tra SHORT STORIES Otheb Titles in Pbepabation ANTON P. CHEKHOV Russia’s Greatest Short-Story Writer 1/ BEST RUSSIAN SHORT STORIES COMPILED AND EDITED By THOMAS SELTZER ll |^| BONI AND LIVERIGHT, INC. PUBLISHERS ’. NEW YORK Printed in the United States of America COPYRIGHT, 1917, BY BONI AND LIVERIGHT, INC. JUL 20 !9!7 ©Cl. A 4679 83 ft "V'U'O i. INTRODUCTION CONCEIVE the joy of a lover of nature who, leaving the art galleries, wanders out among the trees and wild flowers and birds that the pictures of the galleries have sen¬ timentalised. It is some such joy that the man who truly loves the noblest in letters feels when tasting for the first time the simple delights of Russian literature. French and English and German authors, too, occasionally, offer works of lofty, simple naturalness; but the very keynote to the whole of Russian literature is simplicity, naturalness, veraciousness. -
6 X 10.5 Long Title.P65
Cambridge University Press 978-0-521-88077-0 - The Cambridge Introduction to Chekhov James N. Loehlin Index More information Index Aleksandrinsky Theatre, xi, 12, 31, Bonaparte, Napoleon, 21 109, 124 Brata, Gaetano Alexander II (Tsar of Russia), x, 17, “Angel’s Serenade”, 87 21–2 Brecht, Bertolt Alexander III (Tsar of Russia), x, xi, 18, The Petit-Bourgeouis Wedding, 65 22, 64 Bromide (dog), 11 Allen, David Brustein, Robert, 109, 147 Performing Chekhov, 175 The Theatre of Revolt, 175, 186 Antoine, André, 32, 59 Bulgakov, Mikhail, 173 Avilova, Lydia, xi, 9, 11, 45, 118 Bunin, Ivan, 90 Badenweiler, xii, 16 Calderon, George, 165 Barrault, Jean-Louis Carver, Raymond The Cherry Orchard (1954), 170–71 “Errand”, 174 Bartlett, Rosamund, xiii, 174 Catherine II (Tsarina of Russia), 20, 31 Anton Chekhov: A Life in Cervantes, Miguel de Letters, 185 Don Quixote, 4 Battleship Potemkin uprising, 18 Ceylon, xi, 10 Beale, Simon Russell, 123 Cheever, John, 174 Beckett, Samuel, 131 Chekhonte, Antosha (pseudonym), x, 6 Molloy, 147 Chekhov, Aleksandr, 3, 4, 6, 13 Waiting for Godot, 33, 135 Chekhov, Anton Belinsky, Vissarion, 163 collections Bely, Andrey, 155 Gloomy People, xi Benchley, Robert In the Twilight, xi, 8 The Treasurer’s Report, 61 Motley Stories, xi, 8 Bentley, Eric, 124 Tales of Melpomene, xi, 32 Bergson, Henri novels “Laughter”, 64 The Shooting Party, xi, 92 Bitsilli, Peter plays Chekhov’s Art: A Stylistic Along the Highway, 58 Analysis, 169 The Bear, xi, 8, 62–63, 69 Blakemore, Michael The Cherry Orchard, xii, 5, 16, 18, Country Life (1994), 174 20, 37, 63, 66, 107, 123, 148–61 Boleslavsky, Richard, 167 The Evils of Tobacco, 61 188 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88077-0 - The Cambridge Introduction to Chekhov James N. -
PDF, 2MB, 175 Pages
The Project Gutenberg EBook of The Extermination of the American Bison, by William T. Hornaday This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Extermination of the American Bison Author: William T. Hornaday Release Date: February 10, 2006 [EBook #17748] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE EXTERMINATION OF THE *** Produced by Chuck Greif, Tony Browne and the Online Distributed Proofreading Team at http://www.pgdp.net SMITHSONIAN INSTITUTION. UNITED STATES NATIONAL MUSEUM. THE EXTERMINATION OF THE AMERICAN BISON. BY WILLIAM T. HORNADAY, Superintendent of the National Zoological Park. Inscription [Pg 366] From the Report of the National Museum, 1886-’87, pages 369-548, and plates I-XXII. WASHINGTON GOVERNMENT PRINTING OFFICE. 1889. [Pg 369] CONTENTS. PREFATORY NOTE PART I.—THE LIFE HISTORY OF THE BISON I. Discovery of the species II. Geographical distribution III. Abundance IV. Character of the species 1. The buffalo’s rank amongst ruminants 2. Change of form in captivity 3. Mounted specimens in museums 4. The calf 5. The yearling 6. The spike bull 7. The adult bull 8. The cow in the third year 9. The adult cow 10. The “Wood” or “Mountain Buffalo” 11. The shedding of the winter pelage V. Habits of the buffalo VI. The food of the buffalo VII. Mental capacity and disposition of the buffalo VIII. -
The Cherry Orchard
The Milwaukee Repertory Theater Presents THE CHERRY ORCHARD BY ANTON CHEKHOV APRIL 17 - MAY 10, 2009 A STUDY GUIDE FOR STUDENTS AND EDUCATORS This study guide is researched and designed by the Education Department at the Milwaukee Repertory Theater and is intended to prepare you for your visit. It contains information that will deepen your understanding of, and appreciation for, the production. We‟ve also included questions and activities for you to explore before and after our performance of THE CHERRY ORCHARD Study Guide Inside This Guide If you would like to schedule a Created By classroom workshop, or if we can Janine Bannier, Synopsis/About the help in any other way, please contact: 2 Education Intern Author and Jenny Kostreva at (414) 290-5370 Historical Context 3 Rebecca Witt, [email protected] Education Who’s Who 4 Coordinator Rebecca Witt at (414) 290-5393 [email protected] An Interview with 5 Edited By Ben Barnes Jenny Kostreva, Education Director Glossary of Terms/ 6 Kristin Crouch, Themes Literary Director Visiting The Rep 8 Page 2 Synopsis THE CHERRY ORCHARD is the story of Madame Ranevskaya, her family and their cherry orchard estate in Russia. The play opens in May, with everyone awaiting the return of Madame Ranevskaya and her daughter Anya from Paris. When they arrive there is much talk of love and happiness between the family members. Unfortunately, the homecoming is not completely happy. Madame Ranevskaya is now in debt and neither she nor her brother, Gayev, have money to pay the mortgage on the estate. If they are unable to pay for the estate by August, it will be auctioned off. -
A Graph-Based Analysis of Anton Chekhov's Uncle Vanya
Journal of Humanistic Mathematics Volume 9 | Issue 2 July 2019 A Graph-Based Analysis of Anton Chekhov’s Uncle Vanya Stanislaw Zawislak University of Bielsko-Biala Jerzy Kopeć University of Bielsko-Biała Follow this and additional works at: https://scholarship.claremont.edu/jhm Part of the Arts and Humanities Commons, and the Mathematics Commons Recommended Citation Zawislak, S. and Kopeć, J. "A Graph-Based Analysis of Anton Chekhov’s Uncle Vanya," Journal of Humanistic Mathematics, Volume 9 Issue 2 (July 2019), pages 157-186. DOI: 10.5642/ jhummath.201902.11 . Available at: https://scholarship.claremont.edu/jhm/vol9/iss2/11 ©2019 by the authors. This work is licensed under a Creative Commons License. JHM is an open access bi-annual journal sponsored by the Claremont Center for the Mathematical Sciences and published by the Claremont Colleges Library | ISSN 2159-8118 | http://scholarship.claremont.edu/jhm/ The editorial staff of JHM works hard to make sure the scholarship disseminated in JHM is accurate and upholds professional ethical guidelines. However the views and opinions expressed in each published manuscript belong exclusively to the individual contributor(s). The publisher and the editors do not endorse or accept responsibility for them. See https://scholarship.claremont.edu/jhm/policies.html for more information. A Graph-Based Analysis of Anton Chekhov’s Uncle Vanya Stanisław Zawiślak Faculty of Mechanical Engineering and Computer Science, University of Bielsko-Biała, POLAND [email protected] Jerzy Kopeć Faculty of Mechanical Engineering and Computer Science, University of Bielsko-Biała, POLAND [email protected] Synopsis We analyze the famous Anton Chekhov play Uncle Vanya by means of graph theory.