Sir Richard Francis Burton Papers: Finding Aid
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The Albanian-American Community in the United States Nadège Ragaru, Amilda Dymi
The Albanian-American Community in the United States Nadège Ragaru, Amilda Dymi To cite this version: Nadège Ragaru, Amilda Dymi. The Albanian-American Community in the United States. Canadian Review of Studies in Nationalism, 2004, 31 (1-2), pp.45-63. hal-01019926 HAL Id: hal-01019926 https://hal-sciencespo.archives-ouvertes.fr/hal-01019926 Submitted on 7 Jul 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Albanian-American Community in the United States : A Diaspora Coming to Visibility 1 Nadège Ragaru and Amilda Dymi * The Albanian-American community in the United States became visible at the time of the NATO intervention in Kosovo in the Spring of 1999. The US government had promised to shelter 20,000 Kosovars expelled from their homeland by Serb-dominated Yugoslav forces (Michael Kranish and Mary Leonard, 1999). As refugees hit American soil, stories of family reunion and community solidarity were told in the local and national press. True, there had been earlier rallies in Washington organized by Albanian-American organizations that had hinted at the wish, on the part of the Albanian immigrants, to weigh upon US foreign policy towards the Balkans. -
The Copa: an Introduction and Commentary
THE COPA: AN INTRODUCTION AND COMMENTARY by FRANCES J. GRUENEWALD B.A., University of British Columbia, 1972 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1975 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date AlfJL 3L<\t /<?7S. ABSTRACT The purpose of this thesis is two-fold: firstly, to make a general study of the Copa with a view to determining, as far as is possible, its authorship and date, and,secondly, to attempt a detailed exegesis of its contents. The first Chapter contains an introduction to the MSS tradi• tion of the Appendix Vergiliana, and a brief discussion of the statements of Donatus and Servius concerning Vergilian authorship of the poems. In Chapter 2 the question of the authorship of the Copa is considered. The views of various scholars, who use as tests of authenticity studies of content and style, vocabulary, metre and parallel passages, are discussed. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
Sulayman Al-Bassam's Richard III and Political Theatre
From Summit to Tragedy: Sulayman Al-Bassam’s Richard III and Political Theatre GRAHAM HOLDERNESS Richard III is one of Shakespeare’s best-known characters, a familiarity independent of the history plays, Henry VI and Richard III, in which he appears.1 This celebrity has less to do with Richard’s historical reputation, and more with the way in which great actors of the nineteenth and twentieth centuries gave the role status and popular visibility, particularly perhaps via Laurence Olivier’s 1955 fi lm version.2 Just as Hamlet is automatically identifi able by black suit and prop skull, Richard is immediately recognisable by his legendary deformity (mandatory hump, optional limp), and by the famous opening line of his initial soliloquy: ‘Now is the winter of our discontent’. The phrase has also, of course, escaped from Richard, as he escapes from the play: it was much used in Britain during the successive years of bitter labour dispute in the early 1970s, becoming inseparable from an environment of strikes, picket lines and power cuts. But it still belongs to Richard. When Peter Sellers guested on The Muppet Show, he delivered ‘the soliloquy from Richard III’ (with a distinct resemblance to Olivier), ‘whilst (and at the same time) playing tuned chickens’.3 Spectators of Sulayman Al-Bassam’s adaptation of Richard III, An Arab Tragedy, performed at the Swan Theatre in Stratford in February 2007, encounter from the outset an immediate disruption of convention and expectation, since the fi rst person on the stage, the fi rst to speak, is not Richard at all, but a woman, Queen Margaret. -
'In the Footsteps of the Ancients'
‘IN THE FOOTSTEPS OF THE ANCIENTS’: THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI Ronald G. Witt BRILL ‘IN THE FOOTSTEPS OF THE ANCIENTS’ STUDIES IN MEDIEVAL AND REFORMATION THOUGHT EDITED BY HEIKO A. OBERMAN, Tucson, Arizona IN COOPERATION WITH THOMAS A. BRADY, Jr., Berkeley, California ANDREW C. GOW, Edmonton, Alberta SUSAN C. KARANT-NUNN, Tucson, Arizona JÜRGEN MIETHKE, Heidelberg M. E. H. NICOLETTE MOUT, Leiden ANDREW PETTEGREE, St. Andrews MANFRED SCHULZE, Wuppertal VOLUME LXXIV RONALD G. WITT ‘IN THE FOOTSTEPS OF THE ANCIENTS’ ‘IN THE FOOTSTEPS OF THE ANCIENTS’ THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI BY RONALD G. WITT BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Witt, Ronald G. ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. Witt. p. cm. — (Studies in medieval and Reformation thought, ISSN 0585-6914 ; v. 74) Includes bibliographical references and indexes. ISBN 9004113975 (alk. paper) 1. Lovati, Lovato de, d. 1309. 2. Bruni, Leonardo, 1369-1444. 3. Latin literature, Medieval and modern—Italy—History and criticism. 4. Latin literature, Medieval and modern—France—History and criticism. 5. Latin literature, Medieval and modern—Classical influences. 6. Rhetoric, Ancient— Study and teaching—History—To 1500. 7. Humanism in literature. 8. Humanists—France. 9. Humanists—Italy. 10. Italy—Intellectual life 1268-1559. 11. France—Intellectual life—To 1500. PA8045.I6 W58 2000 808’.0945’09023—dc21 00–023546 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Witt, Ronald G.: ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. -
Marriage Between the Irish and English of Fifteenth-Century Dublin, Meath, Louth and Kildare
Intermarriage in fifteenth-century Ireland: the English and Irish in the 'four obedient shires' Booker, S. (2013). Intermarriage in fifteenth-century Ireland: the English and Irish in the 'four obedient shires'. Proceedings of the Royal Irish Academy: Section C, Archaeology, Celtic Studies, History, Linguistics, Literature, 113, 219-250. https://doi.org/10.3318/PRIAC.2013.113.02 Published in: Proceedings of the Royal Irish Academy: Section C, Archaeology, Celtic Studies, History, Linguistics, Literature Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2013 Royal Irish Academy. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:25. Sep. 2021 Intermarriage in fifteenth century Ireland: the English and Irish in the ‘four obedient shires’ SPARKY BOOKER* Department of History and Humanities, Trinity College Dublin [Accepted 1 March 2012.] Abstract Many attempts have been made to understand and explain the complicated relationship between the English of Ireland and the Irish in the later middle ages. -
Constructed Languages: ESPERANTO
Journal of Modern Education Review, ISSN 2155-7993, USA October 2015, Volume 5, No. 10, pp. 1017–1025 Doi: 10.15341/jmer(2155-7993)/10.05.2015/011 © Academic Star Publishing Company, 2015 http://www.academicstar.us Constructed Languages: ESPERANTO Sevda Huseynova Sohrab (Qafqaz University, Azerbaijan) Abstract: “What is language!?” The question has been answered differently at different times. V. Humbolt, A. Shleykher, H. Shteyntal, G. Paul, and other linguists put forward various considerations about the language. Language is creative and productive by nature, a person using it can set up an infinite number of sentences and express thoughts. Throughout history, numerous languages seriously impeeded the development of relations between people. People have searched ways for getting out of this problem. As a result, the idea of creating a universal world language has occurred. Universal world language refers to a language which can be easily understood by all individuals of different nations. As a way of solving this problem, linguists have proposed to create a substituting constructed language. The most common constructed language is Esperanto. This language posses simple phonetic, grammatical, lexical structure. The language created by Zamenhof can be studied and remembered easily. According to historical facts, Esperantists (Esperanto-language speakers) established a country called Amikejo. They even celebrate The World Esperanto Day as a holiday once a year. Key words: linguists, universal world language, constructed language, Esperanto, Zamenhof, Esperantist, Amikejo 1. Introduction “What is language!?” The question has been answered differently at different times. V. Humbolt, A. Shleyher, H. Shteyntal, A. A. Potebnya, G. Paul, F. F. Fortunatov, I. -
From Mocha Dick to Moby Dick: Fishing for Clues to Moby's Name and Color
From Mocha Dick to Moby Dick: Fishing for Clues to Moby's Name and Color Ben Rogers University of Delaware Melville's fictional whale Moby Dick appears to derive from the real whale Mocha Dick, yet the differences in names and colors between these two suggest that Moby's name may be intimately connected to his symbolic role. One meaning of mob is 'to wrap in a cowl or veil'. Creating an adjective by adding -y produces moby 'having the qualities of being hooded, especially about the head', a definition reflected in Ishmael's "grand hooded phantom." Dick may be a shortening of Dickens, a euphemism for the devil. Dick may also suggest Dicky 'an officer acting on commission', an appropriate meaning for Ahab' s and Starbuck's conception of Moby as God or an agent of God. Lexicons available to Melville reveal the meaning of the name and illuminate the characteriza- tion of Moby as both commodity and Zeus of the sea, both "dumb brute" and divine Leviathan. The 1929 discovery of a narrative about a white whale named Mocha Dick began 70 years of speculation as to the extent of Mocha as Moby's prototype. The narrative, written by J.R. Reynolds in 1839, described a "renowned monster, who had come off victorious in a hundred fights ... [and was] white as wool." Typical of the reaction of literary critics at the time was Garnett's remark that "Moby Dick ... was but Mocha Dick in faery fiction dressed" (1929, 858). Critical editions of Moby-Dick often include the Reynold's narrative and today scholars generally agree that Melville probably knew of Mocha.1 The obvious sibling qualities of the two whales has tended to center onomastic study on the name Mocha Dick, and subsequent research has attempted to demonstrate that Melville knew of Mocha Dick or, assuming this, to explain why Mocha changed to Moby. -
Table of Contents
Electronic Antiquity 12.2 (May 2009) Article: Foulmouthed Shepherds: Sexual Overtones As a Sign of Urbanitas in Virgil’s Bucolica 2 and 3 Stefan van den Broeck [PDF 2.7 MB] [email protected] Reviews: Efstratios Sarischoulis, Schicksal, Götter und Handlungsfreiheit in den Epen Homers (Fate, Gods and the Freedom of Action in the Epic Poems of Homer). Franz Steiner Verlag Stuttgart, 2008. ISBN: 3515091688. 312pp. Reviewed by Lucas Fassnacht [PDF 109 KB] Friedrich-Alexander-Universität Erlangen, Germany [email protected] Genevieve Liveley and Patricia Salzman-Mitchell (eds.), Latin Elegy and Narratology: Fragments of Story (Columbus: Ohio State University Press, 2008), ISBN 0814204066. xiii + 288pp. Reviewed by Ian Fielding [PDF 333 KB] University of Warwick and University of Wisconsin-Madison ([email protected]) Gendered Dynamics in Latin Love Poetry, eds. Ronnie Ancona and Ellen Greene. Baltimore: Johns Hopkins University Press, 2005. ISBN: 0801881986. 384pp. Reviewed by Hunter H. Gardner [PDF 183 KB] University of South Carolina [email protected] A Brief History of Ancient Astrology, by Roger Beck. Blackwell, 2007. ISBN 1-4051-1074-0. xiii + 159pp; Fig. 10, Tab. 4. Reviewed byJohn M. McMahon [PDF 261 KB] Le Moyne College [email protected] A History of the Later Roman Empire AD 284-641. The Transformation of the Ancient World, by Stephen Mitchell. Blackwell History of the Ancient World. Blackwell Publishing, 2007. ISBN: 1405108568. 469pp. Reviewed by Charles F Pazdernik [PDF 247 KB] Grand Valley State University [email protected] 1 FOULMOUTHED SHEPHERDS: SEXUAL OVERTONES AS A SIGN OF URBANITAS IN VIRGIL’S BUCOLICA 2 AND 3 Stefan van den Broeck [email protected] Abstract: This article argues that Virgil introduced sexual overtones, an urbane motif par excellence, in Bucolica 2 and 3 – the oldest of his bucolic poems - to forestall criticism from his intended audience: the Poetae Novi and their aficionados, who would have regarded bucolic poetry – however unjustly – as ‘rustic’. -
Chapter 1 the Traffic in Obscenity
Notes Chapter 1 The traffic in obscenity 1 John Ashcroft, Remarks, Federal Prosecutors’ Symposium on Obscenity, National Advocacy Center, Columbia, SC (6 June 2002); Report from the Joint Select Committee on Lotteries and Indecent Advertisements (London: Vacher & Sons, 1908). 2 Steven Marcus, The Other Victorians: A Study of Sexuality and Pornography in Mid-Nineteenth-Century England (New York: Basic, 1964). 3 The earliest legal term for this print crime in Britain was obscenity, and I therefore prefer it to more recent terminology. 4 Michel Foucault, The Archaeology of Knowledge, 1969, trans. A. M. Sheridan Smith (London: Routledge, 2001). 5 Society for the Suppression of Vice (London: S. Gosnell, 1825), 29. 6 Robert Darnton, The Forbidden Best-Sellers of Pre-Revolutionary France (New York: Norton, 1995); Jay David Bolter and Richard Grusin, Remediation: Understanding New Media (Cambridge: MIT, 1999); Lisa Gitelman and Geoffrey B. Pingree eds, New Media, 1740–1914 (Cambridge, MA: MIT 2003); and David Thorburn and Henry Jenkins, eds, Rethinking Media Change: The Aesthetics of Transition (Cambridge, MA: MIT Press, 2003). 7 Anthony Giddens, Runaway World: How Globalization is Reshaping Our Lives (New York: Routledge, 2002), 1. 8 Jean Baudrillard, The Ecstasy of Communication, ed. Sylvère Lotringer, trans. Bernard and Caroline Schutze (Paris: Editions Galilée, 1988), 22, 24. 9 Laurence O’Toole, Pornocopia: Porn, Sex, Technology and Desire (London: Serpent’s Tale, 1999), 51. 10 Baudrillard, The Ecstasy, 24. 11 Edward Said, Orientalism (New York: Vintage, 1979), 87. 12 Saree Makdisi, Romantic Imperialism: Universal Empire and the Culture of Modernity (Cambridge: Cambridge University Press, 1998), 128. 13 Thomas Pakenham, The Scramble for Africa, 1876–1912, 1991 (London: Abacus, 2001), 140, 122. -
L'enfer at the Bibliothèque Nationale De France
English L’Enfer at the Bibliothèque Nationale de France Marie-Françoise Quignard Honorary Curator, Réserve des livres rares, Bibliothèque Nationale de France Various source media, Archives of Sexuality and Gender: L’Enfer at the Bibliothèque Nationale de France L’Enfer at the Bibliothèque Nationale de France the obscene equivalents of the characters’ names are revealed. Published in 1728, it symbolised the archetype of This essay has been translated from the original French. the licentious novel that, to thwart the censors, did not include the names of the author or printer and gave a │By Marie-Françoise Quignard, Honorary Curator at the Réserve des livres rares, Bibliothèque Nationale de France│ fictitious place of publication. The choice of the term Enfer (‘Hell’) to refer to a part of a library’s collection is not insignificant. To begin with, it was used in 1652 at the Feuillants Convent in Paris, to set aside heterodox books, i.e. those not following Roman Catholicism. At the French royal library, the Enfer classification was accorded in the late 1830s to books considered “contrary to public morality”. Their relegation to this classification, which is everything it sounds like, was not a decision made by the political movers and shakers of the time, i.e. the July Monarchy, but was down to the institution, at a time when the library was opening to a wider audience. Unlike the Private Case at the British Library, Enfer is not a closed collection. It continues to grow, even if only now with the addition of a limited selection of erotic and pornographic publications, other classifications having taken over. -
Sir Richard Francis Burton Kenneth Foushee Western Kentucky University
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects 1-1-1989 Sir Richard Francis Burton Kenneth Foushee Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the History Commons Recommended Citation Foushee, Kenneth, "Sir Richard Francis Burton" (1989). Honors College Capstone Experience/Thesis Projects. Paper 69. http://digitalcommons.wku.edu/stu_hon_theses/69 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. • SIR RICHARD FRANCIS BURrow {irl t-iCtriC,r"~::; EssE'."-/ F'r-es:.eni:ed to the Faculty of the Department uf History L'Je::.t.E'I'·n I<I-:?n"lucky Uni ver-::·i ty Eknr.Jlinr..:J GI'-€?en~ I<:eld:u.ck·y' b·y' V(;?rlrlF,Lh F·C:IU:~hE'e IVi i:<.y 1. 'oj' E 1.1 TABLE OF CONTENTS 1 I I hITF:;:DDUCT I 01\1 n .. n n :l .. E(iEL.\i L IFE .. n n " :::!;. I ll-..IE: BCWlb?Yl Ar;:i'i\'" " •• •" •• 1. (i. 18 MEDINA, MECCA, AND HARRAR n • I FROM THE CRIMEA TO THE NILE " ··· .. · 29 .. 38 I MARRIAGE: POLYGAMOUS AND MONOGAMOUS n . fHE ROAD TO DAMASCUS--VIA BRAZIL · 46. TO TRIEbTE n • .. • • .. n ~i::i. 60 I THE ARABIAN NIGHTS ··· .. ········ ·· . Ol\l BUF(!"OI\I n .. n •• .. ••• .. ••• • .. h7 .. B1BL I OGF~APH\! .. .. .. .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .. .. .. 6fJ n --_._----. I NfFODUCl":r.